Royal Entry
Encyclopedia
The Royal Entry, also known by various other names, including Triumphal Entry and Joyous Entry
, embraced the ceremonial and festivities accompanying a formal entry by a ruler or his representative into a city in the Middle Ages
and Early Modern Period
in Europe. The entry centred on a procession carrying the entering prince into the city, where he was greeted and paid appropriate homage by the civic authorities. A feast and other celebrations would follow.
From the late Middle Ages
entries became the occasion for increasingly lavish displays of pageantry
and propaganda
. The devising of the iconography
, aside from highly conventional patterns into which it quickly settled, were selected with scrupulous care on the part of the welcoming city by the most learned, who would be associated with the chapter of the cathedral, or with the university or the courtly academy, or were drawn from the entourage of the honoree. Many of the greatest artists, writers and composers of the period were involved, with some artists spending significant parts of their time creating temporary decorations, of which little record usually now survives, at least from the early period.
s. The first visit by a new ruler was normally the occasion. For the capital they often merged with the Coronation
festivities, and for provincial cities they replaced it.
The contemporary account from Galbert of Bruges
of the unadorned "Joyous Advent" of a newly installed Count of Flanders
into "his" city of Bruges, in April 1127, shows that in the initial stage, undisguised by fawning and triumphalist imagery that came to disguise it, an Entry was similar to a parley
, a formal truce between the rival powers of territorial magnate and walled city, in which reiteration of the city's "liberties" in the medieval sense, that is its rights and prerogatives, were set out in clear terms and legitimated by the presence of saintly relics
:
The procession of a new Pope to Rome was known as a possesso. During the Hundred Years' War
, the entry of the ten-year-old Henry VI of England
, to be crowned king of France in Paris, 2 December 1431, was marked with great pomp and heraldic propaganda. Outside the city he was welcomed by the mayor in a blue velvet houppelande
, his retinue in violet with scarlet caps, and representatives of the Parlement de Paris in red trimmed with fur. At the porte Saint-Denis the royal party were greeted with a grand achievement of the French arms that Henry claimed, gold fleurs de lis on an azure ground. The king was offered large red hearts, from which doves were released, and a rain of flowers pelted the procession. At the symbolic gateway, a canopy of estate embroidered with more gold lilies was erected over the young king, who was carried in a litter supported on six lances carried by men dressed in blue. Through the city there were welcoming pageants and allegorical performances: before the Church of the Innocents, a forest was erected, through which a captured stag was released and "hunted".
A ruler with a new spouse would also receive an Entry. The entry of Queen Isabeau of Bavaria
into Paris in 1389 was described by the chronicler Froissart. The Entries of Charles IX of France
and his Habsburg queen, Elizabeth of Austria, into Paris, March 1571, had been scheduled for Charles alone in 1561, for the entrate were typically celebrated towards the beginning of a reign, but the French Wars of Religion
had made such festivities inappropriate, until the peace that followed the Peace of Saint-Germain-en-Laye signed in August 1570. Until the mid-14th century, the occasions were relatively simple. The city authorities waited for the prince and his party outside the city walls, and after handing over a ceremonial key with a "loyal address" or speech, and perhaps stopping to admire tableaux vivants
such as those that were performed at the entry into Paris of Queen Isabeau of Bavaria
, described in detail by the chronicler Froissart, conducted him through the streets which were transformed with colour, with houses on the route hanging tapestries and embroideries or carpets or bolts of cloth from their windows, and with most of the population lining the route. At Valladolid in 1509
Heraldic displays were ubiquitous: at Valladolid in 1509, the bulls in the fields outside the city were caparisoned with cloths painted with the royal arms and hung with bells.
Along the route the procession would repeatedly halt to admire the set-pieces embellished with motto
es and pictured and living allegories, accompanied by declamations and the blare of trumpets and volleys of artillery. The procession would include members of the three Estates, with the nobility and gentry of the surrounding area, and the clergy and guild
s of the city processing behind the prince. From the mid-14th century the guild members often wore special uniform clothes, each guild choosing a bright colour; in Tournai
in 1464 three hundred men wore large embroidered silk fleur de lys
(the royal badge) on their chests and backs, at their own expense. The prince reciprocated by confirming, and sometimes extending, the customary privileges of the city or a local area of which it was the capital. Usually the prince also visited the cathedral to be received by the bishop and confirm the privileges of the cathedral chapter
also. There a Te Deum
would be customary, and music written for the occasion would be performed
and pageantry. Initially these were on religious themes, but "gradually these tableaux developed, through the fifteenth and into the sixteenth century, into a repertory of archways and street-theatres which presented variants of a remarkably consistent visual and iconographical vocabulary." Fortune with her wheel, Fame and Time, the seven Virtues, both Christian and Classical, and the Nine Worthies
and other Classical, Biblical and local heroes, among whose number the honorand was now to be counted. As the tradition developed, the themes became more specific, firstly stressing the legitimacy of the prince, and his claim by descent, then setting before him the princely virtues and their rewards, which especially included the benefits to him of encouraging prosperous cities and provinces.
The procession might pause for allegorical figures to address it, or pass beside a genealogical tree
or under a temporary classical-style triumphal arch
with either painted figures or posed actors perching on it, standing in for statuary in the case of arches. A surprising amount of public nudity seems to have been acceptable on these occasions, and figures of both sexes are often described as naked - Charles the Bold of Burgundy had a Judgement of Paris
acted out for him in the street in Lille
in 1468. Still more elaborate entertainments began to be staged during or after the civic feast, and by the mid-17th century these could be as spectacular as the staged naval battles, masque
s, opera
s and ballet
s that courts staged for themselves. The court now often had a major role in both designing and financing entries, which increasingly devoted themselves to the glorification of the absolute monarch as hero, and left the old emphasis on his obligations behind; "any lingering possibilities of its use as a vehicle for dialogue with the middle classes vanished". At the third "triumph" at Valladolid in 1509, a lion holding the city's coat-of-arms shattered at the King's arrival, revealing the royal arms: the significance could not have been lost, even on those unable to hear the accompanying declamation. During the 16th century, at dates differing widely by location, the tableau vivant
was phased out and mostly replaced by painted or sculpted images, although many elements of street-theatre persisted, and small masque
s or other displays became incorporated into the progammes. The entry in 1514 of Mary Tudor to Paris, as Louis XII's new Queen, was the first French entry to have a single organizer; ten years before Anne of Brittany
's entry had been "largely medieval", with five stops for mystery play
s in the streets.
's encyclopedic introduction to all one needed to know of the arts, On the Wedding of Philology and Mercury and of the Seven Liberal Arts. With the revival of Classical learning, Italian entries became influenced by literary descriptions of the Roman triumph
. Livy
's account was supplemented by detailed descriptions in Suetonius
and Cassius Dio of Nero's Greek Triumph, and in Josephus
of the Triumph of Titus. More recherché sources were brought to bear; Aulus Gellius
' Noctes Atticae furnished a detail that became part of the conventional symbolism: coronation with seven crowns. Boccaccio's long poem Amorosa visione (1342–43), following the schema of a triumph, offered a parade of famous personages, both historical and legendary, that may have provided a model for Petrarch
, who elaborated upon Livy in an account of the triumph of Scipio Africanus
and in his poem I Trionfi. Castruccio Castracani
entered Lucca
in 1326 riding in a chariot, with prisoners driven before him. Alfonso V of Aragon
entered Naples
in 1443 seated on a triumphal car under a baldachin
, as is shown by a surviving bas-relief on the earliest, and still perhaps the most beautiful, permanent post-classical Triumphal arch
, which he built the same year. In Italian, specific meanings developed for trionfo as both the whole procession, and a particular car or cart decorated with a display or tableau; although these usages did not spread exactly to other languages, they lie behind terms such as "triumphal entry" and "triumphal procession".
The emphasis began to shift from the displays as static tableaux that were passed by a procession in festive but normal contemporary dress, to the displays' being incorporated in the procession itself, a feature also of the religious medieval pageant; the tableaux were mounted on carri, the precursors of the float, and were now often accompanied by a costumed throng. The carnival
parades of Florence that were refined to a high pitch in the late quattrocento set a high standard; they were not without a propaganda element at times, as in the lavish parades of Carnival 1513, following the not-universally welcomed return of the Medici the previous year; the theme of one pageant, more direct than subtle: The Return of the Golden Age. With the French invasions of Italy from 1494, this form of entry spread north. Cardinal Bibbiena reported in a letter of 1520 that the Duke of Suffolk had sent emissaries to Italy to buy horses and bring back to Henry VIII of England
men who knew how to make festal decorations in the latest Italian manner.
Charles V was indulged in a series of Imperial entrate in Italian cities during the Habsburg consolidation after the Sack of Rome
, notably in Genoa, where Charles and his heir Philip made no less than five triumphal entries. Impressive occasions like Charles V's Royal Entry into Messina in 1535 have left few concrete survivals, but representations were still being painted on Sicilian wedding-carts in the 19th century.
After Mantegna
's great mural of the Triumphs of Caesar
rapidly became known throughout Europe in numerous versions in print
form, this became the standard source, from which details were frequently borrowed, not least by Habsburg rulers, who especially claimed the Imperial legacy of Rome. Although Mantegna's elephants were difficult to copy, chained captives, real or acting the part, were not, and elaborate triumphal carts, often pulled by "unicorn
s" might replace the earlier canopy held over the prince on horseback. The woodcut
s and text of the Hypnerotomachia Poliphili
of 1499 were another well-known source, and Petrarch's I Trionfi was printed in many illustrated editions; both were works of mythological allegory, with no obvious political content. Entries became displays of conspicuous learning, often with lengthy Latin addresses, and the entertainments became infused with matter from the abstruse worlds of Renaissance emblem
s and hermeticism
, to which they were very well suited. In the world of Renaissance Neo-Platonism, the assertion and acting-out of the glory and power of the prince might actually bring it about.
A precocious example of the Entrata with a consistent and unified allegorical theme was the Entry of Medici pope Leo X
into Florence, November 1515. All the city's artistic resources were drawn upon to create this exemplary Entry, to a planned programmeperhaps devised by the historian Jacopo Nardi
, as Vasari
suggested; the Seven Virtues represented by seven triumphal arches at stations along the route, the seventh applied as a temporary façade to the Duomo, Santa Maria del Fiore, which still lacked a permanent one.
, tension became a permanent condition, and most Entries contained a sectarian element. After about 1540 French enties and Habsburg ones in the Low Countries
were especially freighted with implication, as the rulers' attempts to suppress Protestantism brought Protestant and Catholic populations alike to the edge of ruin. But initially this increased the scale of displays, whose message was now carefully controlled by the court.
This transformation happened much earlier in Italy than in the North, and a succession of entries for Spanish Viceroys to the blockaded city of Antwerp, once the richest in Northern Europe and now in steep decline, were "used by the city fathers to combine increasingly eulogistic celebrations of their Habsburg rulers with tableaux to remind them of the commercial ruin over which they presided." The Pompa Introitus of the Cardinal-Infante Ferdinand
into Antwerp in 1635, devised by Gaspar Gevartius and carried out under the direction of Rubens, was made unmistakably pointed, and included a representation of the god of commerce, Mercury
, flying away, as a lamenting figure representing Antwerp points at him and looks imploringly out at the Viceroy, whilst beside her lie a sleeping sailor and a river god, representing the wrecked trade of the city from the blockading of the river Scheldt
. Eventually the Viceroy managed to obtain the lifting of the ban on trade with the Indies
which the entry had represented as Antwerp's only hope of escaping ruin; but by then the Spanish had agreed to the permanent blockade of the river.
