Chaperon (headgear)
Encyclopedia
Chaperon was a form of hood or, later, highly versatile hat
worn in all parts of Western Europe in the Middle Ages
. Initially a utilitarian garment, it first grew a long partly decorative tail behind, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy
, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting
, but its complicated construction is often misunderstood.
with a short cape
, put on by pulling over the head, or fastening at the front. The hood could be pulled off the head to hang behind, leaving the short cape round the neck and shoulders. The edge of the cape was often trimmed, cut or scalloped for decorative effect. There were wool ones, used in cold weather, and lighter ones for summer. In this form it continued through to the end of the Middle Ages, worn by the lower classes, often by women as well as men, and especially in Northern Europe. The hood was loose at the back, and sometimes ended in a tail that came to a point.
, cape
and cope
, from the Late Latin
cappa, which already could mean cap, cape or hood (OED).
The tail of the hood, often quite long, was called the tippit or liripipe
in English, and liripipe or cornette in French. The cape element was a patte in French and in English cape , or sometimes cockscomb when fancily cut. Later a round bourrelet (or rondel) could form part of the assemblage. Patte, cornette and bourrelet were the usual terms in the French of the 15th century Burgundian court, and are used here. In Italian the equivalent terms were foggia, becchetto, and mazzocchio.
Chaperon was sometimes used in English, and also German, for both the hood and hat forms (OED). But the word never appears in the Paston Letters
, where there are many references to hats, hoods and bonnets for men. As with all aspects of medieval costume, there are many contemporary images of clothing, and many mentions of names for clothing in contemporary documents, but definitively matching the names to the styles in the images is rarely possible. In Italian the word was cappuccio [kap'put:ʃo], or its diminutive cappuccino, from which come the Capuchin friars
, whose distinctive white hood and brown robe led to the monkey
and the type of coffee
being named after them (it also means the cap of a pen in Italian).
Little Red Riding Hood
is Le Petit Chaperon rouge in the earliest published version, by Charles Perrault
, and French depictions of the story naturally favour the chaperon over the long riding-hood of ones in English.
In French chaperon was also the term in falconry
for the hood placed over a hawk's head when held on the hand to stop it wanting to fly away. It is either this or the headgear meaning that later extended figuratively to become chaperon (in UK English, almost always chaperone) meaning a protective escort, especially for a woman.
for an analogous development in a type of coat.
A padded circular bourrelet (or rondel) evolved, which sat around the head, whilst the cornette became much longer, and gradually more scarf-like in shape, until by the 1430s it was usually straight at the sides and square-ended. Especially in Italy, the cornette was sometimes dispensed with, leaving just an un-flared tubular patte fixed to the bourrelet all round and hanging down to one side of the head. Reed (see refs) calls these sack hats.
By 1400-16, the period of the famous illuminated manuscripts of the Livre de Chasse of Gaston Phoebus (Bibliothèque Nationale, Paris
Ms Français 616), and the Très Riches Heures du Duc de Berry
chaperons are to be seen worn by many figures. In the famous Calendar scenes of the Trés Riches Heures, they are worn in the original form by the peasants working in the fields, both men and women (February, March and September), and huntsmen (December), and in the new form by some of the courtiers (January and May), who wear coloured and scalloped ones, probably of silk. However, the Duke himself, and the most prominent courtiers, do not wear them. In the Livre du Chasse they are most often worn by the lower huntsmen on foot in the original form, though they and mounted hunters also wear them on top of the head. Figures often have a hood chaperon and a hat as well. Interestingly, only the original form (trimmed with fur in one case - fol.51V) is worn by the very highest-ranking figures. http://classes.bnf.fr/phebus/pistes/index6.htm
By the 1430s most chaperons had become simpler in the treatment of the cloth, and the cornette is long and plain, although the patte may still be elaborately treated with dagging. A perhaps overdressed courtier in a Van der Weyden workshop Exhumation of St Hubert (National Gallery, London
NG 783) from this decade still has a very elaborately cut and dagged patte. A figure behind him is wearing his in church, which is unusual (both figures can be paralleled in the Seven Sacraments Altarpiece
- see Gallery below).
