Suzuki method
Encyclopedia
The Suzuki method is a method of teaching music that emerged in the mid-20th century.
ist who desired to bring beauty to the lives of children in his country after the devastation of World War II
. As a skilled violinist but a beginner at the German language who struggled to learn it, Suzuki noticed that children pick up their native language quickly, and even dialects adults consider "difficult" to learn are spoken with ease by people of 5 or 6 years. He reasoned that if children have the skill to acquire their mother tongue
, then they have the necessary ability to become proficient on a musical instrument. He pioneered the idea that pre-school age children could learn to play the violin if learning steps were small enough and if the instrument was scaled down to fit their body. He modeled his method, which he called , after his theories of natural language acquisition
. Suzuki believed that every child, if properly taught, was capable of a high level of musical achievement. He also made it clear that the goal of such musical education was to raise generations of children with "noble hearts" (as opposed to creating famous musical prodigies
).
The Suzuki method was first developed in Japan
. It spread from there to other Pacific Rim
countries, and then to Europe as well as Africa. Although it originally used the study of the violin
to achieve its goals, it has also been adapted for other instruments: flute
, recorder
, piano
, guitar
, cello
, viola
, bass
, organ
, harp
and voice
. In addition, there are a few "Suzuki Preschools" which have adapted Suzuki's philosophy to use in the non-musical disciplines of early childhood education
.
. The essential components of his method spring from the desire to create the "right environment" for learning music (he believed that this positive environment would also help to foster excellent character
in every student). These components include:
The method discourages competitive attitudes between players, and advocates collaboration and mutual encouragement for those of every ability and level. However, there is an audition process if a student wishes to perform publicly with the Suzuki Youth Orchestra of America, a national group sponsored by the Suzuki Association of the Americas.
The parent of the young student is expected to supervise instrument practice every day (instead of leaving the child to practice alone between lessons) and to attend and take notes at every lesson so as to be able to coach the student effectively. It is not necessary for the parent to be able to play as well as the child (or at all); only that the parent knows from the lessons what the child should be doing and how the child should be doing it. This element of the method is so prominent that a newspaper article once dubbed it "The Mom-Centric Method" (Constance Meyer, LA Times, Sept 7, 2003).
Other criticisms include:
Many Suzuki teachers have addressed these concerns by introducing sight reading exercises earlier and more often than was practiced when the method was first introduced in the West
. Having a foundation in learning by ear actually eases the sight reading process for many students as they develop the ability to predict the tonal direction of a phrase or intuitively understand frequently encountered rhythms. Some also defend their emphasis on unity of musical expression in group performance by pointing out that this is a necessary skill "just like ... in the string section of any professional symphony
", and add that although group performance plays an important motivating and ensemble
role, and is a highly visible part of the Suzuki method, solo expression can also be encouraged, and individually tailored lessons are at the heart of the method (Barber, 1991). In order to assure the quality of teachers, each national Suzuki association institutes its own competency requirements for teacher training: for example, a basic "competency" audition to register teacher training in the American Association was instituted in 2002. Suzuki teachers often urge their students to listen to many different recordings and live concerts in order to help them acquire a sense of musical style.
Criticism has also sprung up from within the Suzuki movement:
It is common for many Suzuki teachers to introduce supplemental repertoire such as fiddle tunes or other classical music as collected by Barbara Barber in Solos for Young Violinists. This practice addresses the concern that students progress too quickly as well as the limited musical styles represented in the Suzuki books. Supporters of the method contend that the tendency of students not to grow into independence is largely a cultural issue in America and can be easily addressed by a teacher who requires students to begin working independently (American Suzuki Journal, 1996) and has a process in place for that transition.
.
books for each instrument, and Suzuki teachers supplement the repertoire common to each instrument as needed, particularly in the area of teaching reading. One of the innovations of the Suzuki method was to make quality recordings of the beginners' pieces widely available, performed by professional musicians. Many traditional (non-Suzuki trained) music teachers also use the Suzuki repertoire, often to supplement their curriculum
, and they adapt the music to their own philosophies of teaching.
Another innovation of Suzuki was to deliberately leave out the large amount of technical instructions & exercises found in many beginners' music books of his day. He favored a focus on song-playing over technical exercise, and asked teachers to allow students to make music from the beginning, helping to motivate young children with short, attractive songs which can themselves be used as technique building exercises. Each song in the common repertoire is carefully chosen to introduce some new or higher level of technique than the previous selection.
Suzuki teaching uses a common core repertoire for students of the same instrument worldwide, and although it focuses on Western European "classical" music, it emphasizes that this music can be a bridge across cultural and language barriers: one does not have to share the ethnic or national origin of the composers in order to learn or share the music.
Suzuki created a series of rhythmic variations on the theme "Twinkle, Twinkle, Little Star", using rhythms from more advanced literature in units small enough for a beginner to grasp quickly. Although these variations were created for violin, most of the instruments use them as a starting point for their repertoire.
on "Twinkle Twinkle Little Star
" and ending with two Mozart concertos. This repertoire is currently in the process of being revised by the International Suzuki Association. The first 3 books are mostly graded arrangements of music not originally written for solo violin, although book 1 contains several original compositions by Suzuki for violin & piano. These arrangements are drawn from folk tunes and from composers such as Bach
, Telemann, Dvořák
, Beethoven, Schubert, Handel
, Paganini, Boccherini and Brahms. Books 4–10 continue the graded selection by incorporating 'standard' or 'traditional' student violin solos by Seitz
, Vivaldi, Bach
, Veracini, Corelli
, Carl Ditters von Dittersdorf
, Rameau, Handel
, Mozart, Fiocco
, and others. Audio recordings for books 1–4 are available in separate albums by artists such as David Nadien, David Cerone
, and Shin'ichi Suzuki. New recordings of volumes 1–4 by William Preucil, Jr. were released in 2007, along with revised versions of the first 4 books. Recordings for books 5–8 have been made by Koji Toyoda
, although many of the pieces can be found separately on other artist's albums. In 2008 Takako Nishizaki
made a complete set of recordings of Books 1-8 for Naxos Records
. There are no official recordings of books 9 and 10 but these books, simply being Mozart's A major and D major violin concertos, have readily available recordings by various violinists. Completing the 10 volumes is not the end of the Suzuki journey, as many Suzuki teachers traditionally continue with the Bruch
and Mendelssohn
concertos, along with pieces from other composers such as Paradis
,
Mozart
, and Kreisler
.
period. In eight volumes, the first 3 have been arranged (or transposed
) almost directly from the first 3 violin volumes, and the rest differ significantly as they delve into standard viola literature. These volumes include works by Telemann, Casadesus
, Bach
, and others. Volume eight, released in 2005, contains works by Mendelssohn
, Vivaldi, Cassado, Leclair
, Telemann, Hummel
,and Bruch
. The series is expected to end with Schubert's Arpeggione Sonata
. Books 1–4 have been recorded on two albums by William Preucil, and the rest are available in separate albums.