In 1638, the occasion of the French queen mother Marie de Medici's triumphal entry into Amsterdam
lent de facto international recognition of the newly formed Dutch Republic
, though she actually traveled to the Netherlands as an exile. Spectacular displays and water pageants took place in the city's harbor; a procession was led by two mounted trumpeters; a large temporary structure erected on an artificial island in the Amstel River was built especially for the festival. This building was designed to display a series of dramatic tableaux
in tribute to her once she set foot on the floating island and entered its pavilion
. The distinguished poet and classicist Caspar Barlaeus
wrote the official descriptive booklet, Medicea Hospes, sive descriptio publicae gratulationis, qua ... Mariam de Medicis, excepit senatus populusque Amstelodamensis. Published by Willem Blaeu, it includes two large folding engraved views of the ceremonies.
revolted against the French who had conquered them in 1499, and restored their Republic
. Louis XII of France
defeated the Genoan army outside the city, which then agreed a capitulation, including an entry which was followed by the execution of the Doge
and other leaders of the revolt. The gestural content was rather different from a peaceful entry; Louis entered in full armour, holding a naked sword, which he struck against the portal as he entered the city, saying "Proud Genoa! I have won you with my sword in my hand". Charles V entered Rome
in splendour less than three years after his army had sacked the city
. The famously troublesome citizens of Ghent
revolted against Philip the Good in 1453
and Charles V in 1539
, after which Charles arrived with a large army and was greeted with an entry. A few weeks later he dictated the programme of a deliberately humiliating anti-festival, with the burghers coming barefoot with nooses round their necks to beg forgiveness from him which, after imposing a huge fine, he consented to do. The entries of Charles and his son Philip in 1549 were followed the next year by a ferocious anti-Protestant edict that began the repression that led to the Revolt of the Netherlands
, in the course of which Antwerp was to suffer a terrible sack
in 1576 and a long siege
in 1584-85, which finally ended all prosperity in the city.
Florence, to transfer festivities involving the monarch into the private world of the court. The intermezzi
developed in Florence, the ballet de cour that spread from Paris, the English masque
, and even elaborate equestrian ballets all increased as entries declined. In 1628, when Marie de' Medici commissioned from Rubens a Triumphal Entry of Henri IV into Paris, it was for a suite of grand decorations for her own palace, the Luxembourg; Rubens did not recreate historic details of the 1594 Royal Entry, but overleapt them to render the allegory itself (illustration).
The cultural atmosphere of Protestantism was less favourable to the Royal Entry. In the new Dutch Republic entries ceased altogether. In England, part of the Accession Day festivities
in 1588, following the defeat of the Spanish Armada
were especially joyous and solemn. Delaying the event a week to 24 November, Elizabeth rode in triumph, "imitating the ancient Romans" from her palace of Whitehall
in the city of Westminster
to enter the city of London
at Temple Bar
. She rode in a chariot
The Earl of Essex
followed the triumphal car, leading the caparisoned and riderless horse of estate, followed by the ladies of honour. The windows of houses along the procession route up the Strand
were hung with blue cloth. At Temple Bar, the official gate to the City, there was music and the Lord Mayor handed over the mace and received it again. In a "closet" constructed for the occasion, the Queen heard a festive service celebrated by fifty clergymen at St. Paul's Cathedral and returned in a torchlit procession in the evening.
Nevertheless, the entry of James I into London in 1604 was the last until the Restoration
of his grandson in 1660, after the English Civil War
. The court of Charles I intensified the scale of private masque
s and other entertainments, but the cities, increasingly at odds with the monarchy, would no longer play along. The Duchy of Lorraine, a great centre of all festivities, was swallowed up in the Thirty Years War, which left much of Northern and Central Europe in no mood or condition for celebrations on the old scale. In France the concentration of power in royal hands, begun by Richelieu, left city elites distrustful of the monarchy, and once Louis XIV succeeded to the throne, royal progresses stopped completely for over fifty years; in their place Louis staged his elaborate court fête
s, redolent of cultural propaganda, which were memorialised in sumptupously illustrated volumes that the Cabinet du Roi placed in all the right hands.
Changes in the intellectual climate meant the old allegories no longer resonated with the population. The assassinations of both Henry III
and Henry IV of France
, of William the Silent
and other prominent figures, and the spread of guns, made rulers more cautious about appearing in slow-moving processions planned and publicised long in advance; at grand occasions for fireworks and illuminations, rulers now characteristically did no more than show themselves at a ceremonial window or balcony. The visit of Louis XVI to inspect the naval harbour works at Cherbourg in 1786 seems, amazingly, to have been the first French entry of a King designed as a public event since the early years of Louis XIV well over a century before. Though considered a great success, this was certainly too little and too late to avoid the catastrophe awaiting the French monarchy.
Ideologues of the French Revolution
took the semi-private fête of the former court and made it public once more, in events like the Fête de la Raison. Under Napoleon, the Treaty of Tolentino
(1797) requisitioned from the Papacy a mass of works of art, including most of the famous sculptures of Roman antiquity in the Vatican. A Joyous Entry under the name of a fête was arranged for the arrival of the cultural loot in Paris, the carefully prepared Fête de la Liberté of 1798. With the increased sense of public security of the 19th century, Entries became grander again, on such occasions as the Visit of King George IV to Scotland
, where medieval revivalism makes its first appearance, along with much Highland
romanticism, Queen Victoria's visits to Dublin and elsewhere, or the three Delhi Durbar
s. On these occasions, though ceremonial acts remained meaningful, overt allegories never regained the old prominence, and the decorations receded into festive, but simply decorative affairs of flags, flowers and bunting
, the last remnant of the medieval show of rich textiles along the processional route.
Today, though many parade
s and procession
s have quite separate, independent origins, civic or republican equivalents of the Entry continue, including Victory parade
s, It is not frivolous to add that the specific occasion of the contemporary American Thanksgiving Day Parade
or the Santa Claus parade
is the triumphal entry into the city of Santa Claus
in his sleigh.
, Leonardo da Vinci
, Albrecht Dürer
, Holbein
, Andrea del Sarto
, Perino del Vaga, Polidoro da Caravaggio, Tintoretto
, Veronese
and Rubens
. For some court artists, such as Inigo Jones
or Jacques Bellange
, it seems to have been their major occupation, and both Giulio Romano
and Giorgio Vasari
were very heavily engaged in such work. Composers from Lassus and Monteverdi to John Dowland
, and writers such as Tasso
, Ronsard, Ben Jonson
and Dryden
also contributed. Shakespeare does not seem to have written anything for such an occasion, but with Jonson he was one of a group of twenty gentlemen processing in The Magnificent Entertainment, as the published record called the first entry of James I of England
into London. Festival Book
Art historians also detect the influence of the tableau in many paintings, especially in the late Middle Ages, before artists had trained themselves to be able to develop new compositions readily. In the Renaissance, artists were often imported from other cities to help with, or supervise, the works, and entries probably helped the dissemination of styles.
s or engraving
s showing the various tableaux, often including a fold-out panorama of the procession, curling to and fro across the page. The pamphlets were ephemera themselves; a printed description of two leaves describing the entry of Ferdinand into Valladolid, 1513, survives in a single copy (at Harvard) because it was bound with another text. A lost description of the ceremonious reception given by Louis XII to Ferdinand at Savona (June 1507) is only known from a purchase receipt of Ferdinand Columbus.
These livrets are not always to be trusted as literal records; some were compiled beforehand from the plans, and others after the event from fading memories. The authors or artists engaged in producing the books had by no means always seen the entry themselves. Roy Strong finds that they are "an idealization of an event, often quite distant from its reality as experienced by the average onlooker. One of the objects of such publications was to reinforce by means of word and image the central ideas that motivated those who conceived the programme." One Habsburg entry was all but called off because of torrential rain, but the book shows it as it should have been. Thomas Dekker, the playwright and author of the book on The Magnificent Entertainment for James I is refreshingly frank:
The Holy Roman Emperor, Maximilian I
, went a step further, creating enormous virtual triumphs that existed solely in the form of print. The Triumphs of Maximilian (begun in 1512 and unfinished at Maximilian's death in 1519) contains over 130 large woodcuts by Dürer and other artists, showing a huge procession (still in open country) culminating in the Emperor himself, mounted on a huge car. The Triumphal Arch (1515), the largest print ever made, at 3.57 x 2.95 metres when the 192 sheets are assembled, was produced in an edition of seven hundred copies for distribution to friendly cities and princes. It was intended to be hand-coloured and then pasted to a wall. Traditional tableau themes, including a large genealogy, and many figures of Virtues, are complemented by scenes of Maximilian's life and military victories. Maximilian was wary of entries in person, having been locked up by his loyal subjects in Bruges
in 1488 for eleven weeks, until he could pay the bills from his stay.
An early meeting between the Festival book with travel literature is the account of the visit in 1530 of the future Ferdinand I, Holy Roman Emperor
, then King of Hungary
and Bohemia
to Constantinople
.
and at Mexico City
; on the way, the ceremonial entry at the "second city", Puebla de los Ángeles
, which were presented as late as 1696, served to promote an elite that self-identified strongly with Spain, and incurred expenses, which were borrowed from the ecclesiastic cabildo
, that exceeded the annual income of the city. Printed commemorative pamphlets spelled out in detail the elaborately artificial allegories and hieroglyphic emblems of the Entry, often drawn from astrology, in which the Viceroy would illuminate the city as the sun. In the 18th century, the Bourbon transformation of entrées into semi-private fêtes extended to Spanish Mexico: "While the event continued to be extravagant under Bourbon rule, it became more privatized and took place to a larger degree indoors, losing its street theater flavor and urban processional character."
Joyous Entry
A Joyous Entry was a local name used for the royal entry - the first official peaceable visit of a reigning monarch, prince, duke or governor into a city - mainly in the Duchy of Brabant or the County of Flanders and occasionally in France, Luxembourg or Hungary, often coinciding with...
, embraced the ceremonial and festivities accompanying a formal entry by a ruler or his representative into a city in the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
and Early Modern Period
Early modern period
In history, the early modern period of modern history follows the late Middle Ages. Although the chronological limits of the period are open to debate, the timeframe spans the period after the late portion of the Middle Ages through the beginning of the Age of Revolutions...
in Europe. The entry centred on a procession carrying the entering prince into the city, where he was greeted and paid appropriate homage by the civic authorities. A feast and other celebrations would follow.
From the late Middle Ages
Late Middle Ages
The Late Middle Ages was the period of European history generally comprising the 14th to the 16th century . The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern era ....
entries became the occasion for increasingly lavish displays of pageantry
Pageantry
Pageantry is a colorful display, as in a pageant. It may refer to:*Beauty pageant*Drag pageantry*Medieval pageant...
and propaganda
Propaganda
Propaganda is a form of communication that is aimed at influencing the attitude of a community toward some cause or position so as to benefit oneself or one's group....
. The devising of the iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
, aside from highly conventional patterns into which it quickly settled, were selected with scrupulous care on the part of the welcoming city by the most learned, who would be associated with the chapter of the cathedral, or with the university or the courtly academy, or were drawn from the entourage of the honoree. Many of the greatest artists, writers and composers of the period were involved, with some artists spending significant parts of their time creating temporary decorations, of which little record usually now survives, at least from the early period.