Chaperons are nearly always shown in art as plain-coloured at this period, but painting a patterned one would have been a daunting task.
The cornette now stretched nearly to the ground, and the patte had also grown slightly; both were now plain and undecorated by cutting or dagging at the edges. Bourrelets could be very large, or quite modest; some were clearly made round a hollow framework (a drawing survives of an Italian block for making them). The largest bourrelets are worn by very high-ranking men around 1445-50. Sometimes they seem to be just a ring (the doughnut
analogy is hard to resist) with an open centre, and sometimes the opening seems to be at least partly covered with fixed cloth. Because the bourrelets were usually the same shape all the way round, several different parts of it could be worn facing forward. Probably for this reason, chaperons are rarely seen adorned by badges or jewellery. There were now many ways of wearing, and indeed carrying, this most complex and adaptable of hats:
Examples of these styles are shown in the illustrations to the article and in the Gallery section below.
, using a less exuberant version of style B; only he has sufficient status to wear his chaperon indoors in the Duke's presence. Apart from the Bishop of Tournai, next to Rolin, all the other men are bare-headed, even Phillip's young heir, despite the fact that several of them are high-ranking intimates who, like the Duke, wear the collar of the Order of the Golden Fleece
. But as far as can be seen, all have hats. The man in grey seems to be carrying another sort of hat, but all the other ones visible are chaperons worn in style F, mostly with the cornettes to the front. The young Charles the Bold has his patte wrapped round the back of his neck, and the man on the extreme right has his bourrelet further than usual down his back, with the patte hanging down from it. Most of the chaperons are black, although the man in blue has one in salmon-pink; black was having one of its earliest periods of being the most fashionable colour at the time.
The chaperon never became quite this dominant in Italy or France; nor does it seem to have been worn as often by grand personages, although this is sometimes the case. There is a famous bust of Lorenzo de Medici wearing one, although in this he may be deliberately avoiding ostentatious dress (see gallery section). They are more characteristic of merchants and lawyers in these countries, for example in the images of Jean Fouquet
from the mid-century. In the Holy Roman Empire
, Spain
and Portugal
they were generally less common, & appeared lower down the social scale. They were apparently never worn by the clergy anywhere.
in 1356, the participants in a popular uprising in Paris against his son, the future Charles V
, wore parti-coloured chaperons of red, for Paris
, and blue for Navarre
as they supported the claim to the French throne of King Charles the Bad of Navarre
. In 1379 the ever-difficult citizens of Ghent
rose up against Duke Philip the Bold of Burgundy
wearing white chaperons. White was also worn in factional disturbances in Paris in 1413, by opponents of the Armagnacs
, during one of King Charles VI's
bouts of madness.
The chaperon was one of the items of male clothing that featured in the charges brought against Joan of Arc
at her trial in 1431. This was apparently a hat rather than a hood, as she was stated to have taken it off in front of the Dauphin - cited as further damning evidence of her assuming male behaviours.
In 15th century Florence, cappucci were associated with republicans
, as opposed to courtier
s (see gallery). An advisor to the Medici told them in 1516 that they should get as many young men to wear "the courtier's cap" rather than the cappucci. Part of the connotation seems to arise because the chaperon was too complicated to be taken off on meeting one of higher rank (in Florence at any rate); it was merely touched or pushed back on the head slightly.
. The painter Paolo Uccello
studied the perspective of the mazzocchio and incorporated it in some of his paintings (e.g. in The Counterattack of Michelotto da Cotignola at the Battle of San Romano
).
