Sassetti Chapel
Encyclopedia
The Sassetti Chapel is a chapel
in the basilica of Santa Trinita
in Florence
, Italy
. It is especially notable for its frescoes of the Stories of St. Francis, considered Domenico Ghirlandaio
's masterwork.
(1421–1490) was a rich banker and a member of the Medici
entourage, for which he directed the Medici Bank
. In 1478 he acquired the chapel of St. Francis
in Santa Trinita, after his proposal to add a decoration portraying the saint had been rejected by the Dominicans
of Santa Maria Novella, where his family had had a chapel (later also frescoed by Ghirlandaio, and now known as the Tornabuoni Chapel
) since the 14th century.
He commissioned the execution of the frescoes from the most famed artist of the city, Domenico Ghirlandaio
. The date of the contract is that signed next to the portraits of Sassetti and his wife (December 25, 1480), although the work was not carried out until between 1483 and 1486. The central altarpiece, depicting the Adoration of the Shepherds, is dated 1485.
Ghirlandaio portrayed numerous figures of contemporary Florentine society in the scenes. All the work shows the importance of the influence on Ghirlandaio of Flemish school, in particular the Portinari Triptych
by Hugo van der Goes
, taken by him to Florence in 1483 and now in the Uffizi
.
The Chapel was restored in 2004.
, characterized by an ogival arch
.
The fresco cycle covers three walls framed by fictive architectural elements. The altarpiece is also framed by a painted marble decoration. The two side walls house the tombs of Francesco Sassetti and his wife Nora Corsi, under a gilded arch, a creation of Giuliano da Sangallo
. At the side of the altar are kneeling portraits of the two patrons, Nora Corsi on the left and Sassetti on the right: they direct their prayers towards the central altarpiece of the Adoration of the Shepherds, also by Ghirlandaio.
Ghirlandaio's frescoes can also be seen in the upper transept wall, outside the chapel. This area was plastered in the 18th century, the paintings being rediscovered only in 1895, which accounts for their poorer state of conservation. The work outside the Sassetti chapel is attributed to the three Ghirlandaio brothers (Domenico, David and Benedetto) and assistants. Its perspective was devised to offer a perfect view from below.
The first scene painted above the chapel is the Tiburtine Sibyl Announces Jesus' Coming to Augustus
. The Sibyl is probably a portrait of Sassetti's daughter, Sibilla. On the pilaster dividing the Sassetti Chapel from the subsequent one is a painted grisaille
statue of David. In the vault of the chapel are the four Sibyls, surrounded by flaming aureoles and holding out banderoles describing their prophetic role as assigned them by Virgil
:
Only the faces of the Sibyls are attributed to Ghirlandaio; the bodies were probably executed by his workshop.
Ghirlandaio had possibly never seen the Stories of St. Francis in the Basilica di San Francesco in Assisi
, but he must certainly have known those in the Bardi Chapel of Santa Croce
in Florence, painted by Giotto in the early 14th century.
or Lyon
, where Sassetti had served for the Medici. The secondary figures could be work by Domenico's brothers and workshop.
at the Cathedral of Sant Giovanni in Laterano at the time of the Franciscan Order's sanction by the Pope. The figures are portrayed in a cathedral interior, so that the chapel's arch resembles the triumphal arch
of the church. The scene is set in Florence instead of Rome, the background showing the Piazza della Signoria
, the Palazzo Vecchio
and the Loggia dei Lanzi
, which did not at that time contain statues). The choice of the city was an allusion to the power and status that Florence had assumed; in Humanist circles it was considered a new Rome or Jerusalem .