Origins and development
The Entry began as a gesture of loyalty and fealty by a city to the ruler, with its origins in the adventus celebrated for Roman emperors, which were formal entries far more frequent than triumphRoman triumph
The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the military achievement of an army commander who had won great military successes, or originally and traditionally, one who had successfully completed a foreign war. In Republican...
s. The first visit by a new ruler was normally the occasion. For the capital they often merged with the Coronation
Coronation
A coronation is a ceremony marking the formal investiture of a monarch and/or their consort with regal power, usually involving the placement of a crown upon their head and the presentation of other items of regalia...
festivities, and for provincial cities they replaced it.
The contemporary account from Galbert of Bruges
Galbert of Bruges
Galbert of Bruges was a Flemish cleric and chronicler. Administrator and notary to Count Charles the Good, he is known for his Latin account De multro, traditione et occisione gloriosi Karoli comitis Flandriarum of the Count's murder in 1127...
of the unadorned "Joyous Advent" of a newly installed Count of Flanders
Count of Flanders
The Count of Flanders was the ruler or sub-ruler of the county of Flanders from the 9th century until the abolition of the position by the French revolutionaries in 1790....
into "his" city of Bruges, in April 1127, shows that in the initial stage, undisguised by fawning and triumphalist imagery that came to disguise it, an Entry was similar to a parley
Parley
Parley is a discussion or conference, especially one between enemies over terms of a truce or other matters. The root of the word parley is parler, which is the French verb "to speak"; specifically the conjugation parlez "you speak", whether as imperative or indicative.Beginning in the High Middle...
, a formal truce between the rival powers of territorial magnate and walled city, in which reiteration of the city's "liberties" in the medieval sense, that is its rights and prerogatives, were set out in clear terms and legitimated by the presence of saintly relics
Relic
In religion, a relic is a part of the body of a saint or a venerated person, or else another type of ancient religious object, carefully preserved for purposes of veneration or as a tangible memorial...
:
"On April 5... at twilight, the king with the newly elected Count William, marquis of FlandersWilliam of YpresWilliam of Ypres , styled count of Flanders, was King Stephen of England's chief lieutenant during the English civil wars of 1139–54...
, came into our town at Bruges. The canons of Saint DonatianSt. Donatian's CathedralThe St. Donatian's Cathedral was a Roman Catholic cathedral in Bruges, Belgium. Located on the Burg, one of the main squares in the city, it was the largest church in Bruges...
had come forth to meet them, bearing relics of the saints and welcoming the king and new count joyfully in a solemn procession worthy of a king. On April 6... the king and count assembled with their knights and ours, with the citizens and many Flemings in the usual field where reliquariesReliquaryA reliquary is a container for relics. These may be the physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures...
and relics of the saints had been collected. And when silence had been called for, the charter of the liberty of the church and of the privileges of Saint Donatian was read aloud before all... There was also read the little charter of agreement between the count and our citizens... Binding themselves to accept this condition, the king and count took an oath on the relics of saints in the hearing of the clergy and people".
The procession of a new Pope to Rome was known as a possesso. During the Hundred Years' War
Hundred Years' War
The Hundred Years' War was a series of separate wars waged from 1337 to 1453 by the House of Valois and the House of Plantagenet, also known as the House of Anjou, for the French throne, which had become vacant upon the extinction of the senior Capetian line of French kings...
, the entry of the ten-year-old Henry VI of England
Henry VI of England
Henry VI was King of England from 1422 to 1461 and again from 1470 to 1471, and disputed King of France from 1422 to 1453. Until 1437, his realm was governed by regents. Contemporaneous accounts described him as peaceful and pious, not suited for the violent dynastic civil wars, known as the Wars...
, to be crowned king of France in Paris, 2 December 1431, was marked with great pomp and heraldic propaganda. Outside the city he was welcomed by the mayor in a blue velvet houppelande
Houppelande
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Medieval period. Sometimes the houppelande was lined with fur...
, his retinue in violet with scarlet caps, and representatives of the Parlement de Paris in red trimmed with fur. At the porte Saint-Denis the royal party were greeted with a grand achievement of the French arms that Henry claimed, gold fleurs de lis on an azure ground. The king was offered large red hearts, from which doves were released, and a rain of flowers pelted the procession. At the symbolic gateway, a canopy of estate embroidered with more gold lilies was erected over the young king, who was carried in a litter supported on six lances carried by men dressed in blue. Through the city there were welcoming pageants and allegorical performances: before the Church of the Innocents, a forest was erected, through which a captured stag was released and "hunted".
A ruler with a new spouse would also receive an Entry. The entry of Queen Isabeau of Bavaria
Isabeau of Bavaria
Isabeau of Bavaria was Queen consort of France as spouse of King Charles VI of France, a member of the Valois Dynasty...
into Paris in 1389 was described by the chronicler Froissart. The Entries of Charles IX of France
Charles IX of France
Charles IX was King of France, ruling from 1560 until his death. His reign was dominated by the Wars of Religion. He is best known as king at the time of the St. Bartholomew's Day Massacre.-Childhood:...
and his Habsburg queen, Elizabeth of Austria, into Paris, March 1571, had been scheduled for Charles alone in 1561, for the entrate were typically celebrated towards the beginning of a reign, but the French Wars of Religion
French Wars of Religion
The French Wars of Religion is the name given to a period of civil infighting and military operations, primarily fought between French Catholics and Protestants . The conflict involved the factional disputes between the aristocratic houses of France, such as the House of Bourbon and House of Guise...
had made such festivities inappropriate, until the peace that followed the Peace of Saint-Germain-en-Laye signed in August 1570. Until the mid-14th century, the occasions were relatively simple. The city authorities waited for the prince and his party outside the city walls, and after handing over a ceremonial key with a "loyal address" or speech, and perhaps stopping to admire tableaux vivants
Tableau vivant
Tableau vivant is French for "living picture." The term describes a striking group of suitably costumed actors or artist's models, carefully posed and often theatrically lit. Throughout the duration of the display, the people shown do not speak or move...
such as those that were performed at the entry into Paris of Queen Isabeau of Bavaria
Isabeau of Bavaria
Isabeau of Bavaria was Queen consort of France as spouse of King Charles VI of France, a member of the Valois Dynasty...
, described in detail by the chronicler Froissart, conducted him through the streets which were transformed with colour, with houses on the route hanging tapestries and embroideries or carpets or bolts of cloth from their windows, and with most of the population lining the route. At Valladolid in 1509
- the town was so gay, so decked out in wealth and canopies and luxurious carpets, that not even Florence or Venice could match it. All the beautiful ladies were delighted to be on display and were definitely worth seeing, [and] everything was so brilliantly arrayed, that I, who am of the town and have never left it, could not recognize it.
Heraldic displays were ubiquitous: at Valladolid in 1509, the bulls in the fields outside the city were caparisoned with cloths painted with the royal arms and hung with bells.
Along the route the procession would repeatedly halt to admire the set-pieces embellished with motto
Motto
A motto is a phrase meant to formally summarize the general motivation or intention of a social group or organization. A motto may be in any language, but Latin is the most used. The local language is usual in the mottoes of governments...
es and pictured and living allegories, accompanied by declamations and the blare of trumpets and volleys of artillery. The procession would include members of the three Estates, with the nobility and gentry of the surrounding area, and the clergy and guild
Guild
A guild is an association of craftsmen in a particular trade. The earliest types of guild were formed as confraternities of workers. They were organized in a manner something between a trade union, a cartel, and a secret society...
s of the city processing behind the prince. From the mid-14th century the guild members often wore special uniform clothes, each guild choosing a bright colour; in Tournai
Tournai
Tournai is a Walloon city and municipality of Belgium located 85 kilometres southwest of Brussels, on the river Scheldt, in the province of Hainaut....
in 1464 three hundred men wore large embroidered silk fleur de lys
Fleur de Lys
Fleur de Lys is a superheroine from Quebec and an ally of Northguard, created in 1984 by Mark Shainblum and Gabriel Morrissette. The name of the character is inspired by the heraldic symbol of the fleur de lys. It is the official emblem of Quebec and a prominent part of the Flag of Quebec...
(the royal badge) on their chests and backs, at their own expense. The prince reciprocated by confirming, and sometimes extending, the customary privileges of the city or a local area of which it was the capital. Usually the prince also visited the cathedral to be received by the bishop and confirm the privileges of the cathedral chapter
Cathedral chapter
In accordance with canon law, a cathedral chapter is a college of clerics formed to advise a bishop and, in the case of a vacancy of the episcopal see in some countries, to govern the diocese in his stead. These councils are made up of canons and dignitaries; in the Roman Catholic church their...
also. There a Te Deum
Te Deum
The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered literally as "Thee, O God, we praise"....
would be customary, and music written for the occasion would be performed
Increasing elaboration
During the 14th century, as courtly culture, with the court of Burgundy in the lead, began to stage elaborate dramas re-enacting battles or legends as entertainment during feasts, the cities began to include in entry ceremonies small staged pageant "tableaux", usually organised by the guilds (and any communities of foreign merchants resident), and drawing on their growing experience of medieval theatreMedieval theatre
Medieval theatre refers to the theatre of Europe between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D...
and pageantry. Initially these were on religious themes, but "gradually these tableaux developed, through the fifteenth and into the sixteenth century, into a repertory of archways and street-theatres which presented variants of a remarkably consistent visual and iconographical vocabulary." Fortune with her wheel, Fame and Time, the seven Virtues, both Christian and Classical, and the Nine Worthies
Nine Worthies
The Nine Worthies are nine historical, scriptural and legendary personages who personify the ideals of chivalry as were established in the Middle Ages. All are commonly referred to as 'Princes' in their own right, despite whatever true titles each man may have held...
and other Classical, Biblical and local heroes, among whose number the honorand was now to be counted. As the tradition developed, the themes became more specific, firstly stressing the legitimacy of the prince, and his claim by descent, then setting before him the princely virtues and their rewards, which especially included the benefits to him of encouraging prosperous cities and provinces.
The procession might pause for allegorical figures to address it, or pass beside a genealogical tree
Family tree
A family tree, or pedigree chart, is a chart representing family relationships in a conventional tree structure. The more detailed family trees used in medicine, genealogy, and social work are known as genograms.-Family tree representations:...
or under a temporary classical-style triumphal arch
Triumphal arch
A triumphal arch is a monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be...
with either painted figures or posed actors perching on it, standing in for statuary in the case of arches. A surprising amount of public nudity seems to have been acceptable on these occasions, and figures of both sexes are often described as naked - Charles the Bold of Burgundy had a Judgement of Paris
Judgement of Paris
thumb |right |460px |[[The Judgment of Paris |The Judgment of Paris]], [[Peter Paul Rubens]], ca 1636...
acted out for him in the street in Lille
Lille
Lille is a city in northern France . It is the principal city of the Lille Métropole, the fourth-largest metropolitan area in the country behind those of Paris, Lyon and Marseille. Lille is situated on the Deûle River, near France's border with Belgium...
in 1468. Still more elaborate entertainments began to be staged during or after the civic feast, and by the mid-17th century these could be as spectacular as the staged naval battles, masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...
s, opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
s and ballet
Ballet
Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with...
s that courts staged for themselves. The court now often had a major role in both designing and financing entries, which increasingly devoted themselves to the glorification of the absolute monarch as hero, and left the old emphasis on his obligations behind; "any lingering possibilities of its use as a vehicle for dialogue with the middle classes vanished". At the third "triumph" at Valladolid in 1509, a lion holding the city's coat-of-arms shattered at the King's arrival, revealing the royal arms: the significance could not have been lost, even on those unable to hear the accompanying declamation. During the 16th century, at dates differing widely by location, the tableau vivant
Tableau vivant
Tableau vivant is French for "living picture." The term describes a striking group of suitably costumed actors or artist's models, carefully posed and often theatrically lit. Throughout the duration of the display, the people shown do not speak or move...
was phased out and mostly replaced by painted or sculpted images, although many elements of street-theatre persisted, and small masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...
s or other displays became incorporated into the progammes. The entry in 1514 of Mary Tudor to Paris, as Louis XII's new Queen, was the first French entry to have a single organizer; ten years before Anne of Brittany
Anne of Brittany
Anne, Duchess of Brittany , also known as Anna of Brittany , was a Breton ruler, who was to become queen to two successive French kings. She was born in Nantes, Brittany, and was the daughter of Francis II, Duke of Brittany and Margaret of Foix. Her maternal grandparents were Queen Eleanor of...