Apart from portraits, many of the best, and least formal, depictions of the chaperon in art come from paintings of the Nativity
and other scenes of the early life of Christ. It is of course always winter, when the chaperon was most likely to be worn. Saint Joseph
is especially useful, as it is never part of his depiction to be fashionably dressed, and it is part of his character in the period that he is often shown quite dishevelled (see examples below). The shepherds are the lower-class figures most often shown in a large scale in paintings of the period.
s for lawyers, academics and the members of some knightly orders. In these uses it gradually shrank in size and often became permanently attached to the clothing underneath, effectively just as an ornament. In Italy it remained more current, more as a dignified form of headgear for older men, until about the 1520s.
s, or escutcheons, and other funeral
devices, placed on the foreheads of horses that drew the hearse
s to processional funerals. These were called chaperoons or shafferoons, as they were originally fastened to the chaperonnes, or hoods, worn by those horses with their other coverings of state. (See also Frentera
.)
Hat
A hat is a head covering. It can be worn for protection against the elements, for ceremonial or religious reasons, for safety, or as a fashion accessory. In the past, hats were an indicator of social status...
worn in all parts of Western Europe in the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
. Initially a utilitarian garment, it first grew a long partly decorative tail behind, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy
Duchy of Burgundy
The Duchy of Burgundy , was heir to an ancient and prestigious reputation and a large division of the lands of the Second Kingdom of Burgundy and in its own right was one of the geographically larger ducal territories in the emergence of Early Modern Europe from Medieval Europe.Even in that...
, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting
Early Netherlandish painting
Early Netherlandish painting refers to the work of artists active in the Low Countries during the 15th- and early 16th-century Northern renaissance, especially in the flourishing Burgundian cities of Bruges and Ghent...
, but its complicated construction is often misunderstood.
Humble origins
The chaperon began before 1200 as a hoodHood (headgear)
A hood is a kind of headgear that covers most of the head and neck and sometimes the face. They may be worn for protection from the environment, for fashion, as a form of traditional dress or uniform, to prevent the wearer from seeing or to prevent the wearer from being identified.-History and...
with a short cape
Cape
Cape can be used to describe any sleeveless outer garment, such as a poncho, but usually it is a long garment that covers only the back half of the wearer, fastening around the neck. They were common in medieval Europe, especially when combined with a hood in the chaperon, and have had periodic...
, put on by pulling over the head, or fastening at the front. The hood could be pulled off the head to hang behind, leaving the short cape round the neck and shoulders. The edge of the cape was often trimmed, cut or scalloped for decorative effect. There were wool ones, used in cold weather, and lighter ones for summer. In this form it continued through to the end of the Middle Ages, worn by the lower classes, often by women as well as men, and especially in Northern Europe. The hood was loose at the back, and sometimes ended in a tail that came to a point.
Terms and derivation
Chaperon is a diminutive of chape, which derives, like the English capCap
A cap is a form of headgear. Caps have crowns that fit very close to the head and have no brim or only a visor. They are typically designed for warmth and, when including a visor, blocking sunlight from the eyes...
, cape
Cape
Cape can be used to describe any sleeveless outer garment, such as a poncho, but usually it is a long garment that covers only the back half of the wearer, fastening around the neck. They were common in medieval Europe, especially when combined with a hood in the chaperon, and have had periodic...
and cope
Cope
The cope is a liturgical vestment, a very long mantle or cloak, open in front and fastened at the breast with a band or clasp. It may be of any liturgical colour....
, from the Late Latin
Late Latin
Late Latin is the scholarly name for the written Latin of Late Antiquity. The English dictionary definition of Late Latin dates this period from the 3rd to the 6th centuries AD extending in Spain to the 7th. This somewhat ambiguously defined period fits between Classical Latin and Medieval Latin...
cappa, which already could mean cap, cape or hood (OED).
The tail of the hood, often quite long, was called the tippit or liripipe
Liripipe
A liripipe is a historical part of clothing, the tail of a hood or cloak, or a long-tailed hood, in particular a chaperon or gugel, or the peak of a shoe...
in English, and liripipe or cornette in French. The cape element was a patte in French and in English cape , or sometimes cockscomb when fancily cut. Later a round bourrelet (or rondel) could form part of the assemblage. Patte, cornette and bourrelet were the usual terms in the French of the 15th century Burgundian court, and are used here. In Italian the equivalent terms were foggia, becchetto, and mazzocchio.
