Giardino all'italiana
Encyclopedia
The Giardino all'italiana, Garden all'italiana or Italian garden, is a style of garden from Italy
based on symmetry, perfect geometry and the principle of imposing order over nature. It was influenced by Roman gardening and Italian Renaissance garden
ing, and has been copied by other courts around Europe over the centuries. It has also profoundly influenced the history of gardening
, especially that of French gardens and English garden
s.
ing. Today the Italian garden has been influential worldwide and has been imitated in a great number of countries, most notably the Garden à la française
in France
, whose principles are fundamentally based on those of the Giardino all'italiana, but also by the English garden
, which was influenced by the fountains, cascades and exciting waterwork which were key elements of the Italian Renaissance garden
.
and were usually in the peristyles. Roman Gardens were indoor. Ornamental horticulture became highly developed during the development of Roman civilisation. The administrators of the Roman Empire
(c.100 BC – AD 500) actively exchanged information on agriculture, horticulture, animal husbandry, hydraulics, and botany. Seeds and plants were widely shared. The Gardens of Lucullus
(Horti Lucullani) on the Pincian Hill
at the edge of Rome
introduced the Persian garden to Europe, around 60 BC. The garden was a place of peace and tranquillity—a refuge from urban life—and a place filled with religious and symbolic meanings. As Roman culture developed and became increasingly influenced by foreign civilizations through trade, the use of gardens expanded and gardens ultimately thrived in Ancient Rome.
The principle styles of the Giardino all'italiana emerged from the rediscovery by Renaissance scholars of classical Roman models. They were inspired by the descriptions of ancient Roman gardens given by Ovid
in his Metamorphoses; by the letters of Pliny the Younger
, by Pliny the Elder
's Naturalis Historia; and in Rerum Rusticanum by Varro
, all of which gave detailed and lyrical description of the gardens of Roman villas.
Pliny the Younger described his life at his villa at Laurentum: " ...a good life and a genuine one, which is happy and honourable, more rewarding than any "business" can be. You should take the first opportunity to leave the din, the futile bustle and useless occupations of the city and devote yourself to literature or to leisure.". The purpose of a garden, according to Pliny, was "otium," which could be translated as seclusion, serenity, or relaxion. A garden was a place to think, read, write and relax.
Pliny described shaded paths bordered with hedges, ornamental parterres, fountains, and trees and bushes trimmed to geometric or fantastic shapes; all features which would become part of the future Renaissance garden.
Generally, monastic garden types consisted of kitchen gardens, infirmary gardens, cemetery orchards, cloister garths and vineyards. Individual monasteries might also have had a “green court,” a plot of grass and trees where horses could graze, as well as a cellarer’s garden or private gardens for obedientiaries, monks who held specific posts within the monastery.
and Florence
, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.
In the late Renaissance, the gardens became larger, grander and more symmetrical, and were filled with fountains, statues, grottoes, water organs and other features designed to delight their owners and amuse and impress visitors.
While the early Italian Renaissance gardens were designed for contemplation and pleasure with tunnels of greenery, trees for shade, an enclosed giardino segreto (secret garden) and fields for games and amusements, the Medici, the ruling dynasty of Florence, used gardens to demonstrate their own power and magnificence. "During the first half of the sixteenth century, magnificence came to be perceived as a princely virtue, and all over the Italian peninsula architects, sculptors, painters, poets, historians and humanist scholars were commissioned to concoct a magnificent image for their powerful patrons." The central fountain at Villa Castello featured a statue of Hercules, symbolizing Cosimo de Medici, the ruler of Florence, and the fish-tailed goat that was an emblem of the Medicis; the garden represented the power, wisdom, order, beauty and glory that the Medici had brought to Florence.
s and the English landscape gardens, and some country homes such as the Castle of Racconigi
had gardens designed in a more continental fashion, most Italian gardens were still designed in a similar way to those of the Italian Renaissance garden
.
, north of Florence. It was created sometime between 1455 and 1461 by Giovanni de' Medici
(1421–1463) the son of Cosimo de' Medici
, the founder of the Medici dynasty. Unlike other Medici family villas that were located on flat farmland, this villa was located on a rocky hillside with a view over Florence.
The Villa Medici followed Alberti's precepts that a villa should have a view 'that overlooks the city, the owner's land, the sea or a great plain, and familiar hills and mountains,' and that the foreground have 'the delicacy of gardens.'. The garden has two large terraces, one at the ground floor level and the other at the level of the first floor. From the reception rooms on the first floor, guests could go out to the loggia and from there to the garden so the loggia was a transition space connecting the interior with the exterior. Unlike later gardens, the Villa Medici did not have a grand staircase or other feature to link the two levels.
The garden was inherited by his nephew, Lorenzo de' Medici, who made it a meeting place for poets, artists, writers and philosophers. In 1479, the poet Angelo Poliziano, tutor to the Medici children, described the garden in a letter: "..Seated between the sloping sides of the mountains we have here water in abundance and being constantly refreshed with moderate winds find little inconvenience from the glare of the sun. As you approach the house it seems embosomed in the wood, but when you reach it you find it commands a full prospect of the city."
, was built by Enea Silvio Piccolomini, who was Pope from 1458 to 1464, under the name of Pius II. He was a scholar of Latin and wrote extensively on education, astronomy and social culture. In 1459, he constructed a palace for himself and his Cardinals and court in his small native town of Pienza. Like the Villa Medici, a major feature of the house was the commanding view to be had from the loggia over the valley, the Val d’Orcia, to the slopes of Monte Amiata
. Closer to the house, there were terraces with geometric flowerbeds surrounding fountains and ornamented with bushes trimmed into cones and spheres similar to the garden of Pliny described in Alberti's De Re Aedificatoria. The garden was designed to open to the town, the palace and the view.
commissioned the architect Donato Bramante
to recreate a classical Roman pleasure garden in the space between the old papal Vatican
palace in Rome and the nearby Villa Belvedere. His model was the ancient sanctuary of Fortuna Primigenia at Palestrina
or ancient Praeneste, and he used the classical ideals of proportion, symmetry and perspective in his design. He created a central axis to link the two buildings, and a series of terraces connected by double ramps, modelled after those at Palestrina. The terraces were divided into squares and rectangles by paths and flowerbeds, and served as an outdoor setting for Pope Julius's extraordinary collection of classical sculpture, which included the famous Laocoön
and the Apollo Belvedere
. The heart of the garden was a courtyard surrounded by a three-tiered loggia, which served as a theater for entertainments. A central exedra
formed the dramatic conclusion of the long perspective up the courtyard, ramps and terraces.
The Venetian Ambassador described the Cortile del Belvedere
in 1523: "One enters a very beautiful garden, of which half is filled with growing grass and bays and mulberries and cypresses, while the other half is paved with squares of bricks laid upright, and in every square a beautiful orange tree grows out of the pavement, of which there are a great many, arranged in perfect order....On one side of the garden is a most beautiful loggia, at one end of which is a lovely fountain that irrigates the orange trees and the rest of the garden by a little canal in the center of the loggia."
Unfortunately the construction of the Vatican Library in the late sixteenth century across the centre of the cortile means that Bramante's design is now obscured but his ideas of proportion, symmetry and dramatic perspectives were used in many of the great gardens of the Italian Renaissance.
, situated on the slopes of Monte Mario
and overlooking Rome, was begun by Pope Leo X and continued by Cardinal Giulio de' Medici
(1478–1534). In 1516 Leo X gave the commission to Raphael
who was at that time the most famous artist in Rome. Using the ancient text of De Architectura by Vitruvius
and the writings of Pliny the Younger
, Raphael imagined his own version of an ideal classical villa and garden. His villa had a great circular courtyard, and was divided into a winter apartment and a summer apartment. Passages led from the courtyard to the great loggia from which views could be gained of the garden and Rome. A round tower on the east side was intended as garden room in winter, warmed by the sun coming through glazed windows. The villa overlooked three terraces, one a square, one a circle, and one an oval. The top terrace was to be planted in chestnut trees and firs while the lower terrace was intended for plant beds.
Work on the Villa Madama stopped in 1520 after the death of Raphael but was then continued by other artists until 1534. They finished one-half of the villa including half of the circular courtyard, and the northwest loggia that was decorated with grotesque
frescoes by Giulio Romano
and stucco by Giovanni de Udine. Fine surviving features include a fountain of the head of an elephant by Giovanni da Udine and two gigantic stucco figures by Baccio Bandinelli at the entrance of the giardino segreto, the secret garden. The villa is now a state guest house for the Government of Italy.
