Mauro Giuliani
Encyclopedia
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
guitarist
Classical guitar
The classical guitar is a 6-stringed plucked string instrument from the family of instruments called chordophones...
, cellist and composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
, and is considered by many to be one of the leading guitar
Classical guitar
The classical guitar is a 6-stringed plucked string instrument from the family of instruments called chordophones...
virtuosi of the early 19th century.
Biography
Although born in BisceglieBisceglie
Bisceglie is a town and comune on the Adriatic Sea, with a population of c. 54,000, in the province of Barletta-Andria-Trani, Apulia , southern Italy....
, Giuliani's center of study was in Barletta
Barletta
Barletta is a city and comune located in the north of Apulia in south eastern Italy. Its current population is 94,140.It is famous for the Colossus of Barletta, a bronze statue, representing a Roman Emperor...
where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello
Cello
The cello is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin, viola, and double bass. Old forms of the instrument in the Baroque era are baryton and viol .A person who plays a cello is...
—an instrument which he never completely abandoned—and he probably also studied the violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
. Subsequently he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy.
He married Maria Giuseppe del Monaco, and they had a child, Michael, born in Barletta in 1801. After that he was probably in Bologna
Bologna
Bologna is the capital city of Emilia-Romagna, in the Po Valley of Northern Italy. The city lies between the Po River and the Apennine Mountains, more specifically, between the Reno River and the Savena River. Bologna is a lively and cosmopolitan Italian college city, with spectacular history,...
and Trieste
Trieste
Trieste is a city and seaport in northeastern Italy. It is situated towards the end of a narrow strip of land lying between the Adriatic Sea and Italy's border with Slovenia, which lies almost immediately south and east of the city...
for a brief stay; by the summer of 1806, fresh from his studies of counterpoint, cello and guitar in Italy, he had moved to Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
without his family. Here he began a relationship with a certain Fräulein Willmuth, with whom he had a daughter, Maria, in 1807.
In Vienna he became acquainted with the classical instrumental style. In 1807 Giuliani began to publish compositions in the classical style. His concert tours took him all over Europe. Everywhere he went he was acclaimed for his virtuosity and musical taste. He achieved great success and became a musical celebrity, equal to the best of the many instrumentalists and composers who were active in the Austrian capital city at the beginning of the 19th century.
Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the highest figures of Austrian society and with notable composers such as Rossini
Gioacchino Rossini
Gioachino Antonio Rossini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces...
and Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
, and cooperated with the best active concert musicians in Vienna. In 1815 he appeared with Johann Nepomuk Hummel
Johann Nepomuk Hummel
Johann Nepomuk Hummel or Jan Nepomuk Hummel was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era.- Life :...
(followed later by Ignaz Moscheles
Ignaz Moscheles
Ignaz Moscheles was a Bohemian composer and piano virtuoso, whose career after his early years was based initially in London, and later at Leipzig, where he succeeded his friend and sometime pupil Felix Mendelssohn as head of the Conservatoire.-Sources:Much of what we know about Moscheles's life...
), the violinist Joseph Mayseder and the cellist Joseph Merk, in a series of chamber concerts in the botanical gardens of Schönbrunn Palace
Schönbrunn Palace
Schönbrunn Palace is a former imperial 1,441-room Rococo summer residence in Vienna, Austria. One of the most important cultural monuments in the country, since the 1960s it has been one of the major tourist attractions in Vienna...
, concerts that were called the "Dukaten Concerte", after the price of the ticket, which was a ducat
Ducat
The ducat is a gold coin that was used as a trade coin throughout Europe before World War I. Its weight is 3.4909 grams of .986 gold, which is 0.1107 troy ounce, actual gold weight...
. This exposure gave Giuliani prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the celebrations of the Congress in Vienna. Two years earlier, on 8 December 1813, he had played (probably cello) in an orchestra for the first performance of Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
's Seventh Symphony
Symphony No. 7 (Beethoven)
Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92, in 1811, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries.At its debut,...
.
In Vienna, Giuliani had minor success as a composer. He worked mostly with the publisher Artaria
Artaria
Artaria and company was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era.- History :...
