Ormolu
Encyclopedia
Ormolu ˈɔrməluː (from French or moulu, signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-karat gold
in a mercury
amalgam
to an object of bronze
. The mercury is driven off in a kiln (leaving behind a gold-colored veneer). The French refer to this technique as bronze doré; in English, it is known as "gilt bronze".
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury
is applied to a piece of copper
, brass
, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
Due to exposure to the harmful mercury fumes, most gilders did not survive beyond 40 years of age, .
No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating
is the most common modern technique. Ormolu techniques are essentially the same as those used on silver
, to produce silver-gilt
(also known as vermeil
).
A later substitute of a mixture of metals resembling ormolu was developed in France and called pomponne, though, confusingly, the mix of copper and zinc
, sometimes with an addition of tin
, is technically a type of brass. From the 19th century the term has been popularized to refer to gilt metal or imitation gold.
Gilt-bronze is found from antiquity
onwards across Eurasia
, but especially in Chinese art
, where it was always more common than silver-gilt, the opposite of Europe.
, clock
s, lighting devices, and porcelain
. The great French furniture-designers and cabinetmakers
, or ébéniste
s, of the 18th and 19th centuries made maximum use of the exquisite gilt-bronze mounts produced by fondeurs-ciseleurs, or "founders and finishers", such as the renowned Jacques Caffieri
(1678–1755), whose finished gilt-bronze pieces were almost as fine as jeweler's work. Ormolu mountings attained their highest artistic and technical development in France.
Similarly fine results could be achieved for lighting devices, such as chandelier
s and candelabra
, as well as for the ornamental metal mounts applied to clock
cases and even ceramic pieces. In the hands of the Parisian marchands-merciers, the precursors of decorators, ormolu or gilt-bronze sculptures could be used for bright, non-oxidizing fireplace accessories or for Rococo or Neoclassical mantel- or wall-mounted clock cases - a specialty of Charles Cressent
(1685–1768) - complemented by rock-crystal drops on gilt-bronze chandeliers and wall-lights.
The bronze mounts were cast by lost wax casting
, and then chiseled and chased
to add detail. Rococo
gilt-bronze tends to be finely cast, lightly chiseled, and part burnished. Neoclassical
gilt-bronze is often entirely chiseled and chased with extraordinary skill and delicacy to create finely varied surfaces.
The ormolu technique was extensively used in the French Empire mantel clock
s, reaching its peak during this period.
Chinese and European porcelains mounted in gilt-bronze were luxury wares that heightened the impact of often-costly and ornamental ceramic pieces sometimes used for display. Chinese ceramics with gilt-bronze mounts were produced under the guidance of the Parisian marchands-merciers, for only they had access to the ceramics (often purchased in the Netherlands
) and the ability to overleap the guild
restrictions. A few surviving pieces of 16th-century Chinese porcelains respectfully mounted in contemporary European silver-gilt, or vermeil
, show where the foundations of the later fashion lay.
From the late 1760s, Matthew Boulton
(1728–1809) of Birmingham produced English ormolu vases and perfume-burners in the latest Neoclassical style
. Though the venture never achieved financial success, it produced the finest English ormolu. In the early 19th century fine English ormolu came from the workshops of Benjamin Lewis Vulliamy
.
In France, the tradition of neoclassic ormolu to Pierre-Philippe Thomire
(1751–1843) was continued by Lucien-François Feuchère. Beurdeley & Cie. produced excellent ormolu in rococo and neoclassical styles in Paris, and rococo gilt-bronze is characteristic of the furniture of François Linke.
Gold
Gold is a chemical element with the symbol Au and an atomic number of 79. Gold is a dense, soft, shiny, malleable and ductile metal. Pure gold has a bright yellow color and luster traditionally considered attractive, which it maintains without oxidizing in air or water. Chemically, gold is a...
in a mercury
Mercury (element)
Mercury is a chemical element with the symbol Hg and atomic number 80. It is also known as quicksilver or hydrargyrum...
amalgam
Amalgam (chemistry)
An amalgam is a substance formed by the reaction of mercury with another metal. Almost all metals can form amalgams with mercury, notable exceptions being iron and platinum. Silver-mercury amalgams are important in dentistry, and gold-mercury amalgam is used in the extraction of gold from ore.The...
to an object of bronze
Bronze
Bronze is a metal alloy consisting primarily of copper, usually with tin as the main additive. It is hard and brittle, and it was particularly significant in antiquity, so much so that the Bronze Age was named after the metal...
. The mercury is driven off in a kiln (leaving behind a gold-colored veneer). The French refer to this technique as bronze doré; in English, it is known as "gilt bronze".
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury
Mercury nitrate
Mercury nitrate can refer to:*Mercury nitrate, Hg22*Mercury nitrate, Hg2...
is applied to a piece of copper
Copper
Copper is a chemical element with the symbol Cu and atomic number 29. It is a ductile metal with very high thermal and electrical conductivity. Pure copper is soft and malleable; an exposed surface has a reddish-orange tarnish...