, first Duke of Tuscany, begun when he was only seventeen. It was designed by Niccolò Tribolo
who designed two other gardens: the Giardino dei Semplici (1545) and the Boboli Gardens
(1550) for Cosimo.
The garden was laid out on a gentle slope between the villa and the hill of Monte Morello. Tribolo first built a wall across the slope, dividing it into an upper garden filled with orange trees, and a lower garden that was subdivided into garden rooms with walls of hedges, rows of trees and tunnels of citrus trees and cedars. A central axis, articulated by a series of fountains, extended from the villa up to the base of Monte Morello. In this arrangement, the garden had both grand perspectives and enclosed, private spaces
The lower garden had a large marble fountain that was meant to be seen against a backdrop of dark cypresses, with figures of Hercules
and Antaeus
. Just above this fountain, in the center of the garden, was a labyrinth formed by cypress, laurel, myrtle, roses and box hedges. Concealed in the middle of the labyrinth
was another fountain, with a statue of Venus
. Around this fountain, Cosimo had bronze pipes installed under the tiles for giochi d'acqua ("water tricks"), which were concealed conduits which could be turned on with a key to drench unsuspectng guests. Another unusual feature was a treehouse concealed in an ivy-covered oak tree, with a square dining room inside the tree.
At the far end of the garden and set against a wall, Tribolo created an elaborate grotto
, decorated with mosaics, pebbles, sea shells, imitation stalactites, and niches with groups of statues of domestic and exotic animals and birds, many with real horns, antlers and tusks. The animals symbolized the virtues and accomplishments of past members of Medici family. Water flowed from the beaks, wings and claws of the animals into marble basins below each niche. A gate could close suddenly behind visitors, and they would be soaked by hidden fountains.
Above the grotto, on the hillside, was small wood, or bosco, with a pond in the center. In the pond is a bronze statue of a shivering giant, with cold water running down over his head, which represents either the month of January or the Apennine Mountains
.
When the last of the Medicis died in 1737, the garden began to be altered by its new owners, the House of Lorraine
; the labyrinth was demolished and the statue of Venus was moved to the Villa Petraia. But long before then, the garden had been described by many ambassadors and foreign visitors and had become famous throughout Europe. Its principles of perspective, proportion and symmetry, its geometric planting beds and rooms with walls of trees and hedges, were adapted in both the gardens of the French Renaissance
and the garden à la française
which followed.
at Tivoli
is one of the grandest and best-preserved of the Italian Renaissance gardens. It was created by Cardinal Ippolito II d'Este
, son of Alfonso I d'Este
, the Duke of Ferrara, and Lucretia Borgia. He was made a Cardinal at the age of twenty-nine and became governor of Tivoli in 1550. To develop his residence, he took over a former Franciscan convent, and for the garden he bought the adjoining steep hillside and the valley below. His chosen architect was Pirro Ligorio
, who had been carrying out excavations for Ippolito at the nearby ruins of the ancient Villa Adriana, or Hadrian's Villa
, the extensive country residence of the Emperor Hadrian that had numerous elaborate water features.
Ligorio created the garden as a series of terraces descending the steep hillside at the edge of the mountains overlooking the plain of Latium
. The terraces were connected by gates and grand stairways starting from a terrace below the villa and traversing down to the Fountain of Dragons at the foot of the garden. The stairway was crossed by five traversal alleys on the different levels, which were divided into rooms by hedges and trellises covered with vines. At the crossing points of the stairway and the alleys there were pavilions, fruit trees, and aromatic plants. At the top, the promenade used by the Cardinal passed below the villa and led in one direction to the grotto of Diana
, and in the other to the grotto of Aesclepius.
The glory of the Villa d'Este was the system of fountains, fed by two aqueducts that Ligorio constructed from the River Aniene. In the center of the garden, the alley of one hundred fountains (which actually had two hundred fountains), crossed the hillside, connecting the Oval Fountain with the Fountain of Rome, which was decorated with models of the famous landmarks of Rome. On a lower level, another alley passed by the Fountain of Dragons and joined the fountain of Proserpine with the Fountain of the Owl. Still lower, an alley of fishponds connected the Fountain of the Organ to the site of a proposed Fountain of Neptune.
Each fountain and path told a story, linking the d'Este family to the legends of Hercules
and Hippolytus or Ippolito, the mythical son of Theseus
and the Queen of the Amazons
. The central axis led to the Fountain of Dragons, which illustrated one of the labors of Hercules, and three other statues of Hercules were found in the garden. The myth of Ippolito, the mythical namesake of the owner, was illustrated by two grottos, that of Aesclepius and Diana
.
The Fountain of the Owl used a series of bronze pipes like flutes to make the sound of birds but the most famous feature of the garden was the great Organ Fountain. It was described by the French philosopher Montaigne, who visited the garden in 1580: "The music of the Organ Fountain is true music, naturally created...made by water which falls with great violence into a cave, rounded and vaulted, and agitates the air, which is forced to exit through the pipes of an organ. Other water, passing through a wheel, strikes in a certain order the keyboard of the organ. The organ also imitates the sound of trumpets, the sound of cannon, and the sound of muskets, made by the sudden fall o water ...
The garden was substantially changed after the death of the Cardinal and in the 17th century, and many statues were sold, but the basic features remain, and the Organ fountain has recently been restored and plays music once again.
of the building was in the perfectly harmonious Vitruvius style, but some of the stones were rough-cut and of different sizes and decorated with masks which sprayed water, which jarred the classical harmony. "The building was deformed: it seemed to be caught in a strange, amorphous condition, somewhere crude rustic simplicity and classical perfection.". The fireplaces inside were in the forms of the mouths of gigantic masks. Outside, the garden was filled with disturbing architectural elements, including a grotto whose entrance represented the mouth of hell, with eyes that showed fires burning inside.
or "Sacred Wood," near the village of Bomarzo
, is the most famous and extravagant of the Mannerist gardens. It was created for Pier Francesco Orsini
(1523–84). It was witty and irreverent, and violated all the rules of Renaissance gardens; it has no symmetry, no order, and no focal point. An inscription in the garden says: "You who have travelled the world in search of great and stupendous marvels, come here, where there are horrendous faces, elephants, lions, ogres and dragons."
The garden is filled with enormous statues, reached by wandering paths. It included a mouth of hell, a house that seemed to be falling over, fantastic animals and figures, many of them carved of rough volcanic rock in place in the garden. Some of the scenes were taken from the romantic epic poem Orlando Furioso
by Ludovico Ariosto
, others from works by Dante Alighieri
and Francesco Petrarch. As one inscription in the garden notes, the Sacro Bosco "resembles only itself, and nothing else."
at Bagnaia near Viterbo
, attributed to Giacomo Barozzi da Vignola
(there is no contemporary documentation ) is, with the famous garden at Bomarzo
, one of the most famous Italian 16th century Mannerist gardens
of surprises. The first surprise to a visitor coming fresh from Villa Farnese
at Caprarola is the difference between the two villas in the same area, period, architectural mannerist style and possibly by the same architect: there is little if any similarity. Villa Lante is arranged not as a dominant single building with adjacent gardens as at Caprarola, but with the gardens as the principal feature, set on the main axis and stepping up the hillslope as a series of terraces between the two small and relatively subservient casinos.
The villa is known as the "Villa Lante". However, it did not become known as this until the villa was passed to Ippolito Lante Montefeltro della Rovere
, Duke of Bomarzo
, in the 17th century, when it was already 100 years old.
, in Italian Giardino di Boboli, form a famous park in Florence
, Italy
, that is home to a distinguished collection of sculptures dating from the sixteenth through the eighteenth centuries, with some Roman antiquities.
The Gardens, behind the Pitti Palace, the main seat of the Medici
grand dukes of Tuscany
at Florence, are some of the first and most familiar formal sixteenth century Italian gardens. The mid-16th century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grotto
s, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time.
(Giusti Gardens) were planted in 1580 to surround the Villa Giusti
, in Verona
, Italy
. They are regarded as some of the most beautiful Renaissance
gardens in Europe
.
garden in Florence
, Italy
. Only opened recently to the public, it is relatively little-known. Access is gained via the Via de' Bardi, just over the road from the Museo Bardini in the Oltrarno
district of the city, although the gardens exit onto the Costa di San Giorgio, onto which the Forte di Belevedere and the Giardino di Boboli connect in turn.
is a villa
situated at Tivoli
, near Rome
, Italy
. Listed as a UNESCO world heritage site, it is a fine example of Renaissance architecture
and the Italian Renaissance garden
.