, Popper
, Breval
, Goltermann, Squire
, Bach
, Paradis
, Eccles
, Fauré
, von Goens, Sammartini
, Haydn, and Boccherini.
and baroque
composers, such as Ludwig van Beethoven
and Johann Sebastian Bach
. The fourth book ends with the Gigue from partita in Bb by Bach, the fifth book ends with the famous Für Elise by van Beethoven, the sixth book ends with the Sonata in C major k.545 by Mozart, and the seventh book ends with the Piano Sonata No. 11 in A major by Mozart, this book also includes The Harmonious Blacksmith
by Handel
. There are also many Minuet
s in the second book. The New International Edition adds some more recent compositions to the books, such as the music of Bela Bartok.
Revised versions of the Piano books have now been published. The new volumes are collections of piano repertoire from all eras representing works by composers such as Mozart, Bergmuller, Beethoven, Bach, Tchaikovsky, Schumann, Chopin, Mendelssohn, Daquin, Grieg, Grandados, Villa-Lobos, Scarlatti, Handel, Bartok, and Debussy. Many pieces from the original books remain; some have been shifted to another volume. The book/CD combo for Revised Books 4-7 is now available, and was performed by Japanese concert artist Seizo Azuma.
, Gossec, Beethoven, Bach
, Webster, Saint-Saens
, and Dvorak
. Famous pieces include: The Elephant from Carnival of the Animals by Saint-Saens, Ode to Joy
by Beethoven, and Largo from the New World Symphony by Dvorak.
, Handel
, Blavet
, Fauré
and other major composers.
, Vivaldi
, Bach
, Carcassi
, Giuliani
, Sor
, Tarrega
, Albéniz
, Mudarra, and Yocoh's Sakura Variations. Music in book one is performed by Frank Longay and Bill Kossler, with books two through four recorded by Seth Himmelhoch, Andrew LaFrenier, and Louis Brown. George Sakellariou has recorded books five, six and seven and William Kanengiser recorded books 8 and 9.
since 1986, the vocal repertoire of the Suzuki method is not yet widespread in many countries, although teacher training courses are scheduled yearly in Europe, US and Australia.
(ECE) is not an instrument, a curriculum for (pre-instrumental) ECE has been developed within the Suzuki philosophy. Also, a "modified" Suzuki philosophy curriculum has been developed to apply Suzuki teaching to instrumental music classes in schools.
s, string orchestra
, and string quartet
arrangements of Suzuki repertoire.
. As a result of this, Suzuki's father, who owned a company which had manufactured the Shamisen
, began to manufacture violin
s instead.
In his youth, Shin'ichi Suzuki chanced to hear a phonograph
recording of Franz Schubert
's Ave Maria, as played on violin by Mischa Elman. Gripped by the beauty of the music, he immediately picked up a violin from his father's factory and began to teach himself to play the instrument "by ear
." His father felt that instrumental performance was beneath his son's social status, and refused to allow him to study the instrument. At age 17, he began to teach himself by ear, since no formal training was allowed to him. Eventually he convinced his father to allow him to study with a violin teacher in Tokyo.
At age 22, Suzuki travelled to Germany to find a violin teacher to continue his studies. While there, he studied privately with Karl Klingler, but did not receive any formal degree past his high school diploma. He met and became friends with Albert Einstein
, who encouraged him in learning classical music. He also met, courted, and married his wife, Waltraud.
In 1945, Suzuki began his Talent Education movement in Matsumoto
, Japan
shortly after the end of World War II
. Raising children with "noble hearts" (inspired by great music and diligent study) was one of his primary goals; he believed that people raised and "nurtured by love" in his method would grow up to achieve better things than war. One of his students during this post-1945 period was violinist Hidetaro Suzuki
, no relation, who later became a veteran of international violin competitions (Tchaikovsky, Queen Elisabeth, Montreal International) and then the longtime concertmaster of the Indianapolis Symphony Orchestra
.
Eventually, the center of the Suzuki movement in education was established as the Talent Education Research Institute (TERI) in Matsumoto. TERI hosts thousands of people each year—students, parents, teachers, (and teacher trainees). Other organizations have sprung up all over the world to help oversee the movement and train teachers. These include the Asia Suzuki Association, the Suzuki Association of the Americas, the European Suzuki Association (which is currently assisting in the beginnings of the Suzuki movement in Africa
) and the Pan-Pacific Suzuki Association.
John D. Kendall
of Southern Illinois University Edwardsville
brought the Suzuki method, along with adaptations to better fit the requirements of the American classroom, to the United States in the late 1950s and early 1960s. Vilem Sokol
of the Seattle Youth Symphony hosted Suzuki in Seattle. The majority of American Suzuki pedagogues and teaching methods are grounded in the Suzuki-Kendall system. Other pioneers of the Suzuki Method in the US include Roland and Almita Vamos
, Elizabeth and Harlow Mills, Betty Haag, Louise Behrend, Dorothy Roffman, William Starr, Anastasia Jempelis, and Margery Aber.
Background
The Suzuki Method was conceived in the mid-20th century by Shin'ichi Suzuki, a Japanese violinViolin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
ist who desired to bring beauty to the lives of children in his country after the devastation of World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
. As a skilled violinist but a beginner at the German language who struggled to learn it, Suzuki noticed that children pick up their native language quickly, and even dialects adults consider "difficult" to learn are spoken with ease by people of 5 or 6 years. He reasoned that if children have the skill to acquire their mother tongue
First language
A first language is the language a person has learned from birth or within the critical period, or that a person speaks the best and so is often the basis for sociolinguistic identity...
, then they have the necessary ability to become proficient on a musical instrument. He pioneered the idea that pre-school age children could learn to play the violin if learning steps were small enough and if the instrument was scaled down to fit their body. He modeled his method, which he called , after his theories of natural language acquisition
Language acquisition
Language acquisition is the process by which humans acquire the capacity to perceive, produce and use words to understand and communicate. This capacity involves the picking up of diverse capacities including syntax, phonetics, and an extensive vocabulary. This language might be vocal as with...
. Suzuki believed that every child, if properly taught, was capable of a high level of musical achievement. He also made it clear that the goal of such musical education was to raise generations of children with "noble hearts" (as opposed to creating famous musical prodigies
Child prodigy
A child prodigy is someone who, at an early age, masters one or more skills far beyond his or her level of maturity. One criterion for classifying prodigies is: a prodigy is a child, typically younger than 18 years old, who is performing at the level of a highly trained adult in a very demanding...
).
The Suzuki method was first developed in Japan
Japan
Japan is an island nation in East Asia. Located in the Pacific Ocean, it lies to the east of the Sea of Japan, China, North Korea, South Korea and Russia, stretching from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the south...
. It spread from there to other Pacific Rim
Pacific Rim
The Pacific Rim refers to places around the edge of the Pacific Ocean. The term "Pacific Basin" includes the Pacific Rim and islands in the Pacific Ocean...
countries, and then to Europe as well as Africa. Although it originally used the study of the violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
to achieve its goals, it has also been adapted for other instruments: flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...