's entry had been "largely medieval", with five stops for mystery play
Mystery play
Mystery plays and miracle plays are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song...
s in the streets.
Classical influence
Educated folk of the Middle Ages had close at hand an example of an allegorical series of entries at a wedding, in the frame story that opens Martianus CapellaMartianus Capella
Martianus Minneus Felix Capella was a pagan writer of Late Antiquity, one of the earliest developers of the system of the seven liberal arts that structured early medieval education...
's encyclopedic introduction to all one needed to know of the arts, On the Wedding of Philology and Mercury and of the Seven Liberal Arts. With the revival of Classical learning, Italian entries became influenced by literary descriptions of the Roman triumph
Roman triumph
The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the military achievement of an army commander who had won great military successes, or originally and traditionally, one who had successfully completed a foreign war. In Republican...
. Livy
Livy
Titus Livius — known as Livy in English — was a Roman historian who wrote a monumental history of Rome and the Roman people. Ab Urbe Condita Libri, "Chapters from the Foundation of the City," covering the period from the earliest legends of Rome well before the traditional foundation in 753 BC...
's account was supplemented by detailed descriptions in Suetonius
Suetonius
Gaius Suetonius Tranquillus, commonly known as Suetonius , was a Roman historian belonging to the equestrian order in the early Imperial era....
and Cassius Dio of Nero's Greek Triumph, and in Josephus
Josephus
Titus Flavius Josephus , also called Joseph ben Matityahu , was a 1st-century Romano-Jewish historian and hagiographer of priestly and royal ancestry who recorded Jewish history, with special emphasis on the 1st century AD and the First Jewish–Roman War, which resulted in the Destruction of...
of the Triumph of Titus. More recherché sources were brought to bear; Aulus Gellius
Aulus Gellius
Aulus Gellius , was a Latin author and grammarian, who was probably born and certainly brought up in Rome. He was educated in Athens, after which he returned to Rome, where he held a judicial office...
' Noctes Atticae furnished a detail that became part of the conventional symbolism: coronation with seven crowns. Boccaccio's long poem Amorosa visione (1342–43), following the schema of a triumph, offered a parade of famous personages, both historical and legendary, that may have provided a model for Petrarch
Petrarch
Francesco Petrarca , known in English as Petrarch, was an Italian scholar, poet and one of the earliest humanists. Petrarch is often called the "Father of Humanism"...
, who elaborated upon Livy in an account of the triumph of Scipio Africanus
Scipio Africanus
Publius Cornelius Scipio Africanus , also known as Scipio Africanus and Scipio the Elder, was a general in the Second Punic War and statesman of the Roman Republic...
and in his poem I Trionfi. Castruccio Castracani
Castruccio Castracani
Castruccio Castracani degli Antelminelli was an Italian condottiero and duke of Lucca.-Biography:Castruccio was born in Lucca, a member of the noble family of Antelminelli, of the Ghibelline party. In 1300 he was exiled with his parents and others of their faction by the Guelphs "Black" party,...
entered Lucca
Lucca
Lucca is a city and comune in Tuscany, central Italy, situated on the river Serchio in a fertile plainnear the Tyrrhenian Sea. It is the capital city of the Province of Lucca...
in 1326 riding in a chariot, with prisoners driven before him. Alfonso V of Aragon
Alfonso V of Aragon
Alfonso the Magnanimous KG was the King of Aragon , Valencia , Majorca, Sardinia and Corsica , and Sicily and Count of Barcelona from 1416 and King of Naples from 1442 until his death...
entered Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
in 1443 seated on a triumphal car under a baldachin
Baldachin
A baldachin, or baldaquin , is a canopy of state over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is...
, as is shown by a surviving bas-relief on the earliest, and still perhaps the most beautiful, permanent post-classical Triumphal arch
Triumphal arch
A triumphal arch is a monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be...
, which he built the same year. In Italian, specific meanings developed for trionfo as both the whole procession, and a particular car or cart decorated with a display or tableau; although these usages did not spread exactly to other languages, they lie behind terms such as "triumphal entry" and "triumphal procession".
The emphasis began to shift from the displays as static tableaux that were passed by a procession in festive but normal contemporary dress, to the displays' being incorporated in the procession itself, a feature also of the religious medieval pageant; the tableaux were mounted on carri, the precursors of the float, and were now often accompanied by a costumed throng. The carnival
Carnival
Carnaval is a festive season which occurs immediately before Lent; the main events are usually during February. Carnaval typically involves a public celebration or parade combining some elements of a circus, mask and public street party...
parades of Florence that were refined to a high pitch in the late quattrocento set a high standard; they were not without a propaganda element at times, as in the lavish parades of Carnival 1513, following the not-universally welcomed return of the Medici the previous year; the theme of one pageant, more direct than subtle: The Return of the Golden Age. With the French invasions of Italy from 1494, this form of entry spread north. Cardinal Bibbiena reported in a letter of 1520 that the Duke of Suffolk had sent emissaries to Italy to buy horses and bring back to Henry VIII of England
Henry VIII of England
Henry VIII was King of England from 21 April 1509 until his death. He was Lord, and later King, of Ireland, as well as continuing the nominal claim by the English monarchs to the Kingdom of France...
men who knew how to make festal decorations in the latest Italian manner.
Charles V was indulged in a series of Imperial entrate in Italian cities during the Habsburg consolidation after the Sack of Rome
Sack of Rome (1527)
The Sack of Rome on 6 May 1527 was a military event carried out by the mutinous troops of Charles V, Holy Roman Emperor in Rome, then part of the Papal States...
, notably in Genoa, where Charles and his heir Philip made no less than five triumphal entries. Impressive occasions like Charles V's Royal Entry into Messina in 1535 have left few concrete survivals, but representations were still being painted on Sicilian wedding-carts in the 19th century.
After Mantegna
Andrea Mantegna
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality...
's great mural of the Triumphs of Caesar
Triumphs of Caesar
The Triumphs of Caesar are a series of nine large paintings created by the Italian Renaissance artist Andrea Mantegna between 1486 and 1505 for the Ducal Palace, Mantua. They depict a triumphal military parade celebrating the victory of Julius Caesar in the Gallic Wars...
rapidly became known throughout Europe in numerous versions in print
Old master print
An old master print is a work of art produced by a printing process within the Western tradition . A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques concerned are woodcut, engraving and etching, although there are...
form, this became the standard source, from which details were frequently borrowed, not least by Habsburg rulers, who especially claimed the Imperial legacy of Rome. Although Mantegna's elephants were difficult to copy, chained captives, real or acting the part, were not, and elaborate triumphal carts, often pulled by "unicorn
Unicorn
The unicorn is a legendary animal from European folklore that resembles a white horse with a large, pointed, spiraling horn projecting from its forehead, and sometimes a goat's beard...
s" might replace the earlier canopy held over the prince on horseback. The woodcut
Woodcut
Woodcut—occasionally known as xylography—is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges...
s and text of the Hypnerotomachia Poliphili
Hypnerotomachia Poliphili
Hypnerotomachia Poliphili , called in English Poliphilo's Strife of Love in a Dream, is a romance said to be by Francesco Colonna and a famous example of early printing...
of 1499 were another well-known source, and Petrarch's I Trionfi was printed in many illustrated editions; both were works of mythological allegory, with no obvious political content. Entries became displays of conspicuous learning, often with lengthy Latin addresses, and the entertainments became infused with matter from the abstruse worlds of Renaissance emblem
Emblem
An emblem is a pictorial image, abstract or representational, that epitomizes a concept — e.g., a moral truth, or an allegory — or that represents a person, such as a king or saint.-Distinction: emblem and symbol:...
s and hermeticism
Hermeticism
Hermeticism or the Western Hermetic Tradition is a set of philosophical and religious beliefs based primarily upon the pseudepigraphical writings attributed to Hermes Trismegistus...
, to which they were very well suited. In the world of Renaissance Neo-Platonism, the assertion and acting-out of the glory and power of the prince might actually bring it about.
A precocious example of the Entrata with a consistent and unified allegorical theme was the Entry of Medici pope Leo X
Pope Leo X
Pope Leo X , born Giovanni di Lorenzo de' Medici, was the Pope from 1513 to his death in 1521. He was the last non-priest to be elected Pope. He is known for granting indulgences for those who donated to reconstruct St. Peter's Basilica and his challenging of Martin Luther's 95 Theses...
into Florence, November 1515. All the city's artistic resources were drawn upon to create this exemplary Entry, to a planned programmeperhaps devised by the historian Jacopo Nardi
Jacopo Nardi
Jacopo Nardi was an Italian historian from Florence.-Biography:He occupied various positions in the service of the Florentine republic after the expulsion of the Medici in 1494, and even on their return in 1512 he continued in the public service.In 1527 he joined the movement for the expulsion of...
, as Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
suggested; the Seven Virtues represented by seven triumphal arches at stations along the route, the seventh applied as a temporary façade to the Duomo, Santa Maria del Fiore, which still lacked a permanent one.
Propaganda
Apart from the permanent theme of the reciprocal bonds uniting ruler and ruled, in times of political tension the political messages in Entries became more pointed and emphatic. A disputed succession would produce a greater stress on the theme of legitimacy. After the ReformationProtestant Reformation
The Protestant Reformation was a 16th-century split within Western Christianity initiated by Martin Luther, John Calvin and other early Protestants. The efforts of the self-described "reformers", who objected to the doctrines, rituals and ecclesiastical structure of the Roman Catholic Church, led...
, tension became a permanent condition, and most Entries contained a sectarian element. After about 1540 French enties and Habsburg ones in the Low Countries
Low Countries
The Low Countries are the historical lands around the low-lying delta of the Rhine, Scheldt, and Meuse rivers, including the modern countries of Belgium, the Netherlands, Luxembourg and parts of northern France and western Germany....
were especially freighted with implication, as the rulers' attempts to suppress Protestantism brought Protestant and Catholic populations alike to the edge of ruin. But initially this increased the scale of displays, whose message was now carefully controlled by the court.
This transformation happened much earlier in Italy than in the North, and a succession of entries for Spanish Viceroys to the blockaded city of Antwerp, once the richest in Northern Europe and now in steep decline, were "used by the city fathers to combine increasingly eulogistic celebrations of their Habsburg rulers with tableaux to remind them of the commercial ruin over which they presided." The Pompa Introitus of the Cardinal-Infante Ferdinand
Cardinal-Infante Ferdinand
Cardinal-Infante Ferdinand was Governor of the Spanish Netherlands, Cardinal of the Holy Roman Church, Infante of Spain, Archduke of Austria, Archbishop of Toledo , and military...
into Antwerp in 1635, devised by Gaspar Gevartius and carried out under the direction of Rubens, was made unmistakably pointed, and included a representation of the god of commerce, Mercury
Mercury (mythology)
Mercury was a messenger who wore winged sandals, and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx , mercari , and merces...