The garden plan is laid out on a central axis with subsidiary cross-axes of carefully varied character, refreshed by some five hundred jets in fountains, pools and water troughs. The copious water is supplied by the Aniene
, which is partly diverted through the town, a distance of a kilometer, and by the Rivellese spring, which supplies a cistern under the villa's courtyard. The garden is now part of the Grandi Giardini Italiani
.
The Villa's uppermost terrace ends in a balustraded balcony at the left end, with a sweeping view over the plain below. Symmetrical double flights of stairs flanking the central axis lead to the next garden terrace, with the Grotto
of Diana, richly decorated with frescoes and pebble mosaic
to one side and the central Fontana del Bicchierone ("Fountain of the Great Cup") loosely attributed to Bernini
, where water issues from a seemingly natural rock into a scrolling shell-like cup.
is a villa in Frascati
, Italy
, property of Aldobrandini
family. Also known as Belvedere for its charming location overlooking the whole valley up to Rome
, it was built on the order of Cardinal Pietro Aldobrandini
, Pope Clement VIII's nephew over a pre-existing edifice built by the Vatican prelate Alessandro Rufini in 1550.
The villa was rebuilt in the current form by Giacomo della Porta
from 1598 to 1602, and then completed by Carlo Maderno
and Giovanni Fontana
. Particularly famous is the Teatro delle Acqua ("Water Theater"), by Carlo Maderno and Orazio Olivieri. Other noted villas with water-play structure are the Villa d'Este
in Tivoli
and Villa Torlonia
also in Frascati
.
: Reggia di Caserta) is a former royal residence in Caserta
, constructed for the Bourbon kings of Naples
.
The garden, a typical example of the baroque extension of formal vistas, stretch for 120 ha, partly on hilly terrain. It is inspired by the park of Versailles, but it is commonly regarded as superior in beauty. The park starts from the back façade of the palace, flanking a long alley with artificial fountains and cascades. There is an English garden in the upper part designed in the 1780s by Carlo Vanvitelli and the London-trained plantsman-designer John Graefer, recommended to Sir William Hamilton
by Sir Joseph Banks. It is an early Continental example of an "English garden" in the svelte naturalistic taste of Capability Brown
.
The fountains and cascades, each filling a vasca ("basin"), with architecture and hydraulics by Luigi Vanvitelli at intervals along a wide straight canal that runs to the horizon, rivalled those at Peterhof outside St. Petersburg. These include:
A large population of figures from classical Antiquity were modelled by Gaetano Salomone for the gardens of the Reggia, and executed by large workshops.
is one of the Borromean Islands
of Lago Maggiore in north Italy
. The island is situated in the Borromean Gulf 400 meters from the lakeside town of Stresa
. Isola Bella is 320 meters long by 400 meters wide and is entirely occupied by the Palazzo Borromeo and its Italian garden
Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII
brought Italian craftsmen and garden designers, such as Pacello da Mercogliano
, from Naples and ordered the construction of Italian-style gardens at his residence at the Chateau d'Amboise
. His successor Henry II
, who had also traveled to Italy and had met Leonardo DaVinci, created an Italian nearby at the Chateau de Blois
. Beginning in 1528, King Francis I of France
created new gardens at the Chateau de Fontainebleau
, which featured fountains, parterres, a forest of pine trees brought from Provence
and the first artificial grotto
in France. The Chateau de Chenonceau, had two gardens in the new style, one created for Diane de Poitiers
in 1551, and a second for Catherine de Medici in 1560.
In 1536 the architect Philibert de l'Orme
, upon his return from Rome
, created the gardens of the Château d'Anet
following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of the earliest and most influential examples of the classic French garden.
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
based on symmetry, perfect geometry and the principle of imposing order over nature. It was influenced by Roman gardening and Italian Renaissance garden
Italian Renaissance garden
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the...
ing, and has been copied by other courts around Europe over the centuries. It has also profoundly influenced the history of gardening
History of gardening
The history of ornamental gardening may be considered as aesthetic expressions of beauty through art and nature, a display of taste or style in civilized life, an expression of an individual's or culture's philosophy, and sometimes as a display of private status or national pride—in private...
, especially that of French gardens and English garden
English garden
The English garden, also called English landscape park , is a style of Landscape garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical Garden à la française of the 17th century as the principal gardening style of Europe. The...
s.
History and influences
The Italian garden has evolved greatly over the ages, and its form as we know of it today has been influenced by Roman gardening and also Italian Renaissance gardenItalian Renaissance garden
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the...
ing. Today the Italian garden has been influential worldwide and has been imitated in a great number of countries, most notably the Garden à la française
Garden à la française
The French formal garden, also called jardin à la française, is a style of garden based on symmetry and the principle of imposing order over nature. It reached its apogee in the 17th century with the creation of the Gardens of Versailles, designed for Louis XIV by the landscape architect André Le...
in France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
, whose principles are fundamentally based on those of the Giardino all'italiana, but also by the English garden
English garden
The English garden, also called English landscape park , is a style of Landscape garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical Garden à la française of the 17th century as the principal gardening style of Europe. The...
, which was influenced by the fountains, cascades and exciting waterwork which were key elements of the Italian Renaissance garden
Italian Renaissance garden
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the...
.
Roman influence
Roman gardens were greatly inspired by Greek gardensGreek gardens
A distinction is made between Greek gardens, made in ancient Greece, and Hellenistic gardens, made under the influence of Greek culture in late classical times...
and were usually in the peristyles. Roman Gardens were indoor. Ornamental horticulture became highly developed during the development of Roman civilisation. The administrators of the Roman Empire
Roman Empire
The Roman Empire was the post-Republican period of the ancient Roman civilization, characterised by an autocratic form of government and large territorial holdings in Europe and around the Mediterranean....
(c.100 BC – AD 500) actively exchanged information on agriculture, horticulture, animal husbandry, hydraulics, and botany. Seeds and plants were widely shared. The Gardens of Lucullus
Gardens of Lucullus
The Gardens of Lucullus were the setting for an ancient patrician villa on the Pincian Hill on the edge of Rome; they were laid out by Lucius Licinius Lucullus about 60 BCE...
(Horti Lucullani) on the Pincian Hill
Pincian Hill
The Pincian Hill is a hill in the northeast quadrant of the historical center of Rome. The hill lies to the north of the Quirinal, overlooking the Campus Martius...
at the edge of Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
introduced the Persian garden to Europe, around 60 BC. The garden was a place of peace and tranquillity—a refuge from urban life—and a place filled with religious and symbolic meanings. As Roman culture developed and became increasingly influenced by foreign civilizations through trade, the use of gardens expanded and gardens ultimately thrived in Ancient Rome.
The principle styles of the Giardino all'italiana emerged from the rediscovery by Renaissance scholars of classical Roman models. They were inspired by the descriptions of ancient Roman gardens given by Ovid
Ovid
Publius Ovidius Naso , known as Ovid in the English-speaking world, was a Roman poet who is best known as the author of the three major collections of erotic poetry: Heroides, Amores, and Ars Amatoria...
in his Metamorphoses; by the letters of Pliny the Younger
Pliny the Younger
Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo , better known as Pliny the Younger, was a lawyer, author, and magistrate of Ancient Rome. Pliny's uncle, Pliny the Elder, helped raise and educate him...
, by Pliny the Elder
Pliny the Elder
Gaius Plinius Secundus , better known as Pliny the Elder, was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian...
's Naturalis Historia; and in Rerum Rusticanum by Varro
Varro
Varro was a Roman cognomen carried by:*Marcus Terentius Varro, sometimes known as Varro Reatinus, the scholar*Publius Terentius Varro or Varro Atacinus, the poet*Gaius Terentius Varro, the consul defeated at the battle of Cannae...
, all of which gave detailed and lyrical description of the gardens of Roman villas.
Pliny the Younger described his life at his villa at Laurentum: " ...a good life and a genuine one, which is happy and honourable, more rewarding than any "business" can be. You should take the first opportunity to leave the din, the futile bustle and useless occupations of the city and devote yourself to literature or to leisure.". The purpose of a garden, according to Pliny, was "otium," which could be translated as seclusion, serenity, or relaxion. A garden was a place to think, read, write and relax.
Pliny described shaded paths bordered with hedges, ornamental parterres, fountains, and trees and bushes trimmed to geometric or fantastic shapes; all features which would become part of the future Renaissance garden.