, recorder
Recorder
The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes—whistle-like instruments which include the tin whistle. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple...
, piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
, guitar
Guitar
The guitar is a plucked string instrument, usually played with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with...
, cello
Cello
The cello is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin, viola, and double bass. Old forms of the instrument in the Baroque era are baryton and viol .A person who plays a cello is...
, viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
, bass
Double bass
The double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...
, organ
Organ (music)
The organ , is a keyboard instrument of one or more divisions, each played with its own keyboard operated either with the hands or with the feet. The organ is a relatively old musical instrument in the Western musical tradition, dating from the time of Ctesibius of Alexandria who is credited with...
, harp
Harp
The harp is a multi-stringed instrument which has the plane of its strings positioned perpendicularly to the soundboard. Organologically, it is in the general category of chordophones and has its own sub category . All harps have a neck, resonator and strings...
and voice
Human voice
The human voice consists of sound made by a human being using the vocal folds for talking, singing, laughing, crying, screaming, etc. Its frequency ranges from about 60 to 7000 Hz. The human voice is specifically that part of human sound production in which the vocal folds are the primary...
. In addition, there are a few "Suzuki Preschools" which have adapted Suzuki's philosophy to use in the non-musical disciplines of early childhood education
Early childhood education
Early childhood education is the formal teaching and care of young children by people other than their family or in settings outside of the home. 'Early childhood' is usually defined as before the age of normal schooling - five years in most nations, though the U.S...
.
Philosophy
The central belief of Suzuki, based on his language acquisition theories, is that all people can (and will) learn from their environmentNature versus nurture
The nature versus nurture debate concerns the relative importance of an individual's innate qualities versus personal experiences The nature versus nurture debate concerns the relative importance of an individual's innate qualities ("nature," i.e. nativism, or innatism) versus personal experiences...
. The essential components of his method spring from the desire to create the "right environment" for learning music (he believed that this positive environment would also help to foster excellent character
Moral character
Moral character or character is an evaluation of a particular individual's durable moral qualities. The concept of character can imply a variety of attributes including the existence or lack of virtues such as integrity, courage, fortitude, honesty, and loyalty, or of good behaviors or habits...
in every student). These components include:
- Saturation in the musical communityCommunityThe term community has two distinct meanings:*a group of interacting people, possibly living in close proximity, and often refers to a group that shares some common values, and is attributed with social cohesion within a shared geographical location, generally in social units larger than a household...
, including attendance at local concertConcertA concert is a live performance before an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, a choir, or a musical band...
s of classical music, exposure to and friendship with other music students, and listening to music performed by "artists" (professional classical musicians of high caliber) in the home every day (starting before birth if possible). - Deliberate avoidance of musical aptitude tests or "auditions" to begin music study. Suzuki firmly believed that teachers who test for musical aptitude before taking students, or teachers who look only for "talented" students, are limiting themselves to people who have already started their music education. Just as every child is expected to learn their native language, Suzuki expected every child to be able to learn to play music well when they were surrounded with a musical environment from infancy. (This does not preclude auditions for public performances).
- Emphasis on playing from a very young age, sometimes beginning formal instruction between the ages of 3 and 5 years old. (See Technique).
- Using well trained teachers, preferably also trained in using the Suzuki materials and philosophy. Suzuki Associations all over the world offer ongoing teacher-training programs to prospective and continuing Suzuki teachers. A basic competency as a performer was recently made mandatory for all teachers in the American Association; the holding of a music degree is not required.
- In the beginning, learning music by earLearning music by earLearning music by ear is done by repeatedly listening to other musicians and then attempting to recreate what one hears. This is how people learn music in any musical tradition in which there is no complete musical notation...
is emphasized over reading musical notationMusical notationMusic notation or musical notation is any system that represents aurally perceived music, through the use of written symbols.-History:...
. This follows Suzuki's observation that in language acquisition, a child learns to speak before learning to read. Related to this, memorization of all solo repertoire is expected, even after a student begins to use sheet musicSheet musicSheet music is a hand-written or printed form of music notation that uses modern musical symbols; like its analogs—books, pamphlets, etc.—the medium of sheet music typically is paper , although the access to musical notation in recent years includes also presentation on computer screens...
as a tool to learn new pieces. There is no formal plan or prescribed materials for introducing music theory & reading into the curriculum; this is left to the judgement of the teacher. - The method also encourages, in addition to individual playing, regular playing in groups (including playing in unisonUnisonIn music, the word unison can be applied in more than one way. In general terms, it may refer to two notes sounding the same pitch, often but not always at the same time; or to the same musical voice being sounded by several voices or instruments together, either at the same pitch or at a distance...
). - Retaining and reviewing every piece of music ever learned on a regular basis, in order to raise technical and musical ability. Review pieces, along with "preview" parts of music a student is yet to learn, are often used in creative ways to take the place of the more traditional etudeÉtudeAn étude , is an instrumental musical composition, most commonly of considerable difficulty, usually designed to provide practice material for perfecting a particular technical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano...
books. Traditional etudes and technical studies are not used in the beginning stages, which focus almost exclusively on a set of performance pieces. - Frequent public performance, so that performing is natural and enjoyable.
The method discourages competitive attitudes between players, and advocates collaboration and mutual encouragement for those of every ability and level. However, there is an audition process if a student wishes to perform publicly with the Suzuki Youth Orchestra of America, a national group sponsored by the Suzuki Association of the Americas.
The parent of the young student is expected to supervise instrument practice every day (instead of leaving the child to practice alone between lessons) and to attend and take notes at every lesson so as to be able to coach the student effectively. It is not necessary for the parent to be able to play as well as the child (or at all); only that the parent knows from the lessons what the child should be doing and how the child should be doing it. This element of the method is so prominent that a newspaper article once dubbed it "The Mom-Centric Method" (Constance Meyer, LA Times, Sept 7, 2003).
Criticism and response
The most common criticisms of the Suzuki method from educators outside the various Suzuki associations are that group playing, extensive listening to and copying of recordings, and early focus on memorization lead to:- compromised sight readingSight readingSight-reading is the reading and performing of a piece of written music, specifically when the performer has not seen it before. Sight-singing is often used to describe a singer who is sight-reading.-Sight-reading:...
skills - a tendency towards rote learningRote learningRote learning is a learning technique which focuses on memorization. The major practice involved in rote learning is learning by repetition by which students commit information to memory in a highly structured way. The idea is that one will be able to quickly recall the meaning of the material the...
and mechanistic group performance at the expense of individual musicianship
Other criticisms include:
- if music is to be learned from audio recordings, the quality of the recorded pieces must be questioned in terms of style, integrity, and its positive or negative traits. The resulting views are relative and may differ between people.
- any reliance on listening to a single piece in order to learn it is not sufficient for instilling a sense of the style of the work (where the style refers to the traits of performance that are common to many similar works), since a style can only be acquired by listening to a range of works of common style (including listening to works for enjoyment, rather than with only the goal of copying them).