Chaperon was sometimes used in English, and also German, for both the hood and hat forms (OED). But the word never appears in the Paston Letters
Paston Letters
The Paston Letters are a collection of letters and papers from England, consisting of the correspondence of members of the gentry Paston family, and others connected with them, between the years 1422 and 1509, and also including some state papers and other important documents.- History of the...
, where there are many references to hats, hoods and bonnets for men. As with all aspects of medieval costume, there are many contemporary images of clothing, and many mentions of names for clothing in contemporary documents, but definitively matching the names to the styles in the images is rarely possible. In Italian the word was cappuccio [kap'put:ʃo], or its diminutive cappuccino, from which come the Capuchin friars
Order of Friars Minor Capuchin
The Order of Friars Minor Capuchin is an Order of friars in the Catholic Church, among the chief offshoots of the Franciscans. The worldwide head of the Order, called the Minister General, is currently Father Mauro Jöhri.-Origins :...
, whose distinctive white hood and brown robe led to the monkey
Capuchin monkey
The capuchins are New World monkeys of the genus Cebus. The range of capuchin monkeys includes Central America and South America as far south as northern Argentina...
and the type of coffee
Cappuccino
A cappuccino is an Italian coffee drink prepared with espresso, hot milk, and steamed-milk foam. The name comes from the Capuchin friars, referring to the colour of their habits.- Definition :...
being named after them (it also means the cap of a pen in Italian).
Little Red Riding Hood
Little Red Riding Hood
Little Red Riding Hood, also known as Little Red Cap, is a French fairy tale about a young girl and a Big Bad Wolf. The story has been changed considerably in its history and subject to numerous modern adaptations and readings....
is Le Petit Chaperon rouge in the earliest published version, by Charles Perrault
Charles Perrault
Charles Perrault was a French author who laid the foundations for a new literary genre, the fairy tale, with his works derived from pre-existing folk tales. The best known include Le Petit Chaperon rouge , Cendrillon , Le Chat Botté and La Barbe bleue...
, and French depictions of the story naturally favour the chaperon over the long riding-hood of ones in English.
In French chaperon was also the term in falconry
Falconry
Falconry is "the taking of wild quarry in its natural state and habitat by means of a trained raptor". There are two traditional terms used to describe a person involved in falconry: a falconer flies a falcon; an austringer flies a hawk or an eagle...
for the hood placed over a hawk's head when held on the hand to stop it wanting to fly away. It is either this or the headgear meaning that later extended figuratively to become chaperon (in UK English, almost always chaperone) meaning a protective escort, especially for a woman.
Using the wrong hole
About 1300 the chaperon began to be worn by putting the hole intended for the face over the top of the head instead; perhaps in hot weather. This left the cornette tail and the cape or patte, hanging loose from the top of the head. This became fashionable, and chaperons began to be made to be worn in this style. Some authorities only use the term chaperon for this type, calling the earlier forms hoods - which was certainly their usual name in English. This is a categorisation for modern discussions only; there is no dispute over whether chaperon was the contemporary term. See the wearing Colley-Weston-ward of the mandilionMandilion
A mandilion or mandelion is a loose men's hip-length pullover coat or jacket, open down the sides, worn in England in the later sixteenth century....
for an analogous development in a type of coat.
A padded circular bourrelet (or rondel) evolved, which sat around the head, whilst the cornette became much longer, and gradually more scarf-like in shape, until by the 1430s it was usually straight at the sides and square-ended. Especially in Italy, the cornette was sometimes dispensed with, leaving just an un-flared tubular patte fixed to the bourrelet all round and hanging down to one side of the head. Reed (see refs) calls these sack hats.