Italian Medieval gardens
Italian Medieval gardens were enclosed by walls, and were devoted to growing vegetables, fruits and medicinal herbs, or, in the case of monastery gardens, for silent meditation and prayer.Generally, monastic garden types consisted of kitchen gardens, infirmary gardens, cemetery orchards, cloister garths and vineyards. Individual monasteries might also have had a “green court,” a plot of grass and trees where horses could graze, as well as a cellarer’s garden or private gardens for obedientiaries, monks who held specific posts within the monastery.
Italian Renaissance gardens
The Italian Renaissance garden was a new style of garden which emerged in the late fifteenth century at villas in RomeRome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
and Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself.
In the late Renaissance, the gardens became larger, grander and more symmetrical, and were filled with fountains, statues, grottoes, water organs and other features designed to delight their owners and amuse and impress visitors.
While the early Italian Renaissance gardens were designed for contemplation and pleasure with tunnels of greenery, trees for shade, an enclosed giardino segreto (secret garden) and fields for games and amusements, the Medici, the ruling dynasty of Florence, used gardens to demonstrate their own power and magnificence. "During the first half of the sixteenth century, magnificence came to be perceived as a princely virtue, and all over the Italian peninsula architects, sculptors, painters, poets, historians and humanist scholars were commissioned to concoct a magnificent image for their powerful patrons." The central fountain at Villa Castello featured a statue of Hercules, symbolizing Cosimo de Medici, the ruler of Florence, and the fish-tailed goat that was an emblem of the Medicis; the garden represented the power, wisdom, order, beauty and glory that the Medici had brought to Florence.
Later influences
The Giardino all'italiana was not heavily influenced by other styles after the Renaissance, and only slightly evolved after the Italian Renaissance with the High Renaissance and Mannerist gardens. However, even though there was a minimal form of an Italian landscape garden, influenced by the French landscape gardenFrench landscape garden
The French landscape garden is a style of garden inspired by idealized Italian landscapes and the romantic paintings of Hubert Robert, Claude Lorrain and Nicolas Poussin, European ideas about Chinese gardens, and the philosophy of Jean-Jacques Rousseau...
s and the English landscape gardens, and some country homes such as the Castle of Racconigi
Castle of Racconigi
The Royal Castle of Racconigi is a palace and landscape park in Racconigi, province of Cuneo, Italy. It was the official residence of the Carignano line of the House of Savoy, and is one of the Residences of the Royal House of Savoy included by UNESCO in the World Heritage Sites list.-History:The...
had gardens designed in a more continental fashion, most Italian gardens were still designed in a similar way to those of the Italian Renaissance garden
Italian Renaissance garden
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the...
.
The Medici Villa at Fiesole (1455–1461)
The oldest existing Italian Renaissance garden is at the Villa Medici in FiesoleVilla Medici in Fiesole
The Villa Medici is a patrician villa in Fiesole, Tuscany, Italy, the fourth oldest of the villas built by the Medici family. It was built between 1451 and 1457.-External links:*...
, north of Florence. It was created sometime between 1455 and 1461 by Giovanni de' Medici
Giovanni de' Medici
Giovanni de' Medici may refer to:*Giovanni di Bicci de' Medici *Giovanni di Cosimo de' Medici *Pope Leo X, Giovanni di Lorenzo de' Medici,...
(1421–1463) the son of Cosimo de' Medici
Cosimo de' Medici
Còsimo di Giovanni degli Mèdici was the first of the Medici political dynasty, de facto rulers of Florence during much of the Italian Renaissance; also known as "Cosimo 'the Elder'" and "Cosimo Pater Patriae" .-Biography:Born in Florence, Cosimo inherited both his wealth and his expertise in...
, the founder of the Medici dynasty. Unlike other Medici family villas that were located on flat farmland, this villa was located on a rocky hillside with a view over Florence.
The Villa Medici followed Alberti's precepts that a villa should have a view 'that overlooks the city, the owner's land, the sea or a great plain, and familiar hills and mountains,' and that the foreground have 'the delicacy of gardens.'. The garden has two large terraces, one at the ground floor level and the other at the level of the first floor. From the reception rooms on the first floor, guests could go out to the loggia and from there to the garden so the loggia was a transition space connecting the interior with the exterior. Unlike later gardens, the Villa Medici did not have a grand staircase or other feature to link the two levels.
The garden was inherited by his nephew, Lorenzo de' Medici, who made it a meeting place for poets, artists, writers and philosophers. In 1479, the poet Angelo Poliziano, tutor to the Medici children, described the garden in a letter: "..Seated between the sloping sides of the mountains we have here water in abundance and being constantly refreshed with moderate winds find little inconvenience from the glare of the sun. As you approach the house it seems embosomed in the wood, but when you reach it you find it commands a full prospect of the city."
The Palazzo Piccolomini at Pienza, Tuscany, (1459)
The Palazzo Piccolomini at PienzaPienza
Pienza, a town and comune in the province of Siena, in the Val d'Orcia in Tuscany , between the towns of Montepulciano and Montalcino, is the "touchstone of Renaissance urbanism."...
, was built by Enea Silvio Piccolomini, who was Pope from 1458 to 1464, under the name of Pius II. He was a scholar of Latin and wrote extensively on education, astronomy and social culture. In 1459, he constructed a palace for himself and his Cardinals and court in his small native town of Pienza. Like the Villa Medici, a major feature of the house was the commanding view to be had from the loggia over the valley, the Val d’Orcia, to the slopes of Monte Amiata
Monte Amiata
Mount Amiata is the largest of the lava domes in the Amiata lava dome complex located about 20 km NW of Lake Bolsena in the southern Tuscany region of Italy.-Geology:...
. Closer to the house, there were terraces with geometric flowerbeds surrounding fountains and ornamented with bushes trimmed into cones and spheres similar to the garden of Pliny described in Alberti's De Re Aedificatoria. The garden was designed to open to the town, the palace and the view.
The Cortile del Belvedere in the Vatican Palace, Rome, (1504–1513)
In 1504 Pope Julius IIPope Julius II
Pope Julius II , nicknamed "The Fearsome Pope" and "The Warrior Pope" , born Giuliano della Rovere, was Pope from 1503 to 1513...
commissioned the architect Donato Bramante
Donato Bramante
Donato Bramante was an Italian architect, who introduced the Early Renaissance style to Milan and the High Renaissance style to Rome, where his most famous design was St...
to recreate a classical Roman pleasure garden in the space between the old papal Vatican
Apostolic Palace
The Apostolic Palace is the official residence of the Pope, which is located in Vatican City. It is also known as the Sacred Palace, the Papal Palace and the Palace of the Vatican...
palace in Rome and the nearby Villa Belvedere. His model was the ancient sanctuary of Fortuna Primigenia at Palestrina
Palestrina
Palestrina is an ancient city and comune with a population of about 18,000, in Lazio, c. 35 km east of Rome...
or ancient Praeneste, and he used the classical ideals of proportion, symmetry and perspective in his design. He created a central axis to link the two buildings, and a series of terraces connected by double ramps, modelled after those at Palestrina. The terraces were divided into squares and rectangles by paths and flowerbeds, and served as an outdoor setting for Pope Julius's extraordinary collection of classical sculpture, which included the famous Laocoön
Laocoön
Laocoön the son of Acoetes is a figure in Greek and Roman mythology.-History:Laocoön is a Trojan priest of Poseidon , whose rules he had defied, either by marrying and having sons, or by having committed an impiety by making love with his wife in the presence of a cult image in a sanctuary...
and the Apollo Belvedere
Apollo Belvedere
The Apollo Belvedere or Apollo of the Belvedere—also called the Pythian Apollo— is a celebrated marble sculpture from Classical Antiquity. It was rediscovered in central Italy in the late 15th century, during the Renaissance...
. The heart of the garden was a courtyard surrounded by a three-tiered loggia, which served as a theater for entertainments. A central exedra
Exedra
In architecture, an exedra is a semicircular recess or plinth, often crowned by a semi-dome, which is sometimes set into a building's facade. The original Greek sense was applied to a room that opened onto a stoa, ringed with curved high-backed stone benches, a suitable place for a philosophical...
formed the dramatic conclusion of the long perspective up the courtyard, ramps and terraces.
The Venetian Ambassador described the Cortile del Belvedere
Cortile del Belvedere
The Cortile del Belvedere, the Belvedere courtyard, designed by Donato Bramante from 1506 onwards, was a major architectural work of the High Renaissance at the Vatican Palace in Rome; its concept and details reverberating in courtyard design, formalized piazzas and garden plans throughout Western...
in 1523: "One enters a very beautiful garden, of which half is filled with growing grass and bays and mulberries and cypresses, while the other half is paved with squares of bricks laid upright, and in every square a beautiful orange tree grows out of the pavement, of which there are a great many, arranged in perfect order....On one side of the garden is a most beautiful loggia, at one end of which is a lovely fountain that irrigates the orange trees and the rest of the garden by a little canal in the center of the loggia."
