Asturian art
Encyclopedia
Pre-Romanesque architecture in Asturias
is framed between the years 711 and 910, the period of the rise, extension and disappearance of the kingdom of Asturias
.
, a Christianized tribe of Eastern Germanic origin, arrived in the Iberian peninsula
after the fall of the Roman empire
, and dominated most of the territory,
attempting to continue Roman order by the so called Ordo Gothorum.
In the year 710, the Visigothic king Wittiza
died, and instead of being succeeded by the eldest of his three sons, Agila
, the throne was usurped by the duke of Baetica, Roderic
. The young heir sought support to recover the throne, and apart from local backing, he approached the Muslim Kingdom in northern Africa. Tarik, the caliph of Damascus
governor in Tangier, received permission to offer his army and disembark in Spain
, ready to face the Visigothic army of King Roderic
.
On July 19, 711, the battle of Guadalete
took place near Gibraltar
, where supporters of Witiza's heir, backed by Tarik's Muslim army, killed King Roderic and destroyed the Visigothic army. Tarik and his troops then took advantage of their military superiority, and marched on the Visigothic capital, Toledo
, taking it almost without opposition.
According to the chronicles, Asturian
mercenaries, who had already been recruited by the Romans for their courage and fighting spirit, fought alongside King Roderic
. These warriors, together with the rest of the retreating Gothic army, sought refuge in the mountains of Asturias, where they also tried to safeguard some of the sacred relics from Toledo cathedral, the most important of which was the Holy Ark, containing a large number of relics from Jerusalem.
The kingdom of Asturias arose exactly seven years later, in 718, when the Astur tribes, rallied in assembly, decided to appoint Pelayo as their leader, a person of uncertain origin, since for some chroniclers he was a Visigothic nobleman who fled from the Muslim conquerors and for others he was an indigenous nobleman associated with the Visigothic kingdom. Whatever the case, Pelayo joined the local tribes and the refuged Visigoths under his command, with the intention of progressively restoring Gothic Order, based on the kingdom of Toledo's political model.
The kingdom of Asturias disappeared with King Alfonso III
, who died in December of the year 910. In barely two hundred years, the 12 kings of the dynasty founded by Pelayo were to gradually recover territory from the Muslims (León
, Galicia and Castile
), a process which finally required the court to be moved south, to León, for its strategic position in the struggle that culminated 800 years after it had started (1492) with the taking of Granada
and the expulsion of the last Arabic king from the Iberian Peninsula
. The symbol of the flag of Asturias
, a golden cross (significantly called "La Victoria"), and a blue background with the Latin motto Hoc signo, tvetvr pivs, Hoc signo vincitvr inimicvs (With this sign the pious is protected, With this sign you shall defeat the enemy), sums up the unified character that Christianity gave the armed struggle.
ornamentation. This last aspect can be seen in such relevant works as the Cross of the Angels, the Victory Cross, the agate Box (housed in the Holy Chamber of Oviedo Cathedral
), the Reliquary in Astorga
Cathedral and the Cross of Santiago.
As court
architecture
, the situation of Pre-Romanesque monuments followed in the wake of the various locations of the kingdom's capital; from its original site in Cangas de Onís
(Eastern Asturias), through Pravia
(west of the central coast), to its final location in Oviedo
, the region's geographical centre.
As regards its evolution, from its appearance, Asturian Pre-Romanesque followed a "stylistic sequence closely associated with the kingdom's political evolution, its stages clearly outlined".
Five stages are distinguished; a first period (737–791) belonging to the reigns of the kings Fáfila
, Alfonso I
, Fruela I, Aurelio
, Silo
, Mauregato and Vermudo I
. A second stage comprises the reign of Alfonso II
(791–842), entering a stage of stylistic definition, and third comprises the reigns of Ramiro I
(842–850) and Ordoño I
(850–866); a fourth belongs to the reign of Alfonso III (866–910) and a fifth and last which coincides with the transfer of the court to León
, the disappearance of the kingdom of Asturias, and simultaneously, of Asturian Pre-Romanesque.
(737) at the court's original location, Cangas de Onís, of which we only have written references, because it was destroyed in 1936. The present-day one dates from 1950 and, like the original, is built over a barrow covering a dolmen
. The legend goes that the name Santa Cruz ("Holy Cross") comes from the oaken cross carried by King Pelayo in the battle of Covadonga
, the first "little-big victory" against the Arabs, which was later to be covered in gold and precious stones (reign of Alfonso III), coming to be called La Victoria, and emblem of the Asturian flag. Chronicles state that the Church of Santa Cruz was built in stone masonry, one nave with a barrel vault and a main chapel on one side.
The second of these constructions is the Church of San Juan Apóstol y Evangelista, Santianes de Pravia
, located in Santianes. Its construction results from the move of the royal court from Cangas de Onís
to Pravia
, an old Roman settlement (Flavium Navia) and crossroads. The church, built between the years 774 and 783, already showed a number of elements anticipating Asturian Pre-Romanesque; eastward-facing, basilica
ground plan (central nave
and two side aisle
s), separated by three semicircular arch
es, transept
facing the central nave with the same length as the width of the three aisle
s. It also had a single, semicircular apse
, and an external entrance vestibule
, with a wooden ceiling
over the nave.
Several sculptural decorative elements showing floral and geometric designs (something habitual in what were to be the characteristics of subsequent Pre-Romanesque), are on public display in the sacristy
, where there is a museum
.
, as demonstrated by the following quote by Eginardo (Vita caroli):
As regards patronage of art, Alfonso II promoted the largest number of Pre-Romanesque buildings defining what were to be this style's characteristics. With the royal architect, Tioda
, he built the churches of Church of San Tirso, Oviedo
, San Julián de los Prados
, Santa María de Bendones
and San Pedro de Nora
, in addition to the palace complex in Oviedo, now disappeared, consisting of the churches of San Salvador, Santa María and its adjoining palace and chapel (now the Holy Chamber of Oviedo Cathedral, the only one remaining), containing relies such as the Holy Ark and jewels, like the Cross of the Angels
, which he donated himself to the Church of San Salvador. Outside Asturias, with the legend of the discovery of the apostle St. James' tomb in Galicia, in a place known as campus stellae (Compostela
), Alfonso II had the first church built in the saints honour (year 892).
When the Church of San Julián de los Prados
, or Santullano, was built (approx. between the years (812 and 842), it formed part of a series of royal buildings. The church had a basilica ground plan [central nave and two side aisles), separated by three semicircular arches on impost capitals and square columns. It is worth noting the existence of a transept
or transversal aisle located between the aisles and the sanctuary, exceeding the central nave in height.
Finally, there was a straight sanctuary, divided into three chapel
s, and over the main one, only accessible from outside, there was a room whose function is still open to conjecture. As for the roof, the church had an interesting oaken ceiling carved with a variety of geometric designs.
As elements outside the ground plan, there was a vestibule (to the east) and two sacristies adjoining the north and south facades, communicating directly with the transept. The Church of San Julián de los Prados
is the largest of the pre-romanesque churches.
From an ornamental point of view, the mural
s covering the walls and ceilings of this church are the best-conserved upper medieval paintings in Spain. the technique used is al fresco
painting (applied with the plaster
still wet), arranged in three well-defined areas. Decorative designs show clear influence of mural painting from the Roman period, recreating a certain atmosphere typical of the "theatrical style" (1st century B.C.). Decorative elements are numerous; marble
imitation, rectangles, bands, weaving, squares, imitation channeling and columns, medallions decorated with plant motifs, architectural designs, curtains, though totally lacking in any portrayal of biblical or religious scenes, with the single exception of the Anastasis Cross (alpha and omega), as a symbol of royal power. This lack of figurative representation is known as aniconism
and was not maintained in later Pre-Romanesque churches.
The church of San Tirso
, located beside the Cathedral of Oviedo, only conserves the end wall of the apse from its original construction, because it was destroyed by fire in the 16th century. The section remaining shows the original construction in stone blocks, and in the centre, there is the characteristic three-point window of Asturian Pre-Romanesque, with semicircular arches made of brick. The central opening, larger than the side ones, is supported by free-standing columns.
The Holy Chamber
was built as a palace chapel for Alfonso II and the church of San Salvador (both demolished in the 14th century to build the present Gothic cathedral). The Chamber, adjoining the pre-Romanesque Tower of San Miguel, also had the function of housing
relies brought from Toledo after the fall of the Visigothic kingdom. It consists of two overlapping aisles with a barrel vault; the crypt or lower floor has a height of 2.30 metres, and is dedicated to St. Leocadia, containing several tombs of other martyr
s.
The upper floor, dedicated to St. Michael, was extended in the 12th century, elongating the central section to six metres, a reconstruction that also provided it with its current decoration, a masterpiece of Spanish Romanesque
. From an architectural point of view, the Holy Chamber's construction solved one of the greatest problems of Asturian Pre-Romanesque: the vaulting of two overlapping spaces, later used in the buildings of Ramiro I.
As mentioned above, a from acting as royal chapel, the Holy Chamber was built to house the jewels and relies of the cathedral of San Salvador in Oviedo, a function it continues to have 1,200 years later. Some of these jewels were donated by the Kings Alfonso II and Alfonso III, and represent extraordinary gold artefacts of Asturian Pre-Romanesque.