A drawing, now in Berlin, shows that initially Ghirlandaio had intended a more traditional iconography
following that of the frescoes in Santa Croce and without the portraits. Later he modified it, dividing the pictorial space into three planes: the steps, the church and the background. On the right, in the foreground, are Sassetti's brother-in-law, the Gonfaloniere di Giustizia Antonio di Puccio Pucci
; Sassetti's employer, Lorenzo de' Medici
; Francesco Sassetti himself and his son Federico. Lorenzo raises his hand to greet Angelo Poliziano, the tutor of his sons who are featured ascending the stairs. They are Giuliano
, Piero
and Giovanni
, the future Pope Leo X, followed by other members of the Humanist Academy, Luigi Pulci
and Matteo Franco. Sassetti is pointing out his older sons on the other side of the stairs: Galeazzo, Teodoro and Cosimo.
This painting, which is considered one of Ghirlandaio's masterpieces, provides the most reliable portraits of these various 15th century people, as, unlike the work of Botticelli, who also painted members of the Medici household, they are neither stylised, nor do they appear to be idealised.
, who asked him to walk over a fire to demonstrate his sanctity. The composition is rather similar to that of Giotto in Santa Croce with the sultan in the middle, St. Francis on the right with his brother friars, but with Ghirlandaio's innovation of a figure in the foreground whose back is to the observer. It is one of the best executed parts of the cycle.
's pulpit, also in Santa Croce. The miracle portrayed occurred at La Verna
, the castles of which can be seen in the background which is characterized by a naturalistic rendering of outstanding quality, including a well executed deer
. On the right can be seen a city on a lake, a fanciful representation of Pisa
with its Duomo and Leaning Tower
.
in the middle of a large Renaissance church, surrounded by numerous figures. That the composition is derived from Giotto's work in Santa Croce is clearly seen in various elements including the monks' gestures, though Ghirlandaio added different details such as the monumental background and the varying responses of the different figures.
The three people on the right, a father with his son and nephew, are probably connected to the Sassetti family. On the right the tutor Poliziano is again portrayed alongside Bartolomeo Fonzio.
, a palace on the piazza facing Santa Trinita. According to some authorities, Ghirlandaio was inspired by Masaccio
's The Tribute Money in the Brancacci Chapel.
The resurrected boy is in the middle of the composition, sitting with his hands together on a bed covered with Eastern-style drapes. St. Francis, appearing as an apparition, blesses him from the sky, while, on either side, a group of people attend the scene. Among the people portrayed are numerous figures from contemporary Florence. The five women on the left are probably Sassetti's daughters, their husbands or fiancées being visible on the right in the foreground. The last man in the first left row is Ghirlandaio himself. Also notable is the presence of a Moorish female servant. Other figures portrayed on the right include Maso degli Albizzi, Angelo Acciaioli, Palla Strozzi
and Neri di Gino Capponi. The last two people on the right are probably Poliziano and Fonzio.
The scene is also important as it shows in detail the appearance of the Santa Trinita's piazza in the 15th century, with the old Romanesque façade of the church, Palazzo Spini Feroni still with the appearance of a fortress and an undecorated Ponte Santa Trinita
. The three figures behind the bier
are attributed to assistants.
, the artist having studied Hugo van der Goes
' Portinari Altarpiece, which had been taken to Florence in 1483 by the Portinari family for the church of Sant'Egidio. Ghirlandaio's inspiration from that work is shown by positioning and realist handling of the three shepherds on the right, one of which is the artist's self-portrait. The frame has the inscription "Ipsum quem genuit adoravit Maria" ("The one giving adoration to Mary"), probably a reference to Ghirlandaio himself.
Also influenced by Flemish painting is the attention to detail: every object has a precise symbolic role; and the well-rendered airy perspective, with the landscape fading towards a detailed representation of a hill and a town. The farthest city, on the right, is a symbolic Jerusalem with the domed edifice; in front of it is a dead tree, a reference to its conquest. The left city represents Rome, with the two sepulchres of the "prophetic" emperors, Augustus
and Hadrian
(who, at the time, was thought to be buried under the Torre delle Milizie
). In the city, however, a church resembling Santa Maria del Fiore
can be seen, a hint of the role of Florence as a new Rome.