Unfortunately the construction of the Vatican Library in the late sixteenth century across the centre of the cortile means that Bramante's design is now obscured but his ideas of proportion, symmetry and dramatic perspectives were used in many of the great gardens of the Italian Renaissance.
The Villa Madama, Rome (1516)
The Villa MadamaVilla Madama
Villa Madama is situated half way up the slope of Monte Mario Which faces directly north-east and because the hill is curved the part which looks towards Rome faces south and the opposite faces north-west...
, situated on the slopes of Monte Mario
Monte Mario
-External links :* * *...
and overlooking Rome, was begun by Pope Leo X and continued by Cardinal Giulio de' Medici
Giulio de' Medici
Giulio de' Medici may refer to:*Pope Clement VII, Giulio di Giuliano de' Medici, *Giulio di Alessandro de' Medici , illegitimate son of the last ruler of Florence from the "senior" branch of the Medici, Alessandro de' Medici...
(1478–1534). In 1516 Leo X gave the commission to Raphael
Raphael
Raffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...
who was at that time the most famous artist in Rome. Using the ancient text of De Architectura by Vitruvius
Vitruvius
Marcus Vitruvius Pollio was a Roman writer, architect and engineer, active in the 1st century BC. He is best known as the author of the multi-volume work De Architectura ....
and the writings of Pliny the Younger
Pliny the Younger
Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo , better known as Pliny the Younger, was a lawyer, author, and magistrate of Ancient Rome. Pliny's uncle, Pliny the Elder, helped raise and educate him...
, Raphael imagined his own version of an ideal classical villa and garden. His villa had a great circular courtyard, and was divided into a winter apartment and a summer apartment. Passages led from the courtyard to the great loggia from which views could be gained of the garden and Rome. A round tower on the east side was intended as garden room in winter, warmed by the sun coming through glazed windows. The villa overlooked three terraces, one a square, one a circle, and one an oval. The top terrace was to be planted in chestnut trees and firs while the lower terrace was intended for plant beds.
Work on the Villa Madama stopped in 1520 after the death of Raphael but was then continued by other artists until 1534. They finished one-half of the villa including half of the circular courtyard, and the northwest loggia that was decorated with grotesque
Grotesque
The word grotesque comes from the same Latin root as "Grotto", meaning a small cave or hollow. The original meaning was restricted to an extravagant style of Ancient Roman decorative art rediscovered and then copied in Rome at the end of the 15th century...
frescoes by Giulio Romano
Giulio Romano
Giulio Romano was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism...
and stucco by Giovanni de Udine. Fine surviving features include a fountain of the head of an elephant by Giovanni da Udine and two gigantic stucco figures by Baccio Bandinelli at the entrance of the giardino segreto, the secret garden. The villa is now a state guest house for the Government of Italy.
Villa Castello, Tuscany, (1538)
Villa Castello was the project of Cosimo de' MediciCosimo de' Medici
Còsimo di Giovanni degli Mèdici was the first of the Medici political dynasty, de facto rulers of Florence during much of the Italian Renaissance; also known as "Cosimo 'the Elder'" and "Cosimo Pater Patriae" .-Biography:Born in Florence, Cosimo inherited both his wealth and his expertise in...
, first Duke of Tuscany, begun when he was only seventeen. It was designed by Niccolò Tribolo
Niccolò Tribolo
Niccolò di Raffaello di Niccolò dei Pericoli, called "Il Tribolo" was an Italian Mannerist artist in the service of Cosimo I de' Medici in his natal city of Florence.-Life:...
who designed two other gardens: the Giardino dei Semplici (1545) and the Boboli Gardens
Boboli Gardens
The Boboli Gardens are a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.-History and layout:...
(1550) for Cosimo.
The garden was laid out on a gentle slope between the villa and the hill of Monte Morello. Tribolo first built a wall across the slope, dividing it into an upper garden filled with orange trees, and a lower garden that was subdivided into garden rooms with walls of hedges, rows of trees and tunnels of citrus trees and cedars. A central axis, articulated by a series of fountains, extended from the villa up to the base of Monte Morello. In this arrangement, the garden had both grand perspectives and enclosed, private spaces
The lower garden had a large marble fountain that was meant to be seen against a backdrop of dark cypresses, with figures of Hercules
Hercules
Hercules is the Roman name for Greek demigod Heracles, son of Zeus , and the mortal Alcmene...
and Antaeus
Antaeus
Antaeus in Greek and Berber mythology was a half-giant, the son of Poseidon and Gaia, whose wife was Tinjis. Antaeus had a daughter named Alceis or Barce.-Mythology:...
. Just above this fountain, in the center of the garden, was a labyrinth formed by cypress, laurel, myrtle, roses and box hedges. Concealed in the middle of the labyrinth
Labyrinth
In Greek mythology, the Labyrinth was an elaborate structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos...
was another fountain, with a statue of Venus
Venus
Venus is the second planet from the Sun, orbiting it every 224.7 Earth days. The planet is named after Venus, the Roman goddess of love and beauty. After the Moon, it is the brightest natural object in the night sky, reaching an apparent magnitude of −4.6, bright enough to cast shadows...
. Around this fountain, Cosimo had bronze pipes installed under the tiles for giochi d'acqua ("water tricks"), which were concealed conduits which could be turned on with a key to drench unsuspectng guests. Another unusual feature was a treehouse concealed in an ivy-covered oak tree, with a square dining room inside the tree.
At the far end of the garden and set against a wall, Tribolo created an elaborate grotto
Grotto
A grotto is any type of natural or artificial cave that is associated with modern, historic or prehistoric use by humans. When it is not an artificial garden feature, a grotto is often a small cave near water and often flooded or liable to flood at high tide...
, decorated with mosaics, pebbles, sea shells, imitation stalactites, and niches with groups of statues of domestic and exotic animals and birds, many with real horns, antlers and tusks. The animals symbolized the virtues and accomplishments of past members of Medici family. Water flowed from the beaks, wings and claws of the animals into marble basins below each niche. A gate could close suddenly behind visitors, and they would be soaked by hidden fountains.
Above the grotto, on the hillside, was small wood, or bosco, with a pond in the center. In the pond is a bronze statue of a shivering giant, with cold water running down over his head, which represents either the month of January or the Apennine Mountains
Apennine mountains
The Apennines or Apennine Mountains or Greek oros but just as often used alone as a noun. The ancient Greeks and Romans typically but not always used "mountain" in the singular to mean one or a range; thus, "the Apennine mountain" refers to the entire chain and is translated "the Apennine...
.
When the last of the Medicis died in 1737, the garden began to be altered by its new owners, the House of Lorraine
House of Lorraine
The House of Lorraine, the main and now only remaining line known as Habsburg-Lorraine, is one of the most important and was one of the longest-reigning royal houses in the history of Europe...
; the labyrinth was demolished and the statue of Venus was moved to the Villa Petraia. But long before then, the garden had been described by many ambassadors and foreign visitors and had become famous throughout Europe. Its principles of perspective, proportion and symmetry, its geometric planting beds and rooms with walls of trees and hedges, were adapted in both the gardens of the French Renaissance
Gardens of the French Renaissance
The Gardens of the French Renaissance is a garden style largely inspired by the Italian Renaissance garden, particularly the gardens of Florence and Rome. King Charles VIII and his nobles brought the style back to France after their campaign in Italy in 1495...
and the garden à la française
Garden à la française
The French formal garden, also called jardin à la française, is a style of garden based on symmetry and the principle of imposing order over nature. It reached its apogee in the 17th century with the creation of the Gardens of Versailles, designed for Louis XIV by the landscape architect André Le...
which followed.
Villa d'Este at Tivoli (1550–1572)
The Villa d'EsteVilla d'Este
The Villa d'Este is a villa situated at Tivoli, near Rome, Italy. Listed as a UNESCO world heritage site, it is a fine example of Renaissance architecture and the Italian Renaissance garden.-History:...
at Tivoli
Tivoli, Italy
Tivoli , the classical Tibur, is an ancient Italian town in Lazio, about 30 km east-north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills...
is one of the grandest and best-preserved of the Italian Renaissance gardens. It was created by Cardinal Ippolito II d'Este
Ippolito II d'Este
Ippolito d'Este was an Italian cardinal and statesman. He was a member of the House of Este, and nephew of the other Ippolito d'Este, also a cardinal.-Biography:...