The first of them is the Cross of the Angels
, created in 808 in Gauzón (the left bank of the estuary of Avilés
) on the instructions of Alfonso II of Asturias
, who donated the precious stones necessary to make it from his personal treasury. The Cross of the Angels takes its name from the legend that it was made and given to Alfonso II by angel
s, who appeared to him in the form of pilgrim
s. The Greek cross (equal arms) has a core of cherry
wood and in the centre there is a circular disk acting as connection for the four arms. The anverse is covered with a filigreed mesh of gold thread and bands of geometric decoration with a total of 48 precious stones (agate
s, sapphire
s, aamethystss, rubies
and opal
s) of great beauty.The reverse is covered with fine sheet of gold held by silver nails. Decoration on this side shows, mounted on the central disk, a large elliptical agate cameo, and a large stone at the end of each arm.
Exactly one century later, in 908, to commemorate a hundred years of the Asturían kingdom's victories and conquests, Alfonso III donated Pre-Romanesque most important gold artifact to Oviedo Cathedral: the Victory Cross
or Santa Cruz, a Latin cross (unequal arms) of 92 cm by 72 cm. The core is made of two pieces of oak with circular ends finished in three foils, and joined in the centre by a circular disk. The whole cross is covered with gold leaf and filigree, and richly decorated especially the anverse, covered with coloured enamel
, pearls, precious stones and gold thread. The reverse shows an inscription in soldered gold letters, mentioning the donors to the Church of San Salvador, King Alfonso III and Queen Jimena, and the place (Gauzón Castle again) and the year it was made.
The last of the Pre-Romanesque jewels on in the Holy Chamber of the Cathedral of Oviedo is the Agate box
, donated to the church by Fruela II of Asturias (son of Alfonso II), and his wife Nunilo, in the year 910, when he was still a prince. This extraordinary gold artifact in mozarabic style is a rectangular reliquary made from cypress
with a semi-pyramidal shaped lid. The covered with gold plate, with 99 little arch shaped openings, framed in woven gold thread, containing agates. The most valuable part of this piece is the upper part of the lid, probably re-used from another, smaller reliquary of Carolingian origin, a hundred years older than the rest. This plaque is decorated with panels of enamel, in turn surrounded by 655 encrusted garnets.
Continuing with the architectural works of the second period of Pre-Romanesque art, the last two are the churches of Santa Maria de Bendones
and San Pedro de Nora
. The first is located just fíve kilometres from the capital, in a south-east direction, towards the Nalón
valley, and was a donation from King Alfonso III and his wife Jimena to San Salvador cathedral, on January 20, 905. Very similar to Santullano, although the ground plan is not the typical basilica of the Pre-Romanesque churches, but has three enclosures at the western end, the central one as an entrance vestibule and two side areas possibly to house parishioners or ecciesiastics. This entrance leads into a single nave with a wooden ceiling, covered by an interesting roof, the same length as the entrance enclosures. The nave adjoins two rectangular side areas, also with a wooden ceiling, whose use seems to associated with the liturgical rites of the period. this nave joined with the sanctuary by three semicircular brick arches, each of which leads into its corresponding chapel, of which only the main or central one is covered with a brick barrel vault, the other two with wooden ceilings.
Above the main chapel is the "typical" chamber, only accessible from outside, through a trefoil window with the standard Pre-Romanesque features; central arch larger than the side ones, resting on two free-standing capitals with rope moulding, and the upper rectangle framed by simple moulding.
Independent from the church structure, though close to its southern facade, stands the bell tower, on a rectangular ground plan.
The Church of San Pedro de Nora
is located beside the River Nora, about twelve kilometres from Oviedo. This church has the construction style established in Santullano: facing eastwards, vestibule separate from the main structure, basilica-type ground plan, central nave higher than the side aisles, with intersecting wooden roof and lit by Windows with stone lattice. The straight sanctuary is divided into three apses with barrel vaults. As a differentiating element, the apses were joined to each other through the dividing walls by semicircular-arched doors. Like all the churches from this period, there was a room over the apse, only accessible from outside through a trefoil window. The bell tower, separate from the church like in Santa Maria de Bendones
, does not belong to the original construction, and stems from an initiative in the seventies by the architect and great restorer of Asturian Pre-Romanesque, Luis Menéndez Pidal.
successfully, defeating them in Gijón
and La Coruña. Paradoxically, he enjoyed a time of peace with his traditional enemies, the Muslims, which from an artistic point of view allowed him to substantially renew Pre-Romanesque's architecture and decorative style, giving rise to the so-called Ramirian style.
Ramiro I was succeeded by his son Ordoño I, who inherited a very solid kingdom from a military perspective, a condition that let him use subjects from the kingdom of Asturias to re-populate abandoned cities on the other side of the mountains, such as Tui
, Astorga
and León. He measured his military might against the Arabs with varying results; in the battle of Clavijo
(year 859) he easily defeated them, though six years later, at Hoz de la Morcuera, his army, led by one of his generals, suffered a defeat, halting the intense re-population work of the first part of his reign.
The first of the works from this period, the Palace of Santa María del Naranco
, involved a significant stylistic, morphological, constructive and decorative renovation of Pre-Romanesque, supplementing it with new, innovative resources, representing a leap forward with respect to immediately previous periods. Built as a recreational palace, it is situated on the southern side of Monte Naranco facing the city, and was originally part of a series of royal buildings located in the outskirts. Its character as a civil building changed in the 12th century when it
was converted into a church dedicated to St. Mary.
This palace's innovations amazed chroniclers, who repeatedly mention it over time. A case in point is the Crónica Silense, written around the year 1015, about 300 years after its construction, and which, on describing Ramiro I, states that "(...)he built many constructions, two miles away from Oviedo, with sandstone and marble in a vaulted work: (...) He also made (...), a palace without wood, of admirable construction and vaulted below and above,...".
What marvelled the chroniclers for so many centuries were its proportions and slender shapes, its rich, varied decoration and the introduction ofelongated barrel vaults thanks to the transverse
arches, allowing support and eliminating wooden ceilings. This solution, timidly advanced in the Holy Chamber, fully matured in Santa Maria del Naranco.
The palace, on a rectangular ground plan, has two floors; the lower level, or crypt
, quite low, has a central chamber and another two located on either side. The upper floor is accessed via a double exterior stairway adjoining the facade, leading into an identical layout as the lower floor; a central or noble hall with six blind semicircular arches along the walls, supported by columns built into the wall, and a mirador at each end. These are accessed via three arches, similar to those onto the wall, resting on columns with helicoidal rope moulding, typical of Pre-Romanesque. The barrel vault is made from tufa stone, and is held up by six transverso arches resting on consoles.
Santa Maria del Naranco represented a step forward from a decorative point of view by enriching the habitual standards and modeis with elements from painting, gold work and the textile arts. The rich decoration is concentrated in the hall and miradors of the upper floor, where it is especially worth noting the cubic-prismatic capitals (of Byzantine
influence), decorated with reliefs framed by cord
decoration (from local tradition) in trapezoid and triangular shapes, inside which there are sculpted forms of animals and humans. This kind of motif is repeated on the disks with central medallions located above the blind arches' intersections. The 32 medallions distributed around the building are similar in size and shape, varying the decorative designs and the interior figures (quadrupeds, birds, bunches of grapes, fantastic animáis), a style inherited from the Visigoth period, in turn descended from Byzantine tradition.
The medallions have decorative bands above them, again framed by rope moulding, inside which four figures are scuipted and arranged symmetrically; the upper two carrying loads on their heads and the lower two representing soldiers on horseback carrying swords. These figures seem to have some kind of symbolic social meaning; the warriors who defend and support the men of prayer (here offeres),or alternatively, the royal and ecclesiastic orders complementing each other.
Santa María del Naranco shows other, equally beautiful and important sculptural elements; for the first time, a Greek cross appears sculpted as emblem of the Asturian monarchy, at the same time protecting the building from all evil, something which was to become habitual in the popular architecture of towns and villages. Other sculptural elements, such as the capitals of Corinthian
inspiration on the miradors' triple-arched Windows or the altar stone in the eastern mirador (originally from the neighbouring Church of San Miguel de Liño/Lillo), make this palace the most distinctive building in Pre-Romanesque, a singularity highlighted by being the only palace complex that has lasted until the present day with both Visigothic and Carolingian
court structures.
The church of San Miguel de Lillo
was consecrated by Ramiro I and his wife Paterna in the year 848. It was originally dedicated to St. Mary until, as mentioned above (and shown by the altar located in the eastern mirador of santa María del Naranco), this worship passed to the nearby palace in the 12th century, leaving this church dedicated to St. Michael.
It originally had a basilica ground plan, three aisles with a barrel vault, although part of the original structure has disappeared as the building fell into decay during the 12th or 13th century. Nowadays, it conserves its western half from that period, together with several elements in the rest of the church such as the fantastic jambs in the vestibule or the extraordinary lattice
on the window of the southern wall, sculpted from one single piece of stone.
The last of the churches from this period is Santa Cristina de Lena , located in the Lena
district, about 25 km south of Oviedo, on an old Roman road that joined the lands of the plateau
with Asturias. The church has a different ground plan to Pre-Romanesque´s traditional basilica. It is a single rectangular space with a barrel vault, with four adjoining structures located in the centre of each facade. The first of these annexes is the typical Austrian Pre-Romanesque vestibule, with a royal tribune on the upper part, accessed via a stairway joined to one of the walls. To the east is the enclosure with the altar
, with a single apse, foregoing the traditional Asturian pre-romanesque triple apse, and going back to Visigoth influences. To the north and south respectively, there are two other enclosures through semicircular arches and barrel vaults, whose use was associated with the Hispano-Visigothic liturgy practised in Spain up to the 11th century.