Many Suzuki teachers have addressed these concerns by introducing sight reading exercises earlier and more often than was practiced when the method was first introduced in the West
Western world
The Western world, also known as the West and the Occident , is a term referring to the countries of Western Europe , the countries of the Americas, as well all countries of Northern and Central Europe, Australia and New Zealand...
. Having a foundation in learning by ear actually eases the sight reading process for many students as they develop the ability to predict the tonal direction of a phrase or intuitively understand frequently encountered rhythms. Some also defend their emphasis on unity of musical expression in group performance by pointing out that this is a necessary skill "just like ... in the string section of any professional symphony
Orchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...
", and add that although group performance plays an important motivating and ensemble
Musical ensemble
A musical ensemble is a group of people who perform instrumental or vocal music. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles...
role, and is a highly visible part of the Suzuki method, solo expression can also be encouraged, and individually tailored lessons are at the heart of the method (Barber, 1991). In order to assure the quality of teachers, each national Suzuki association institutes its own competency requirements for teacher training: for example, a basic "competency" audition to register teacher training in the American Association was instituted in 2002. Suzuki teachers often urge their students to listen to many different recordings and live concerts in order to help them acquire a sense of musical style.
Criticism has also sprung up from within the Suzuki movement:
- students may progress too rapidly and find themselves studying repertoire for which they are not yet emotionally prepared.
- BaroqueBaroqueThe Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
music is emphasized in the Suzuki violin literature to the detriment of other styles and periods. Some of this literature includes note errors and 19th-century editorial changes that are not in keeping with historically informed performanceHistorically informed performanceHistorically informed performance is an approach in the performance of music and theater. Within this approach, the performance adheres to state-of-the-art knowledge of the aesthetic criteria of the period in which the music or theatre work was conceived...
practice. (The International Suzuki Association is in the process of addressing this by revising the violin repertoire). - "Older students can become overly dependent" on the support structure of recordings, parental note-taking and tutoring at home, and teaching styles appropriate for younger students (Barber, 1991).
- very young students, such as those aged 3–5, are often not ready for formal instruction, and too much emphasis on practicing hard at this age may be counterproductive (American Suzuki Journal, 2005).
It is common for many Suzuki teachers to introduce supplemental repertoire such as fiddle tunes or other classical music as collected by Barbara Barber in Solos for Young Violinists. This practice addresses the concern that students progress too quickly as well as the limited musical styles represented in the Suzuki books. Supporters of the method contend that the tendency of students not to grow into independence is largely a cultural issue in America and can be easily addressed by a teacher who requires students to begin working independently (American Suzuki Journal, 1996) and has a process in place for that transition.
Technique
Although Suzuki was a violinist, the method he founded is not a "school of violin playing" (like the French or the Russian school of playing) whose students are always easily identified by the certain set of techniques they use to play the violin. However, some of the technical concepts Suzuki taught his own students, such as the development of "tonalization", were so essential to his way of teaching that they have been carried over into the entire method. Other non-instrument specific techniques are used to implement the basic elements of the philosophy in each disciplineAcademic discipline
An academic discipline, or field of study, is a branch of knowledge that is taught and researched at the college or university level. Disciplines are defined , and recognized by the academic journals in which research is published, and the learned societies and academic departments or faculties to...
.
- Tonalization is a term coined by Suzuki, and is deliberately similar to the word "vocalization" (as it is used by singers when they talk about warming up their voices). Tonalization is defined as the student's ability to produce and recognize a beautiful, ringing tone quality on their instrument. While initially developed for violin education, the tonalization technique has been applied to other instruments such as the piano. Suzuki believed that a student must learn tonalization in order to properly reproduce and perform music (Lavie, Karen, New Zealand Suzuki Journal, 2005). Outside the Suzuki method, the term used is "tone production," and is part of Western music education stretching back to its beginning.
- Using sound recordings is another technique common to all the musical instruments taught in the Suzuki method. Records, tapes, and CDs are used to help students learn notes, phrasing, dynamicsDynamics (music)In music, dynamics normally refers to the volume of a sound or note, but can also refer to every aspect of the execution of a given piece, either stylistic or functional . The term is also applied to the written or printed musical notation used to indicate dynamics...
, rhythmRhythmRhythm may be generally defined as a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions." This general meaning of regular recurrence or pattern in time may be applied to a wide variety of cyclical natural phenomena having a periodicity or...
, and beautiful tone quality by earLearning music by earLearning music by ear is done by repeatedly listening to other musicians and then attempting to recreate what one hears. This is how people learn music in any musical tradition in which there is no complete musical notation...
. Suzuki pointed out that great artists (such as MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
) were surrounded with excellent performances from birth, and that the advent of recording technology made this aspect of their environment possible to achieve for large numbers of "ordinary" people whose parents were not themselves great musicians & music teachers like Mozart's fatherLeopold MozartJohann Georg Leopold Mozart was a German composer, conductor, teacher, and violinist. Mozart is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook Versuch einer gründlichen Violinschule.-Childhood and student years:He was born in Augsburg, son of...
was. So-called "traditional" (that is, not Suzuki trained) music educators have used this technique since the earliest days of recording technology; the difference in the Suzuki method is the scale on which Suzuki systematically insisted on daily listening in the home, from before birth if possible, and his focus on using recordings of beginner's repertoire alongside recordings of advanced repertoire.
- "Adult" sized instruments are adapted to meet the demands of a small child's body in various ways. This lowers the age at which people are developmentally ready to begin studying an instrument. Scaled down instrument sizes are used for children studying stringed instruments. Curved headjoint flutes with displaced keys which are closer together than normal flute keys & holes are also available making it possible for children as young as 3 years old to study the flute through the Suzuki method. Height adjustable chairs, benches, and footrests are used for piano, guitar, cello, and string bass. Although fractional sized student violins were available when Suzuki began to teach, the success and popularity of his idea that pre-school aged children could also learn to play prompted violinmakersLuthierA luthier is someone who makes or repairs lutes and other string instruments. In the United States, the term is used interchangeably with a term for the specialty of each maker, such as violinmaker, guitar maker, lute maker, etc...
to scale violins down to even smaller sizes than before.
- Suzuki Institutes were established to encourage a musical community, train teachers, and provide a place where master teachers' ideas can easily be spread to the whole community of Suzuki students, teachers, & parents. These short term music festivals began in Matsumoto, Japan, where teachers & students came to learn from Suzuki himself. In the US, they often last for a week or two and include daily masterclasses; repertoire (group) classes; teacher training courses; concerts; discussion sessions; seminars; and various 'enrichment' classes in different musical styles, instruments, or non-musical (usually arts, crafts, or dancing) activities. As at any music festival, participants must pay registration and tuition fees to the institute they are attending. Each national Suzuki association handles registration for teacher training, and policies differ from country to country.