, son of Alfonso I d'Este
Alfonso I d'Este
Alfonso d'Este was Duke of Ferrara during the time of the War of the League of Cambrai.-Biography:He was the son of Ercole I d'Este and Leonora of Naples....
, the Duke of Ferrara, and Lucretia Borgia. He was made a Cardinal at the age of twenty-nine and became governor of Tivoli in 1550. To develop his residence, he took over a former Franciscan convent, and for the garden he bought the adjoining steep hillside and the valley below. His chosen architect was Pirro Ligorio
Pirro Ligorio
Pirro Ligorio was an Italian architect, painter, antiquarian and garden designer.-Biography:Ligorio was born in Naples. In 1534 he moved to Rome, where he developed his interest in antiquities, and was named superintendent to the ancient monuments by the Popes Pius IV and Paul IV...
, who had been carrying out excavations for Ippolito at the nearby ruins of the ancient Villa Adriana, or Hadrian's Villa
Hadrian's Villa
The Hadrian's Villa is a large Roman archaeological complex at Tivoli, Italy.- History :The villa was constructed at Tibur as a retreat from Rome for Roman Emperor Hadrian during the second and third decades of the 2nd century AD...
, the extensive country residence of the Emperor Hadrian that had numerous elaborate water features.
Ligorio created the garden as a series of terraces descending the steep hillside at the edge of the mountains overlooking the plain of Latium
Latium
Lazio is one of the 20 administrative regions of Italy, situated in the central peninsular section of the country. With about 5.7 million residents and a GDP of more than 170 billion euros, Lazio is the third most populated and the second richest region of Italy...
. The terraces were connected by gates and grand stairways starting from a terrace below the villa and traversing down to the Fountain of Dragons at the foot of the garden. The stairway was crossed by five traversal alleys on the different levels, which were divided into rooms by hedges and trellises covered with vines. At the crossing points of the stairway and the alleys there were pavilions, fruit trees, and aromatic plants. At the top, the promenade used by the Cardinal passed below the villa and led in one direction to the grotto of Diana
Diana (mythology)
In Roman mythology, Diana was the goddess of the hunt and moon and birthing, being associated with wild animals and woodland, and having the power to talk to and control animals. She was equated with the Greek goddess Artemis, though she had an independent origin in Italy...
, and in the other to the grotto of Aesclepius.
The glory of the Villa d'Este was the system of fountains, fed by two aqueducts that Ligorio constructed from the River Aniene. In the center of the garden, the alley of one hundred fountains (which actually had two hundred fountains), crossed the hillside, connecting the Oval Fountain with the Fountain of Rome, which was decorated with models of the famous landmarks of Rome. On a lower level, another alley passed by the Fountain of Dragons and joined the fountain of Proserpine with the Fountain of the Owl. Still lower, an alley of fishponds connected the Fountain of the Organ to the site of a proposed Fountain of Neptune.
Each fountain and path told a story, linking the d'Este family to the legends of Hercules
Hercules
Hercules is the Roman name for Greek demigod Heracles, son of Zeus , and the mortal Alcmene...
and Hippolytus or Ippolito, the mythical son of Theseus
Theseus
For other uses, see Theseus Theseus was the mythical founder-king of Athens, son of Aethra, and fathered by Aegeus and Poseidon, both of whom Aethra had slept with in one night. Theseus was a founder-hero, like Perseus, Cadmus, or Heracles, all of whom battled and overcame foes that were...
and the Queen of the Amazons
Amazons
The Amazons are a nation of all-female warriors in Greek mythology and Classical antiquity. Herodotus placed them in a region bordering Scythia in Sarmatia...
. The central axis led to the Fountain of Dragons, which illustrated one of the labors of Hercules, and three other statues of Hercules were found in the garden. The myth of Ippolito, the mythical namesake of the owner, was illustrated by two grottos, that of Aesclepius and Diana
Diana (mythology)
In Roman mythology, Diana was the goddess of the hunt and moon and birthing, being associated with wild animals and woodland, and having the power to talk to and control animals. She was equated with the Greek goddess Artemis, though she had an independent origin in Italy...
.
The Fountain of the Owl used a series of bronze pipes like flutes to make the sound of birds but the most famous feature of the garden was the great Organ Fountain. It was described by the French philosopher Montaigne, who visited the garden in 1580: "The music of the Organ Fountain is true music, naturally created...made by water which falls with great violence into a cave, rounded and vaulted, and agitates the air, which is forced to exit through the pipes of an organ. Other water, passing through a wheel, strikes in a certain order the keyboard of the organ. The organ also imitates the sound of trumpets, the sound of cannon, and the sound of muskets, made by the sudden fall o water ...
The garden was substantially changed after the death of the Cardinal and in the 17th century, and many statues were sold, but the basic features remain, and the Organ fountain has recently been restored and plays music once again.
Villa della Torre (1559)
The Villa della Tore, built for Giulio della Torre (1480–1563), a law professor and humanist scholar in Verona, was a parody of the classical rules of Vitruvius; the peristylePeristyle
In Hellenistic Greek and Roman architecture a peristyle is a columned porch or open colonnade in a building surrounding a court that may contain an internal garden. Tetrastoon is another name for this feature...
of the building was in the perfectly harmonious Vitruvius style, but some of the stones were rough-cut and of different sizes and decorated with masks which sprayed water, which jarred the classical harmony. "The building was deformed: it seemed to be caught in a strange, amorphous condition, somewhere crude rustic simplicity and classical perfection.". The fireplaces inside were in the forms of the mouths of gigantic masks. Outside, the garden was filled with disturbing architectural elements, including a grotto whose entrance represented the mouth of hell, with eyes that showed fires burning inside.
Sacro Bosco at Bomarzo, Lazio (1552–1584)
The Sacro BoscoPark of the Monsters
The Park of the Monsters , also named Garden of Bomarzo, is a Renaissance monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy....
or "Sacred Wood," near the village of Bomarzo
Bomarzo
Bomarzo is a town and comune of the province of Viterbo , in the lower valley of the Tiber. It is located 14.5 km ENE of Viterbo and 68 km NNW of Rome.-History:...
, is the most famous and extravagant of the Mannerist gardens. It was created for Pier Francesco Orsini
Pier Francesco Orsini
Pier Francesco Orsini , also called Vicino Orsini, was an Italian condottiero and patron of the arts. He is famous as the commissioner of the Mannerist Park of the Monsters in Bomarzo .-Biography:...
(1523–84). It was witty and irreverent, and violated all the rules of Renaissance gardens; it has no symmetry, no order, and no focal point. An inscription in the garden says: "You who have travelled the world in search of great and stupendous marvels, come here, where there are horrendous faces, elephants, lions, ogres and dragons."
The garden is filled with enormous statues, reached by wandering paths. It included a mouth of hell, a house that seemed to be falling over, fantastic animals and figures, many of them carved of rough volcanic rock in place in the garden. Some of the scenes were taken from the romantic epic poem Orlando Furioso
Orlando Furioso
Orlando Furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532...
by Ludovico Ariosto
Ludovico Ariosto
Ludovico Ariosto was an Italian poet. He is best known as the author of the romance epic Orlando Furioso . The poem, a continuation of Matteo Maria Boiardo's Orlando Innamorato, describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions...
, others from works by Dante Alighieri
Dante Alighieri
Durante degli Alighieri, mononymously referred to as Dante , was an Italian poet, prose writer, literary theorist, moral philosopher, and political thinker. He is best known for the monumental epic poem La commedia, later named La divina commedia ...
and Francesco Petrarch. As one inscription in the garden notes, the Sacro Bosco "resembles only itself, and nothing else."
Villa Lante
Villa LanteVilla Lante
Villa Lante at Bagnaia is a Mannerist garden of surprise near Viterbo, central Italy, attributed to Jacopo Barozzi da Vignola).The villa is known as the "Villa Lante"...
at Bagnaia near Viterbo
Viterbo
See also Viterbo, Texas and Viterbo UniversityViterbo is an ancient city and comune in the Lazio region of central Italy, the capital of the province of Viterbo. It is approximately 80 driving / 80 walking kilometers north of GRA on the Via Cassia, and it is surrounded by the Monti Cimini and...
, attributed to Giacomo Barozzi da Vignola
Giacomo Barozzi da Vignola
Giacomo Barozzi da Vignola was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome...
(there is no contemporary documentation ) is, with the famous garden at Bomarzo
Bomarzo
Bomarzo is a town and comune of the province of Viterbo , in the lower valley of the Tiber. It is located 14.5 km ENE of Viterbo and 68 km NNW of Rome.-History:...