One of the most particular elements of Santa Cristina de Lena is the existence of the presbytery elevated above floor level in the last section of the central nave, separated from the area intended for the congregation by three arches on marble columns. This separation,
which appears in other Asturian churches, is not repeated in any other with a similar structure. Both the lattices over the arches and the wall enclosing the central arch were re-used from Visigothic origins in the 7th century.
On the outside of the church, it is worth noting the large number of buttresses (32) which seem in some cases to have a merely aesthetic function. Nearby this church is the Asturian Pre-Romanesque Information Centre, located in the old Norte de la Cobertoria Railway Station.
in present-day Portugal
, and he pushed the borders of the kingdom as far as the Douro
, repopulating Zamora, Simancas
, Toro
and the whole area known as Campos Góticos. The idea of the Asturian kingdom as a
continuation of the Visigoths in Toledo was fully assumed, involving the obligation to re-conquer all the territory occupied by Muslims. This idea was reflected in the historical chronicles, such as the Crónica Albeldense
, written in Oviedo in the year 881, which tells the history of the Gothic kingdom (Ordo Gentis gothorum), followed by the Asturian monarchy (Ordo Gothorum Obetensium fíegnum)T he kingdom's moment of expansion and maturity was also reflected in a cultural revitalisation promoted from the court, involving architectural and artistic renewal.
The kingdom's progressive expansion and increasing power also kindled the ambition of Alfonso III's three sons (García I
, Ordoño II and Fruela II), who, encouraged by a number of noblemen, dispossessed the king and confined him in the town of Boiges (Boides valley, present-day Valdediós). Even so, they allowed him to lead a final campaign against the Muslims in Zamora, where he was victorious once more. He died on his return, in December of the year 910. Described in the chronicles as "Great King and Emperor" (Magnus Imperatore ImpemtorNoster),the king who had achieved the kingdom's greatest expansion and consolidation since it was founded by Pelayo, could not prevent his since from splitting it into three parts, Asturias
, Galicia and Castile-León, meaning the disappearance of the kingdom of Asturias.
San Salvador de Valdediós and Santo Adriano de Tuñón are the two churches built by this monarch, in addition to the Foncalada fountain
(fonte incalata) in the centre of Oviedo, and the already-mentioned gold artefacts of the Victory Cross
and the Agate box
.
The Church of San Salvador de Valdediós
stands in the Boides valley (Villaviciosa
), the place where Alfonso III was detained when he was dispossessed by his sons, and where there used to be an old convent governed by the Benedictine Order, substituted in the 13th century by the Cistercians. The church known as the "Bishops' Chapel" was consecrated on September 16, 893, with seven bishops in attendance, and stands on a classic basilica ground plan with a triple sanctuary, separating the central nave from the side aisles with four semicircular arches.
At the western end, there are three enclosures, the central one used as an access vestibule, and two located on the left and right which may have been used to house pilgrims. The vault over the central nave, like the one over the apses, is barrelled with a brick ceiling and decorated with al fresco wall painting, alternating a variety of geometric designs.The royal tribune is located above the vestibule, separate from the area intended for the congregation (spatium fidelium) in the central nave, and this from the area devoted to the liturgy by iron grilles, now disappeared. Particular elements of this church include the covered gallery annexed to the southern facade at a later date or Royal Portico, the 50 cm square columns on the central naves arches, the triple-arched window open in the central apse, and the room above it, exclusively accessed from the exterior by a window which here has two openings, compared with the habitual three.
The Church of Santo Adriano de Tuñón
is located on the bank of the River Trubia, next to an old Roman road. Founded on January 24, 891, it stands on a classic basilica ground plan, although in the 17th and 18th centuries it was extended with a nave structure at the western end, and a bell gable. The al fresco paintings in this church are the only remains of Mozarabic painters' work in an Asturian art workshop.
Finally, the Foncalada fountain
, the only upper medieval civil construction conserved in Spain, was built on the outside of Oviedo city walls, with stone blocks and an intersecting roof, barrel vault and rectangular ground plan. The intersection of the roof is topped with a triangular pediment, sculpted with the Victory Cross, characteristic of Alfonso III, under which runs the typical inscription of the kingdom of Asturias:
(a few kilometres from Valdediós), consecrated on September 24, 921, which has the architectural and decorative reference of the model laid down by Santullano, and not subsequent works. In the 17th and 18th centuries, it underwent several reconstructions, altering especially the structures adjoining the vestibule, by communicating them with the side aisles.
The Church of Santiago de Gobiendes
, located near Colunga
, next to the sea and the Sueve mountain range, is the last of the Pre-Romanesque churches, and like the previous one, follows the Santullano construction model. In the 17th and 18th centuries, it underwent significant reform, altering the entrance, facade, main and side chapels.
Asturias
The Principality of Asturias is an autonomous community of the Kingdom of Spain, coextensive with the former Kingdom of Asturias in the Middle Ages...
is framed between the years 711 and 910, the period of the rise, extension and disappearance of the kingdom of Asturias
Kingdom of Asturias
The Kingdom of Asturias was a Kingdom in the Iberian peninsula founded in 718 by Visigothic nobles under the leadership of Pelagius of Asturias. It was the first Christian political entity established following the collapse of the Visigothic kingdom after Islamic conquest of Hispania...
.
Historical introduction
In the 5th century, the GothsGoths
The Goths were an East Germanic tribe of Scandinavian origin whose two branches, the Visigoths and the Ostrogoths, played an important role in the fall of the Roman Empire and the emergence of Medieval Europe....
, a Christianized tribe of Eastern Germanic origin, arrived in the Iberian peninsula
Iberian Peninsula
The Iberian Peninsula , sometimes called Iberia, is located in the extreme southwest of Europe and includes the modern-day sovereign states of Spain, Portugal and Andorra, as well as the British Overseas Territory of Gibraltar...
after the fall of the Roman empire
Roman Empire
The Roman Empire was the post-Republican period of the ancient Roman civilization, characterised by an autocratic form of government and large territorial holdings in Europe and around the Mediterranean....
, and dominated most of the territory,
attempting to continue Roman order by the so called Ordo Gothorum.
In the year 710, the Visigothic king Wittiza
Wittiza
Wittiza was the Visigothic King of Hispania from 694 until his death, co-ruling with his father, Ergica, until 702 or 703.-Joint rule:...
died, and instead of being succeeded by the eldest of his three sons, Agila
Agila
Agila I was Visigothic King of Hispania and Septimania . Peter Heather notes that Agila's reign was during a period of civil war following the death of Amalaric, the last member of the old Visigothic dynasty, when ambitious Gothic nobles competed openly for the throne.Agila came to power after the...
, the throne was usurped by the duke of Baetica, Roderic
Roderic
Ruderic was the Visigothic King of Hispania for a brief period between 710 and 712. He is famous in legend as "the last king of the Goths"...
. The young heir sought support to recover the throne, and apart from local backing, he approached the Muslim Kingdom in northern Africa. Tarik, the caliph of Damascus
Damascus
Damascus , commonly known in Syria as Al Sham , and as the City of Jasmine , is the capital and the second largest city of Syria after Aleppo, both are part of the country's 14 governorates. In addition to being one of the oldest continuously inhabited cities in the world, Damascus is a major...
governor in Tangier, received permission to offer his army and disembark in Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
, ready to face the Visigothic army of King Roderic
Roderic
Ruderic was the Visigothic King of Hispania for a brief period between 710 and 712. He is famous in legend as "the last king of the Goths"...
.
On July 19, 711, the battle of Guadalete
Battle of Guadalete
The Battle of Guadalete was fought in 711 or 712 at an unidentified location between the Christian Visigoths of Hispania under their king, Roderic, and an invading force of Muslim Arabs and Berbers under Ṭāriq ibn Ziyad. The battle was significant as the culmination of a series of Arab-Berber...
took place near Gibraltar
Gibraltar
Gibraltar is a British overseas territory located on the southern end of the Iberian Peninsula at the entrance of the Mediterranean. A peninsula with an area of , it has a northern border with Andalusia, Spain. The Rock of Gibraltar is the major landmark of the region...
, where supporters of Witiza's heir, backed by Tarik's Muslim army, killed King Roderic and destroyed the Visigothic army. Tarik and his troops then took advantage of their military superiority, and marched on the Visigothic capital, Toledo
Toledo, Spain
Toledo's Alcázar became renowned in the 19th and 20th centuries as a military academy. At the outbreak of the Spanish Civil War in 1936 its garrison was famously besieged by Republican forces.-Economy:...
, taking it almost without opposition.
According to the chronicles, Asturian
Asturian people
The Asturians are one of the nationalisms of Spain, issuing from the historical country of the Principality of Asturias. They have Celtiberian heritage, related to its historical and cultural links with neighbouring Galicia, as well as Visigothic cultural influences most notably found in the...
mercenaries, who had already been recruited by the Romans for their courage and fighting spirit, fought alongside King Roderic
Roderic
Ruderic was the Visigothic King of Hispania for a brief period between 710 and 712. He is famous in legend as "the last king of the Goths"...