- A Common repertoire for all students of an instrument was established. This body of music allows each student to participate in group classes, helps to foster local and international musical community and camaraderie, and provides motivation for students to learn new music while keeping the 'old' pieces they have learned in top form. This is in direct contrast to music education outside of the method, in which teachers tailor the repertoire to the current need and level of the individual student.
Repertoire
The core Suzuki literature is published on audio recordings and in sheet musicSheet music
Sheet music is a hand-written or printed form of music notation that uses modern musical symbols; like its analogs—books, pamphlets, etc.—the medium of sheet music typically is paper , although the access to musical notation in recent years includes also presentation on computer screens...
books for each instrument, and Suzuki teachers supplement the repertoire common to each instrument as needed, particularly in the area of teaching reading. One of the innovations of the Suzuki method was to make quality recordings of the beginners' pieces widely available, performed by professional musicians. Many traditional (non-Suzuki trained) music teachers also use the Suzuki repertoire, often to supplement their curriculum
Curriculum
See also Syllabus.In formal education, a curriculum is the set of courses, and their content, offered at a school or university. As an idea, curriculum stems from the Latin word for race course, referring to the course of deeds and experiences through which children grow to become mature adults...
, and they adapt the music to their own philosophies of teaching.
Another innovation of Suzuki was to deliberately leave out the large amount of technical instructions & exercises found in many beginners' music books of his day. He favored a focus on song-playing over technical exercise, and asked teachers to allow students to make music from the beginning, helping to motivate young children with short, attractive songs which can themselves be used as technique building exercises. Each song in the common repertoire is carefully chosen to introduce some new or higher level of technique than the previous selection.
Suzuki teaching uses a common core repertoire for students of the same instrument worldwide, and although it focuses on Western European "classical" music, it emphasizes that this music can be a bridge across cultural and language barriers: one does not have to share the ethnic or national origin of the composers in order to learn or share the music.
Suzuki created a series of rhythmic variations on the theme "Twinkle, Twinkle, Little Star", using rhythms from more advanced literature in units small enough for a beginner to grasp quickly. Although these variations were created for violin, most of the instruments use them as a starting point for their repertoire.
Violin
Compiled and edited by Suzuki. In ten volumes, beginning with Suzuki's VariationsVariation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve harmony, melody, counterpoint, rhythm, timbre, orchestration or any combination of these.-Variation form:...
on "Twinkle Twinkle Little Star
Twinkle Twinkle Little Star
"Twinkle, Twinkle, Little Star" is a popular English nursery rhyme. The lyrics are from an early nineteenth-century English poem, "The Star" by Jane Taylor. The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann...
" and ending with two Mozart concertos. This repertoire is currently in the process of being revised by the International Suzuki Association. The first 3 books are mostly graded arrangements of music not originally written for solo violin, although book 1 contains several original compositions by Suzuki for violin & piano. These arrangements are drawn from folk tunes and from composers such as Bach
Bạch
Bạch is a Vietnamese surname. The name is transliterated as Bai in Chinese and Baek, in Korean.Bach is the anglicized variation of the surname Bạch.-Notable people with the surname Bạch:* Bạch Liêu...
, Telemann, Dvořák
Antonín Dvorák
Antonín Leopold Dvořák was a Czech composer of late Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. Dvořák’s own style is sometimes called "romantic-classicist synthesis". His works include symphonic, choral and chamber music, concerti, operas and many...
, Beethoven, Schubert, Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
, Paganini, Boccherini and Brahms. Books 4–10 continue the graded selection by incorporating 'standard' or 'traditional' student violin solos by Seitz
Fritz Seitz
Fritz Seitz was a German Romantic Era composer. He was a violinist who served as a concertmaster, who wrote chamber music and five student concertos for the violin....
, Vivaldi, Bach
Bạch
Bạch is a Vietnamese surname. The name is transliterated as Bai in Chinese and Baek, in Korean.Bach is the anglicized variation of the surname Bạch.-Notable people with the surname Bạch:* Bạch Liêu...
, Veracini, Corelli
Arcangelo Corelli
Arcangelo Corelli was an Italian violinist and composer of Baroque music.-Biography:Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life...
, Carl Ditters von Dittersdorf
Carl Ditters von Dittersdorf
----August Carl Ditters von Dittersdorf was an Austrian composer, violinist and silvologist.-1739-1764:...
, Rameau, Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
, Mozart, Fiocco
Fiocco
Fiocco is an Italian surname, and may refer to:*Pietro Antonio Fiocco, Italian baroque composer*Joseph-Hector Fiocco, Belgian composer, Pietro's son*Jean-Joseph Fiocco, organist and composer, Pietro's son*Fiocco , a Belgian dance act...
, and others. Audio recordings for books 1–4 are available in separate albums by artists such as David Nadien, David Cerone
David Cerone
David Cerone was a co-founder of the ENCORE School for Strings, where he co-directed and served as faculty member since 1985. Mr. Cerone serves as a juror for many prominent national and international violin competitions and presents master classes around the world. An active chamber musician, he...
, and Shin'ichi Suzuki. New recordings of volumes 1–4 by William Preucil, Jr. were released in 2007, along with revised versions of the first 4 books. Recordings for books 5–8 have been made by Koji Toyoda
Koji Toyoda
Koji Toyoda was a Japanese classical musician. He was born in Hamamatsu in 1933.Violinists Toshiya Eto and Koji Toyoda were amongst the first students of the famous music educator Shinichi Suzuki after he returned to Japan from studying in Germany. At that time, Koji Toyoda was only three and a...
, although many of the pieces can be found separately on other artist's albums. In 2008 Takako Nishizaki
Takako Nishizaki
Takako Nishizaki is a Japanese violinist.She was the first student to complete the Suzuki Method course, at age nine.Nishizaki came to the United States from Japan in 1962...
made a complete set of recordings of Books 1-8 for Naxos Records
Naxos Records
Naxos Records is a record label specializing in classical music. Through a number of imprints, Naxos also releases genres including Chinese music, jazz, world music, and early rock & roll. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong.Naxos is the largest...
. There are no official recordings of books 9 and 10 but these books, simply being Mozart's A major and D major violin concertos, have readily available recordings by various violinists. Completing the 10 volumes is not the end of the Suzuki journey, as many Suzuki teachers traditionally continue with the Bruch
Max Bruch
Max Christian Friedrich Bruch , also known as Max Karl August Bruch, was a German Romantic composer and conductor who wrote over 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.-Life:Bruch was born in Cologne, Rhine Province, where he...
and Mendelssohn
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Barthóldy , use the form 'Mendelssohn' and not 'Mendelssohn Bartholdy'. The Grove Dictionary of Music and Musicians gives ' Felix Mendelssohn' as the entry, with 'Mendelssohn' used in the body text...
concertos, along with pieces from other composers such as Paradis
Maria Theresa von Paradis
Maria Theresia Paradis , was an Austrian music performer and composer who lost her sight at an early age, and for whom Mozart may have written his Piano Concerto No...
,
Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
, and Kreisler
Fritz Kreisler
Friedrich "Fritz" Kreisler was an Austrian-born violinist and composer. One of the most famous violin masters of his or any other day, he was known for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound which was immediately...
