Apelles
Encyclopedia
Apelles of Kos
(flourished 4th century BC) was a renowned painter
of ancient Greece
. Pliny the Elder
, to whom we owe much of our knowledge of this artist (Naturalis Historia 35.36.79-97 and passim) rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad
(332-329 BC), possibly because he had produced a portrait of Alexander the Great.
, he first studied under Ephorus of Ephesus, but after he had attained some celebrity he became a student to Pamphilus
at Sicyon
He thus combined the Dorian thoroughness with the Ionic
grace. Attracted to the court of Philip II
, he painted him and the young Alexander with such success that he became the recognized court painter of Macedon, and his picture of Alexander holding a thunderbolt
ranked in the minds of many with the Alexander with the spear of the sculptor Lysippus. Plutarch
was among the unimpressed, deciding that it had failed accurately to reproduce Alexander's colouring: "He made Alexander's complexion appear too dark-skinned and swarthy, whereas we are told that he was fair-skinned, with a ruddy tinge that showed itself especially upon his face and chest."
Much of what we know of Apelles is derived from Pliny the Elder
(Natural History, XXXV). His skill at drawing the human face is the point of a story connecting him with Ptolemy I Soter
. This onetime general of Alexander disliked Apelles while they both were in Alexander's retinue, and many years later, while travelling by sea a storm forced Apelles to land in Ptolemy
's Egyptian kingdom. Ptolemy's jester was suborned by Apelles' rivals to convey to the artist a spurious invitation to dine with Ptolemy. Apelles's unexpected arrival enraged the king. Ptolemy demanded to know who had given Apelles the invitation, and with a piece of charcoal
from the fireplace Apelles drew a likeness on the wall, which Ptolemy recognized as his jester in the first strokes of the sketch
.
Apelles was a contemporary of Protogenes
, whose reputation he advocated. Pliny also recorded an anecdote that was making the rounds among Hellenistic connoisseurs of the first century CE: Apelles travelled to Protogenes' home in Rhodes
to make the acquaintance of this painter he had heard so much about. Arriving at Protogenes' studio, he encountered an old woman who told him that Protogenes was out and asked for his name so she could report who had enquired after him. Observing in the studio a panel Protogenes had prepared for a painting, Apelles walked over to the easel, and taking up a brush told the servant to tell Protogenes "this came from me," and drew in colour an extremely fine line across the panel. When Protogenes returned, and the old woman explained what had taken place, he examined the line and pronounced that only Apelles could have done so perfect of work; Protogenes then dipped a brush into another colour and drew a still finer line above the first one, and asked his servant to show this to the visitor should he return. When Apelles returned, and was shown Protogenes' response, ashamed that he might be bettered, he drew in a third colour an even finer line between the first two, leaving no room for another display of craftsmanship. On seeing this, Protogenes admitted defeat, and went out to seek Apelles and meet him face-to-face.
Pliny claims that this very painting had been part of the collection of Julius Caesar
, but was destroyed when Caesar's mansion on the Palatine Hill
burned down. While sketching one of Alexander the Great's concubines, Campaspe
, Apelles fell in love with her. As a mark of appreciation for the great painter's work, Alexander presented her to him. Apelles is said to have been working on a painting of Aphrodite
of Kos
when he died, and the painting was left unfinished for no one could be found with skill enough to complete it.
The renowned work of Apelles provided several exemplars for the narrative realism admired by Greco-Roman connoisseurs, succinctly expressed in Horace
's words ut pictura poesis
, "as is painting so is poetry." Apelles seemed to have had a taste for elaborate allegory
and personification, which he carried far in his rendering of Calumny, described by Lucian
, in which an innocent youth is falsely accused by Ignorance, Envy, Treachery and Deceit. The story occasioning the painting was alleged to have been false accusations by a rival artist that Apelles took part in a conspiracy against Ptolemy
. This almost led to the artist's execution. "In the Renaissance
the exemplar of the poetic painting which was invariably cited whenever the art-poetry question was discussed was the Calumny of Apelles, known through Lucian's description." Sandro Botticelli
's panel of Calumny of Apelles
was painted in conscious striving to equal the painting in Lucian's ekphrasis.
The physician and philosopher Sextus Empiricus
wrote that Apelles experienced Ataraxia
while he was trying to paint a horse. He wished to represent its foam (likely a bit of frothy saliva near its mouth). He was so unsuccessful that, in a rage, he gave up and threw the sponge he was using to clean his brushes with at the medium, thus producing the effect of the horse's foam.
A number of his paintings were taken to Rome
(including Aphrodite Anadyomene) and placed there on public display; two compositions that included a portrait of Alexander (Castor and Pollux with Victory and Alexander the Great, and The Figure of War with his Hands Tied Behind Him Following the Triumphal Chariot of Alexander) the Emperor Claudius
later had Alexander's face replaced with that of his grandfather Augustus
.
We are told, for example, that he attached great value to the drawing of outlines, practising every day. The tale is well known of his visit to Protogenes, and the rivalry of the two masters as to which could draw the finest and steadiest line. The power of drawing such lines is conspicuous in the decoration of red-figured vases of Athens. Apelles is said to have treated his rival with generosity, for he increased the value of his pictures by spreading a report that he meant to buy them and sell them as his own.
Apelles allowed the superiority of some of his contemporaries in particular matters: according to Pliny he admired the dispositio of Melanthius
, i.e. the way in which he spaced his figures, and the mensurae of Asclepiodorus, who must have been a great master of symmetry and proportion. It was especially in that undefinable quality "grace" that Apelles excelled. He probably used but a small variety of colours, and avoided elaborate perspective: simplicity of design, beauty of line and charm of expression were his chief merits. When the naturalism of some of his works is praised—for example, the hand of his Alexander is said to have stood out from the picture—we must remember that this is the merit always ascribed by ignorant critics to works which they admire. In fact the age of Alexander was one of notable idealism, and probably Apelles succeeded in a marked degree in imparting to his figures a beauty beyond nature.