. These warriors, together with the rest of the retreating Gothic army, sought refuge in the mountains of Asturias, where they also tried to safeguard some of the sacred relics from Toledo cathedral, the most important of which was the Holy Ark, containing a large number of relics from Jerusalem.
The kingdom of Asturias arose exactly seven years later, in 718, when the Astur tribes, rallied in assembly, decided to appoint Pelayo as their leader, a person of uncertain origin, since for some chroniclers he was a Visigothic nobleman who fled from the Muslim conquerors and for others he was an indigenous nobleman associated with the Visigothic kingdom. Whatever the case, Pelayo joined the local tribes and the refuged Visigoths under his command, with the intention of progressively restoring Gothic Order, based on the kingdom of Toledo's political model.
The kingdom of Asturias disappeared with King Alfonso III
Alfonso III of León
Alfonso III , called the Great, was the king of León, Galicia and Asturias from 866 until his death. He was the son and successor of Ordoño I. In later sources he is the earliest to be called "Emperor of Spain"...
, who died in December of the year 910. In barely two hundred years, the 12 kings of the dynasty founded by Pelayo were to gradually recover territory from the Muslims (León
Kingdom of León
The Kingdom of León was an independent kingdom situated in the northwest region of the Iberian Peninsula. It was founded in AD 910 when the Christian princes of Asturias along the northern coast of the peninsula shifted their capital from Oviedo to the city of León...
, Galicia and Castile
Kingdom of Castile
Kingdom of Castile was one of the medieval kingdoms of the Iberian Peninsula. It emerged as a political autonomous entity in the 9th century. It was called County of Castile and was held in vassalage from the Kingdom of León. Its name comes from the host of castles constructed in the region...
), a process which finally required the court to be moved south, to León, for its strategic position in the struggle that culminated 800 years after it had started (1492) with the taking of Granada
Granada
Granada is a city and the capital of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of three rivers, the Beiro, the Darro and the Genil. It sits at an elevation of 738 metres above sea...
and the expulsion of the last Arabic king from the Iberian Peninsula
Iberian Peninsula
The Iberian Peninsula , sometimes called Iberia, is located in the extreme southwest of Europe and includes the modern-day sovereign states of Spain, Portugal and Andorra, as well as the British Overseas Territory of Gibraltar...
. The symbol of the flag of Asturias
Flag of Asturias
250px|thumb|right|Flag of AsturiasThe flag of Asturias shows the "Cruz de la Victoria" in gold over blue ....
, a golden cross (significantly called "La Victoria"), and a blue background with the Latin motto Hoc signo, tvetvr pivs, Hoc signo vincitvr inimicvs (With this sign the pious is protected, With this sign you shall defeat the enemy), sums up the unified character that Christianity gave the armed struggle.
Pre-Romanesque as the Asturian monarchy's artistic expression
Asturian Pre-Romanesque is a singular feature in all Spain, which, while combining elements from other styles (Visigothic, Mozarabic and local traditions), created and developed its own personality and characteristics, reaching a considerable level of refinement, not only as regards construction, but also in terms of decoration and goldGold
Gold is a chemical element with the symbol Au and an atomic number of 79. Gold is a dense, soft, shiny, malleable and ductile metal. Pure gold has a bright yellow color and luster traditionally considered attractive, which it maintains without oxidizing in air or water. Chemically, gold is a...
ornamentation. This last aspect can be seen in such relevant works as the Cross of the Angels, the Victory Cross, the agate Box (housed in the Holy Chamber of Oviedo Cathedral
Cathedral of San Salvador (Oviedo)
The Metropolitan Cathedral Basilica of the Holy Saviour is a Roman Catholic cathedral and minor basilica in the centre of Oviedo, in the Asturias region of northern Spain....
), the Reliquary in Astorga
Astorga, Spain
Astorga is a town in the province of León, northern Spain. It lies southwest of the provincial capital of León, and is the head of the council of La Maragatería. The river Tuerto flows through it. , its population was about 12,100 people....
Cathedral and the Cross of Santiago.
As court
Court
A court is a form of tribunal, often a governmental institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in accordance with the rule of law...
architecture
Architecture
Architecture is both the process and product of planning, designing and construction. Architectural works, in the material form of buildings, are often perceived as cultural and political symbols and as works of art...
, the situation of Pre-Romanesque monuments followed in the wake of the various locations of the kingdom's capital; from its original site in Cangas de Onís
Cangas de Onis
Cangas de Onís is a municipality in the eastern part of the province and autonomous community of Asturias in the northwest of Spain. The capital of the municipality is also Cangas de Onís....
(Eastern Asturias), through Pravia
Pravia
Pravia is a municipality in the Autonomous Community of the Principality of Asturias. It is bordered on the north by Cudillero and Muros de Nalón, on the east by Candamo and Soto del Barco, on the west by Cudillero and Salas, and on the south by Candamo and Salas.Since 774, when King Silo...
(west of the central coast), to its final location in Oviedo
Oviedo
Oviedo is the capital city of the Principality of Asturias in northern Spain. It is also the name of the municipality that contains the city....
, the region's geographical centre.
As regards its evolution, from its appearance, Asturian Pre-Romanesque followed a "stylistic sequence closely associated with the kingdom's political evolution, its stages clearly outlined".
Five stages are distinguished; a first period (737–791) belonging to the reigns of the kings Fáfila
Favila of Asturias
Fafila, Favila, or Favilac was the second King of Asturias from 737 until his death. He was the only son and successor of Pelagius, the first Asturian monarch. In 737 he founded the church of Santa Cruz, probably in his capital of Cangas de Onís, but aside from this, nothing else about his reign...
, Alfonso I
Alfonso I of Asturias
Alfonso I , called the Catholic , was the King of Asturias from 739 to his death in 757.He was son of Duke Peter of Cantabria and held many lands in that region. He may have been the hereditary chief of the Basques, but this is uncertain...
, Fruela I, Aurelio
Aurelius of Asturias
Aurelius was the King of Asturias from 768 to his death.Born in León, he was the son of Fruela and nephew of Alfonso I of Asturias. He was thus a cousin of his predecessor Fruela the Cruel...
, Silo
Silo
A silo is a structure for storing bulk materials.Silo may also refer to:* Silo , a 3D modeling software* Silo , a defunct chain of retail electronics stores* SILO , used in Linux...
, Mauregato and Vermudo I
Bermudo I of Asturias
Bermudo I , called the Deacon or the Monk, was the King of Asturias from 788 or 789 until his abdication in 791. He was a son of Fruela, brother of Alfonso I, and a brother of Aurelius...
. A second stage comprises the reign of Alfonso II
Alfonso II of Asturias
Alfonso II , called the Chaste, was the king of Asturias from 791 to his death, the son of Fruela I and the Basque Munia.He was born in Oviedo in 759 or 760. He was put under the guardianship of his aunt Adosinda after his father's death, but one tradition relates his being put in the monastery of...
(791–842), entering a stage of stylistic definition, and third comprises the reigns of Ramiro I
Ramiro I of Asturias
Ramiro I was King of Asturias from 842 until his death. Son of Bermudo I, he succeeded Alfonso II.First, he had to deal with the usurper Nepocian, defeating him at the Battle of the Bridge of Cornellana, by the river Narcea. Ramiro then removed the system of election which allowed his family to be...
(842–850) and Ordoño I
Ordoño I of Asturias
Ordoño I was King of Asturias from 850 until his death.-Biography:He was born in Oviedo, where he spent his early life in the court of Alfonso II. He was probably associated with the crown from an early age. He was probably raised in Lugo, capital of the province of Galicia, of which his father,...
(850–866); a fourth belongs to the reign of Alfonso III (866–910) and a fifth and last which coincides with the transfer of the court to León
León, Spain
León is the capital of the province of León in the autonomous community of Castile and León, situated in the northwest of Spain. Its city population of 136,985 makes it the largest municipality in the province, accounting for more than one quarter of the province's population...
, the disappearance of the kingdom of Asturias, and simultaneously, of Asturian Pre-Romanesque.
First Period (737 to 791)
From this period, of the young kingdom's rise and consolidation, the existence of two churches have been registered. The Church of Santa CruzSanta Cruz de Cangas de Onís
Santa Cruz de Cangas de Onís is a small Roman Catholic chapel in Cangas de Onís, the first capital of the Kingdom of Asturias, in what is now northern Spain. It was founded on an artificial mound by Favila, second king of Asturias, and his queen, Froiliuba...
(737) at the court's original location, Cangas de Onís, of which we only have written references, because it was destroyed in 1936. The present-day one dates from 1950 and, like the original, is built over a barrow covering a dolmen
Dolmen
A dolmen—also known as a portal tomb, portal grave, dolmain , cromlech , anta , Hünengrab/Hünenbett , Adamra , Ispun , Hunebed , dös , goindol or quoit—is a type of single-chamber megalithic tomb, usually consisting of...
. The legend goes that the name Santa Cruz ("Holy Cross") comes from the oaken cross carried by King Pelayo in the battle of Covadonga
Battle of Covadonga
The Battle of Covadonga was the first major victory by a Christian military force in Iberia following the Muslim Moors' conquest of that region in 711...
, the first "little-big victory" against the Arabs, which was later to be covered in gold and precious stones (reign of Alfonso III), coming to be called La Victoria, and emblem of the Asturian flag. Chronicles state that the Church of Santa Cruz was built in stone masonry, one nave with a barrel vault and a main chapel on one side.