By 1400-16, the period of the famous illuminated manuscripts of the Livre de Chasse of Gaston Phoebus (Bibliothèque Nationale, Paris
Bibliothèque nationale de France
The is the National Library of France, located in Paris. It is intended to be the repository of all that is published in France. The current president of the library is Bruno Racine.-History:...
Ms Français 616), and the Très Riches Heures du Duc de Berry
Très Riches Heures du Duc de Berry
The Très Riches Heures du Duc de Berry or simply the Très Riches Heures is a richly decorated book of hours commissioned by John, Duke of Berry, around 1410...
chaperons are to be seen worn by many figures. In the famous Calendar scenes of the Trés Riches Heures, they are worn in the original form by the peasants working in the fields, both men and women (February, March and September), and huntsmen (December), and in the new form by some of the courtiers (January and May), who wear coloured and scalloped ones, probably of silk. However, the Duke himself, and the most prominent courtiers, do not wear them. In the Livre du Chasse they are most often worn by the lower huntsmen on foot in the original form, though they and mounted hunters also wear them on top of the head. Figures often have a hood chaperon and a hat as well. Interestingly, only the original form (trimmed with fur in one case - fol.51V) is worn by the very highest-ranking figures. http://classes.bnf.fr/phebus/pistes/index6.htm
By the 1430s most chaperons had become simpler in the treatment of the cloth, and the cornette is long and plain, although the patte may still be elaborately treated with dagging. A perhaps overdressed courtier in a Van der Weyden workshop Exhumation of St Hubert (National Gallery, London
National Gallery, London
The National Gallery is an art museum on Trafalgar Square, London, United Kingdom. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media...
NG 783) from this decade still has a very elaborately cut and dagged patte. A figure behind him is wearing his in church, which is unusual (both figures can be paralleled in the Seven Sacraments Altarpiece
Seven Sacraments Altarpiece
The Seven Sacraments Altarpiece is a fixed-wing triptych by the Early Netherlandish artist Rogier van der Weyden and his workshop. It was painted from 1445 to 1450, probably for a church in Poligny, and is now in the Royal Museum of Fine Arts, Antwerp. It depicts the seven sacraments of the Roman...
- see Gallery below).
Evolved chaperon
By the middle of the 15th century the evolved chaperon (worn on top of the head, with bourrelet) had become common wear for males in the upper and middle classes, and were worn in painted portraits, including those of the Dukes of Burgundy. The amount of cloth involved had become considerable, and although chaperons seem to have normally been of a single colour at this period, a silk or damask one would have been a conspicuous sign of affluence. A Florentine chaperon of 1515 is recorded as using sixteen bracchia of cloth, over ten yards (9.35 metres).Chaperons are nearly always shown in art as plain-coloured at this period, but painting a patterned one would have been a daunting task.
The cornette now stretched nearly to the ground, and the patte had also grown slightly; both were now plain and undecorated by cutting or dagging at the edges. Bourrelets could be very large, or quite modest; some were clearly made round a hollow framework (a drawing survives of an Italian block for making them). The largest bourrelets are worn by very high-ranking men around 1445-50. Sometimes they seem to be just a ring (the doughnut
Doughnut
A doughnut or donut is a fried dough food and is popular in many countries and prepared in various forms as a sweet snack that can be homemade or purchased in bakeries, supermarkets, food stalls, and franchised specialty outlets...
analogy is hard to resist) with an open centre, and sometimes the opening seems to be at least partly covered with fixed cloth. Because the bourrelets were usually the same shape all the way round, several different parts of it could be worn facing forward. Probably for this reason, chaperons are rarely seen adorned by badges or jewellery. There were now many ways of wearing, and indeed carrying, this most complex and adaptable of hats:
- A) the cornette and patte could be tied together on top of the head, to create a flamboyant turban-like effect, sometimes with a short tail of cornette or patte hanging to the rear.
- B) the patte could be looped under the chin and tied or pinned to the bourrelet on the other side of the face, whilst the cornette hung behind or in front, or was tied on top.