, one of the most famous Italian 16th century Mannerist gardens
Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe...
of surprises. The first surprise to a visitor coming fresh from Villa Farnese
Villa Farnese
The Villa Farnese, also known as Villa Caprarola, is a mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres north-west of Rome...
at Caprarola is the difference between the two villas in the same area, period, architectural mannerist style and possibly by the same architect: there is little if any similarity. Villa Lante is arranged not as a dominant single building with adjacent gardens as at Caprarola, but with the gardens as the principal feature, set on the main axis and stepping up the hillslope as a series of terraces between the two small and relatively subservient casinos.
The villa is known as the "Villa Lante". However, it did not become known as this until the villa was passed to Ippolito Lante Montefeltro della Rovere
Ippolito Lante Montefeltro della Rovere
Ippolito Lante Montefeltro della Rovere was an Italian nobleman and Duke of Bomarzo.-Biography:Lante was the son of Marcantonio Lante and his wife Lucrezia della Rovere. He was nephew to his father's brother, Cardinal Marcello Lante della Rovere...
, Duke of Bomarzo
Bomarzo
Bomarzo is a town and comune of the province of Viterbo , in the lower valley of the Tiber. It is located 14.5 km ENE of Viterbo and 68 km NNW of Rome.-History:...
, in the 17th century, when it was already 100 years old.
Boboli Gardens
The Boboli GardensBoboli Gardens
The Boboli Gardens are a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.-History and layout:...
, in Italian Giardino di Boboli, form a famous park in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
, that is home to a distinguished collection of sculptures dating from the sixteenth through the eighteenth centuries, with some Roman antiquities.
The Gardens, behind the Pitti Palace, the main seat of the Medici
Medici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
grand dukes of Tuscany
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
at Florence, are some of the first and most familiar formal sixteenth century Italian gardens. The mid-16th century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grotto
Grotto
A grotto is any type of natural or artificial cave that is associated with modern, historic or prehistoric use by humans. When it is not an artificial garden feature, a grotto is often a small cave near water and often flooded or liable to flood at high tide...
s, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time.
Giardini di Giusti
The Giardini di GiustiGiardini di Giusti
The Giardini di Giusti were planted in 1580 to surround the Villa Giusti, in Padua, Verona - northern Italy.-Features:thumb|275px|right|Giardini di Giusti and [[Villa Giusti]]; in the early 20th century.The Italian Renaissance gardens are regarded as some of the most beautiful Renaissance gardens...
(Giusti Gardens) were planted in 1580 to surround the Villa Giusti
Villa Giusti
thumb|Villa Giusti in the early 20th century.Palazzo Giusti is a 16th century palace in Padova, northern Italy. It is of a neo-Classical design, and is surrounded by the Giardino Giusti, an Italian Renaissance garden park rising up a hill....
, in Verona
Verona
Verona ; German Bern, Dietrichsbern or Welschbern) is a city in the Veneto, northern Italy, with approx. 265,000 inhabitants and one of the seven chef-lieus of the region. It is the second largest city municipality in the region and the third of North-Eastern Italy. The metropolitan area of Verona...
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
. They are regarded as some of the most beautiful Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
gardens in Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
.
Giardino Bardini
The Giardino Bardin is a RenaissanceRenaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
garden in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
. Only opened recently to the public, it is relatively little-known. Access is gained via the Via de' Bardi, just over the road from the Museo Bardini in the Oltrarno
Oltrarno
The Oltrarno is a quarter of Florence, Italy. The name means beyond the Arno ; it is located south of the River Arno. It contains part of the historic center of Florence and many notable sites such as the church Santo Spirito di Firenze, Palazzo Pitti, Belvedere, and Piazzale Michelangelo.-...
district of the city, although the gardens exit onto the Costa di San Giorgio, onto which the Forte di Belevedere and the Giardino di Boboli connect in turn.
Villa d'Este
The Villa d'EsteVilla d'Este
The Villa d'Este is a villa situated at Tivoli, near Rome, Italy. Listed as a UNESCO world heritage site, it is a fine example of Renaissance architecture and the Italian Renaissance garden.-History:...
is a villa
Villa
A villa was originally an ancient Roman upper-class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity,...
situated at Tivoli
Tivoli, Italy
Tivoli , the classical Tibur, is an ancient Italian town in Lazio, about 30 km east-north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills...
, near Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
. Listed as a UNESCO world heritage site, it is a fine example of Renaissance architecture
Renaissance architecture
Renaissance architecture is the architecture of the period between the early 15th and early 17th centuries in different regions of Europe, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance...
and the Italian Renaissance garden
Italian Renaissance garden
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the...
.
The garden plan is laid out on a central axis with subsidiary cross-axes of carefully varied character, refreshed by some five hundred jets in fountains, pools and water troughs. The copious water is supplied by the Aniene
Aniene
-External links:* http://www.humnet.ucla.edu/humnet/horaces-villa/glossary/Anio.gloss.html*...
, which is partly diverted through the town, a distance of a kilometer, and by the Rivellese spring, which supplies a cistern under the villa's courtyard. The garden is now part of the Grandi Giardini Italiani
Grandi Giardini Italiani
The Grandi Giardini Italiani is an association of major gardens in Italy. Its members include some of the most important gardens in Italy.- List of member gardens :* Fondazione Pompeo Mariani * Giardini Botanici di Stigliano...
.
The Villa's uppermost terrace ends in a balustraded balcony at the left end, with a sweeping view over the plain below. Symmetrical double flights of stairs flanking the central axis lead to the next garden terrace, with the Grotto
Grotto
A grotto is any type of natural or artificial cave that is associated with modern, historic or prehistoric use by humans. When it is not an artificial garden feature, a grotto is often a small cave near water and often flooded or liable to flood at high tide...
of Diana, richly decorated with frescoes and pebble mosaic
Mosaic
Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...
to one side and the central Fontana del Bicchierone ("Fountain of the Great Cup") loosely attributed to Bernini
Gian Lorenzo Bernini
Gian Lorenzo Bernini was an Italian artist who worked principally in Rome. He was the leading sculptor of his age and also a prominent architect...
, where water issues from a seemingly natural rock into a scrolling shell-like cup.
Villa Aldobrandini
Villa AldobrandiniVilla Aldobrandini
The Villa Aldobrandini is a villa in Frascati, Italy, property of the Aldobrandini family. Also known as Belvedere for its charming location overlooking the whole valley up to Rome, it was rebuilt on the order of Cardinal Pietro Aldobrandini, Pope Clement VIII's nephew over a pre-existing edifice...
is a villa in Frascati
Frascati
Frascati is a town and comune in the province of Rome in the Lazio region of central Italy. It is located south-east of Rome, on the Alban Hills close to the ancient city of Tusculum. Frascati is closely associated with science, being the location of several international scientific...
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
, property of Aldobrandini
Aldobrandini
The Aldobrandini are an Italian noble family from Florence, with close ties to the Vatican. Its Roman fortunes were made when Ippolito Aldobrandini became pope under the name Pope Clement VIII. He arranged the marriage that linked the Aldobrandini with the Roman family of Pamphili...
family. Also known as Belvedere for its charming location overlooking the whole valley up to Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, it was built on the order of Cardinal Pietro Aldobrandini
Pietro Aldobrandini
Pietro Aldobrandini was an Italian Cardinal and patron of the arts.He was made a cardinal in 1593 by his uncle, Pope Clement VIII. He took over the duchy of Ferrara in 1598 when it fell to the Papal States...
, Pope Clement VIII's nephew over a pre-existing edifice built by the Vatican prelate Alessandro Rufini in 1550.
The villa was rebuilt in the current form by Giacomo della Porta
Giacomo della Porta
Giacomo della Porta was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peter's Basilica. He was born at Porlezza, Lombardy and died in Rome.-Biography:...
from 1598 to 1602, and then completed by Carlo Maderno
Carlo Maderno
Carlo Maderno was a Swiss-Italian architect, born in Ticino, who is remembered as one of the fathers of Baroque architecture. His façades of Santa Susanna, St. Peter's Basilica and Sant'Andrea della Valle were of key importance in the evolution of the Italian Baroque...
and Giovanni Fontana
Giovanni Fontana (Dominican)
Giovanni Fontana was a Dominican friar and late-Mannerist architect, as well as brother of Domenico Fontana.-External links:*...