The second of these constructions is the Church of San Juan Apóstol y Evangelista, Santianes de Pravia
Church of San Juan Apóstol y Evangelista, Santianes de Pravia
St. John Apostle and Evangelist is a Roman Catholic Asturian pre-Romanesque church situated in Santianes de Pravia, northern Spain.- Cultural references:...
, located in Santianes. Its construction results from the move of the royal court from Cangas de Onís
Cangas de Onis
Cangas de Onís is a municipality in the eastern part of the province and autonomous community of Asturias in the northwest of Spain. The capital of the municipality is also Cangas de Onís....
to Pravia
Pravia
Pravia is a municipality in the Autonomous Community of the Principality of Asturias. It is bordered on the north by Cudillero and Muros de Nalón, on the east by Candamo and Soto del Barco, on the west by Cudillero and Salas, and on the south by Candamo and Salas.Since 774, when King Silo...
, an old Roman settlement (Flavium Navia) and crossroads. The church, built between the years 774 and 783, already showed a number of elements anticipating Asturian Pre-Romanesque; eastward-facing, basilica
Basilica
The Latin word basilica , was originally used to describe a Roman public building, usually located in the forum of a Roman town. Public basilicas began to appear in Hellenistic cities in the 2nd century BC.The term was also applied to buildings used for religious purposes...
ground plan (central nave
Nave
In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the central approach to the high altar, the main body of the church. "Nave" was probably suggested by the keel shape of its vaulting...
and two side aisle
Aisle
An aisle is, in general, a space for walking with rows of seats on both sides or with rows of seats on one side and a wall on the other...
s), separated by three semicircular arch
Arch
An arch is a structure that spans a space and supports a load. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture and their systematic use started with the Ancient Romans who were the first to apply the technique to a wide range of structures.-Technical aspects:The...
es, transept
Transept
For the periodical go to The Transept.A transept is a transverse section, of any building, which lies across the main body of the building. In Christian churches, a transept is an area set crosswise to the nave in a cruciform building in Romanesque and Gothic Christian church architecture...
facing the central nave with the same length as the width of the three aisle
Aisle
An aisle is, in general, a space for walking with rows of seats on both sides or with rows of seats on one side and a wall on the other...
s. It also had a single, semicircular apse
Apse
In architecture, the apse is a semicircular recess covered with a hemispherical vault or semi-dome...
, and an external entrance vestibule
Vestibule (architecture)
A vestibule is a lobby, entrance hall, or passage between the entrance and the interior of a building.The same term can apply to structures in modern or ancient roman architecture. In modern architecture vestibule typically refers to a small room or hall between an entrance and the interior of...
, with a wooden ceiling
Ceiling
A ceiling is an overhead interior surface that covers the upper limit of a room. It is generally not a structural element, but a finished surface concealing the underside of the floor or roof structure above....
over the nave.
Several sculptural decorative elements showing floral and geometric designs (something habitual in what were to be the characteristics of subsequent Pre-Romanesque), are on public display in the sacristy
Sacristy
A sacristy is a room for keeping vestments and other church furnishings, sacred vessels, and parish records.The sacristy is usually located inside the church, but in some cases it is an annex or separate building...
, where there is a museum
Museum
A museum is an institution that cares for a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary. Most large museums are located in major cities...
.
Second Period (791 to 842)
Alfonso II, known as "the Chaste" (maybe for this reason he never had descendants), was a decisive king in the Asturian monarchy. From a military point of view, he definitively established the kingdom against the Muslims (in the famous battle of Lutos he gained a significant victory), in administration he moved the court to its final site in Oviedo, and in politics he set up cordial, stable relationships with the emperor CharlemagneCharlemagne
Charlemagne was King of the Franks from 768 and Emperor of the Romans from 800 to his death in 814. He expanded the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign, he conquered Italy and was crowned by Pope Leo III on 25 December 800...
, as demonstrated by the following quote by Eginardo (Vita caroli):
As regards patronage of art, Alfonso II promoted the largest number of Pre-Romanesque buildings defining what were to be this style's characteristics. With the royal architect, Tioda
Tioda
Tioda was a prominent Asturian architect of the 9th century. He worked primarily in Oviedo, where he constructed the church of San Salvador which was later elevated to the rank of cathedral of the Roman Catholic Diocese of Oviedo and the Royal Palace....
, he built the churches of Church of San Tirso, Oviedo
Church of San Tirso, Oviedo
The Church of Saint Thyrsus is a Roman Catholic Asturian Romanesque church situated in Oviedo, in Asturias, northern Spain. Dedicated to Saint Thyrsus, it was built by Tioda, the royal architect of Alfonso II of Asturias...
, San Julián de los Prados
San Julián de los Prados
- External links :* * *...
, Santa María de Bendones
Church of Santa María de Bendones
St. Mary of Bendones is a Roman Catholic Asturian Pre-Romanesque church situated in Bendones, Spain, build between 792 and 842.It was appointed Spanish National Monument in 1958...
and San Pedro de Nora
Church of San Pedro de Nora
Saint Peter of Nora is a Roman Catholic Pre-Romanesque church, located in Las Regueras, Spain, beside the Nora river, about 12 km from Oviedo...
, in addition to the palace complex in Oviedo, now disappeared, consisting of the churches of San Salvador, Santa María and its adjoining palace and chapel (now the Holy Chamber of Oviedo Cathedral, the only one remaining), containing relies such as the Holy Ark and jewels, like the Cross of the Angels
Cross of the Angels
The Cross of the Angels is a pre-romanesque Asturian reliquary donated by Alfonso II of Asturias in the year 808 to the Church of San Salvador in Oviedo, Asturias. The Cross of the Angels is the symbol of the city of Oviedo...
, which he donated himself to the Church of San Salvador. Outside Asturias, with the legend of the discovery of the apostle St. James' tomb in Galicia, in a place known as campus stellae (Compostela
Santiago de Compostela
Santiago de Compostela is the capital of the autonomous community of Galicia, Spain.The city's Cathedral is the destination today, as it has been throughout history, of the important 9th century medieval pilgrimage route, the Way of St. James...
), Alfonso II had the first church built in the saints honour (year 892).
When the Church of San Julián de los Prados
San Julián de los Prados
- External links :* * *...
, or Santullano, was built (approx. between the years (812 and 842), it formed part of a series of royal buildings. The church had a basilica ground plan [central nave and two side aisles), separated by three semicircular arches on impost capitals and square columns. It is worth noting the existence of a transept
Transept
For the periodical go to The Transept.A transept is a transverse section, of any building, which lies across the main body of the building. In Christian churches, a transept is an area set crosswise to the nave in a cruciform building in Romanesque and Gothic Christian church architecture...
or transversal aisle located between the aisles and the sanctuary, exceeding the central nave in height.
Finally, there was a straight sanctuary, divided into three chapel
Chapel
A chapel is a building used by Christians as a place of fellowship and worship. It may be part of a larger structure or complex, such as a church, college, hospital, palace, prison or funeral home, located on board a military or commercial ship, or it may be an entirely free-standing building,...
s, and over the main one, only accessible from outside, there was a room whose function is still open to conjecture. As for the roof, the church had an interesting oaken ceiling carved with a variety of geometric designs.
As elements outside the ground plan, there was a vestibule (to the east) and two sacristies adjoining the north and south facades, communicating directly with the transept. The Church of San Julián de los Prados
San Julián de los Prados
- External links :* * *...
is the largest of the pre-romanesque churches.
From an ornamental point of view, the mural
Mural
A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A particularly distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.-History:Murals of...
s covering the walls and ceilings of this church are the best-conserved upper medieval paintings in Spain. the technique used is al fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
painting (applied with the plaster
Plaster
Plaster is a building material used for coating walls and ceilings. Plaster starts as a dry powder similar to mortar or cement and like those materials it is mixed with water to form a paste which liberates heat and then hardens. Unlike mortar and cement, plaster remains quite soft after setting,...
still wet), arranged in three well-defined areas. Decorative designs show clear influence of mural painting from the Roman period, recreating a certain atmosphere typical of the "theatrical style" (1st century B.C.). Decorative elements are numerous; marble
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
imitation, rectangles, bands, weaving, squares, imitation channeling and columns, medallions decorated with plant motifs, architectural designs, curtains, though totally lacking in any portrayal of biblical or religious scenes, with the single exception of the Anastasis Cross (alpha and omega), as a symbol of royal power. This lack of figurative representation is known as aniconism
Aniconism
Aniconism is the practice or belief in avoiding or shunning images of divine beings, prophets or other respected religious figures, or in different manifestations, any human beings or living creatures. The term aniconic may be used to describe the absence of graphic representations in a particular...
and was not maintained in later Pre-Romanesque churches.
The church of San Tirso
Church of San Tirso, Oviedo
The Church of Saint Thyrsus is a Roman Catholic Asturian Romanesque church situated in Oviedo, in Asturias, northern Spain. Dedicated to Saint Thyrsus, it was built by Tioda, the royal architect of Alfonso II of Asturias...
, located beside the Cathedral of Oviedo, only conserves the end wall of the apse from its original construction, because it was destroyed by fire in the 16th century. The section remaining shows the original construction in stone blocks, and in the centre, there is the characteristic three-point window of Asturian Pre-Romanesque, with semicircular arches made of brick. The central opening, larger than the side ones, is supported by free-standing columns.