- C) the patte could be worn to the loose to the rear, with the cornette tied on top, or hanging loose to front or rear.
- D) conversely the patte could be tied above, whilst the cornette hung loose to front or rear.
- E) the patte could be worn to the rear, loose or tucked into the other clothes at the back of the neck, whilst the cornette was wrapped round over the top of the head and under the chin a couple of times and secured. This was suitable for cold or windy weather, especially when riding.
- F) when the chaperon needed to be removed, in warm weather, or in the presence of a person much higher in rank (and, usually, in church) it could be put over the shoulder with the patte and cornette hanging on opposite sides, or round the shoulders. Which came forward and which went back varies considerably, but more often the bourrelet went behind. Possibly the chaperon was secured to the shoulder, as the assemblage often looks rather precarious. Donor figuresDonor portraitA donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or her, family...
in religious paintings always wear their chaperons in this way, as they are figuratively in the presence of the saints or the Madonna.
Examples of these styles are shown in the illustrations to the article and in the Gallery section below.
The height of fashion
The only surviving manuscript miniature by Rogier van der Weyden shows Philip the Good wearing a chaperon in style B. Next to him stands Chancellor Nicolas RolinNicolas Rolin
Nicolas Rolin was a leading figure in the history of Burgundy and France, becoming chancellor to Philip the Good .-Biography:...
, using a less exuberant version of style B; only he has sufficient status to wear his chaperon indoors in the Duke's presence. Apart from the Bishop of Tournai, next to Rolin, all the other men are bare-headed, even Phillip's young heir, despite the fact that several of them are high-ranking intimates who, like the Duke, wear the collar of the Order of the Golden Fleece
Order of the Golden Fleece
The Order of the Golden Fleece is an order of chivalry founded in Bruges by Philip III, Duke of Burgundy in 1430, to celebrate his marriage to the Portuguese princess Infanta Isabella of Portugal, daughter of King John I of Portugal. It evolved as one of the most prestigious orders in Europe...
. But as far as can be seen, all have hats. The man in grey seems to be carrying another sort of hat, but all the other ones visible are chaperons worn in style F, mostly with the cornettes to the front. The young Charles the Bold has his patte wrapped round the back of his neck, and the man on the extreme right has his bourrelet further than usual down his back, with the patte hanging down from it. Most of the chaperons are black, although the man in blue has one in salmon-pink; black was having one of its earliest periods of being the most fashionable colour at the time.
The chaperon never became quite this dominant in Italy or France; nor does it seem to have been worn as often by grand personages, although this is sometimes the case. There is a famous bust of Lorenzo de Medici wearing one, although in this he may be deliberately avoiding ostentatious dress (see gallery section). They are more characteristic of merchants and lawyers in these countries, for example in the images of Jean Fouquet
Jean Fouquet
Jean Fouquet was a preeminent French painter of the 15th century, a master of both panel painting and manuscript illumination, and the apparent inventor of the portrait miniature. He was the first French artist to travel to Italy and experience at first hand the Italian Early...
from the mid-century. In the Holy Roman Empire
Holy Roman Empire
The Holy Roman Empire was a realm that existed from 962 to 1806 in Central Europe.It was ruled by the Holy Roman Emperor. Its character changed during the Middle Ages and the Early Modern period, when the power of the emperor gradually weakened in favour of the princes...
, Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
and Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
they were generally less common, & appeared lower down the social scale. They were apparently never worn by the clergy anywhere.
Political chaperons
Chaperons were used in France and Burgundy to denote, by their colour, allegiance to a political faction. The factions themselves were also sometimes known as chaperons. During the captivity in England of King John II of FranceJohn II of France
John II , called John the Good , was the King of France from 1350 until his death. He was the second sovereign of the House of Valois and is perhaps best remembered as the king who was vanquished at the Battle of Poitiers and taken as a captive to England.The son of Philip VI and Joan the Lame,...
in 1356, the participants in a popular uprising in Paris against his son, the future Charles V
Charles V of France
Charles V , called the Wise, was King of France from 1364 to his death in 1380 and a member of the House of Valois...