, who published many of his works for guitar, but he had dealings with all the other local publishers, who spread his compositions all over Europe. He developed a teaching career here as well; among his numerous students were Bobrowicz and Horetzky.
In 1819 Giuliani left Vienna, mainly for financial reasons: his property and bank accounts were confiscated to pay his debtors. He returned to Italy, spending time in Trieste and Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
, and finally settled in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
. He brought with him his daughter Emilia, who was born in 1813. She was educated at the nunnery L'adorazione del Gesù from 1821 to 1826, together with Giuliani's illegitimate daughter Maria. In Rome he did not have much success; he published a few compositions and gave only one concert.
In July 1823 he began a series of frequent trips to Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
to be with his father, who was seriously ill. In the Bourbon city of Naples Giuliani would find a better reception to his guitar artistry, and there he was able to publish other works for guitar with local publishers.
In 1826 he performed in Portici before Francesco I and the Bourbon court. In this time, which we could call Giuliani's Neapolitan period, he appeared frequently in duo concert with his daughter Emilia, who had become a skilled performer on the guitar. Toward the end of 1827 the health of the musician began to fail; he died in Naples on 8 May 1829. The news of his death created a great stir in the Neapolitan musical environment.
Quotes
Theme and variations
As a guitar composer he was very fond of the theme and variations— an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.- One example of this ability is to be found in his Variations on a theme of HandelGeorge Frideric HandelGeorge Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...
, Op. 107. This popular theme, known as "The Harmonious BlacksmithThe Harmonious BlacksmithThe Harmonious Blacksmith is the popular name of the final movement, Air and variations, of George Frideric Handel's Suite No. 5 in E major, HWV 430, for harpsichord...
", appears in the Aria from Handel's Suite no. 5 in E for harpsichordHarpsichordA harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed.In the narrow sense, "harpsichord" designates only the large wing-shaped instruments in which the strings are perpendicular to the keyboard...
. - Another example is Giuliani's Sei variazioni sull'aria "A Schisserl und a Reindl", op. 38, which is a set of variations on the Austrian Folkslied A Schisserl und a Reindl, is åll mein Kuchlg'schirr, used in the play Der Kaufmannsbude (1796), with music by Johann Baptist Henneberg (1768–1822) and text by Schikaneder; and in the play Der Marktschreyer (1799), with music by Franz Xaver Süssmayr (1766–1803) and text by Friedrich Karl Lippert. (Beethoven used the same theme in his work op.105, number 3 for flute and piano.)
- His three-movement sonata Op. 15 is a clever, witty work and one of the most developed examples of the genre for guitar
- The several sets of extended Rossiniana reside at the pinnacle of nineteenth-century operatic pot pourri for guitar.
Giuliani's achievements as a composer were numerous. Giuliani's 150 compositions for guitar with opus number constitute the nucleus of the nineteenth-century guitar repertory. He composed extremely challenging pieces for solo guitar as well as works for orchestra and Guitar-Violin and Guitar-Flute duos.
Outstanding pieces by Giuliani include his three guitar concertos (op. 30-36 and 70); a series of six fantasias
Fantasia (music)
The fantasia is a musical composition with its roots in the art of improvisation. Because of this, it seldom approximates the textbook rules of any strict musical form ....
for guitar solo, op. 119-124, based on airs from Rossini
Gioacchino Rossini
Gioachino Antonio Rossini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces...
operas and entitled the "Rossiniane"; several sonatas for violin and guitar and flute and guitar; a quintet
Quintet
A quintet is a group containing five members.It is commonly associated with musical groups, such as a string quintet, or a group of five singers, but can be applied to any situation where five similar or related objects are considered a single unit....
, op. 65, for strings and guitar; some collections for voice and guitar, and a Grand Overture
Overture
Overture in music is the term originally applied to the instrumental introduction to an opera...
written in the Italian style. He also transcribed many symphonic works, both for solo guitar and guitar duo. One such transcription arranges the overture to The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
by Rossini, for two guitars. There are further numerous didactic works, among which is a method for guitar that is used frequently by teachers to this day.