The altarpiece is flanked by the two kneeling portraits of the donors
.
The scene is set on a flowering lawn, with Mary to the left foreground, kneeling in front of the Child. The manger, before which the Child lies, is an ancient Roman sarcophagus with the inscription "Ense cadens soly mo Pompei Fulvi[us] augur Numen aitquae me conteg[it] urna dabit", an allusion of the coming of Christ through the prophecy of Fulvius, killed by Pompey the Great during the Roman conquest of Jerusalem. The prophecy said that from the sarcophagus housing his remains a God will rise, a reference to the victory of Christianism over Paganism.
Next to Mary is St. Joseph looking upwards as, in the background, an angel is announcing to the shepherds the coming of Christ, while on the left, the long procession of the Magi
is passing under a triumphal arch
. The latter has the inscription: "Gn[eo] Pompeo Magno Hircanus Pont[ifex] P[osuit]" ("The priest Hircanus erected [this arch] in honor of Gnaius Pompey the Great"). On the left, the two nearest Magi are staring at a light visible from above the hut's roof, coming perhaps from the star. Behind the sarcophagus are an ox and a donkey, symbols of the Jews and the Gentiles.
The three rocks in the very foreground are a hint to the Sassetti, whose name in Italian means "Small rocks". Perched on one of them is a goldfinch
, symbol of Christ's Passion
and resurrection.
Chapel
A chapel is a building used by Christians as a place of fellowship and worship. It may be part of a larger structure or complex, such as a church, college, hospital, palace, prison or funeral home, located on board a military or commercial ship, or it may be an entirely free-standing building,...
in the basilica of Santa Trinita
Santa Trinita
Santa Trinita is a church in central Florence, Italy. It is the mother church of the Vallumbrosan Order of monks, founded in 1092 by a Florentine nobleman...
in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
. It is especially notable for its frescoes of the Stories of St. Francis, considered Domenico Ghirlandaio
Domenico Ghirlandaio
Domenico Ghirlandaio was an Italian Renaissance painter from Florence. Among his many apprentices was Michelangelo.-Early years:Ghirlandaio's full name is given as Domenico di Tommaso di Currado di Doffo Bigordi...
's masterwork.
History
Francesco SassettiFrancesco Sassetti
Francesco Sassetti was an Italian banker.-Biography:He was born in Florence, the youngest son of Tommaso Sassetti. He is first recorded as joining the famous Medici bank in either 1438 or 1439 as a factor to the Avignon branch, employed by Cosimo de' Medici...
(1421–1490) was a rich banker and a member of the Medici
Medici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
entourage, for which he directed the Medici Bank
Medici bank
The Medici Bank was a financial institution created by the Medici family in Italy during the 15th century. It was the largest and most respected bank in Europe during its prime. There are some estimates that the Medici family was, for a period of time, the wealthiest family in Europe...
. In 1478 he acquired the chapel of St. Francis
Francis of Assisi
Saint Francis of Assisi was an Italian Catholic friar and preacher. He founded the men's Franciscan Order, the women’s Order of St. Clare, and the lay Third Order of Saint Francis. St...
in Santa Trinita, after his proposal to add a decoration portraying the saint had been rejected by the Dominicans
Dominican Order
The Order of Preachers , after the 15th century more commonly known as the Dominican Order or Dominicans, is a Catholic religious order founded by Saint Dominic and approved by Pope Honorius III on 22 December 1216 in France...
of Santa Maria Novella, where his family had had a chapel (later also frescoed by Ghirlandaio, and now known as the Tornabuoni Chapel
Tornabuoni Chapel
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and...
) since the 14th century.
He commissioned the execution of the frescoes from the most famed artist of the city, Domenico Ghirlandaio
Domenico Ghirlandaio
Domenico Ghirlandaio was an Italian Renaissance painter from Florence. Among his many apprentices was Michelangelo.-Early years:Ghirlandaio's full name is given as Domenico di Tommaso di Currado di Doffo Bigordi...