.
Viola
Compiled and edited by Doris Preucil. Like the violin repertoire, much of the viola repertoire is drawn from the BaroqueBaroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
period. In eight volumes, the first 3 have been arranged (or transposed
Transposition (music)
In music transposition refers to the process, or operation, of moving a collection of notes up or down in pitch by a constant interval.For example, one might transpose an entire piece of music into another key...
) almost directly from the first 3 violin volumes, and the rest differ significantly as they delve into standard viola literature. These volumes include works by Telemann, Casadesus
Henri Casadesus
Henri Casadesus was a violist and music publisher. He was the brother of Marius Casadesus, uncle of the famous pianist Robert Casadesus, and granduncle of Jean Casadesus....
, Bach
Bạch
Bạch is a Vietnamese surname. The name is transliterated as Bai in Chinese and Baek, in Korean.Bach is the anglicized variation of the surname Bạch.-Notable people with the surname Bạch:* Bạch Liêu...
, and others. Volume eight, released in 2005, contains works by Mendelssohn
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Barthóldy , use the form 'Mendelssohn' and not 'Mendelssohn Bartholdy'. The Grove Dictionary of Music and Musicians gives ' Felix Mendelssohn' as the entry, with 'Mendelssohn' used in the body text...
, Vivaldi, Cassado, Leclair
Jean-Marie Leclair
Jean-Marie Leclair l'aîné, also known as Jean-Marie Leclair the Elder, was a Baroque violinist and composer. He is considered to have founded the French violin school...
, Telemann, Hummel
Johann Nepomuk Hummel
Johann Nepomuk Hummel or Jan Nepomuk Hummel was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era.- Life :...
,and Bruch
Max Bruch
Max Christian Friedrich Bruch , also known as Max Karl August Bruch, was a German Romantic composer and conductor who wrote over 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.-Life:Bruch was born in Cologne, Rhine Province, where he...
. The series is expected to end with Schubert's Arpeggione Sonata
Arpeggione Sonata
The Sonata in A minor for Arpeggione and Piano, D. 821, was written by Franz Schubert in Vienna in November 1824. The sonata is the only substantial composition for the arpeggione which remains extant today...
. Books 1–4 have been recorded on two albums by William Preucil, and the rest are available in separate albums.
Cello
In ten volumes, with some early pieces arranged from the early violin volumes. Tsuyoshi Tsutsumi performs volumes 1 through 4. Volumes 4–10 contain works by: Vivaldi, Saint-SaënsCamille Saint-Saëns
Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
, Popper
David Popper
David Popper was a Bohemian cellist and composer.-Life:He was born in Prague, and studied music at the Prague Conservatory. He studied the cello under Julius Goltermann , and soon attracted attention...
, Breval
Bréval
Bréval is a commune in the Yvelines department in the Île-de-France region in north-central France.-References:*...
, Goltermann, Squire
William Henry Squire
William Henry Squire was a composer and cellist. Pieces he wrote include Danse Rustique, Bouree, Tarantella, and Humoresque.Born in Ross-on-Wye, Squire was as well known as a cellist as he was a composer...
, Bach
Bạch
Bạch is a Vietnamese surname. The name is transliterated as Bai in Chinese and Baek, in Korean.Bach is the anglicized variation of the surname Bạch.-Notable people with the surname Bạch:* Bạch Liêu...
, Paradis
Maria Theresa von Paradis
Maria Theresia Paradis , was an Austrian music performer and composer who lost her sight at an early age, and for whom Mozart may have written his Piano Concerto No...
, Eccles
Eccles (composer)
Eccles is the name of:* Henry Eccles , English composer* John Eccles , English composer* Solomon Eccles , English composer...
, Fauré
Gabriel Fauré
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th century composers...
, von Goens, Sammartini
Sammartini
Sammartini is a surname, and may refer to:*Giovanni Battista Sammartini, an Italian composer.*Giuseppe Sammartini, an Italian composer and oboist....
, Haydn, and Boccherini.
Piano
Composed of seven volumes. The first book starts out with Twinke, Twinke, Little Star (as with the violin books) and goes on with many folk songs & contemporary songs. As one progresses to the second book, there are pieces written by classicalClassical period (music)
The dates of the Classical Period in Western music are generally accepted as being between about 1750 and 1830. However, the term classical music is used colloquially to describe a variety of Western musical styles from the ninth century to the present, and especially from the sixteenth or...
and baroque
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
composers, such as Ludwig van Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
and Johann Sebastian Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
. The fourth book ends with the Gigue from partita in Bb by Bach, the fifth book ends with the famous Für Elise by van Beethoven, the sixth book ends with the Sonata in C major k.545 by Mozart, and the seventh book ends with the Piano Sonata No. 11 in A major by Mozart, this book also includes The Harmonious Blacksmith
The Harmonious Blacksmith
The Harmonious Blacksmith is the popular name of the final movement, Air and variations, of George Frideric Handel's Suite No. 5 in E major, HWV 430, for harpsichord...
by Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
. There are also many Minuet
Minuet
A minuet, also spelled menuet, is a social dance of French origin for two people, usually in 3/4 time. The word was adapted from Italian minuetto and French menuet, and may have been from French menu meaning slender, small, referring to the very small steps, or from the early 17th-century popular...
s in the second book. The New International Edition adds some more recent compositions to the books, such as the music of Bela Bartok.
Revised versions of the Piano books have now been published. The new volumes are collections of piano repertoire from all eras representing works by composers such as Mozart, Bergmuller, Beethoven, Bach, Tchaikovsky, Schumann, Chopin, Mendelssohn, Daquin, Grieg, Grandados, Villa-Lobos, Scarlatti, Handel, Bartok, and Debussy. Many pieces from the original books remain; some have been shifted to another volume. The book/CD combo for Revised Books 4-7 is now available, and was performed by Japanese concert artist Seizo Azuma.
Bass
Four volumes in this series. Volume 1 and 2 contain arrangements of the traditional Suzuki violin pieces mixed in with some new arrangements of other pieces. Volume 3 contains some new transcriptions of jazz, gaelic, and folk songs; plus works by HandelHANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
, Gossec, Beethoven, Bach
Bạch
Bạch is a Vietnamese surname. The name is transliterated as Bai in Chinese and Baek, in Korean.Bach is the anglicized variation of the surname Bạch.-Notable people with the surname Bạch:* Bạch Liêu...
, Webster, Saint-Saens
Camille Saint-Saëns
Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
, and Dvorak
Antonín Dvorák
Antonín Leopold Dvořák was a Czech composer of late Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. Dvořák’s own style is sometimes called "romantic-classicist synthesis". His works include symphonic, choral and chamber music, concerti, operas and many...
. Famous pieces include: The Elephant from Carnival of the Animals by Saint-Saens, Ode to Joy
Ode to Joy
"Ode to Joy" is an ode written in 1785 by the German poet, playwright and historian Friedrich Schiller, enthusiastically celebrating the brotherhood and unity of all mankind...
by Beethoven, and Largo from the New World Symphony by Dvorak.