, wore parti-coloured chaperons of red, for Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
, and blue for Navarre
Kingdom of Navarre
The Kingdom of Navarre , originally the Kingdom of Pamplona, was a European kingdom which occupied lands on either side of the Pyrenees alongside the Atlantic Ocean....
as they supported the claim to the French throne of King Charles the Bad of Navarre
Charles II of Navarre
Charles II , called "Charles the Bad", was King of Navarre 1349-1387 and Count of Évreux 1343-1387....
. In 1379 the ever-difficult citizens of Ghent
Ghent
Ghent is a city and a municipality located in the Flemish region of Belgium. It is the capital and biggest city of the East Flanders province. The city started as a settlement at the confluence of the Rivers Scheldt and Lys and in the Middle Ages became one of the largest and richest cities of...
rose up against Duke Philip the Bold of Burgundy
Philip II, Duke of Burgundy
Philip the Bold , also Philip II, Duke of Burgundy , was the fourth and youngest son of King John II of France and his wife, Bonne of Luxembourg. By his marriage to Margaret III, Countess of Flanders, he also became Count Philip II of Flanders, Count Philip IV of Artois and Count-Palatine Philip IV...
wearing white chaperons. White was also worn in factional disturbances in Paris in 1413, by opponents of the Armagnacs
Armagnac (party)
The Armagnac party was prominent in French politics and warfare during the Hundred Years' War. It was allied with the supporters of Charles, Duke of Orléans against John the Fearless after Charles' father Louis of Orléans was killed at the orders of the Duke of Burgundy in 1407...
, during one of King Charles VI's
Charles VI of France
Charles VI , called the Beloved and the Mad , was the King of France from 1380 to 1422, as a member of the House of Valois. His bouts with madness, which seem to have begun in 1392, led to quarrels among the French royal family, which were exploited by the neighbouring powers of England and Burgundy...
bouts of madness.
The chaperon was one of the items of male clothing that featured in the charges brought against Joan of Arc
Joan of Arc
Saint Joan of Arc, nicknamed "The Maid of Orléans" , is a national heroine of France and a Roman Catholic saint. A peasant girl born in eastern France who claimed divine guidance, she led the French army to several important victories during the Hundred Years' War, which paved the way for the...
at her trial in 1431. This was apparently a hat rather than a hood, as she was stated to have taken it off in front of the Dauphin - cited as further damning evidence of her assuming male behaviours.
In 15th century Florence, cappucci were associated with republicans
Republicanism
Republicanism is the ideology of governing a nation as a republic, where the head of state is appointed by means other than heredity, often elections. The exact meaning of republicanism varies depending on the cultural and historical context...
, as opposed to courtier
Courtier
A courtier is a person who is often in attendance at the court of a king or other royal personage. Historically the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together...
s (see gallery). An advisor to the Medici told them in 1516 that they should get as many young men to wear "the courtier's cap" rather than the cappucci. Part of the connotation seems to arise because the chaperon was too complicated to be taken off on meeting one of higher rank (in Florence at any rate); it was merely touched or pushed back on the head slightly.
The cappuccio in Renaissance art
In addition to being featured in many Renaissance portraits by virtue of being the fashion of the day, the Italian cappuccio was of interest because the mazzocchio's shape made it a good subject for the developing art of perspectivePerspective (graphical)
Perspective in the graphic arts, such as drawing, is an approximate representation, on a flat surface , of an image as it is seen by the eye...
. The painter Paolo Uccello
Paolo Uccello
Paolo Uccello , born Paolo di Dono, was an Italian painter and a mathematician who was notable for his pioneering work on visual perspective in art. Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his...
studied the perspective of the mazzocchio and incorporated it in some of his paintings (e.g. in The Counterattack of Michelotto da Cotignola at the Battle of San Romano
The Battle of San Romano
The Battle of San Romano is a set of three paintings by the Florentine painter Paolo Uccello depicting events that took place at the Battle of San Romano between Florentine and Sienese forces in 1432. They are significant as revealing the development of linear perspective in early Italian...