, brass
Brass
Brass is an alloy of copper and zinc; the proportions of zinc and copper can be varied to create a range of brasses with varying properties.In comparison, bronze is principally an alloy of copper and tin...
, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
Due to exposure to the harmful mercury fumes, most gilders did not survive beyond 40 years of age, .
No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating
Electroplating
Electroplating is a plating process in which metal ions in a solution are moved by an electric field to coat an electrode. The process uses electrical current to reduce cations of a desired material from a solution and coat a conductive object with a thin layer of the material, such as a metal...
is the most common modern technique. Ormolu techniques are essentially the same as those used on silver
Silver
Silver is a metallic chemical element with the chemical symbol Ag and atomic number 47. A soft, white, lustrous transition metal, it has the highest electrical conductivity of any element and the highest thermal conductivity of any metal...
, to produce silver-gilt
Silver-gilt
Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver gilded with gold. Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example most sporting trophies, medals , and many crown jewels...
(also known as vermeil
Vermeil
Vermeil is a combination of sterling silver, gold, and other precious metals, commonly used as a component in jewelry. A typical example is sterling silver coated with 14 carat gold. To be considered vermeil, the gold must be at least 10 carat and be at least 2.5 micrometres thick...
).
A later substitute of a mixture of metals resembling ormolu was developed in France and called pomponne, though, confusingly, the mix of copper and zinc
Zinc
Zinc , or spelter , is a metallic chemical element; it has the symbol Zn and atomic number 30. It is the first element in group 12 of the periodic table. Zinc is, in some respects, chemically similar to magnesium, because its ion is of similar size and its only common oxidation state is +2...
, sometimes with an addition of tin
Tin
Tin is a chemical element with the symbol Sn and atomic number 50. It is a main group metal in group 14 of the periodic table. Tin shows chemical similarity to both neighboring group 14 elements, germanium and lead and has two possible oxidation states, +2 and the slightly more stable +4...
, is technically a type of brass. From the 19th century the term has been popularized to refer to gilt metal or imitation gold.
Gilt-bronze is found from antiquity
Ancient history
Ancient history is the study of the written past from the beginning of recorded human history to the Early Middle Ages. The span of recorded history is roughly 5,000 years, with Cuneiform script, the oldest discovered form of coherent writing, from the protoliterate period around the 30th century BC...
onwards across Eurasia
Eurasia
Eurasia is a continent or supercontinent comprising the traditional continents of Europe and Asia ; covering about 52,990,000 km2 or about 10.6% of the Earth's surface located primarily in the eastern and northern hemispheres...
, but especially in Chinese art
Chinese art
Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists or performers. Early so-called "stone age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. This early period was followed by a series of art...
, where it was always more common than silver-gilt, the opposite of Europe.
Examples
Craftsmen principally used ormolu for the decorative mountings of furnitureFurniture
Furniture is the mass noun for the movable objects intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things...
, clock
Clock
A clock is an instrument used to indicate, keep, and co-ordinate time. The word clock is derived ultimately from the Celtic words clagan and clocca meaning "bell". A silent instrument missing such a mechanism has traditionally been known as a timepiece...
s, lighting devices, and porcelain
Porcelain
Porcelain is a ceramic material made by heating raw materials, generally including clay in the form of kaolin, in a kiln to temperatures between and...
. The great French furniture-designers and cabinetmakers
Cabinet making
Cabinet making is the practice of using various woodworking skills to create cabinets, shelving and furniture.Cabinet making involves techniques such as creating appropriate joints, dados, bevels, chamfers and shelving systems, the use of finishing tools such as routers to create decorative...
, or ébéniste
Ébéniste
Ébéniste is the French word for a cabinetmaker, whereas in French menuisier denotes a woodcarver or chairmaker. The English equivalent for "ébéniste," "ebonist," is never commonly used. Originally, an ébéniste was one who worked with ebony, a favoured luxury wood for mid-seventeenth century...
s, of the 18th and 19th centuries made maximum use of the exquisite gilt-bronze mounts produced by fondeurs-ciseleurs, or "founders and finishers", such as the renowned Jacques Caffieri
Jacques Caffieri
Jacques Caffieri was a French sculptor, the most famous member of a family distinguished in works of sculpture, working for the most part in bronze.-Life:...
(1678–1755), whose finished gilt-bronze pieces were almost as fine as jeweler's work. Ormolu mountings attained their highest artistic and technical development in France.
Similarly fine results could be achieved for lighting devices, such as chandelier
Chandelier
A chandelier is a branched decorative ceiling-mounted light fixture with two or more arms bearing lights. Chandeliers are often ornate, containing dozens of lamps and complex arrays of glass or crystal prisms to illuminate a room with refracted light...
s and candelabra
Candelabra
"Candelabra" is the traditional term for a set of multiple decorative candlesticks, each of which often holds a candle on each of multiple arms or branches connected to a column or pedestal...