Today, Giuliani's concertos and solo pieces are performed by professionals and still demonstrate the ability of the guitarist to play the piece, as well as Giuliani's natural ability as a composer for the classical guitar.
Original Sources of Themes
Giuliani arranged many 19th century opera themes for the guitar, e.g. from the opera SemiramideSemiramide
Semiramide is an opera in two acts by Gioachino Rossini.The libretto by Gaetano Rossi is based on Voltaire's tragedy Semiramis, which in turn was based on the legend of Semiramis of Babylon...
by Gioachino Rossini. His work Le Rossiniane also includes numerous themes from the operas of Rossini.
Themes in Giuliani's Le Rossiniane
- Rossiniana I, op. 119
- Introduction (Andantino)
- “Assisa a piè d’un salice” (OtelloOtello (Rossini)Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsi, based on Shakespeare's play Othello....
) - “Languir per una bella”, Andante grazioso (L’Italienne à AlgerL'italiana in AlgeriL'italiana in Algeri is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca...
) - “Con gran piacer, ben mio”, Maestoso (L’Italienne à AlgerL'italiana in AlgeriL'italiana in Algeri is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca...
) - ”Caro, caro ti parlo in petto”, Moderato (L’Italienne à AlgerL'italiana in AlgeriL'italiana in Algeri is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca...
) - “Cara, per te quest’anima”, Allegro Vivace (ArmidaArmida (Rossini)Armida is an opera in three acts by Gioachino Rossini to an Italian libretto by Giovanni Schmidt, based on scenes from Gerusalemme liberata by Torquato Tasso.-Performance history:...
)
- Rossiniana II, op. 120
- Introduction (Sostenuto)
- “Deh ! Calma, o ciel”, Andantino sostenuto (OtelloOtello (Rossini)Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsi, based on Shakespeare's play Othello....
) - “Arditi all’ire”, Allegretto innocente (ArmidaArmida (Rossini)Armida is an opera in three acts by Gioachino Rossini to an Italian libretto by Giovanni Schmidt, based on scenes from Gerusalemme liberata by Torquato Tasso.-Performance history:...
) - “Non più mesta accanto al fuoco”, Maestoso (CendrillonLa CenerentolaLa Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
) - “Di piacer mi balza il cor”, (La pie voleuseLa gazza ladraLa gazza ladra is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez....
) - “Fertilissima Regina”, Allegretto (CendrillonLa CenerentolaLa Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
)
- Rossiniana III, op. 121
- Introduction (Maestoso Sostenuto)
- “Un soave non so che” (CendrillonLa CenerentolaLa Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
) - “Oh mattutini albori!”, Andantino (La dame du lacLa donna del lagoLa donna del lago is an opera by Gioachino Rossini with a libretto by Andrea Leone Tottola, based on The Lady of the Lake, a poem by Sir Walter Scott.This opera was the first to be based on Scott's romantic works...
) - “Questo vecchio maledetto”, (Le Turc en ItalieIl turco in ItaliaIl turco in Italia is an opera in two acts by Gioachino Rossini. The Italian-language libretto was written by Felice Romani...
) - “Sorte! Secondami”, Allegro (ZelmiraZelmiraZelmira is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, Zelmire by de Belloy, it was the last of the composer's Neapolitan operas...
) - “Cinto di nuovi allori”, Maestoso (Ricciardo et ZoraïdeRicciardo e ZoraideRicciardo e Zoraide is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio de Salsa...
)
- Rossiniana IV, op. 122
- Introduction (Sostenuto-Allegro Maestoso)
- “Forse un dì conoscerete”, Andante (La pie voleuseLa gazza ladraLa gazza ladra is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez....
) - “Mi cadono le lagrime” (La pie voleuseLa gazza ladraLa gazza ladra is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez....
) - “Ah se puoi così lasciarmi”, Allegro Maestoso (Moïse en EgypteMosè in EgittoMosè in Egitto is a three-act opera written by Gioachino Rossini to a libretto by Andrea Leone Tottola, which was based on a play by Francesco Ringhieri, L'Osiride, of 1760....