. The date of the contract is that signed next to the portraits of Sassetti and his wife (December 25, 1480), although the work was not carried out until between 1483 and 1486. The central altarpiece, depicting the Adoration of the Shepherds, is dated 1485.
Ghirlandaio portrayed numerous figures of contemporary Florentine society in the scenes. All the work shows the importance of the influence on Ghirlandaio of Flemish school, in particular the Portinari Triptych
Portinari Triptych
The Portinari Altarpiece or Portinari Triptych is an oil on wood triptych painting by the Flemish painter Hugo van der Goes representing the Adoration of the shepherds....
by Hugo van der Goes
Hugo van der Goes
Hugo van der Goes was a Flemish painter. He was, along with Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David, one of the most important of the Early Netherlandish painters.-Biography:...
, taken by him to Florence in 1483 and now in the Uffizi
Uffizi
The Uffizi Gallery , is a museum in Florence, Italy. It is one of the oldest and most famous art museums of the Western world.-History:...
.
The Chapel was restored in 2004.
Structure
The chapel, like the church in which it is located, is in Gothic styleGothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
, characterized by an ogival arch
Ogive
An ogive is the roundly tapered end of a two-dimensional or three-dimensional object.-Applied physical science and engineering:In ballistics or aerodynamics, an ogive is a pointed, curved surface mainly used to form the approximately streamlined nose of a bullet or other projectile.The traditional...
.
The fresco cycle covers three walls framed by fictive architectural elements. The altarpiece is also framed by a painted marble decoration. The two side walls house the tombs of Francesco Sassetti and his wife Nora Corsi, under a gilded arch, a creation of Giuliano da Sangallo
Giuliano da Sangallo
Giuliano da Sangallo was an Italian sculptor, architect and military engineer active during the Italian Renaissance.He was born in Florence. His father Francesco Giamberti was a woodworker and architect, much employed by Cosimo de Medici, and his brother Antonio da Sangallo the Elder and nephew...
. At the side of the altar are kneeling portraits of the two patrons, Nora Corsi on the left and Sassetti on the right: they direct their prayers towards the central altarpiece of the Adoration of the Shepherds, also by Ghirlandaio.
Ghirlandaio's frescoes can also be seen in the upper transept wall, outside the chapel. This area was plastered in the 18th century, the paintings being rediscovered only in 1895, which accounts for their poorer state of conservation. The work outside the Sassetti chapel is attributed to the three Ghirlandaio brothers (Domenico, David and Benedetto) and assistants. Its perspective was devised to offer a perfect view from below.
The first scene painted above the chapel is the Tiburtine Sibyl Announces Jesus' Coming to Augustus
Augustus
Augustus ;23 September 63 BC – 19 August AD 14) is considered the first emperor of the Roman Empire, which he ruled alone from 27 BC until his death in 14 AD.The dates of his rule are contemporary dates; Augustus lived under two calendars, the Roman Republican until 45 BC, and the Julian...
. The Sibyl is probably a portrait of Sassetti's daughter, Sibilla. On the pilaster dividing the Sassetti Chapel from the subsequent one is a painted grisaille
Grisaille
Grisaille is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles in fact include a slightly wider colour range, like the Andrea del Sarto fresco...
statue of David. In the vault of the chapel are the four Sibyls, surrounded by flaming aureoles and holding out banderoles describing their prophetic role as assigned them by Virgil
Virgil
Publius Vergilius Maro, usually called Virgil or Vergil in English , was an ancient Roman poet of the Augustan period. He is known for three major works of Latin literature, the Eclogues , the Georgics, and the epic Aeneid...
:
- Hec teste Virgil Magnus, in ultima autem etate;
- Invisibile verbum palapabitur germinabit.
Only the faces of the Sibyls are attributed to Ghirlandaio; the bodies were probably executed by his workshop.