).
Apart from portraits, many of the best, and least formal, depictions of the chaperon in art come from paintings of the Nativity
Nativity of Jesus
The Nativity of Jesus, or simply The Nativity, refers to the accounts of the birth of Jesus in two of the Canonical gospels and in various apocryphal texts....
and other scenes of the early life of Christ. It is of course always winter, when the chaperon was most likely to be worn. Saint Joseph
Saint Joseph
Saint Joseph is a figure in the Gospels, the husband of the Virgin Mary and the earthly father of Jesus Christ ....
is especially useful, as it is never part of his depiction to be fashionably dressed, and it is part of his character in the period that he is often shown quite dishevelled (see examples below). The shepherds are the lower-class figures most often shown in a large scale in paintings of the period.
Decline
By about 1480 the chaperon was ceasing to be fashionable, but continued to be worn. The size of the bourrelet was reduced, and the patte undecorated. St Joseph could, by this stage, often be seen with the evolved form. By 1500 the evolved chaperon was definitely outmoded in Northern Europe, but the original hood form still remained a useful headgear for shepherds and peasants. By this time the evolved chaperon had become fixed in some forms of civilian uniformUniform
A uniform is a set of standard clothing worn by members of an organization while participating in that organization's activity. Modern uniforms are worn by armed forces and paramilitary organizations such as police, emergency services, security guards, in some workplaces and schools and by inmates...
s for lawyers, academics and the members of some knightly orders. In these uses it gradually shrank in size and often became permanently attached to the clothing underneath, effectively just as an ornament. In Italy it remained more current, more as a dignified form of headgear for older men, until about the 1520s.
Funerary ornaments on horses
In a later related use of the term, the name chaperoon passed to certain little shieldShield
A shield is a type of personal armor, meant to intercept attacks, either by stopping projectiles such as arrows or redirecting a hit from a sword, mace or battle axe to the side of the shield-bearer....
s, or escutcheons, and other funeral
Funeral
A funeral is a ceremony for celebrating, sanctifying, or remembering the life of a person who has died. Funerary customs comprise the complex of beliefs and practices used by a culture to remember the dead, from interment itself, to various monuments, prayers, and rituals undertaken in their honor...
devices, placed on the foreheads of horses that drew the hearse
Hearse
A hearse is a funerary vehicle used to carry a coffin from a church or funeral home to a cemetery. In the funeral trade, hearses are often called funeral coaches.-History:...
s to processional funerals. These were called chaperoons or shafferoons, as they were originally fastened to the chaperonnes, or hoods, worn by those horses with their other coverings of state. (See also Frentera
Frentera
A frentera is a part of some halters and bridles, usually on a horse. It is a cord, strap, or chain on the face of the horse that is attached to the crownpiece or browband and runs down the horse's face to the noseband or bit rings. A frentera can be split at the top to pass on either side of the...
.)
External links
- History of the chaperon, with simple diagrams
- Chaperon section of 1929 book by Adrien Harmond - in French, with many pictures and reconstructed cutting patterns
- CORSAIR database from the Morgan Library - search for chaperon gives 25 results from 2 French manuscripts, 1420-35
- Le Livre de Chasse of Gaston Phoebus, c 1400, from Ms Fr 616 from the Biblitheque Nationale, Paris. Feature with many illustrations, texts in French.
- http://www.nga.gov/exhibitions/2005/miniature/zoomify/miniature_195714614a.shtmAnother stylish chaperon by PisanelloPisanelloPisanello , known professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento...
, from a medal in the NGA, Washington] - The NGA bust of Lorenzo de Medici, after restoration
- 15th and early 16th Century Headress: A Literature Review -updated (1997) section from SD Reed thesis above
- Some related headresses of the 15th Century: theories on construction by Cynthia du Pré Argent