) - “Piacer egual gli dei”, Maestoso (Mathilde de ShabranMatilde di ShabranMatilde di Shabran , ossia Bellezza, e cuor di ferro , is a melodramma giocoso in two acts by Gioachino Rossini to a libretto by Jacopo Ferretti after François-Benoît Hoffman’s libretto for Méhul’s Euphrosine and J. M. Boutet de Monvel's play Mathilde...
) - “Voglio ascoltar” (La pierre de toucheLa pietra del paragoneLa pietra del paragone is an opera, or melodramma giocoso, in two acts by Gioachino Rossini, to an original Italian libretto by Luigi Romanelli.-Performance history:...
)
- Rossiniana V, op. 123
- Introduction (Allegro con brio)
- “E tu quando tornerai”, Andantino mosso (TancrèdeTancrediTancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano Rossi, based on Voltaire's play Tancrède...
) - “Una voce poco fa” (Le Barbier de SévilleThe Barber of SevilleThe Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
) - “Questo è un nodo avviluppato”, Andante sostenuto (CendrillonLa CenerentolaLa Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
) - “Là seduto l’amato Giannetto”, Allegro (La pie voleuseLa gazza ladraLa gazza ladra is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez....
) - “Zitti zitti, piano piano”, Allegro (Le Barbier de SévilleThe Barber of SevilleThe Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
)
- Rossiniana VI, op. 124
- Introduction (Maestoso)
- “Qual mesto gemito”, Larghetto (SémiramisSemiramideSemiramide is an opera in two acts by Gioachino Rossini.The libretto by Gaetano Rossi is based on Voltaire's tragedy Semiramis, which in turn was based on the legend of Semiramis of Babylon...
) - “Oh quante lagrime finor versai”, Maestoso (La dame du lacLa donna del lagoLa donna del lago is an opera by Gioachino Rossini with a libretto by Andrea Leone Tottola, based on The Lady of the Lake, a poem by Sir Walter Scott.This opera was the first to be based on Scott's romantic works...
) - “Questo nome che suona vittoria”, Allegro brillante (Le siège de CorintheLe siège de CorintheLe siège de Corinthe is an opera in three acts by Gioachino Rossini to a French libretto by Luigi Balocchi and Alexandre Soumet, based on Maometto II by Cesare della Valle...
)
Instruments used by Giuliani
Of the instruments used by Giuliani, there are known, guitars made by- possibly: Gennaro Fabricatore, (Naples 1809) (now in the collection of Gianni Accornero)
At the bottom of the guitar, one can see the initials M G. The guitarcase also has the initials M G. - briefly: Pons l'Aîné (Joseph Pons), (Paris 1812)
This Pons guitar was made for Archduchess Marie Louise of Austria in Paris 1812, and later given to Giuliani: is known to have been in Giuliani's possession only briefly. Giuliani later gave it to the amateur guitarist Christopher Bilderbeck de Monte as a present. However, Giuliani did not often play this 1812 guitar: it hardly shows signs of use. - unlikely: Pons l'Aîné (Joseph Pons), (Paris 1825) (now in the collection of Gianni Accornero)
The back cover of a CD claims "Giuliani's original Guitar Pons l'Aîné 1825".. Though this is probably a deceptive and possibly intentionally ambiguous claim. Gianni Accornero wrote the CD's liner notes about the guitar, and claims: "This instrument is in actual fact identical to the one which Joseph had made for Empress Marie-Louise of Habsburg, the wife of Napoleon, who later gave it to Giuliani. This instrument became one of his favourites. Not only the model is the same, but also are the different types of wood used for its construction."
However Paul Pleijsier is critical of these claims; and has found flaws and inconsistencies in Accornero's claims. Pleijsier states that there is no evidence that Giuliani ever played the 1825 Pons.
Eduardo Catemario (the performer on the CD) has insinuated "E' interessante notare che questa Pons è molto simile (per non dire identica) a quella di Giuliani",.