The Holy Chamber
Cámara Santa, Oviedo
The Holy chamber of Oviedo is a Roman Catholic pre-Romanesque church in Oviedo, Spain, built next to pre-romanesque Tower of San Miguel of the city's cathedral...
was built as a palace chapel for Alfonso II and the church of San Salvador (both demolished in the 14th century to build the present Gothic cathedral). The Chamber, adjoining the pre-Romanesque Tower of San Miguel, also had the function of housing
relies brought from Toledo after the fall of the Visigothic kingdom. It consists of two overlapping aisles with a barrel vault; the crypt or lower floor has a height of 2.30 metres, and is dedicated to St. Leocadia, containing several tombs of other martyr
Martyr
A martyr is somebody who suffers persecution and death for refusing to renounce, or accept, a belief or cause, usually religious.-Meaning:...
s.
The upper floor, dedicated to St. Michael, was extended in the 12th century, elongating the central section to six metres, a reconstruction that also provided it with its current decoration, a masterpiece of Spanish Romanesque
Romanesque art
Romanesque art refers to the art of Western Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. The preceding period is increasingly known as the Pre-Romanesque...
. From an architectural point of view, the Holy Chamber's construction solved one of the greatest problems of Asturian Pre-Romanesque: the vaulting of two overlapping spaces, later used in the buildings of Ramiro I.
As mentioned above, a from acting as royal chapel, the Holy Chamber was built to house the jewels and relies of the cathedral of San Salvador in Oviedo, a function it continues to have 1,200 years later. Some of these jewels were donated by the Kings Alfonso II and Alfonso III, and represent extraordinary gold artefacts of Asturian Pre-Romanesque.
The first of them is the Cross of the Angels
Cross of the Angels
The Cross of the Angels is a pre-romanesque Asturian reliquary donated by Alfonso II of Asturias in the year 808 to the Church of San Salvador in Oviedo, Asturias. The Cross of the Angels is the symbol of the city of Oviedo...
, created in 808 in Gauzón (the left bank of the estuary of Avilés
Avilés
Avilés is a city in Asturias, Spain. Avilés is with Oviedo and Gijón, one of the main towns in the Principality of Asturias.The town occupies the flattest land in the municipality, in a land that belonged to the sea, surrounded by small promontories, all of them having an altitude of less than...
) on the instructions of Alfonso II of Asturias
Alfonso II of Asturias
Alfonso II , called the Chaste, was the king of Asturias from 791 to his death, the son of Fruela I and the Basque Munia.He was born in Oviedo in 759 or 760. He was put under the guardianship of his aunt Adosinda after his father's death, but one tradition relates his being put in the monastery of...
, who donated the precious stones necessary to make it from his personal treasury. The Cross of the Angels takes its name from the legend that it was made and given to Alfonso II by angel
Angel
Angels are mythical beings often depicted as messengers of God in the Hebrew and Christian Bibles along with the Quran. The English word angel is derived from the Greek ἄγγελος, a translation of in the Hebrew Bible ; a similar term, ملائكة , is used in the Qur'an...
s, who appeared to him in the form of pilgrim
Pilgrim
A pilgrim is a traveler who is on a journey to a holy place. Typically, this is a physical journeying to some place of special significance to the adherent of a particular religious belief system...
s. The Greek cross (equal arms) has a core of cherry
Cherry
The cherry is the fruit of many plants of the genus Prunus, and is a fleshy stone fruit. The cherry fruits of commerce are usually obtained from a limited number of species, including especially cultivars of the wild cherry, Prunus avium....
wood and in the centre there is a circular disk acting as connection for the four arms. The anverse is covered with a filigreed mesh of gold thread and bands of geometric decoration with a total of 48 precious stones (agate
Agate
Agate is a microcrystalline variety of silica, chiefly chalcedony, characterised by its fineness of grain and brightness of color. Although agates may be found in various kinds of rock, they are classically associated with volcanic rocks and can be common in certain metamorphic rocks.-Etymology...
s, sapphire
Sapphire
Sapphire is a gemstone variety of the mineral corundum, an aluminium oxide , when it is a color other than red or dark pink; in which case the gem would instead be called a ruby, considered to be a different gemstone. Trace amounts of other elements such as iron, titanium, or chromium can give...
s, aamethystss, rubies
Ruby
A ruby is a pink to blood-red colored gemstone, a variety of the mineral corundum . The red color is caused mainly by the presence of the element chromium. Its name comes from ruber, Latin for red. Other varieties of gem-quality corundum are called sapphires...
and opal
Opal
Opal is an amorphous form of silica related to quartz, a mineraloid form, not a mineral. 3% to 21% of the total weight is water, but the content is usually between 6% to 10%. It is deposited at a relatively low temperature and may occur in the fissures of almost any kind of rock, being most...
s) of great beauty.The reverse is covered with fine sheet of gold held by silver nails. Decoration on this side shows, mounted on the central disk, a large elliptical agate cameo, and a large stone at the end of each arm.
Exactly one century later, in 908, to commemorate a hundred years of the Asturían kingdom's victories and conquests, Alfonso III donated Pre-Romanesque most important gold artifact to Oviedo Cathedral: the Victory Cross
Victory Cross
The Victory Cross is an early 10th century Asturian Christian ornamented processional cross, which was, as an inscription says, made in 908 in the Castle of Gauzón . It is a crux gemmata or jewelled cross, given by King Alfonso III of Asturias, who reigned from 848 to 910, to Cathedral of San...
or Santa Cruz, a Latin cross (unequal arms) of 92 cm by 72 cm. The core is made of two pieces of oak with circular ends finished in three foils, and joined in the centre by a circular disk. The whole cross is covered with gold leaf and filigree, and richly decorated especially the anverse, covered with coloured enamel
Vitreous enamel
Vitreous enamel, also porcelain enamel in U.S. English, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C...
, pearls, precious stones and gold thread. The reverse shows an inscription in soldered gold letters, mentioning the donors to the Church of San Salvador, King Alfonso III and Queen Jimena, and the place (Gauzón Castle again) and the year it was made.
The last of the Pre-Romanesque jewels on in the Holy Chamber of the Cathedral of Oviedo is the Agate box
Agate box
The Agate Casket of Oviedo is an elaborately decorated box, casket or small chest given by King Fruela II of Asturias and his wife Nunila to the Cathedral of San Salvador, Oviedo, Spain...
, donated to the church by Fruela II of Asturias (son of Alfonso II), and his wife Nunilo, in the year 910, when he was still a prince. This extraordinary gold artifact in mozarabic style is a rectangular reliquary made from cypress
Cupressus
The genus Cupressus is one of several genera within the family Cupressaceae that have the common name cypress; for the others, see cypress. It is considered a polyphyletic group...
with a semi-pyramidal shaped lid. The covered with gold plate, with 99 little arch shaped openings, framed in woven gold thread, containing agates. The most valuable part of this piece is the upper part of the lid, probably re-used from another, smaller reliquary of Carolingian origin, a hundred years older than the rest. This plaque is decorated with panels of enamel, in turn surrounded by 655 encrusted garnets.
Continuing with the architectural works of the second period of Pre-Romanesque art, the last two are the churches of Santa Maria de Bendones
Church of Santa María de Bendones
St. Mary of Bendones is a Roman Catholic Asturian Pre-Romanesque church situated in Bendones, Spain, build between 792 and 842.It was appointed Spanish National Monument in 1958...
and San Pedro de Nora
Church of San Pedro de Nora
Saint Peter of Nora is a Roman Catholic Pre-Romanesque church, located in Las Regueras, Spain, beside the Nora river, about 12 km from Oviedo...
. The first is located just fíve kilometres from the capital, in a south-east direction, towards the Nalón
Nalón (Asturian comarca)
Nalón is one of 8 comarcas , administrative divisions of Asturias, which is a province and an autonomous community in Spain ....
valley, and was a donation from King Alfonso III and his wife Jimena to San Salvador cathedral, on January 20, 905. Very similar to Santullano, although the ground plan is not the typical basilica of the Pre-Romanesque churches, but has three enclosures at the western end, the central one as an entrance vestibule and two side areas possibly to house parishioners or ecciesiastics. This entrance leads into a single nave with a wooden ceiling, covered by an interesting roof, the same length as the entrance enclosures. The nave adjoins two rectangular side areas, also with a wooden ceiling, whose use seems to associated with the liturgical rites of the period. this nave joined with the sanctuary by three semicircular brick arches, each of which leads into its corresponding chapel, of which only the main or central one is covered with a brick barrel vault, the other two with wooden ceilings.
Above the main chapel is the "typical" chamber, only accessible from outside, through a trefoil window with the standard Pre-Romanesque features; central arch larger than the side ones, resting on two free-standing capitals with rope moulding, and the upper rectangle framed by simple moulding.
Independent from the church structure, though close to its southern facade, stands the bell tower, on a rectangular ground plan.
The Church of San Pedro de Nora
Church of San Pedro de Nora
Saint Peter of Nora is a Roman Catholic Pre-Romanesque church, located in Las Regueras, Spain, beside the Nora river, about 12 km from Oviedo...
is located beside the River Nora, about twelve kilometres from Oviedo. This church has the construction style established in Santullano: facing eastwards, vestibule separate from the main structure, basilica-type ground plan, central nave higher than the side aisles, with intersecting wooden roof and lit by Windows with stone lattice. The straight sanctuary is divided into three apses with barrel vaults. As a differentiating element, the apses were joined to each other through the dividing walls by semicircular-arched doors. Like all the churches from this period, there was a room over the apse, only accessible from outside through a trefoil window. The bell tower, separate from the church like in Santa Maria de Bendones
Church of Santa María de Bendones
St. Mary of Bendones is a Roman Catholic Asturian Pre-Romanesque church situated in Bendones, Spain, build between 792 and 842.It was appointed Spanish National Monument in 1958...