The Stories of St. Francis
The fresco cycle extends over three walls of the chapels, and includes six scenes:- Renunciation of Worldly Goods
- The Confirmation of the Franciscan Rule
- The Test of Fire
- The Miracle of the Stigmata
- Death of St. Francis
- The Resurrection of the Boy
Ghirlandaio had possibly never seen the Stories of St. Francis in the Basilica di San Francesco in Assisi
Assisi
- Churches :* The Basilica of San Francesco d'Assisi is a World Heritage Site. The Franciscan monastery, il Sacro Convento, and the lower and upper church of St Francis were begun immediately after his canonization in 1228, and completed in 1253...
, but he must certainly have known those in the Bardi Chapel of Santa Croce
Basilica di Santa Croce di Firenze
The Basilica di Santa Croce is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 metres south east of the Duomo. The site, when first chosen, was in marshland outside the city walls...
in Florence, painted by Giotto in the early 14th century.
Renunciation of Worldly Goods
This scene is located on the upper left wall, and portrays the young Francis who having renounced all his assets by removing his clothes publicly, is protected by the bishop of Perugia. Francis' raging father is shown with some people restraining him. The scene is set in a northern European city which had been identified as GenevaGeneva
Geneva In the national languages of Switzerland the city is known as Genf , Ginevra and Genevra is the second-most-populous city in Switzerland and is the most populous city of Romandie, the French-speaking part of Switzerland...
or Lyon
Lyon
Lyon , is a city in east-central France in the Rhône-Alpes region, situated between Paris and Marseille. Lyon is located at from Paris, from Marseille, from Geneva, from Turin, and from Barcelona. The residents of the city are called Lyonnais....
, where Sassetti had served for the Medici. The secondary figures could be work by Domenico's brothers and workshop.
The Confirmation of the Rule
This scene, in the upper central wall, depicts St. Francis being received by Pope Honorius IIIPope Honorius III
Pope Honorius III , previously known as Cencio Savelli, was Pope from 1216 to 1227.-Early work:He was born in Rome as son of Aimerico...
at the Cathedral of Sant Giovanni in Laterano at the time of the Franciscan Order's sanction by the Pope. The figures are portrayed in a cathedral interior, so that the chapel's arch resembles the triumphal arch
Triumphal arch
A triumphal arch is a monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be...
of the church. The scene is set in Florence instead of Rome, the background showing the Piazza della Signoria
Piazza della Signoria
Piazza della Signoria is an L-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio....
, the Palazzo Vecchio
Palazzo Vecchio
The Palazzo Vecchio is the town hall of Florence, Italy. This massive, Romanesque, crenellated fortress-palace is among the most impressive town halls of Tuscany...
and the Loggia dei Lanzi
Loggia dei Lanzi
The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street, three bays wide and one bay deep. The arches rest on clustered pilasters with...
, which did not at that time contain statues). The choice of the city was an allusion to the power and status that Florence had assumed; in Humanist circles it was considered a new Rome or Jerusalem .
A drawing, now in Berlin, shows that initially Ghirlandaio had intended a more traditional iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
following that of the frescoes in Santa Croce and without the portraits. Later he modified it, dividing the pictorial space into three planes: the steps, the church and the background. On the right, in the foreground, are Sassetti's brother-in-law, the Gonfaloniere di Giustizia Antonio di Puccio Pucci
Antonio di Puccio Pucci
Antonio di Puccio Pucci was an Italian architect and politician from the Pucci family.-Life:A member of the Arte dei Legnaioli , he was one of the planned architects on the Loggia della Signoria in Florence. In 1381 he was examined and declared fit to take up Republican offices in Florence...
; Sassetti's employer, Lorenzo de' Medici
Lorenzo de' Medici
Lorenzo de' Medici was an Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance. Known as Lorenzo the Magnificent by contemporary Florentines, he was a diplomat, politician and patron of scholars, artists and poets...