, flying away, as a lamenting figure representing Antwerp points at him and looks imploringly out at the Viceroy, whilst beside her lie a sleeping sailor and a river god, representing the wrecked trade of the city from the blockading of the river Scheldt
Scheldt
The Scheldt is a 350 km long river in northern France, western Belgium and the southwestern part of the Netherlands...
. Eventually the Viceroy managed to obtain the lifting of the ban on trade with the Indies
Indies
The Indies is a term that has been used to describe the lands of South and Southeast Asia, occupying all of the present India, Pakistan, Bangladesh, Myanmar, Nepal, Sri Lanka, the Maldives, and also Thailand, Cambodia, Laos, Vietnam, Brunei, Singapore, the Philippines, East Timor, Malaysia and...
which the entry had represented as Antwerp's only hope of escaping ruin; but by then the Spanish had agreed to the permanent blockade of the river.
In 1638, the occasion of the French queen mother Marie de Medici's triumphal entry into Amsterdam
Amsterdam
Amsterdam is the largest city and the capital of the Netherlands. The current position of Amsterdam as capital city of the Kingdom of the Netherlands is governed by the constitution of August 24, 1815 and its successors. Amsterdam has a population of 783,364 within city limits, an urban population...
lent de facto international recognition of the newly formed Dutch Republic
Dutch Republic
The Dutch Republic — officially known as the Republic of the Seven United Netherlands , the Republic of the United Netherlands, or the Republic of the Seven United Provinces — was a republic in Europe existing from 1581 to 1795, preceding the Batavian Republic and ultimately...
, though she actually traveled to the Netherlands as an exile. Spectacular displays and water pageants took place in the city's harbor; a procession was led by two mounted trumpeters; a large temporary structure erected on an artificial island in the Amstel River was built especially for the festival. This building was designed to display a series of dramatic tableaux
Tableau vivant
Tableau vivant is French for "living picture." The term describes a striking group of suitably costumed actors or artist's models, carefully posed and often theatrically lit. Throughout the duration of the display, the people shown do not speak or move...
in tribute to her once she set foot on the floating island and entered its pavilion
Pavilion (structure)
In architecture a pavilion has two main meanings.-Free-standing structure:Pavilion may refer to a free-standing structure sited a short distance from a main residence, whose architecture makes it an object of pleasure. Large or small, there is usually a connection with relaxation and pleasure in...
. The distinguished poet and classicist Caspar Barlaeus
Caspar Barlaeus
Caspar Barlaeus was a Dutch polymath and Renaissance humanist, a theologian, poet, and historian.-Life:...
wrote the official descriptive booklet, Medicea Hospes, sive descriptio publicae gratulationis, qua ... Mariam de Medicis, excepit senatus populusque Amstelodamensis. Published by Willem Blaeu, it includes two large folding engraved views of the ceremonies.
Peace and war
Although the essence of an entry was that it was supposed to be a peaceful, festive occasion, very different from the taking of a town by assault, several entries actually followed military action by the town against their ruler, and were very tense affairs. In 1507 the population of GenoaGenoa
Genoa |Ligurian]] Zena ; Latin and, archaically, English Genua) is a city and an important seaport in northern Italy, the capital of the Province of Genoa and of the region of Liguria....
revolted against the French who had conquered them in 1499, and restored their Republic
Republic of Genoa
The Most Serene Republic of Genoa |Ligurian]]: Repúbrica de Zêna) was an independent state from 1005 to 1797 in Liguria on the northwestern Italian coast, as well as Corsica from 1347 to 1768, and numerous other territories throughout the Mediterranean....
. Louis XII of France
Louis XII of France
Louis proved to be a popular king. At the end of his reign the crown deficit was no greater than it had been when he succeeded Charles VIII in 1498, despite several expensive military campaigns in Italy. His fiscal reforms of 1504 and 1508 tightened and improved procedures for the collection of taxes...
defeated the Genoan army outside the city, which then agreed a capitulation, including an entry which was followed by the execution of the Doge
Doge
Doge is a dialectal Italian word that descends from the Latin dux , meaning "leader", especially in a military context. The wife of a Doge is styled a Dogaressa....
and other leaders of the revolt. The gestural content was rather different from a peaceful entry; Louis entered in full armour, holding a naked sword, which he struck against the portal as he entered the city, saying "Proud Genoa! I have won you with my sword in my hand". Charles V entered Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
in splendour less than three years after his army had sacked the city
Sack of Rome (1527)
The Sack of Rome on 6 May 1527 was a military event carried out by the mutinous troops of Charles V, Holy Roman Emperor in Rome, then part of the Papal States...
. The famously troublesome citizens of Ghent
Ghent
Ghent is a city and a municipality located in the Flemish region of Belgium. It is the capital and biggest city of the East Flanders province. The city started as a settlement at the confluence of the Rivers Scheldt and Lys and in the Middle Ages became one of the largest and richest cities of...
revolted against Philip the Good in 1453
Battle of Gavere
The Battle of Gavere was fought near Semmerzake in Belgium on July 23, 1453 between an army under the Philip III, Duke of Burgundy and the rebelling city of Ghent. The army of the duke came out victorious and around 16,000 citizens of Ghent died...
and Charles V in 1539
Revolt of Ghent
The Revolt of Ghent was an uprising by the citizens of Ghent against the regime of the Holy Roman Emperor and Spanish King Charles V in 1539. The revolt was a reaction to high taxes, which the Flemish felt were only used to fight wars abroad, in particular the Italian War of 1536–1538. The rebels...
, after which Charles arrived with a large army and was greeted with an entry. A few weeks later he dictated the programme of a deliberately humiliating anti-festival, with the burghers coming barefoot with nooses round their necks to beg forgiveness from him which, after imposing a huge fine, he consented to do. The entries of Charles and his son Philip in 1549 were followed the next year by a ferocious anti-Protestant edict that began the repression that led to the Revolt of the Netherlands
Dutch Revolt
The Dutch Revolt or the Revolt of the Netherlands This article adopts 1568 as the starting date of the war, as this was the year of the first battles between armies. However, since there is a long period of Protestant vs...
, in the course of which Antwerp was to suffer a terrible sack
Sack of Antwerp
The sack of Antwerp or the Spanish Fury at Antwerp was an episode of the Eighty Years' War.On 4 November 1576, Spanish tercios began the sack of Antwerp, leading to three days of horror among the population of the city, which was the cultural, economic and financial center of the Netherlands. The...
in 1576 and a long siege
Siege of Antwerp (1584-1585)
This Siege of Antwerp took place during the Eighty Years' War from July 1584 until August 1585. At the time Antwerp was not only the largest Dutch city but was also the cultural, economic and financial centre of the Seventeen Provinces and of north-western Europe...
in 1584-85, which finally ended all prosperity in the city.
Decline
During the 17th century the scale of entries began to decline. There was a clear trend, led from MediciMedici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
Florence, to transfer festivities involving the monarch into the private world of the court. The intermezzi
Intermedio
The intermedio, or intermezzo, in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important predecessors to opera, and an influence on...
developed in Florence, the ballet de cour that spread from Paris, the English masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...
, and even elaborate equestrian ballets all increased as entries declined. In 1628, when Marie de' Medici commissioned from Rubens a Triumphal Entry of Henri IV into Paris, it was for a suite of grand decorations for her own palace, the Luxembourg; Rubens did not recreate historic details of the 1594 Royal Entry, but overleapt them to render the allegory itself (illustration).
The cultural atmosphere of Protestantism was less favourable to the Royal Entry. In the new Dutch Republic entries ceased altogether. In England, part of the Accession Day festivities
Accession Day tilt
The Accession Day tilts were a series of elaborate festivities held annually at the court of Elizabeth I of England to celebrate her Accession Day, 17 November, also known as Queen's Day...
in 1588, following the defeat of the Spanish Armada
Spanish Armada
This article refers to the Battle of Gravelines, for the modern navy of Spain, see Spanish NavyThe Spanish Armada was the Spanish fleet that sailed against England under the command of the Duke of Medina Sidonia in 1588, with the intention of overthrowing Elizabeth I of England to stop English...
were especially joyous and solemn. Delaying the event a week to 24 November, Elizabeth rode in triumph, "imitating the ancient Romans" from her palace of Whitehall
Palace of Whitehall
The Palace of Whitehall was the main residence of the English monarchs in London from 1530 until 1698 when all except Inigo Jones's 1622 Banqueting House was destroyed by fire...
in the city of Westminster
City of Westminster
The City of Westminster is a London borough occupying much of the central area of London, England, including most of the West End. It is located to the west of and adjoining the ancient City of London, directly to the east of the Royal Borough of Kensington and Chelsea, and its southern boundary...
to enter the city of London
City of London
The City of London is a small area within Greater London, England. It is the historic core of London around which the modern conurbation grew and has held city status since time immemorial. The City’s boundaries have remained almost unchanged since the Middle Ages, and it is now only a tiny part of...
at Temple Bar
Temple Bar, London
Temple Bar is the barrier marking the westernmost extent of the City of London on the road to Westminster, where Fleet Street becomes the Strand...
. She rode in a chariot
"made with four pillars behind, to have a canopie, on the top whereof was made a crowne imperiall, and two lower pillars before. whereon stood a lyon and a dragon, supporters of the armes of England, drawn by two white horses"
The Earl of Essex
Robert Devereux, 2nd Earl of Essex
Robert Devereux, 2nd Earl of Essex, KG was an English nobleman and a favourite of Elizabeth I. Politically ambitious, and a committed general, he was placed under house arrest following a poor campaign in Ireland during the Nine Years' War in 1599...
followed the triumphal car, leading the caparisoned and riderless horse of estate, followed by the ladies of honour. The windows of houses along the procession route up the Strand
Strand, London
Strand is a street in the City of Westminster, London, England. The street is just over three-quarters of a mile long. It currently starts at Trafalgar Square and runs east to join Fleet Street at Temple Bar, which marks the boundary of the City of London at this point, though its historical length...
were hung with blue cloth. At Temple Bar, the official gate to the City, there was music and the Lord Mayor handed over the mace and received it again. In a "closet" constructed for the occasion, the Queen heard a festive service celebrated by fifty clergymen at St. Paul's Cathedral and returned in a torchlit procession in the evening.
Nevertheless, the entry of James I into London in 1604 was the last until the Restoration
English Restoration
The Restoration of the English monarchy began in 1660 when the English, Scottish and Irish monarchies were all restored under Charles II after the Interregnum that followed the Wars of the Three Kingdoms...
of his grandson in 1660, after the English Civil War
English Civil War
The English Civil War was a series of armed conflicts and political machinations between Parliamentarians and Royalists...
. The court of Charles I intensified the scale of private masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...
s and other entertainments, but the cities, increasingly at odds with the monarchy, would no longer play along. The Duchy of Lorraine, a great centre of all festivities, was swallowed up in the Thirty Years War, which left much of Northern and Central Europe in no mood or condition for celebrations on the old scale. In France the concentration of power in royal hands, begun by Richelieu, left city elites distrustful of the monarchy, and once Louis XIV succeeded to the throne, royal progresses stopped completely for over fifty years; in their place Louis staged his elaborate court fête
Fête
Fête is a French word meaning festival, celebration or party, which has passed into English as a label that may be given to certain events.-Description:It is widely used in England and Australia in the context of a village fête,...
s, redolent of cultural propaganda, which were memorialised in sumptupously illustrated volumes that the Cabinet du Roi placed in all the right hands.