, does not belong to the original construction, and stems from an initiative in the seventies by the architect and great restorer of Asturian Pre-Romanesque, Luis Menéndez Pidal.
Third period (842 to 866)
This period corresponds with the reigns of Ramiro I and Ordoño I. The first, son of Vermudo I, succeeded Alfonso II when he died without descendants, taking charge of a rapidly expanding kingdom. He was described by chroniclers as Virga justitiae (baton of justice) because he had to face two internal rebellions by noblemen and due to his enthusiasm in hunting down magic and the black arts, very widespread in Asturias at the time. He also fought the NormansNormans
The Normans were the people who gave their name to Normandy, a region in northern France. They were descended from Norse Viking conquerors of the territory and the native population of Frankish and Gallo-Roman stock...
successfully, defeating them in Gijón
Gijón
Gijón , officially Gijón / Xixón, is a coastal industrial city and a municipality in the autonomous community of Asturias in Spain. Early mediaeval texts mention it as "Gigia". It was an important regional Roman city, although the area has been settled since earliest history...
and La Coruña. Paradoxically, he enjoyed a time of peace with his traditional enemies, the Muslims, which from an artistic point of view allowed him to substantially renew Pre-Romanesque's architecture and decorative style, giving rise to the so-called Ramirian style.
Ramiro I was succeeded by his son Ordoño I, who inherited a very solid kingdom from a military perspective, a condition that let him use subjects from the kingdom of Asturias to re-populate abandoned cities on the other side of the mountains, such as Tui
Tui, Galicia
Tui , in Spanish Tuy, is a town in Galicia , in the province of Pontevedra. It is located on the left bank of the Minho River, facing the Portuguese town of Valença....
, Astorga
Astorga, Spain
Astorga is a town in the province of León, northern Spain. It lies southwest of the provincial capital of León, and is the head of the council of La Maragatería. The river Tuerto flows through it. , its population was about 12,100 people....
and León. He measured his military might against the Arabs with varying results; in the battle of Clavijo
Battle of Clavijo
The Battle of Clavijo was a legendary battle, supposedly fought in 844 near Clavijo between the Christians led by Ramiro I of Asturias and the Muslims led by the Emir of Córdoba. Saint James the Great, known to Spaniards as Santiago Matamoros , is reputed to have aided the vastly outnumbered...
(year 859) he easily defeated them, though six years later, at Hoz de la Morcuera, his army, led by one of his generals, suffered a defeat, halting the intense re-population work of the first part of his reign.
The first of the works from this period, the Palace of Santa María del Naranco
Santa María del Naranco
The church of St Mary at Mount Naranco is a Roman Catholic Asturian pre-Romanesque Asturian architecture church on the slope of Mount Naranco situated 3 km from Oviedo, northern Spain. Ramiro I of Asturias ordered it to be built as a royal palace as part of a larger complex that also...
, involved a significant stylistic, morphological, constructive and decorative renovation of Pre-Romanesque, supplementing it with new, innovative resources, representing a leap forward with respect to immediately previous periods. Built as a recreational palace, it is situated on the southern side of Monte Naranco facing the city, and was originally part of a series of royal buildings located in the outskirts. Its character as a civil building changed in the 12th century when it
was converted into a church dedicated to St. Mary.
This palace's innovations amazed chroniclers, who repeatedly mention it over time. A case in point is the Crónica Silense, written around the year 1015, about 300 years after its construction, and which, on describing Ramiro I, states that "(...)he built many constructions, two miles away from Oviedo, with sandstone and marble in a vaulted work: (...) He also made (...), a palace without wood, of admirable construction and vaulted below and above,...".
What marvelled the chroniclers for so many centuries were its proportions and slender shapes, its rich, varied decoration and the introduction ofelongated barrel vaults thanks to the transverse
arches, allowing support and eliminating wooden ceilings. This solution, timidly advanced in the Holy Chamber, fully matured in Santa Maria del Naranco.
The palace, on a rectangular ground plan, has two floors; the lower level, or crypt
Crypt
In architecture, a crypt is a stone chamber or vault beneath the floor of a burial vault possibly containing sarcophagi, coffins or relics....
, quite low, has a central chamber and another two located on either side. The upper floor is accessed via a double exterior stairway adjoining the facade, leading into an identical layout as the lower floor; a central or noble hall with six blind semicircular arches along the walls, supported by columns built into the wall, and a mirador at each end. These are accessed via three arches, similar to those onto the wall, resting on columns with helicoidal rope moulding, typical of Pre-Romanesque. The barrel vault is made from tufa stone, and is held up by six transverso arches resting on consoles.
Santa Maria del Naranco represented a step forward from a decorative point of view by enriching the habitual standards and modeis with elements from painting, gold work and the textile arts. The rich decoration is concentrated in the hall and miradors of the upper floor, where it is especially worth noting the cubic-prismatic capitals (of Byzantine
Byzantine architecture
Byzantine architecture is the architecture of the Byzantine Empire. The empire gradually emerged as a distinct artistic and cultural entity from what is today referred to as the Roman Empire after AD 330, when the Roman Emperor Constantine moved the capital of the Roman Empire east from Rome to...
influence), decorated with reliefs framed by cord
Rope
A rope is a length of fibres, twisted or braided together to improve strength for pulling and connecting. It has tensile strength but is too flexible to provide compressive strength...
decoration (from local tradition) in trapezoid and triangular shapes, inside which there are sculpted forms of animals and humans. This kind of motif is repeated on the disks with central medallions located above the blind arches' intersections. The 32 medallions distributed around the building are similar in size and shape, varying the decorative designs and the interior figures (quadrupeds, birds, bunches of grapes, fantastic animáis), a style inherited from the Visigoth period, in turn descended from Byzantine tradition.
The medallions have decorative bands above them, again framed by rope moulding, inside which four figures are scuipted and arranged symmetrically; the upper two carrying loads on their heads and the lower two representing soldiers on horseback carrying swords. These figures seem to have some kind of symbolic social meaning; the warriors who defend and support the men of prayer (here offeres),or alternatively, the royal and ecclesiastic orders complementing each other.
Santa María del Naranco shows other, equally beautiful and important sculptural elements; for the first time, a Greek cross appears sculpted as emblem of the Asturian monarchy, at the same time protecting the building from all evil, something which was to become habitual in the popular architecture of towns and villages. Other sculptural elements, such as the capitals of Corinthian
Corinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
inspiration on the miradors' triple-arched Windows or the altar stone in the eastern mirador (originally from the neighbouring Church of San Miguel de Liño/Lillo), make this palace the most distinctive building in Pre-Romanesque, a singularity highlighted by being the only palace complex that has lasted until the present day with both Visigothic and Carolingian
Carolingian
The Carolingian dynasty was a Frankish noble family with origins in the Arnulfing and Pippinid clans of the 7th century AD. The name "Carolingian", Medieval Latin karolingi, an altered form of an unattested Old High German *karling, kerling The Carolingian dynasty (known variously as the...
court structures.
The church of San Miguel de Lillo
San Miguel de Lillo
-External links:* * http://www.360cities.net/business/san-miguel-de-lillo-oviedo-world-heritage* http://www.santamariadelnaranco.es/...
was consecrated by Ramiro I and his wife Paterna in the year 848. It was originally dedicated to St. Mary until, as mentioned above (and shown by the altar located in the eastern mirador of santa María del Naranco), this worship passed to the nearby palace in the 12th century, leaving this church dedicated to St. Michael.
It originally had a basilica ground plan, three aisles with a barrel vault, although part of the original structure has disappeared as the building fell into decay during the 12th or 13th century. Nowadays, it conserves its western half from that period, together with several elements in the rest of the church such as the fantastic jambs in the vestibule or the extraordinary lattice
Latticework
Latticework is a framework consisting of a criss-crossed pattern of strips of building material, typically wood or metal. The design is created by crossing the strips to form a network...
on the window of the southern wall, sculpted from one single piece of stone.
The last of the churches from this period is Santa Cristina de Lena , located in the Lena
Lena, Asturias
Lena is a municipality in the Autonomous Community of the Principality of Asturias, Spain. Its capital, Pola de Lena, has a population of 9,200.-Parishes:-Main sights:...
district, about 25 km south of Oviedo, on an old Roman road that joined the lands of the plateau
Plateau
In geology and earth science, a plateau , also called a high plain or tableland, is an area of highland, usually consisting of relatively flat terrain. A highly eroded plateau is called a dissected plateau...
with Asturias. The church has a different ground plan to Pre-Romanesque´s traditional basilica. It is a single rectangular space with a barrel vault, with four adjoining structures located in the centre of each facade. The first of these annexes is the typical Austrian Pre-Romanesque vestibule, with a royal tribune on the upper part, accessed via a stairway joined to one of the walls. To the east is the enclosure with the altar
Altar
An altar is any structure upon which offerings such as sacrifices are made for religious purposes. Altars are usually found at shrines, and they can be located in temples, churches and other places of worship...