; Francesco Sassetti himself and his son Federico. Lorenzo raises his hand to greet Angelo Poliziano, the tutor of his sons who are featured ascending the stairs. They are Giuliano
Giuliano di Lorenzo de' Medici
Giuliano di Lorenzo de' Medici was an Italian nobleman, one of three sons of Lorenzo the Magnificent.-Biography:He was born in Florence, Italy. His brothers were Piero and Giovanni de' Medici....
, Piero
Piero di Lorenzo de' Medici
Piero de' Medici , called Piero the Unfortunate, was the Gran maestro of Florence from 1492 until his exile in 1494.-Life and death:...
and Giovanni
Pope Leo X
Pope Leo X , born Giovanni di Lorenzo de' Medici, was the Pope from 1513 to his death in 1521. He was the last non-priest to be elected Pope. He is known for granting indulgences for those who donated to reconstruct St. Peter's Basilica and his challenging of Martin Luther's 95 Theses...
, the future Pope Leo X, followed by other members of the Humanist Academy, Luigi Pulci
Luigi Pulci
Luigi Pulci was an Italian poet best known for his Morgante, an epic story of a giant who is converted to Christianity and follows the knight Orlando....
and Matteo Franco. Sassetti is pointing out his older sons on the other side of the stairs: Galeazzo, Teodoro and Cosimo.
This painting, which is considered one of Ghirlandaio's masterpieces, provides the most reliable portraits of these various 15th century people, as, unlike the work of Botticelli, who also painted members of the Medici household, they are neither stylised, nor do they appear to be idealised.
The Test of Fire
This scene is located on the upper right wall. It portrays St. Francis preaching to the Ottoman sultan Al-KamilAl-Kamil
Al-Kamil was a Kurdish Ayyubid sultan who ruled North Africa. During his tenure as sultan, the Ayyubids defeated two crusades. In a temporary agreement with the Crusaders, he ceded Jerusalem to the Christians.-Biography:He was the son of sultan al-Adil, a brother of Saladin...
, who asked him to walk over a fire to demonstrate his sanctity. The composition is rather similar to that of Giotto in Santa Croce with the sultan in the middle, St. Francis on the right with his brother friars, but with Ghirlandaio's innovation of a figure in the foreground whose back is to the observer. It is one of the best executed parts of the cycle.
The Miracle of the Stigmata
The lower left wall represents St. Francis kneeling, with open arms, receiving the divine sign from an apparition of the crucified Christ supported by a group of cherubim. The fresco was executed in ten days. Although featuring similar iconography to Giotto's work in Santa Croce, it is more likely that Ghirlandaio was inspired by the marble relief of Benedetto da MaianoBenedetto da Maiano
Benedetto da Maiano was an Italian sculptor of the early Renaissance.Born in the village of Maiano , he started his career as companion of his brother, the architect Giuliano da Maiano. When he reached the age of thirty he started training under the sculptor Antonio Rossellino...
's pulpit, also in Santa Croce. The miracle portrayed occurred at La Verna
La Verna
La Verna, in Latin Alverna and geographically known as Monte Penna, is a locality on Mount Penna, an isolated mountain of 1,283 m situated in the centre of the Tuscan Apennines, rising above the valley of the Casentino, central Italy...
, the castles of which can be seen in the background which is characterized by a naturalistic rendering of outstanding quality, including a well executed deer
Deer
Deer are the ruminant mammals forming the family Cervidae. Species in the Cervidae family include white-tailed deer, elk, moose, red deer, reindeer, fallow deer, roe deer and chital. Male deer of all species and female reindeer grow and shed new antlers each year...
. On the right can be seen a city on a lake, a fanciful representation of Pisa
Pisa
Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
with its Duomo and Leaning Tower
Leaning Tower of Pisa
The Leaning Tower of Pisa or simply the Tower of Pisa is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa...
.