, as well as for the ornamental metal mounts applied to clock
Clock
A clock is an instrument used to indicate, keep, and co-ordinate time. The word clock is derived ultimately from the Celtic words clagan and clocca meaning "bell". A silent instrument missing such a mechanism has traditionally been known as a timepiece...
cases and even ceramic pieces. In the hands of the Parisian marchands-merciers, the precursors of decorators, ormolu or gilt-bronze sculptures could be used for bright, non-oxidizing fireplace accessories or for Rococo or Neoclassical mantel- or wall-mounted clock cases - a specialty of Charles Cressent
Charles Cressent
Charles Cressent was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style. As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of Amiens, who also became a sculptor, he inherited the tastes and aptitudes which were...
(1685–1768) - complemented by rock-crystal drops on gilt-bronze chandeliers and wall-lights.
The bronze mounts were cast by lost wax casting
Lost wax casting
Lost-wax casting sometimes called by the French name of cire perdue is the process by which a metal sculpture is cast from an artist's sculpture. Intricate works can be achieved by this method, primarily depending on the carver's skills...
, and then chiseled and chased
Repoussé and chasing
Repoussé or repoussage is a metalworking technique in which a malleable metal is ornamented or shaped by hammering from the reverse side to create a design in low relief. There are few techniques that offer such diversity of expression while still being relatively economical...
to add detail. Rococo
Rococo
Rococo , also referred to as "Late Baroque", is an 18th-century style which developed as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful...
gilt-bronze tends to be finely cast, lightly chiseled, and part burnished. Neoclassical
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
gilt-bronze is often entirely chiseled and chased with extraordinary skill and delicacy to create finely varied surfaces.
The ormolu technique was extensively used in the French Empire mantel clock
French Empire mantel clock
A French Empire-style mantel clock, is a type of elaborately decorated mantel clock made in France over the Napoleonic Empire between 1804–1814/15, although the clocks manufactured throughout the Bourbon Restoration are also included within this art movement because they share subject, decorative...
s, reaching its peak during this period.
Chinese and European porcelains mounted in gilt-bronze were luxury wares that heightened the impact of often-costly and ornamental ceramic pieces sometimes used for display. Chinese ceramics with gilt-bronze mounts were produced under the guidance of the Parisian marchands-merciers, for only they had access to the ceramics (often purchased in the Netherlands
Netherlands
The Netherlands is a constituent country of the Kingdom of the Netherlands, located mainly in North-West Europe and with several islands in the Caribbean. Mainland Netherlands borders the North Sea to the north and west, Belgium to the south, and Germany to the east, and shares maritime borders...
) and the ability to overleap the guild
Guild
A guild is an association of craftsmen in a particular trade. The earliest types of guild were formed as confraternities of workers. They were organized in a manner something between a trade union, a cartel, and a secret society...
restrictions. A few surviving pieces of 16th-century Chinese porcelains respectfully mounted in contemporary European silver-gilt, or vermeil
Vermeil
Vermeil is a combination of sterling silver, gold, and other precious metals, commonly used as a component in jewelry. A typical example is sterling silver coated with 14 carat gold. To be considered vermeil, the gold must be at least 10 carat and be at least 2.5 micrometres thick...
, show where the foundations of the later fashion lay.
From the late 1760s, Matthew Boulton
Matthew Boulton
Matthew Boulton, FRS was an English manufacturer and business partner of Scottish engineer James Watt. In the final quarter of the 18th century the partnership installed hundreds of Boulton & Watt steam engines, which were a great advance on the state of the art, making possible the...
(1728–1809) of Birmingham produced English ormolu vases and perfume-burners in the latest Neoclassical style
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
. Though the venture never achieved financial success, it produced the finest English ormolu. In the early 19th century fine English ormolu came from the workshops of Benjamin Lewis Vulliamy
Benjamin Lewis Vulliamy
Benjamin Lewis Vulliamy was a clockmaker, active in 18th and 19th century Britain. He succeeded his father Benjamin Vulliamy as head of the firm and clockmaker to the king.-External links:....
.
In France, the tradition of neoclassic ormolu to Pierre-Philippe Thomire
Pierre-Philippe Thomire
Pierre-Philippe Thomire a French sculptor, was the most prominent bronzier, or producer of ornamental patinated and gilt-bronze objects and furniture mounts of the First French Empire...
(1751–1843) was continued by Lucien-François Feuchère. Beurdeley & Cie. produced excellent ormolu in rococo and neoclassical styles in Paris, and rococo gilt-bronze is characteristic of the furniture of François Linke.
Literature
- Swantje Koehler: Ormolu Dollhouse Accessories. Swantje-Köhler-Verlag, Bonn 2007. ISBN 3-9811524-0-9.