, with a single apse, foregoing the traditional Asturian pre-romanesque triple apse, and going back to Visigoth influences. To the north and south respectively, there are two other enclosures through semicircular arches and barrel vaults, whose use was associated with the Hispano-Visigothic liturgy practised in Spain up to the 11th century.
One of the most particular elements of Santa Cristina de Lena is the existence of the presbytery elevated above floor level in the last section of the central nave, separated from the area intended for the congregation by three arches on marble columns. This separation,
which appears in other Asturian churches, is not repeated in any other with a similar structure. Both the lattices over the arches and the wall enclosing the central arch were re-used from Visigothic origins in the 7th century.
On the outside of the church, it is worth noting the large number of buttresses (32) which seem in some cases to have a merely aesthetic function. Nearby this church is the Asturian Pre-Romanesque Information Centre, located in the old Norte de la Cobertoria Railway Station.
Fourth period (866 to 910)
This comprises the reign of Alfonso III, who came to the throne at the age of 18, on the death of his father, Ordoño I, marking the zenith of the kingdom of Asturias. Expansion against Islam led him to conquer Oporto and CoimbraCoimbra
Coimbra is a city in the municipality of Coimbra in Portugal. Although it served as the nation's capital during the High Middle Ages, it is better-known for its university, the University of Coimbra, which is one of the oldest in Europe and the oldest academic institution in the...
in present-day Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
, and he pushed the borders of the kingdom as far as the Douro
Douro
The Douro or Duero is one of the major rivers of the Iberian Peninsula, flowing from its source near Duruelo de la Sierra in Soria Province across northern-central Spain and Portugal to its outlet at Porto...
, repopulating Zamora, Simancas
Simancas
Simancas is a town and municipality of central Spain, located in the province of Valladolid, part of the autonomous community of Castile and León...
, Toro
Toro, Zamora
Toro is a town and municipality in the province of Zamora, part of the autonomous community of Castile and León, Spain. It is located on a fertile high plain, northwest of Madrid at an elevation of 740 meters....
and the whole area known as Campos Góticos. The idea of the Asturian kingdom as a
continuation of the Visigoths in Toledo was fully assumed, involving the obligation to re-conquer all the territory occupied by Muslims. This idea was reflected in the historical chronicles, such as the Crónica Albeldense
Codex Vigilanus
The Codex Vigilanus or Códice Albeldense , full name Codex Conciliorum Albeldensis seu Vigilanus, is an illuminated compilation of various historical documents from the Visigothic period in Spain...
, written in Oviedo in the year 881, which tells the history of the Gothic kingdom (Ordo Gentis gothorum), followed by the Asturian monarchy (Ordo Gothorum Obetensium fíegnum)T he kingdom's moment of expansion and maturity was also reflected in a cultural revitalisation promoted from the court, involving architectural and artistic renewal.
The kingdom's progressive expansion and increasing power also kindled the ambition of Alfonso III's three sons (García I
Garcia I
Garcia I may refer to:* García I Jiménez of Gascony, duke of Gascony, leader of the Gascons from 816 to his death in 818* García I Galíndez, count of Aragon * García Íñiguez of Pamplona * García I of León...
, Ordoño II and Fruela II), who, encouraged by a number of noblemen, dispossessed the king and confined him in the town of Boiges (Boides valley, present-day Valdediós). Even so, they allowed him to lead a final campaign against the Muslims in Zamora, where he was victorious once more. He died on his return, in December of the year 910. Described in the chronicles as "Great King and Emperor" (Magnus Imperatore ImpemtorNoster),the king who had achieved the kingdom's greatest expansion and consolidation since it was founded by Pelayo, could not prevent his since from splitting it into three parts, Asturias
Asturias
The Principality of Asturias is an autonomous community of the Kingdom of Spain, coextensive with the former Kingdom of Asturias in the Middle Ages...
, Galicia and Castile-León, meaning the disappearance of the kingdom of Asturias.
San Salvador de Valdediós and Santo Adriano de Tuñón are the two churches built by this monarch, in addition to the Foncalada fountain
La Foncalada
The Foncalada is a fountain of potable water located outside the city walls of Oviedo, Asturias, Spain; it was built by king Alfonso III of Asturias in the 9th century. This building remains the only surviving civil architectural item for public use of the High Middle Ages. Its name was given...
(fonte incalata) in the centre of Oviedo, and the already-mentioned gold artefacts of the Victory Cross
Victory Cross
The Victory Cross is an early 10th century Asturian Christian ornamented processional cross, which was, as an inscription says, made in 908 in the Castle of Gauzón . It is a crux gemmata or jewelled cross, given by King Alfonso III of Asturias, who reigned from 848 to 910, to Cathedral of San...
and the Agate box
Agate box
The Agate Casket of Oviedo is an elaborately decorated box, casket or small chest given by King Fruela II of Asturias and his wife Nunila to the Cathedral of San Salvador, Oviedo, Spain...
.
The Church of San Salvador de Valdediós
Church of San Salvador de Valdediós
Holy Savior of Valdedios is a Roman Catholic pre-romanesque church, located next to Villaviciosa, Asturias, Spain.The church stands in the Boides valley , the place where Alfonso III of Asturias was detained when he was dispossessed by his sons, and where there used to be an old convent governed...
stands in the Boides valley (Villaviciosa
Villaviciosa, Asturias
Villaviciosa is a town and in the autonomous community of Asturias, Spain. It is situated on the central eastern coastline, and borders the Asturian municipalities of Gijón and Siero to the west, Sariego, Nava, Cabranes and Piloña to the south and to Colunga to the east. The total area is 271 km²...
), the place where Alfonso III was detained when he was dispossessed by his sons, and where there used to be an old convent governed by the Benedictine Order, substituted in the 13th century by the Cistercians. The church known as the "Bishops' Chapel" was consecrated on September 16, 893, with seven bishops in attendance, and stands on a classic basilica ground plan with a triple sanctuary, separating the central nave from the side aisles with four semicircular arches.
At the western end, there are three enclosures, the central one used as an access vestibule, and two located on the left and right which may have been used to house pilgrims. The vault over the central nave, like the one over the apses, is barrelled with a brick ceiling and decorated with al fresco wall painting, alternating a variety of geometric designs.The royal tribune is located above the vestibule, separate from the area intended for the congregation (spatium fidelium) in the central nave, and this from the area devoted to the liturgy by iron grilles, now disappeared. Particular elements of this church include the covered gallery annexed to the southern facade at a later date or Royal Portico, the 50 cm square columns on the central naves arches, the triple-arched window open in the central apse, and the room above it, exclusively accessed from the exterior by a window which here has two openings, compared with the habitual three.
The Church of Santo Adriano de Tuñón
Church of Santo Adriano de Tuñón
The Church of Santo Adriano de Tuñón is a Roman Catholic Pre-Romanesque church in the village of Tuñón, Asturias, Spain dedicated to Saint Adrian.The church is located on the bank of the River Trubia, next to an old Roman road...
is located on the bank of the River Trubia, next to an old Roman road. Founded on January 24, 891, it stands on a classic basilica ground plan, although in the 17th and 18th centuries it was extended with a nave structure at the western end, and a bell gable. The al fresco paintings in this church are the only remains of Mozarabic painters' work in an Asturian art workshop.
Finally, the Foncalada fountain
La Foncalada
The Foncalada is a fountain of potable water located outside the city walls of Oviedo, Asturias, Spain; it was built by king Alfonso III of Asturias in the 9th century. This building remains the only surviving civil architectural item for public use of the High Middle Ages. Its name was given...
, the only upper medieval civil construction conserved in Spain, was built on the outside of Oviedo city walls, with stone blocks and an intersecting roof, barrel vault and rectangular ground plan. The intersection of the roof is topped with a triangular pediment, sculpted with the Victory Cross, characteristic of Alfonso III, under which runs the typical inscription of the kingdom of Asturias:
Fifth period (910 to 925)
With Alfonso III dead and the kingdom of Asturias divided among his sons, Asturian Pre-Romanesque entered its last stage with two constructions. The first of them is the Church of San Salvador de PriescaChurch of San Salvador de Priesca
Holy Saviour of Priesca is a Roman Catholic pre-romanesque church, located in Priesca, next to Villaviciosa, Asturias, northern Spain. Only a few kilometres from the Church of San Salvador de Valdediós, it is amongst the latest examples of Asturian architecture.- Architecture :With Alfonso III...
(a few kilometres from Valdediós), consecrated on September 24, 921, which has the architectural and decorative reference of the model laid down by Santullano, and not subsequent works. In the 17th and 18th centuries, it underwent several reconstructions, altering especially the structures adjoining the vestibule, by communicating them with the side aisles.
The Church of Santiago de Gobiendes
Church of Santiago de Gobiendes
Saint James of Gobiendes is a Roman Catholic pre-romanesque church, located in Gobiendes, next to Colunga, Asturias, Spain. It was built during the reign of Alfonso II of Asturias, its structure is typical of pre-romanesque Asturian architecture....
, located near Colunga
Colunga
Colunga is a municipality in the Autonomous Community of the Principality of Asturias, Spain. It lies on the Cantabrian Sea, and is bordered to the west by Villaviciosa, to the south by Parres and Piloña, and to the east by Caravia.- Politic :-Parishes:...
, next to the sea and the Sueve mountain range, is the last of the Pre-Romanesque churches, and like the previous one, follows the Santullano construction model. In the 17th and 18th centuries, it underwent significant reform, altering the entrance, facade, main and side chapels.