The Death of St. Francis
The last scene of the cycle is on the lower right wall and was executed in 28 days. It shows the dead saint lying on a catafalqueCatafalque
A catafalque is a raised bier, soapbox, or similar platform, often movable, that is used to support the casket, coffin, or body of the deceased during a funeral or memorial service. Following a Roman Catholic Requiem Mass, a catafalque may be used to stand in place of the body at the Absolution of...
in the middle of a large Renaissance church, surrounded by numerous figures. That the composition is derived from Giotto's work in Santa Croce is clearly seen in various elements including the monks' gestures, though Ghirlandaio added different details such as the monumental background and the varying responses of the different figures.
The three people on the right, a father with his son and nephew, are probably connected to the Sassetti family. On the right the tutor Poliziano is again portrayed alongside Bartolomeo Fonzio.
The Resurrection of the Boy
This scene portrays a posthumous miracle by St. Francis, connected to the Sassetti family and for this reason located in a central position of the chapel, although out of chronological order with the death of St Francis. It portrays the resurrection of a boy who had died falling from Palazzo Spini FeroniPalazzo Spini Feroni
Palazzo Spini Ferroni is a building in piazza Santa Trinita, Florence, Italy, the grandest private medieval house-palace in the city.-History:...
, a palace on the piazza facing Santa Trinita. According to some authorities, Ghirlandaio was inspired by Masaccio
Masaccio
Masaccio , born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense...
's The Tribute Money in the Brancacci Chapel.
The resurrected boy is in the middle of the composition, sitting with his hands together on a bed covered with Eastern-style drapes. St. Francis, appearing as an apparition, blesses him from the sky, while, on either side, a group of people attend the scene. Among the people portrayed are numerous figures from contemporary Florence. The five women on the left are probably Sassetti's daughters, their husbands or fiancées being visible on the right in the foreground. The last man in the first left row is Ghirlandaio himself. Also notable is the presence of a Moorish female servant. Other figures portrayed on the right include Maso degli Albizzi, Angelo Acciaioli, Palla Strozzi
Palla Strozzi
Palla di Onofrio Strozzi was an Italian banker, politician, writer, philosopher and philologist.-Biography:He was born in Florence into the rich family of the Strozzi. He was educated by humanists, learning Greek and Latin, and establishing an important collection of rare books...
and Neri di Gino Capponi. The last two people on the right are probably Poliziano and Fonzio.
The scene is also important as it shows in detail the appearance of the Santa Trinita's piazza in the 15th century, with the old Romanesque façade of the church, Palazzo Spini Feroni still with the appearance of a fortress and an undecorated Ponte Santa Trinita
Ponte Santa Trinita
The Ponte Santa Trìnita is a Renaissance bridge in Florence, Italy, spanning the Arno. The Ponte Santa Trìnita is the oldest elliptic arch bridge in the world, the three flattened ellipses giving the structure its celebrated elegant appearance...
. The three figures behind the bier
Bier
A bier is a stand on which a corpse, coffin or casket containing a corpse, is placed to lie in state or to be carried to the grave.In Christian burial, the bier is often placed in the centre of the nave with candles surrounding it, and remains in place during the funeral.The bier is a flat frame,...
are attributed to assistants.
The altarpiece
The Adoration of the Shepherds was painted in 1485. It is recognized as one of Ghirlandaio's masterpieces, as well as one of the Florentine painting school. The work shows clear influences of the Flemish schoolFlemish painting
Flemish painting flourished from the early 15th century until the 17th century. Flanders delivered the leading painters in Northern Europe and attracted many promising young painters from neighbouring countries. These painters were invited to work at foreign courts and had a Europe-wide influence...
, the artist having studied Hugo van der Goes
Hugo van der Goes
Hugo van der Goes was a Flemish painter. He was, along with Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David, one of the most important of the Early Netherlandish painters.-Biography:...