Biographies
- Nicola Giuliani: Mauro Giuliani, Ascesa e declino del virtuoso della chitarra (Guitar virtuoso: his hearly life and final decline) 2005, ISBN 8887618062
- Nicola Giuliani: La sesta corda. Vita narrata di Mauro Giuliani, Bari, Levante, 2008 ("La Puglia nei documenti", 12). ISBN 9788879494953
- Thomas F Heck: Mauro Giuliani : virtuoso guitarist and composer. Publisher: Columbus : Editions Orphée, 1995. (English) ISBN 0-936186-87-9 OCLC 32394767 / Publisher: New Haven, 1970. OCLC: 125002
- Nicola Giuliani: Omaggio a Mauro Giuliani : l'Orfeo della Puglia Type: Italian : Book Book Publisher: [S.l. : s.n.], 1999. OCLC: 45035045
- Marco Riboni: Mauro Giuliani (1782-1829) : profilo biografico-critico ed analisi delle trascrizioni per chitarra Type: Italian : Book Book : Thesis/dissertation/manuscript Publisher: Anno accademico 1990-1991. OCLC: 32930581
- Marco Riboni: Mauro Giuliani (1781–1829) : profilo biografico-critico ed analisi delle trascrizioni per chitarra Type: English : Book Book Publisher: [S.l. : s.n.], 1992. OCLC: 69237592
- Brian Jeffery: Introduction and indexes Type: English : Book Book Publisher: London : Tecla Editions, ©1988. OCLC: 24958769
- Filippo E Araniti: Nuove acquisizioni sull'opera e sulla vita di Mauro Giuliani : gli anni del soggiorno napoletano (1824–1829) Type: Italian : Book Book Publisher: Barletta-Trani : Regione Puglia-Assessorato Pubblica Istruzione, 1993. OCLC: 42716282
- Thomas Fitzsimons Heck: The birth of the classic guitar and its cultivation in Vienna, reflected in the career and compositions of Mauro Giuliani (d.1829) ; Thematic catalogue of the complete works of Mauro Giuliani.Type: English : Book Book Publisher: New Haven, Conn. : Yale University, 1970. OCLC: 53726031
- Brian Jeffery: Introductions and indexes by Mauro Giuliani. Type: English : Book Book.Publisher: Penderyn, South Wales : Tecla Editions, ©1988. OCLC: 52613698
- Antonio Lasada: The butterfly, op. 30 by Mauro Giuliani. Type: English : Book Book. Publisher: Sydney : J. Albert & Son, 1976. ISBN 0-909700-90-7 OCLC: 27600649
- Thomas Fitz / Simons Heck: The birth of the classic guitar and its cultivation in Vienna reflected in the career and compositions of Mauro Giuliani (d. 1829) Type: English : Book Book. Publisher: [S.l. : s.n.], 1970. OCLC: 65932060
- Eduardo Caliendo: Metodo per chitarra by Mauro Giuliani. Type: Italian : Book Book. Publisher: Ancona ; Milano : Edizioni musicali Bèrben, [1978], ©1964.OCLC: 23479377
- Mauro Giuliani: 25 etudes [Múscia]. Type: Spanish : Book Book.Publisher: Japon : Zen-On music, [19--]. OCLC: 70134885
- Gaspare Spontini; Mauro Giuliani; Brian Jeffery; Wolfgang Amadeus Mozart; Vincenzo Bellini: Three operatic overtures arranged for two guitars : Spontini's La Vestale, Mozart's La Clemenza di Tito, and Bellini's Il Pirata : Wo0, 2G-1, 2, 4. Type: English : Book Book. Publisher: London : Tecla Editions, ©1986. ISBN 0-906953-83-9 OCLC: 38002311
- Tomasina Soto Michel: Survey of program music in early romantic guitarists, 1800-1850. Type: English : Book Book : Thesis/dissertation/manuscript Publisher: 1994. OCLC: 30986316
- Joseph Zuth: 24 [i.e. Vierundzwanzig] Studien für Gitarre, op. 100 by Mauro Giuliani; Type: German : Book Book Publisher: Mainz : B. Schott's Söhne ; New York : Schott Music Corp., 1929. OCLC: 41699112