Flute
Compiled and edited by Toshio Takahashi. In fourteen volumes, beginning with Mary Had a Little Lamb and ending in the Flute Concerto by Otaka. Also included are concerti by Mozart, Cimarosa, Ibert and Quantz. Students also study music by BachJohann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
, Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
, Blavet
Michel Blavet
Michel Blavet was a French flute virtuoso born in Besançon, France. Although Blavet taught himself to play almost every instrument, he specialized in the bassoon and the flute which he held to the left, the opposite of how most flutists hold theirs today.-Life:The son of a wood turner, a...
, Fauré
Gabriel Fauré
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th century composers...
and other major composers.
Recorder
In eight Volumes. Shares some early repertoire with other instruments, such as Twinkle Twinkle Little Star, several Bach Minuets, etc. Later books delve into more complex renaissance and baroque music, including instruction in intense baroque ornamentation along with 17th c. Dutch and Italian articulation techniques.Guitar
Compiled through a collaborative process involving teachers from the United States, Europe and Australia, and edited by Frank Longay. In nine volumes. The method begins with Twinkle Variations and many folk songs, and adds pieces originally written for the lute in the Renaissance, and spanning all musical time periods, including pieces by SanzGaspar Sanz
Gaspar Sanz was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music...
, Vivaldi
Antonio Vivaldi
Antonio Lucio Vivaldi , nicknamed because of his red hair, was an Italian Baroque composer, priest, and virtuoso violinist, born in Venice. Vivaldi is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread over Europe...
, Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
, Carcassi
Matteo Carcassi
Matteo Carcassi was a famous Italian guitarist and composer.Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist....
, Giuliani
Mauro Giuliani
Mauro Giuseppe Sergio Pantaleo Giuliani was an Italian guitarist, cellist and composer, and is considered by many to be one of the leading guitar virtuosi of the early 19th century.- Biography :...
, Sor
Fernando Sor
Josep Ferran Sorts i Muntades was a Spanish classical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice and ballet...
, Tarrega
Francisco Tárrega
Francisco de Asís Tárrega y Eixea was an influential Spanish composer and guitarist of the Romantic period.-Biography:Tárrega was born on 21 November 1852, in Vila-real, Castelló, Spain...
, Albéniz
Isaac Albéniz
Isaac Manuel Francisco Albéniz y Pascual was a Spanish Catalan pianist and composer best known for his piano works based on folk music idioms .-Life:Born in Camprodon, province of Girona, to Ángel Albéniz and his wife Dolors Pascual, Albéniz...
, Mudarra, and Yocoh's Sakura Variations. Music in book one is performed by Frank Longay and Bill Kossler, with books two through four recorded by Seth Himmelhoch, Andrew LaFrenier, and Louis Brown. George Sakellariou has recorded books five, six and seven and William Kanengiser recorded books 8 and 9.
Harp
In four volumes. These books are suitable for learning to read and play music on the pedal harp or the lever harp (folk harp, Irish/Celtic harp, etc. that preferably has 30 or more strings). Most of the music is arrangements of either folk music or classical music. Students of the lever harp will find some of the pieces in the later books to have challenging lever changes. This series ultimately leads to more in-depth study of the pedal harp and its repertoire and teaches more of a classical style technique. Those pursuing traditional Celtic music can use this as a foundation, however, the traditional style of teaching focuses on relying on the ear rather than on the written note. Repertoire for volume Four is selected, though the music is not published in a single book.Voice
In four volumes. Developed in FinlandFinland
Finland , officially the Republic of Finland, is a Nordic country situated in the Fennoscandian region of Northern Europe. It is bordered by Sweden in the west, Norway in the north and Russia in the east, while Estonia lies to its south across the Gulf of Finland.Around 5.4 million people reside...
since 1986, the vocal repertoire of the Suzuki method is not yet widespread in many countries, although teacher training courses are scheduled yearly in Europe, US and Australia.
Organ
Gunilla Rönnberg and Lars Hagström started compiling and editing the Suzuki method for the Organ 1998. Currently Volumes 1-4 have been published, Volumes 5 & 6 will be published shortly, and material for Volumes 7 & 8 is currently being researched.Mandolin
The application of Suzuki's teaching philosophy to the mandolin is currently being researched in Italy.Early Childhood Education and Suzuki in the Schools
Although Early childhood educationEarly childhood education
Early childhood education is the formal teaching and care of young children by people other than their family or in settings outside of the home. 'Early childhood' is usually defined as before the age of normal schooling - five years in most nations, though the U.S...
(ECE) is not an instrument, a curriculum for (pre-instrumental) ECE has been developed within the Suzuki philosophy. Also, a "modified" Suzuki philosophy curriculum has been developed to apply Suzuki teaching to instrumental music classes in schools.
Supplemental materials
Supplementary materials are also published under the Suzuki name, including some etudes, note-reading books, piano accompaniment parts, guitar accompaniment parts, duets, trioTrio (music)
Trio is generally used in any of the following ways:* A group of three musicians playing the same or different musical instrument.* The performance of a piece of music by three people.* The contrasting section of a piece in ternary form...
s, string orchestra
String orchestra
A string orchestra is an orchestra composed solely or primarily of instruments from the string family. These instruments are the violin, the viola, the cello, the double bass , the piano, the harp, and sometimes percussion...
, and string quartet
String quartet
A string quartet is a musical ensemble of four string players – usually two violin players, a violist and a cellist – or a piece written to be performed by such a group...
arrangements of Suzuki repertoire.
Historical notes
In the late nineteenth century, Japan's borders were opened to trade with the outside world, and in particular to the importation of Western CultureWestern culture
Western culture, sometimes equated with Western civilization or European civilization, refers to cultures of European origin and is used very broadly to refer to a heritage of social norms, ethical values, traditional customs, religious beliefs, political systems, and specific artifacts and...
. As a result of this, Suzuki's father, who owned a company which had manufactured the Shamisen
Shamisen
The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument...
, began to manufacture violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
s instead.
In his youth, Shin'ichi Suzuki chanced to hear a phonograph
Phonograph
The phonograph record player, or gramophone is a device introduced in 1877 that has had continued common use for reproducing sound recordings, although when first developed, the phonograph was used to both record and reproduce sounds...
recording of Franz Schubert
Franz Schubert
Franz Peter Schubert was an Austrian composer.Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies , liturgical music, operas, some incidental music, and a large body of chamber and solo piano music...
's Ave Maria, as played on violin by Mischa Elman. Gripped by the beauty of the music, he immediately picked up a violin from his father's factory and began to teach himself to play the instrument "by ear
Learning music by ear
Learning music by ear is done by repeatedly listening to other musicians and then attempting to recreate what one hears. This is how people learn music in any musical tradition in which there is no complete musical notation...
." His father felt that instrumental performance was beneath his son's social status, and refused to allow him to study the instrument. At age 17, he began to teach himself by ear, since no formal training was allowed to him. Eventually he convinced his father to allow him to study with a violin teacher in Tokyo.