' Portinari Altarpiece, which had been taken to Florence in 1483 by the Portinari family for the church of Sant'Egidio. Ghirlandaio's inspiration from that work is shown by positioning and realist handling of the three shepherds on the right, one of which is the artist's self-portrait. The frame has the inscription "Ipsum quem genuit adoravit Maria" ("The one giving adoration to Mary"), probably a reference to Ghirlandaio himself.
Also influenced by Flemish painting is the attention to detail: every object has a precise symbolic role; and the well-rendered airy perspective, with the landscape fading towards a detailed representation of a hill and a town. The farthest city, on the right, is a symbolic Jerusalem with the domed edifice; in front of it is a dead tree, a reference to its conquest. The left city represents Rome, with the two sepulchres of the "prophetic" emperors, Augustus
Augustus
Augustus ;23 September 63 BC – 19 August AD 14) is considered the first emperor of the Roman Empire, which he ruled alone from 27 BC until his death in 14 AD.The dates of his rule are contemporary dates; Augustus lived under two calendars, the Roman Republican until 45 BC, and the Julian...
and Hadrian
Hadrian
Hadrian , was Roman Emperor from 117 to 138. He is best known for building Hadrian's Wall, which marked the northern limit of Roman Britain. In Rome, he re-built the Pantheon and constructed the Temple of Venus and Roma. In addition to being emperor, Hadrian was a humanist and was philhellene in...
(who, at the time, was thought to be buried under the Torre delle Milizie
Torre delle Milizie
The Torre delle Milizie is a tower in Rome, Italy, annexed to the Trajan's Market in the Imperial fora.One of the main medieval monuments of the city, the tower is on a square plan, its base sides measure 10.5 x 9.5 m, and it currently stands at almost 50 meters...
). In the city, however, a church resembling Santa Maria del Fiore
Santa Maria del Fiore
The Basilica di Santa Maria del Fiore is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi...
can be seen, a hint of the role of Florence as a new Rome.
The altarpiece is flanked by the two kneeling portraits of the donors
Donor portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or her, family...
.
The scene is set on a flowering lawn, with Mary to the left foreground, kneeling in front of the Child. The manger, before which the Child lies, is an ancient Roman sarcophagus with the inscription "Ense cadens soly mo Pompei Fulvi[us] augur Numen aitquae me conteg[it] urna dabit", an allusion of the coming of Christ through the prophecy of Fulvius, killed by Pompey the Great during the Roman conquest of Jerusalem. The prophecy said that from the sarcophagus housing his remains a God will rise, a reference to the victory of Christianism over Paganism.
Next to Mary is St. Joseph looking upwards as, in the background, an angel is announcing to the shepherds the coming of Christ, while on the left, the long procession of the Magi
Magi
Magi is a term, used since at least the 4th century BC, to denote a follower of Zoroaster, or rather, a follower of what the Hellenistic world associated Zoroaster with, which...
is passing under a triumphal arch
Triumphal arch
A triumphal arch is a monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be...
. The latter has the inscription: "Gn[eo] Pompeo Magno Hircanus Pont[ifex] P[osuit]" ("The priest Hircanus erected [this arch] in honor of Gnaius Pompey the Great"). On the left, the two nearest Magi are staring at a light visible from above the hut's roof, coming perhaps from the star. Behind the sarcophagus are an ox and a donkey, symbols of the Jews and the Gentiles.
The three rocks in the very foreground are a hint to the Sassetti, whose name in Italian means "Small rocks". Perched on one of them is a goldfinch
European Goldfinch
The European Goldfinch or Goldfinch is a small passerine bird in the finch family.-Habitat and range:The goldfinch breeds across Europe, North Africa, and western and central Asia, in open, partially wooded lowlands. It is resident in the milder west of its range, but migrates from colder regions...
, symbol of Christ's Passion
Passion (Christianity)
The Passion is the Christian theological term used for the events and suffering – physical, spiritual, and mental – of Jesus in the hours before and including his trial and execution by crucifixion...
and resurrection.