- Joseph J Gonzales; Johann Sebastian Bach: Recital document. Type: English : Book Book : Thesis/dissertation/manuscript. Publisher: 1995. OCLC: 33850916
- Hans Ritter: 24 [i.e. Vierundzwanzig] Etüden für Gitarre, op. 48 by Mauro Giuliani; Type: German : Book Book Publisher: Mainz : B. Schott's Söhne ; New York : Schott Music Corp., [19--] OCLC: 41699167
- Ludwig van Beethoven: Beethoven-Festnummer der Oesterreichischen Gitarre-Zeitschrift Type: German : Book Book Publisher: Wien : Kunstdruckerie Frisch & Co., 1927. OCLC: 40961302
- Antonio Francesco Gori; Liuba Giuliani: Type: Italian : Book Book Publisher: Roma : Consiglio nazionale delle ricerche, ©1987. OCLC: 20634181
Analysis
- Yvonne Regina Chavez: The flute and guitar duos of Mauro Giuliani Book: Thesis/dissertation/manuscript Publisher: 1991. (English) OCLC: 24571012
- Roger West Hudson: The orchestration of the guitar concerto : a comparison of the Concerto in A major, op. 30, by Mauro Giuliani and the Concierto del sol by Manuel Ponce. Type: English : Book Book : Thesis/dissertation/manuscript. Publisher: 1992.OCLC: 31118635
- Heike Vajen Rossiniana no. 6 op. 124 by Mauro Giuliani.Type: German : Book Book. Publisher: Celle : Moeck, (1986). OCLC: 46051295
- Volker Höh: Sonata op. 15 : Fingersatz by Mauro Giuliani. Type: Book Book Publisher: Celle : Moeck, 1989. OCLC: 46095695
- Horacio Ceballos: Sonata Op. 15 [Música] by Mauro Giuliani. Type: Spanish : Book Book. Publisher: Buenos Aires, Argentina : RICORDI, 1977. OCLC: 70134745
- Kurt L Schuster: Performing Joseph Haydn's Divertimento a quattro, opus 2, no. 2 and Mauro Giuliani's Grand sonata eroica, opus 150. Type: English : Book Book : Thesis/dissertation/manuscript. Publisher: 1989.: 20402277
External links
- Biography (The guitar and mandolin by Philip James Bone, 1914)
- Associazione Giuliani
- Found: A Giuliani Guitar, Kept In A London Bank Since 1816 by Paul Pleijsier, 2001
- Information (Tecla Editions)
Sheetmusic
- http://rex.kb.dk/primo_library/libweb/action/preferences.do?fn=change_lang&vid=KGL&prefLang=en_US&prefBackUrl=http:%2F%2Frex.kb.dk%2Fprimo_library%2Flibweb%2Faction%2Fsearch.do?dscnt=0%26fctN=facet_tlevel%26vl(1UI0)=contains%26vl(61142532UI2)=sub%26scp.scps=scope%3A%28KGL%29%26fctV=online_resource%26vl(1UI2)=contains%26tab=default_tab%26dstmp=1291360394235%26srt=rank%26mode=Advanced%26vl(45742256UI3)=all_items%26vl(48924786UI4)=all_items%26tb=t%26indx=1%26backFromPreferences=true%26vl(freeText0)=%26fn=search%26vid=KGL%26vl(freeText2)=%26vl(45742261UI5)=all_items%26title1=1%26vl(1UI1)=contains%26frbg=%26ct=facet%26dum=true%26Submit=Search%26vl(48924784UI1)=creator%26vl(freeText1)=Giuliani%26vl(48924785UI0)=title%26vid=KGLRischel & Birket-Smith's Collection of guitar music] 1 Det Kongelige Bibliotek, Denmark
- Boije Collection The Music Library of Sweden
- George C. Krick Collection of Guitar Music Washington University
- GFA Archive
- maurogiuliani.free.fr
- creativeguitar.org (sheetmusic largely compiled from the above primary sources)
- Free scores at the Mutopia ProjectMutopia projectThe Mutopia Project is a volunteer-run effort to create a library of free content sheet music, in a way similar to Project Gutenberg's library of public domain books.The music is reproduced from old scores that are out of copyright...