At age 22, Suzuki travelled to Germany to find a violin teacher to continue his studies. While there, he studied privately with Karl Klingler, but did not receive any formal degree past his high school diploma. He met and became friends with Albert Einstein
Albert Einstein
Albert Einstein was a German-born theoretical physicist who developed the theory of general relativity, effecting a revolution in physics. For this achievement, Einstein is often regarded as the father of modern physics and one of the most prolific intellects in human history...
, who encouraged him in learning classical music. He also met, courted, and married his wife, Waltraud.
In 1945, Suzuki began his Talent Education movement in Matsumoto
Matsumoto, Nagano
is a city located in Nagano Prefecture, Japan. Matsumoto is designated as a Special City.-Outline:The new city of Matsumoto is the city comprising the mergers of the old city of Matsumoto and four villages. Matsumoto officially absorbed those villages without creating a new municipal...
, Japan
Japan
Japan is an island nation in East Asia. Located in the Pacific Ocean, it lies to the east of the Sea of Japan, China, North Korea, South Korea and Russia, stretching from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the south...
shortly after the end of World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
. Raising children with "noble hearts" (inspired by great music and diligent study) was one of his primary goals; he believed that people raised and "nurtured by love" in his method would grow up to achieve better things than war. One of his students during this post-1945 period was violinist Hidetaro Suzuki
Suzuki
is a Japanese multinational corporation headquartered in Hamamatsu, Japan that specializes in manufacturing compact automobiles and 4x4 vehicles, a full range of motorcycles, all-terrain vehicles , outboard marine engines, wheelchairs and a variety of other small internal combustion engines...
, no relation, who later became a veteran of international violin competitions (Tchaikovsky, Queen Elisabeth, Montreal International) and then the longtime concertmaster of the Indianapolis Symphony Orchestra
Indianapolis Symphony Orchestra
The Indianapolis Symphony Orchestra is a major American orchestra based in Indianapolis, Indiana.Annually, the Indianapolis Symphony Orchestra performs 200 concerts for over 350,000 people. It is the largest performing arts organization in Indiana. The ISO is currently one of only 18 American...
.
Eventually, the center of the Suzuki movement in education was established as the Talent Education Research Institute (TERI) in Matsumoto. TERI hosts thousands of people each year—students, parents, teachers, (and teacher trainees). Other organizations have sprung up all over the world to help oversee the movement and train teachers. These include the Asia Suzuki Association, the Suzuki Association of the Americas, the European Suzuki Association (which is currently assisting in the beginnings of the Suzuki movement in Africa
Africa
Africa is the world's second largest and second most populous continent, after Asia. At about 30.2 million km² including adjacent islands, it covers 6% of the Earth's total surface area and 20.4% of the total land area...
) and the Pan-Pacific Suzuki Association.
John D. Kendall
John D. Kendall
John D. Kendall was a leader in bringing the Suzuki Method to the United States. In 1955 he was presented with a grant to travel to Japan to meet Shinichi Suzuki and translate his ideas and teachings into a philosophy and pedagogy for violin teachers around the U.S.An internationally acclaimed...
of Southern Illinois University Edwardsville
Southern Illinois University Edwardsville
Southern Illinois University Edwardsville, commonly abbreviated SIUE, is a four-year coed public university in Edwardsville, Illinois about from St. Louis, Missouri. SIUE was established in 1957 as an extension of Southern Illinois University Carbondale, and is the younger of the two largest...
brought the Suzuki method, along with adaptations to better fit the requirements of the American classroom, to the United States in the late 1950s and early 1960s. Vilem Sokol
Vilem Sokol
Vilem Sokol was a Czech-American conductor and professor of music at the University of Washington from 1948 to 1985, where he taught violin, viola, conducting, as well as music appreciation classes directed primarily toward non-music majors...
of the Seattle Youth Symphony hosted Suzuki in Seattle. The majority of American Suzuki pedagogues and teaching methods are grounded in the Suzuki-Kendall system. Other pioneers of the Suzuki Method in the US include Roland and Almita Vamos
Roland and Almita Vamos
Roland and Almita Vamos are a husband and wife who are among the leading violin and viola instructors in the world. Their pupils have become prominent soloists, members of world renowned chamber groups and orchestras, and laureates of prestigious international competitions...
, Elizabeth and Harlow Mills, Betty Haag, Louise Behrend, Dorothy Roffman, William Starr, Anastasia Jempelis, and Margery Aber.
Sources
- Barber, Barbara (Autumn, 1991). "Traditional & Suzuki Teaching: A Comparison". American String Teacher.
- Bradley, Jane (Spring 2005). "When to Twinkle – Are Children Ever Too Young?". American Suzuki Journal Vol. 33, #3, p53.
- Campell, Don. The Mozart Effect for Children. Harper Collins Publishers, Inc., New York, NY, 2000, ISBN 0-380-97782-6
- Hermann, Evelyn. Shinichi Suzuki: The Man and his Philosophy. Warner Brothers Publications, 1981, ISBN 0874875897.
- Kelly, Birte (2002). International Suzuki Association: Regional Suzuki Associations. Retrieved February 21, 2007.
- Kreitman, Edward. Teaching from the Balance Point: A Guide for Suzuki Teachers, Parents, and Students. Western Springs School of Talent Education Publications, Western Springs, IL, 1998.
- Lavie, Karen (Summer, 2005). "On Gastronomy and Tonalization." New Zealand Suzuki Journal Vol. 16, #4, pp. 5–6.
- Meyer, Constance (2003, 7 September). The Mom-Centric Method. Los Angeles Times, Classical Music.
- Nurtured by Love: The life and work of Shinichi Suzuki [Video Documentary]. Produced by The Cleveland Institute of Music. Telos Productions, Inc.
- Suzuki Organ Website http://www.suzukiorgan.com/, Retrieved June 20, 2010
- Suzuki, Shinichi. Nurtured By Love: A New Approach to Talent Education. Warner bros. Publication, Miami, FloridaMiami, FloridaMiami is a city located on the Atlantic coast in southeastern Florida and the county seat of Miami-Dade County, the most populous county in Florida and the eighth-most populous county in the United States with a population of 2,500,625...
, 1968 - Suzuki, Shinichi. Ability Development from Age Zero. Warner bros. Publication, Miami, FloridaMiami, FloridaMiami is a city located on the Atlantic coast in southeastern Florida and the county seat of Miami-Dade County, the most populous county in Florida and the eighth-most populous county in the United States with a population of 2,500,625...
, 1981 - Suzuki Talent Education Association of Australia (Vic) Inc., (Copyright 2005). History of the Suzuki Method. Retrieved November 29, 2008.
External links
- International Suzuki Association
- Suzuki Association of the Americas
- The American Suzuki Institute at the University of Wisconsin–Stevens Point: The Suzuki Method in Action: An online collection documenting Suzuki and his teaching methodology.
- Italian Suzuki Association