Changes in the intellectual climate meant the old allegories no longer resonated with the population. The assassinations of both Henry III
Henry III of France
Henry III was King of France from 1574 to 1589. As Henry of Valois, he was the first elected monarch of the Polish-Lithuanian Commonwealth with the dual titles of King of Poland and Grand Duke of Lithuania from 1573 to 1575.-Childhood:Henry was born at the Royal Château de Fontainebleau,...
and Henry IV of France
Henry IV of France
Henry IV , Henri-Quatre, was King of France from 1589 to 1610 and King of Navarre from 1572 to 1610. He was the first monarch of the Bourbon branch of the Capetian dynasty in France....
, of William the Silent
William the Silent
William I, Prince of Orange , also widely known as William the Silent , or simply William of Orange , was the main leader of the Dutch revolt against the Spanish that set off the Eighty Years' War and resulted in the formal independence of the United Provinces in 1648. He was born in the House of...
and other prominent figures, and the spread of guns, made rulers more cautious about appearing in slow-moving processions planned and publicised long in advance; at grand occasions for fireworks and illuminations, rulers now characteristically did no more than show themselves at a ceremonial window or balcony. The visit of Louis XVI to inspect the naval harbour works at Cherbourg in 1786 seems, amazingly, to have been the first French entry of a King designed as a public event since the early years of Louis XIV well over a century before. Though considered a great success, this was certainly too little and too late to avoid the catastrophe awaiting the French monarchy.
Ideologues of the French Revolution
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
took the semi-private fête of the former court and made it public once more, in events like the Fête de la Raison. Under Napoleon, the Treaty of Tolentino
Treaty of Tolentino
The Treaty of Tolentino was signed after nine months of negotiations between France and the Papal States on February 19, 1797. It was part of the events following the invasion of Italy in the early stages of the French Revolutionary Wars...
(1797) requisitioned from the Papacy a mass of works of art, including most of the famous sculptures of Roman antiquity in the Vatican. A Joyous Entry under the name of a fête was arranged for the arrival of the cultural loot in Paris, the carefully prepared Fête de la Liberté of 1798. With the increased sense of public security of the 19th century, Entries became grander again, on such occasions as the Visit of King George IV to Scotland
Visit of King George IV to Scotland
The 1822 visit of King George IV to Scotland was the first visit of a reigning monarch to Scotland since 1650. Government ministers had pressed the King to bring forward a proposed visit to Scotland, to divert him from diplomatic intrigue at the Congress of Verona.The visit increased his popularity...
, where medieval revivalism makes its first appearance, along with much Highland
Scottish Highlands
The Highlands is an historic region of Scotland. The area is sometimes referred to as the "Scottish Highlands". It was culturally distinguishable from the Lowlands from the later Middle Ages into the modern period, when Lowland Scots replaced Scottish Gaelic throughout most of the Lowlands...
romanticism, Queen Victoria's visits to Dublin and elsewhere, or the three Delhi Durbar
Delhi Durbar
The Delhi Durbar , meaning "Court of Delhi", was a mass assembly at Coronation Park, Delhi, India, to mark the coronation of a King and Queen of the United Kingdom. Also known as the Imperial Durbar, it was held three times, in 1877, 1903, and 1911, at the height of the British Empire. The 1911...
s. On these occasions, though ceremonial acts remained meaningful, overt allegories never regained the old prominence, and the decorations receded into festive, but simply decorative affairs of flags, flowers and bunting
Bunting
Bunting can refer to:* Bunting , a group of birds* An infant sleeping bag* The act of laying down a bunt, a type of offensive play in baseball* Bunting , a lightweight cloth material often used for flags and festive decorations...
, the last remnant of the medieval show of rich textiles along the processional route.
Today, though many parade
Parade
A parade is a procession of people, usually organized along a street, often in costume, and often accompanied by marching bands, floats or sometimes large balloons. Parades are held for a wide range of reasons, but are usually celebrations of some kind...
s and procession
Procession
A procession is an organized body of people advancing in a formal or ceremonial manner.-Procession elements:...
s have quite separate, independent origins, civic or republican equivalents of the Entry continue, including Victory parade
Victory parade
A victory parade is a type of parade held in order to celebrate a victory. Because of that, victory parades can be divided into military victory parades and more frequent sport victory parades....
s, It is not frivolous to add that the specific occasion of the contemporary American Thanksgiving Day Parade
Macy's Thanksgiving Day Parade
The Macy's Thanksgiving Day Parade, often shortened to Macy's Day Parade, is an annual parade presented by Macy's. The tradition started in 1924, tying it for the second-oldest Thanksgiving parade in the United States along with America's Thanksgiving Parade in Detroit, and four years younger than...
or the Santa Claus parade
Santa Claus parade
Santa Claus parades or Christmas pageants are parades held in some countries to celebrate the official opening of the Christmas season with the arrival of Santa Claus....
is the triumphal entry into the city of Santa Claus
Santa Claus
Santa Claus is a folklore figure in various cultures who distributes gifts to children, normally on Christmas Eve. Each name is a variation of Saint Nicholas, but refers to Santa Claus...
in his sleigh.
Artists
To the occasional irritation of modern art historians, many of the great artists of the time spent a good deal of time on the ephemeral decorations for entries and other festivities, including Jan van EyckJan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....
, Leonardo da Vinci
Leonardo da Vinci
Leonardo di ser Piero da Vinci was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist and writer whose genius, perhaps more than that of any other figure, epitomized the Renaissance...
, Albrecht Dürer
Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since...
, Holbein
Hans Holbein the Younger
Hans Holbein the Younger was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history...
, Andrea del Sarto
Andrea del Sarto
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori , his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci,...
, Perino del Vaga, Polidoro da Caravaggio, Tintoretto
Tintoretto
Tintoretto , real name Jacopo Comin, was a Venetian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso...
, Veronese
Paolo Veronese
Paolo Veronese was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at Cana and The Feast in the House of Levi...
and Rubens
Rubens
Rubens is often used to refer to Peter Paul Rubens , the Flemish artist.Rubens may also refer to:- People :Family name* Paul Rubens Rubens is often used to refer to Peter Paul Rubens (1577-1640), the Flemish artist.Rubens may also refer to:- People :Family name* Paul Rubens (composer) Rubens is...
. For some court artists, such as Inigo Jones
Inigo Jones
Inigo Jones is the first significant British architect of the modern period, and the first to bring Italianate Renaissance architecture to England...
or Jacques Bellange
Jacques Bellange
Jacques Bellange was an artist and printmaker from the Duchy of Lorraine whose etchings and some drawings are his only securely identified works today. They are among the most striking Mannerist old master prints, mostly on Catholic religious subjects, and with a highly individual style...
, it seems to have been their major occupation, and both Giulio Romano
Giulio Romano
Giulio Romano was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism...
and Giorgio Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
were very heavily engaged in such work. Composers from Lassus and Monteverdi to John Dowland
John Dowland
John Dowland was an English Renaissance composer, singer, and lutenist. He is best known today for his melancholy songs such as "Come, heavy sleep" , "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and has...
, and writers such as Tasso
Tasso
-People:*Torquato Tasso, the famous Italian 16th-century poet, author of Gerusalemme liberata**Tasso, Lament and Triumph, a symphonic poem by Franz Liszt based on the poet*Bernardo Tasso, his father, also a poet...
, Ronsard, Ben Jonson
Ben Jonson
Benjamin Jonson was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems...
and Dryden
John Dryden
John Dryden was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.Walter Scott called him "Glorious John." He was made Poet...
also contributed. Shakespeare does not seem to have written anything for such an occasion, but with Jonson he was one of a group of twenty gentlemen processing in The Magnificent Entertainment, as the published record called the first entry of James I of England
James I of England
James VI and I was King of Scots as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the English and Scottish crowns on 24 March 1603...
into London. Festival Book
Art historians also detect the influence of the tableau in many paintings, especially in the late Middle Ages, before artists had trained themselves to be able to develop new compositions readily. In the Renaissance, artists were often imported from other cities to help with, or supervise, the works, and entries probably helped the dissemination of styles.
Festival Books
"Festival Book" is the term for accounts of festivities such as entries, of which there are many hundreds, often surviving in very few copies. Originally manuscripts, often illustrated, compiled for prince or city, with the arrival of print they were frequently published, varying in form from short pamphlets describing the order of events, and perhaps recording speeches, to lavish books illustrated with woodcutWoodcut
Woodcut—occasionally known as xylography—is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges...
s or engraving
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...
s showing the various tableaux, often including a fold-out panorama of the procession, curling to and fro across the page. The pamphlets were ephemera themselves; a printed description of two leaves describing the entry of Ferdinand into Valladolid, 1513, survives in a single copy (at Harvard) because it was bound with another text. A lost description of the ceremonious reception given by Louis XII to Ferdinand at Savona (June 1507) is only known from a purchase receipt of Ferdinand Columbus.
These livrets are not always to be trusted as literal records; some were compiled beforehand from the plans, and others after the event from fading memories. The authors or artists engaged in producing the books had by no means always seen the entry themselves. Roy Strong finds that they are "an idealization of an event, often quite distant from its reality as experienced by the average onlooker. One of the objects of such publications was to reinforce by means of word and image the central ideas that motivated those who conceived the programme." One Habsburg entry was all but called off because of torrential rain, but the book shows it as it should have been. Thomas Dekker, the playwright and author of the book on The Magnificent Entertainment for James I is refreshingly frank:
- Reader, you must understand, that a regard, being had that his Majestie should not be wearied with teadious speeches; A great part of those which are in this Booke set downe, were left unspoken; So that thou doest here receive them as they should have been delivered, not as they were.
The Holy Roman Emperor, Maximilian I
Maximilian I, Holy Roman Emperor
Maximilian I , the son of Frederick III, Holy Roman Emperor and Eleanor of Portugal, was King of the Romans from 1486 and Holy Roman Emperor from 1493 until his death, though he was never in fact crowned by the Pope, the journey to Rome always being too risky...
, went a step further, creating enormous virtual triumphs that existed solely in the form of print. The Triumphs of Maximilian (begun in 1512 and unfinished at Maximilian's death in 1519) contains over 130 large woodcuts by Dürer and other artists, showing a huge procession (still in open country) culminating in the Emperor himself, mounted on a huge car. The Triumphal Arch (1515), the largest print ever made, at 3.57 x 2.95 metres when the 192 sheets are assembled, was produced in an edition of seven hundred copies for distribution to friendly cities and princes. It was intended to be hand-coloured and then pasted to a wall. Traditional tableau themes, including a large genealogy, and many figures of Virtues, are complemented by scenes of Maximilian's life and military victories. Maximilian was wary of entries in person, having been locked up by his loyal subjects in Bruges
Bruges
Bruges is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium. It is located in the northwest of the country....
in 1488 for eleven weeks, until he could pay the bills from his stay.
An early meeting between the Festival book with travel literature is the account of the visit in 1530 of the future Ferdinand I, Holy Roman Emperor
Ferdinand I, Holy Roman Emperor
Ferdinand I was Holy Roman Emperor from 1558 and king of Bohemia and Hungary from 1526 until his death. Before his accession, he ruled the Austrian hereditary lands of the Habsburgs in the name of his elder brother, Charles V, Holy Roman Emperor.The key events during his reign were the contest...
, then King of Hungary
King of Hungary
The King of Hungary was the head of state of the Kingdom of Hungary from 1000 to 1918.The style of title "Apostolic King" was confirmed by Pope Clement XIII in 1758 and used afterwards by all the Kings of Hungary, so after this date the kings are referred to as "Apostolic King of...
and Bohemia
Bohemia
Bohemia is a historical region in central Europe, occupying the western two-thirds of the traditional Czech Lands. It is located in the contemporary Czech Republic with its capital in Prague...
to Constantinople
Constantinople
Constantinople was the capital of the Roman, Eastern Roman, Byzantine, Latin, and Ottoman Empires. Throughout most of the Middle Ages, Constantinople was Europe's largest and wealthiest city.-Names:...