. Particularly famous is the Teatro delle Acqua ("Water Theater"), by Carlo Maderno and Orazio Olivieri. Other noted villas with water-play structure are the Villa d'Este
Villa d'Este
The Villa d'Este is a villa situated at Tivoli, near Rome, Italy. Listed as a UNESCO world heritage site, it is a fine example of Renaissance architecture and the Italian Renaissance garden.-History:...
in Tivoli
Tivoli, Italy
Tivoli , the classical Tibur, is an ancient Italian town in Lazio, about 30 km east-north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills...
and Villa Torlonia
Villa Torlonia (Frascati)
The Villa Torlonia in Frascati is a villa belonging to the Torlonia family in Frascati, Italy.The land on which the villa was built originally belonged to the Abbey of Grottaferrata, which donated it in 1563 to Annibal Caro, who commissioned a small villa where he spent the last years of his life,...
also in Frascati
Frascati
Frascati is a town and comune in the province of Rome in the Lazio region of central Italy. It is located south-east of Rome, on the Alban Hills close to the ancient city of Tusculum. Frascati is closely associated with science, being the location of several international scientific...
.
Palace of Caserta
The Royal Palace of Caserta (ItalianItalian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
: Reggia di Caserta) is a former royal residence in Caserta
Caserta
Caserta is the capital of the province of Caserta in the Campania region of Italy. It is an important agricultural, commercial and industrial comune and city. Caserta is located on the edge of the Campanian plain at the foot of the Campanian Subapennine mountain range...
, constructed for the Bourbon kings of Naples
Kingdom of Naples
The Kingdom of Naples, comprising the southern part of the Italian peninsula, was the remainder of the old Kingdom of Sicily after secession of the island of Sicily as a result of the Sicilian Vespers rebellion of 1282. Known to contemporaries as the Kingdom of Sicily, it is dubbed Kingdom of...
.
The garden, a typical example of the baroque extension of formal vistas, stretch for 120 ha, partly on hilly terrain. It is inspired by the park of Versailles, but it is commonly regarded as superior in beauty. The park starts from the back façade of the palace, flanking a long alley with artificial fountains and cascades. There is an English garden in the upper part designed in the 1780s by Carlo Vanvitelli and the London-trained plantsman-designer John Graefer, recommended to Sir William Hamilton
William Hamilton (diplomat)
Sir William Hamilton KB, PC, FRS was a Scottish diplomat, antiquarian, archaeologist and vulcanologist. After a short period as a Member of Parliament, he served as British Ambassador to the Kingdom of Naples from 1764 to 1800...
by Sir Joseph Banks. It is an early Continental example of an "English garden" in the svelte naturalistic taste of Capability Brown
Capability Brown
Lancelot Brown , more commonly known as Capability Brown, was an English landscape architect. He is remembered as "the last of the great English eighteenth-century artists to be accorded his due", and "England's greatest gardener". He designed over 170 parks, many of which still endure...
.
The fountains and cascades, each filling a vasca ("basin"), with architecture and hydraulics by Luigi Vanvitelli at intervals along a wide straight canal that runs to the horizon, rivalled those at Peterhof outside St. Petersburg. These include:
- The Fountain of Diana and Actaeon (sculptures by Paolo Persico, Brunelli, Pietro Solari);
- The Fountain of Venus and Adonis (1770–80);
- The Fountain of the Dolphins (1773–80);
- The Fountain of AeolusAeolusAeolus was the ruler of the winds in Greek mythology. In fact this name was shared by three mythic characters. These three personages are often difficult to tell apart, and even the ancient mythographers appear to have been perplexed about which Aeolus was which...
; - The Fountain of Ceres.
A large population of figures from classical Antiquity were modelled by Gaetano Salomone for the gardens of the Reggia, and executed by large workshops.
Isola Bella (Lake Maggiore)
The Isola Bella (Lago Maggiore)Isola Bella (Lago Maggiore)
Isola Bella is one of the Borromean Islands of Lago Maggiore in north Italy. The island is situated in the Borromean Gulf 400 meters from the lakeside town of Stresa...
is one of the Borromean Islands
Borromean Islands
The Borromean Islands are a group of three small islands and two islets in the Italian part of Lago Maggiore, located in the western arm of the lake, between Verbania to the north and Stresa to the south...
of Lago Maggiore in north Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
. The island is situated in the Borromean Gulf 400 meters from the lakeside town of Stresa
Stresa
Stresa is a town and comune of about 5,000 inhabitants on the shores of the Lago Maggiore in the region of Piedmont, northern Italy; it is situated on the road and rail routes to the Simplon pass, about 90 km north-west of Milan. Since the early 20th century, the main source of income has been the...
. Isola Bella is 320 meters long by 400 meters wide and is entirely occupied by the Palazzo Borromeo and its Italian garden
French garden
The form of the French garden was strongly influenced by the Italian gardens of the Renaissance, and was largely fixed by the middle of the 17th century.Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII
Charles VIII of France
Charles VIII, called the Affable, , was King of France from 1483 to his death in 1498. Charles was a member of the House of Valois...
brought Italian craftsmen and garden designers, such as Pacello da Mercogliano
Pacello da Mercogliano
Pacello da Mercogliano was a designer of gardens and hydraulic engineer, who is documented under Charles VIII at Amboise with the responsibility of bringing water from the Loire up to the garden parterres laid out to one side of the château...
, from Naples and ordered the construction of Italian-style gardens at his residence at the Chateau d'Amboise
Château d'Amboise
The royal Château at Amboise is a château located in Amboise, in the Indre-et-Loire département of the Loire Valley in France.-Origins and royal residence:...
. His successor Henry II
Henry II of France
Henry II was King of France from 31 March 1547 until his death in 1559.-Early years:Henry was born in the royal Château de Saint-Germain-en-Laye, near Paris, the son of Francis I and Claude, Duchess of Brittany .His father was captured at the Battle of Pavia in 1525 by his sworn enemy,...
, who had also traveled to Italy and had met Leonardo DaVinci, created an Italian nearby at the Chateau de Blois
Château de Blois
The Royal Château de Blois is located in the Loir-et-Cher département in the Loire Valley, in France, in the center of the city of Blois. The residence of several French kings, it is also the place where Joan of Arc went in 1429 to be blessed by the Archbishop of Reims before departing with her...
. Beginning in 1528, King Francis I of France
Francis I of France
Francis I was King of France from 1515 until his death. During his reign, huge cultural changes took place in France and he has been called France's original Renaissance monarch...
created new gardens at the Chateau de Fontainebleau
Château de Fontainebleau
The Palace of Fontainebleau, located 55 kilometres from the centre of Paris, is one of the largest French royal châteaux. The palace as it is today is the work of many French monarchs, building on an early 16th century structure of Francis I. The building is arranged around a series of courtyards...
, which featured fountains, parterres, a forest of pine trees brought from Provence
Provence
Provence ; Provençal: Provença in classical norm or Prouvènço in Mistralian norm) is a region of south eastern France on the Mediterranean adjacent to Italy. It is part of the administrative région of Provence-Alpes-Côte d'Azur...
and the first artificial grotto
Grotto
A grotto is any type of natural or artificial cave that is associated with modern, historic or prehistoric use by humans. When it is not an artificial garden feature, a grotto is often a small cave near water and often flooded or liable to flood at high tide...
in France. The Chateau de Chenonceau, had two gardens in the new style, one created for Diane de Poitiers
Diane de Poitiers
Diane de Poitiers was a French noblewoman and a prominent courtier at the courts of kings Francis I and his son, Henry II of France. She became notorious as the latter's favourite mistress...
in 1551, and a second for Catherine de Medici in 1560.
In 1536 the architect Philibert de l'Orme
Philibert de l'Orme
Philibert DeLorme was a French architect, one of the great masters of the French Renaissance.He was born at Lyon, the son of Jean Delorme, a master mason. At an early age Philibert was sent to Italy to study and was employed there by Pope Paul III...
, upon his return from Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, created the gardens of the Château d'Anet
Château d'Anet
The Château d'Anet is a château near Dreux, France, built by Philibert de l'Orme from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France...
following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of the earliest and most influential examples of the classic French garden.
Glossary of the Italian Renaissance Garden
- fontaniere. The fountain-maker, a hydraulic engineer who designed the water system and fountains.
- giochi d'acqua. water tricks. Concealed fountains which drenched unsuspecting visitors.
- Bosco Sacro. Sacred wood. A grove of trees inspired by the groves where pagans would worship. In Renaissance and especially manneristMannerismMannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe...
gardens, this section was filled with allegorical statues of animals, giants and fantastic creatures. - Giardino Segreto. The Secret Garden. An enclosed private garden within the garden, inspired by the cloisters of Medieval monasteries. A place for reading, writing or quiet conversations.
- Semplici. "Simples," or medicinal plants and herbs.