.
New World entries
In Habsburg territories in the New World, the entradas of the Viceroy of Mexico were celebrated at his landing at VeracruzVeracruz
Veracruz, formally Veracruz de Ignacio de la Llave officially Estado Libre y Soberano de Veracruz de Ignacio de la Llave , is one of the 31 states that, along with the Federal District, comprise the 32 federative entities of Mexico. It is divided in 212 municipalities and its capital city is...
and at Mexico City
Mexico City
Mexico City is the Federal District , capital of Mexico and seat of the federal powers of the Mexican Union. It is a federal entity within Mexico which is not part of any one of the 31 Mexican states but belongs to the federation as a whole...
; on the way, the ceremonial entry at the "second city", Puebla de los Ángeles
Puebla, Puebla
The city and municipality of Puebla is the capital of the state of Puebla, and one of the five most important colonial cities in Mexico. Being a planned city, it is located to the east of Mexico City and west of Mexico's main port, Veracruz, on the main route between the two.The city was founded...
, which were presented as late as 1696, served to promote an elite that self-identified strongly with Spain, and incurred expenses, which were borrowed from the ecclesiastic cabildo
Cabildo
Cabildo can refer to:* Cabildo , a former Spanish municipal administrative unit governed by a council* Cabildo , African ethnic associations in colonial Cuba* Cabildo , an Argentine nationalist Catholic magazine...
, that exceeded the annual income of the city. Printed commemorative pamphlets spelled out in detail the elaborately artificial allegories and hieroglyphic emblems of the Entry, often drawn from astrology, in which the Viceroy would illuminate the city as the sun. In the 18th century, the Bourbon transformation of entrées into semi-private fêtes extended to Spanish Mexico: "While the event continued to be extravagant under Bourbon rule, it became more privatized and took place to a larger degree indoors, losing its street theater flavor and urban processional character."
Examples of entries
- 1356: the Joyous EntryJoyous EntryA Joyous Entry was a local name used for the royal entry - the first official peaceable visit of a reigning monarch, prince, duke or governor into a city - mainly in the Duchy of Brabant or the County of Flanders and occasionally in France, Luxembourg or Hungary, often coinciding with...
into BrusselsBrusselsBrussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...
, by JoannaJoanna, Duchess of BrabantJoanna, Duchess of Brabant , also known as Jeanne, was the heiress of Duke John III, who died in Brussels, December 5, 1355. Her mother was Marie d'Évreux.- Family :...
and her husband Wenceslaus I, Duke of LuxembourgWenceslaus I, Duke of LuxembourgWenceslaus I was the first Duke of Luxembourg from 1355...
, upon her becoming Duchess of BrabantDuchy of BrabantThe Duchy of Brabant was a historical region in the Low Countries. Its territory consisted essentially of the three modern-day Belgian provinces of Flemish Brabant, Walloon Brabant and Antwerp, the Brussels-Capital Region and most of the present-day Dutch province of North Brabant.The Flag of...
. "Joyous Entry" is a common term for French or Netherlandish entries. This one is famous because the CharterCharterA charter is the grant of authority or rights, stating that the granter formally recognizes the prerogative of the recipient to exercise the rights specified...
granted by the ruler to the Duchy came to assume a position in the history of the Low countries similar to that of the Magna CartaMagna CartaMagna Carta is an English charter, originally issued in the year 1215 and reissued later in the 13th century in modified versions, which included the most direct challenges to the monarch's authority to date. The charter first passed into law in 1225...
in England.
- 1431: Henry VI of EnglandHenry VI of EnglandHenry VI was King of England from 1422 to 1461 and again from 1470 to 1471, and disputed King of France from 1422 to 1453. Until 1437, his realm was governed by regents. Contemporaneous accounts described him as peaceful and pious, not suited for the violent dynastic civil wars, known as the Wars...
returned to London after being crowned King of France in ParisParisParis is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
, then occupied by the English, and the arms of both crowns were prominently displayed. Henry, then aged fifteen, was encountered by the "empresses" of "Nature, Grace and Fortune" who destowed various virtues and talents upon, then by fourteen maidens, representing the Seven Gifts of the Holy SpiritSeven gifts of the Holy SpiritThe seven gifts of the Holy Spirit are a medieval enumeration of seven spiritual gifts probably encodified by Thomas Aquinas along with five intellectual virtues and four other groups of ethical characteristics. They are: wisdom, understanding, counsel, fortitude, knowledge, piety, and fear of the...
and a further set. After further tableaux, at CheapsideCheapsideCheapside is a street in the City of London that links Newgate Street with the junction of Queen Victoria Street and Mansion House Street. To the east is Mansion House, the Bank of England, and the major road junction above Bank tube station. To the west is St. Paul's Cathedral, St...
a fountain ran with wine (a particular speciality of London festivities) and large tableaux represented the genealogy of the King, and a complementary Tree of JesseTree of JesseThe Tree of Jesse is a depiction in art of the Ancestors of Christ, shown in a tree which rises from Jesse of Bethlehem, the father of King David; the original use of the family tree as a schematic representation of a genealogy...
showing that of Christ. The finale was a huge tableau of Heaven, where God the Father, surrounded by saints and angels, addressed the King.
- 1443: Alfonso V of AragonAlfonso V of AragonAlfonso the Magnanimous KG was the King of Aragon , Valencia , Majorca, Sardinia and Corsica , and Sicily and Count of Barcelona from 1416 and King of Naples from 1442 until his death...
's triumphal entry into Naples was "the earliest of the triumphal entries all'antica in Europe" Unlike most lathe-and-plaster painted triumphal arches, its permanent commemoration is the arch before the Castel NuovoCastel NuovoCastel Nuovo , often called Maschio Angioino, is a medieval castle in the city of Naples, southern Italy. It is the main symbol of the architecture of the city...
. The event, portraying Alfonso as a classical hero of Antiquity, set iconographic examples for his nephew in the Royal entries of Ferdinand of Aragon. The published account by Antonio Beccadelli, "Il Panormita"Antonio BeccadelliAntonio Beccadelli , called Il Panormita , was an Italian poet, canon lawyer, scholar, diplomat, and chronicler. He generally wrote in Latin...
, circulated widely.
- 1457: The Entry of Philip the Good, Duke of Burgundy, into GhentGhentGhent is a city and a municipality located in the Flemish region of Belgium. It is the capital and biggest city of the East Flanders province. The city started as a settlement at the confluence of the Rivers Scheldt and Lys and in the Middle Ages became one of the largest and richest cities of...
- 1494: For Charles VIIICharles VIII of FranceCharles VIII, called the Affable, , was King of France from 1483 to his death in 1498. Charles was a member of the House of Valois...
's entry into Florence, which occasioned the temporary eclipse of Piero de' Medici, Filippino LippiFilippino LippiFilippino Lippi was an Italian painter working during the High Renaissance in Florence, Italy.-Biography:...
collaborated with Perugino on the decors.
- 1513: Ferdinand of AragonFerdinand II of AragonFerdinand the Catholic was King of Aragon , Sicily , Naples , Valencia, Sardinia, and Navarre, Count of Barcelona, jure uxoris King of Castile and then regent of that country also from 1508 to his death, in the name of...
's triumphal entry into Valladolid, taking the conquest of NavarreNavarreNavarre , officially the Chartered Community of Navarre is an autonomous community in northern Spain, bordering the Basque Country, La Rioja, and Aragon in Spain and Aquitaine in France...
as an occasion for allegorical displays of regal power in "an unusually lavish and explicitly propagandist entry".
- 1515: The triumphal entry of the Medici Pope Leo XPope Leo XPope Leo X , born Giovanni di Lorenzo de' Medici, was the Pope from 1513 to his death in 1521. He was the last non-priest to be elected Pope. He is known for granting indulgences for those who donated to reconstruct St. Peter's Basilica and his challenging of Martin Luther's 95 Theses...
into Florence is one of the most thoroughly documented entries, both in official records and private journals— though the visual and musical components are lost— and has attracted a separate monograph, by Ilaria Ciseri. It was produced on a princely scale, catching Leo at the peak of his reputation, en route to a meeting at Bologna with François I, at the head of temporarily victorious forces. Ciseri identifies two likely candidates for the allegorical programme, Jacopo Nardi and Marcello Virgilio Adriani, and a theme that offered parallel evocations of Imperial Rome the heavenly Jerusalem. The unfinished façade of the Duomo was temporarily "completed" in "chiaroscuroChiaroscuroChiaroscuro in art is "an Italian term which literally means 'light-dark'. In paintings the description refers to clear tonal contrasts which are often used to suggest the volume and modelling of the subjects depicted"....
" (grisailleGrisailleGrisaille is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles in fact include a slightly wider colour range, like the Andrea del Sarto fresco...
) canvases of feigned architecture and sculpture by Andrea del SartoAndrea del SartoAndrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori , his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci,...
to designs by Jacopo SansovinoJacopo SansovinoJacopo d'Antonio Sansovino was an Italian sculptor and architect, known best for his works around the Piazza San Marco in Venice. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity...
.
- 1515 and 1535-36: Charles V was both the most powerful and the most mobile monarch of the Renaissance, and made unprecedented numbers of entries. He made a series in his youth, from which the 1515 entry into BrugesBrugesBruges is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium. It is located in the northwest of the country....
is one of the best recorded of the old medieval style, with an unusually well-illustrated Festival Book for the date. In 1533 he was regally entertained in Genoa by Andrea DoriaAndrea DoriaAndrea Doria was an Italian condottiere and admiral from Genoa.-Early life:Doria was born at Oneglia from the ancient Genoese family, the Doria di Oneglia branch of the old Doria, de Oria or de Auria family. His parents were related: Ceva Doria, co-lord of Oneglia, and Caracosa Doria, of the...
, with a mock battle staged in the harbour. In 1535-36, at the height of his success, he made a progress through Italy, being crowned as Emperor by the Pope in Bologna and visiting the capital of his new Kingdom of NaplesKingdom of NaplesThe Kingdom of Naples, comprising the southern part of the Italian peninsula, was the remainder of the old Kingdom of Sicily after secession of the island of Sicily as a result of the Sicilian Vespers rebellion of 1282. Known to contemporaries as the Kingdom of Sicily, it is dubbed Kingdom of...
.Book His Imperial Entry into Rome, 1536, is particularly well documented in contemporary accounts, in Giorgio VasariGiorgio VasariGiorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
's Lives and in surviving drawings. Throughout the tour, he was presented as the heir, and surpasser, of the Roman Emperors, and triumphal arches and Roman imagery abounded.
- 1548-49: Philip II made a tour as the heir of Charles beginning in Italy, up through Germany, and ending in the Netherlands, entering many cities, often with Charles, with Antwerp as the culmination, shown in a well-illustrated Festival Book, which shows many decorations that were not actually constructed. Apart from very heavy rain, the entry had been designed to celebrate agreement of Philip's succession to the Empire, which the Electors refused. The States (assemblies) of Flanders also made difficulties, and if it was the "most famous entry of the century", this was largely thanks to the book, which was published in three language editions. In charge of the Antwerp decorations was Pieter van AelstPieter van AelstPieter van Aelst or Pieter Coecke van Aelst was a Flemish painter. He studied under Bernaert van Orley and later lived in Italy before entering the Antwerp Guild of painters in 1527. In 1533, he travelled to Constantinople for one year in a failed attempt to establish business connections for...
, whose pupil and future son-in-law Pieter Bruegel the Elder probably worked on them, and whose mature art was to decisively reject the style and substance of such occasions. These were undoubtedly the high water mark of the sixteenth-century Royal Entry, but with signs of the troubles to come already beginning to show.
- 1549-50. Henry II of FranceHenry II of FranceHenry II was King of France from 31 March 1547 until his death in 1559.-Early years:Henry was born in the royal Château de Saint-Germain-en-Laye, near Paris, the son of Francis I and Claude, Duchess of Brittany .His father was captured at the Battle of Pavia in 1525 by his sworn enemy,...
and his family made a tour of entries which set the tone for Valois propaganda. For the Entry into Paris, 16 June 1549, following Catherine de' MediciCatherine de' MediciCatherine de' Medici was an Italian noblewoman who was Queen consort of France from 1547 until 1559, as the wife of King Henry II of France....
's coronation at Saint-Denis, a loggia designed by Pierre LescotPierre LescotPierre Lescot was a French architect active during the French Renaissance, "the man who was first responsible for the implantation of pure and correct classical architecture in France." He was born in Paris....
with sculptures by Jean GoujonJean GoujonJean Goujon was a French Renaissance sculptor and architect.-Biography:His early life is little known; he was likely born in Normandy and may have traveled in Italy...
had been in preparation for two years; a naval battle was staged on the Seine, a tournamentTournamentA tournament is a competition involving a relatively large number of competitors, all participating in a sport or game. More specifically, the term may be used in either of two overlapping senses:...
was held, and heretics were burned. The entry to RouenRouenRouen , in northern France on the River Seine, is the capital of the Haute-Normandie region and the historic capital city of Normandy. Once one of the largest and most prosperous cities of medieval Europe , it was the seat of the Exchequer of Normandy in the Middle Ages...
was the introduction to France of the fully all'antica triumphal procession, and had a well-illustrated Festival Book, whose woodcut illustrations follow a set derived from Mantegna extremely closely - whether, or in what form, six elephants were actually seen in Rouen may be wondered. Henry IV's 1594 Rouen entry was also informatively illustrated.
- 1558: The new Queen Elizabeth I of EnglandElizabeth I of EnglandElizabeth I was queen regnant of England and Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty...
passed through the City of LondonCity of LondonThe City of London is a small area within Greater London, England. It is the historic core of London around which the modern conurbation grew and has held city status since time immemorial. The City’s boundaries have remained almost unchanged since the Middle Ages, and it is now only a tiny part of...
on her way to her coronation at WestminsterWestminsterWestminster is an area of central London, within the City of Westminster, England. It lies on the north bank of the River Thames, southwest of the City of London and southwest of Charing Cross...
. A much less elaborate affair than Habsburg entries, but at least for the Protestant population, one more genuinely celebrated. There is a typical English emphasis on poems and orations, of which the majority were given by children. Elizabeth processed in a triumphal "Chariot", was presented with a bible by the city, and passed giant figures re-used from the wedding of her sister Mary. Both speeches and tableaus depicted her as saviour of the Protestant faith, a new DeborahDeborahDeborah was a prophetess of Yahweh the God of the Israelites, the fourth Judge of pre-monarchic Israel, counselor, warrior, and the wife of Lapidoth according to the Book of Judges chapters 4 and 5....
. A 1578 entry into NorwichNorwichNorwich is a city in England. It is the regional administrative centre and county town of Norfolk. During the 11th century, Norwich was the largest city in England after London, and one of the most important places in the kingdom...
is almost homely; the master of the grammar schoolGrammar schoolA grammar school is one of several different types of school in the history of education in the United Kingdom and some other English-speaking countries, originally a school teaching classical languages but more recently an academically-oriented secondary school.The original purpose of mediaeval...
being apparently the only townsman whose Latin was fit to put before the Queen, he catches her up and orates at several points.
- 1571: The separate Entries of Charles IX of FranceCharles IX of FranceCharles IX was King of France, ruling from 1560 until his death. His reign was dominated by the Wars of Religion. He is best known as king at the time of the St. Bartholomew's Day Massacre.-Childhood:...
and his new Habsburg queen, Elizabeth of Austria, into Paris, 6 March and 29, were recorded in a book of woodcuts with text, Simon Bouquet's Bref et sommaire receuil..., published in July. Bouquet, an alderman of Paris, was responsible for coordinating the details. Poets Antoine Dorat and Pierre Ronsard drew up the iconographic program, and Germain PilonGermain PilonGermain Pilon was a French Renaissance sculptor.-Biography:He was born in Paris. Trained by his father and Pierre Bontemps, Pilon was an expert with marble, bronze, wood and terra cotta; from about 1555 he was providing models for Parisian goldsmiths...
executed temporary allegorical sculpture, and Niccolo dell'Abate provided paintings. The main theme was the inauguration of a new era of peace: Charles' personal motto, Piety and Justice furnished the allegory presented at one of the cortege's stops. A little over a year later the Saint Bartholomew's Day Massacres inaugurated a new phase of the wars.
- 1574: The new King Henry III of FranceHenry III of FranceHenry III was King of France from 1574 to 1589. As Henry of Valois, he was the first elected monarch of the Polish-Lithuanian Commonwealth with the dual titles of King of Poland and Grand Duke of Lithuania from 1573 to 1575.-Childhood:Henry was born at the Royal Château de Fontainebleau,...
on his way back from his brief period as King of Poland was given an exceptionally grand Entry to VeniceVeniceVenice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
, which rarely had the opportunity of welcoming a friendly monarch, though it had its own very lavish round of festivities. This was a "State Visit" with no element of accepting fealty. Tintoretto and Veronese collaborated in painting an arch designed by Palladio, and for the banquet for 3,000 in the Doge's Palace, SansovinoSansovinoSansovino may be*Andrea Sansovino, artist*Francesco Sansovino, scholar*Jacopo Sansovino, sculptor and architectSee also:*A.C. Sansovino football club, a LSI in service during 1945*Sansovino , winner of the 1924 Epsom Derby...
designed the statuettes in sugarSugarSugar is a class of edible crystalline carbohydrates, mainly sucrose, lactose, and fructose, characterized by a sweet flavor.Sucrose in its refined form primarily comes from sugar cane and sugar beet...
that decorated the tables.Book
- 1583: The French FuryFrench FuryThe "French Fury" was a failed attempt by François, Duke of Anjou to conquer the city of Antwerp by surprise on January 17, 1583.During the Eighty Years' War the States-General had asked in 1581 the French Duke to become head of state of the Seventeen Provinces, to obtain French support in...
was a disastrously unsuccessful attempt by François, Duke of AnjouFrançois, Duke of AnjouFrancis, Duke of Anjou and Alençon was the youngest son of Henry II of France and Catherine de' Medici.-Early years:...
to use the excuse of an entry to take Antwerp - the citizens were forewarned and attacked the army as it marched through the streets, sending it running. They had already been sacked in the Spanish FurySack of AntwerpThe sack of Antwerp or the Spanish Fury at Antwerp was an episode of the Eighty Years' War.On 4 November 1576, Spanish tercios began the sack of Antwerp, leading to three days of horror among the population of the city, which was the cultural, economic and financial center of the Netherlands. The...
in 1576, with the sack of Rome in 1527, among the most notorious anti-entries of the period.
- 1589: The triumphal entry of Christina of Lorraine at Florence and her wedding procession with Ferdinand I de' Medici, complete with ephemeral triumphal arches, included — interspersed with public shows, a game of calcioCalcioCalcio is a town and comune in the province of Bergamo, Lombardy, Italy....
, animal-baiting, a staged joustJoustingJousting is a martial game or hastilude between two knights mounted on horses and using lances, often as part of a tournament.Jousting emerged in the High Middle Ages based on the military use of the lance by heavy cavalry. The first camels tournament was staged in 1066, but jousting itself did not...
in Piazza Santa Croce — semi-private court events, the musical intermediIntermedioThe intermedio, or intermezzo, in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important predecessors to opera, and an influence on...
that were presented in the newly redesigned theatre in the UffiziUffiziThe Uffizi Gallery , is a museum in Florence, Italy. It is one of the oldest and most famous art museums of the Western world.-History:...
; these elaborately-costumed and staged allegorical tableaux with complex allegories mark a stage in the development of court pageantry and the masqueMasqueThe masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...
, as well as in the pre-history of operaOperaOpera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
.
- 1598: For the triumphal entry of Pope Clement VIIIPope Clement VIIIPope Clement VIII , born Ippolito Aldobrandini, was Pope from 30 January 1592 to 3 March 1605.-Cardinal:...
into Ferrara, where the principal EsteEsteThe House of Este is a European princely dynasty. It is split into two branches; the elder is known as the House of Welf-Este or House of Welf historically rendered in English, Guelf or Guelph...
line had failed and the Pope had declared the fief to be reverted to the Papal States, the occasion urgently required splendidly-presented and concrete allegorical propaganda, in order to justify the new situation to the Ferrarese. Once ensconced, Clement was host to a series of dukes and ambassadors honoured with princely entries themselves, climaxed with the betrothals by proxy of Margaret of Austria and Archduke Albert of AustriaAlbert VII, Archduke of AustriaArchduke Albert VII of Austria was, jointly with his wife, the Infanta Isabella Clara Eugenia, sovereign of the Habsburg Netherlands between 1598 and 1621, ruling the Habsburg territories in the southern Low Countries and the north of modern France...
.
- 1648: The "Joyous EntryJoyous EntryA Joyous Entry was a local name used for the royal entry - the first official peaceable visit of a reigning monarch, prince, duke or governor into a city - mainly in the Duchy of Brabant or the County of Flanders and occasionally in France, Luxembourg or Hungary, often coinciding with...
" of Archduke Leopold William of Austria into Antwerp was also coordinated by Gevartius, who devised its iconography and published his own description. Rather than three-dimensional arches and tableaux, the allegories were rendered in two dimensions on strategically placed screens.
Further reading
- Bryant, L.M. The King and the City in the Parisian Royal Entry Ceremony: Politics, Ritual and Art in the Renaissance (Geneva) 1986.
- Wisch, Barbara, and Susan Scott Munshower, eds. "All the world's a stage...": Art and pageantry in the Renaissance and Baroque. Part I, Triumphal Celebrations and the Rituals of Statecraft. (Pennsylvania State University) 1990. Essays presented at a conference.
- Mitchell, Bonner. The Majesty of the State: Triumphal Progresses of Foreign Sovereigns in Renaissance Italy (1494-1600 (Florence: Olschki) 1986.
- British Library - short Bibliography and a series of short articles.
- Chartrou-Charbonnel, J., Les Entrées solennelles et triomphales à la Renaissance, 1484-1551 (Paris, 1928).
- Konigson, E., L’Espace théâtral médiéval (Paris, 1975).
- Jacquot, J., Les fêtes de la Renaissance (Paris, 1956–1975).
- Wintroub, M., A Savage Mirror: Power, Identity and Knowledge in Early Modern France (Stanford, 2006).
External links
- Festival Books 253 books online from the British Museum - records of these and similar occasions
- Festival books, mostly German from HAB Wolfenbüttel
- Material on "Trionfi" - Italian triumphal processions
- Example at Borough level A True Representation of the Triumphal car, pulled by four horses, which conveyed Sir Francis Burdett to the Crown and Anchor Tavern, Strand, 29 June 1807 (after his election as MP for Westminster).
- Anne S. K. Brown Military Collection, Brown University Library includes a collection of festival books from the 16th century to the early 20th century