Pliny connects a number of sayings to Apelles, which may come from Apelles' lost treatise on the art of painting. One comes from Apelles' judgement on Protogenes, that Protogenes knew when his painting was finished: quod manum de tabula scirat -- "[He knew] when to take the hand from the picture." Another refers to his practice of exhibiting his works in the front of his shop, then hiding nearby to hear the comments of passers-by. When a cobbler commented on his mistakes in painting a shoe, Apelles made the corrections that very night; the next morning the cobbler noticed the changes, and proud of his effect on the artist's work began to criticize how Apelles portrayed the leg—whereupon Apelles emerged from his hiding-place to state: Ne sutor ultra crepidam -- "Let the shoemaker venture no further." The last saying Pliny attributes to Apelles refers to the painter's diligence at practising his art every day: Nulla dies sine linea -- "Not a day without a line drawn." Apelles was also reportedly asked why he touched and retouched his paintings so continually, trying to achieve perfection (at least in his own mind); to which he replied, "I paint for eternity."
Pliny states that Apelles made a number of useful innovations to the art of painting, but his recipe for a black varnish
, called by Pliny atramentum
-- which served both to preserve his paintings and to soften their colour, and created an effect that Pliny praises to no end—Apelles kept secret and was lost with his death.
There can be little doubt that Apelles was one of the most bold and progressive of artists. Such was his fame that several Italian Renaissance
painters repeated his subjects, in a vain hope of giving some notion of the composition of them. Raphael may have portrayed himself as Apelles in The School of Athens
and Sandro Botticelli
based two paintings — The Birth of Venus
and Calumny of Apelles
— on his works.
Kos
Kos or Cos is a Greek island in the south Sporades group of the Dodecanese, next to the Gulf of Gökova/Cos. It measures by , and is from the coast of Bodrum, Turkey and the ancient region of Caria. Administratively the island forms a separate municipality within the Kos peripheral unit, which is...
(flourished 4th century BC) was a renowned painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
of ancient Greece
Greece
Greece , officially the Hellenic Republic , and historically Hellas or the Republic of Greece in English, is a country in southeastern Europe....
. Pliny the Elder
Pliny the Elder
Gaius Plinius Secundus , better known as Pliny the Elder, was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian...
, to whom we owe much of our knowledge of this artist (Naturalis Historia 35.36.79-97 and passim) rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad
Olympiad
An Olympiad is a period of four years, associated with the Olympic Games of Classical Greece. In the Hellenistic period, beginning with Ephorus, Olympiads were used as calendar epoch....
(332-329 BC), possibly because he had produced a portrait of Alexander the Great.
Biography
Probably born at Colophon in IoniaIonia
Ionia is an ancient region of central coastal Anatolia in present-day Turkey, the region nearest İzmir, which was historically Smyrna. It consisted of the northernmost territories of the Ionian League of Greek settlements...
, he first studied under Ephorus of Ephesus, but after he had attained some celebrity he became a student to Pamphilus
Pamphilus (painter)
Pamphilus of Amphipolis was a Macedonian distinguished painter and head of Sicyonian school. He was the disciple of Eupompus, the founder of the Sicyonian school of painting , for the establishment of which, however, Pamphilus seems to have done much more than even Eupompus himself...
at Sicyon
Sicyon
Sikyon was an ancient Greek city situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day prefecture of Corinthia...
He thus combined the Dorian thoroughness with the Ionic
Ionians
The Ionians were one of the four major tribes into which the Classical Greeks considered the population of Hellenes to have been divided...
grace. Attracted to the court of Philip II
Philip II of Macedon
Philip II of Macedon "friend" + ἵππος "horse" — transliterated ; 382 – 336 BC), was a king of Macedon from 359 BC until his assassination in 336 BC. He was the father of Alexander the Great and Philip III.-Biography:...
, he painted him and the young Alexander with such success that he became the recognized court painter of Macedon, and his picture of Alexander holding a thunderbolt
Thunderbolt
A thunderbolt is a discharge of lightning accompanied by a loud thunderclap or its symbolic representation. In its original usage the word may also have been a description of meteors, or, as Plato suggested in Timaeus, of the consequences of a close approach between two planetary cosmic bodies,...
ranked in the minds of many with the Alexander with the spear of the sculptor Lysippus. Plutarch
Plutarch
Plutarch then named, on his becoming a Roman citizen, Lucius Mestrius Plutarchus , c. 46 – 120 AD, was a Greek historian, biographer, essayist, and Middle Platonist known primarily for his Parallel Lives and Moralia...
was among the unimpressed, deciding that it had failed accurately to reproduce Alexander's colouring: "He made Alexander's complexion appear too dark-skinned and swarthy, whereas we are told that he was fair-skinned, with a ruddy tinge that showed itself especially upon his face and chest."
Much of what we know of Apelles is derived from Pliny the Elder
Pliny the Elder
Gaius Plinius Secundus , better known as Pliny the Elder, was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian...
(Natural History, XXXV). His skill at drawing the human face is the point of a story connecting him with Ptolemy I Soter
Ptolemy I Soter
Ptolemy I Soter I , also known as Ptolemy Lagides, c. 367 BC – c. 283 BC, was a Macedonian general under Alexander the Great, who became ruler of Egypt and founder of both the Ptolemaic Kingdom and the Ptolemaic Dynasty...
. This onetime general of Alexander disliked Apelles while they both were in Alexander's retinue, and many years later, while travelling by sea a storm forced Apelles to land in Ptolemy
Ptolemy I Soter
Ptolemy I Soter I , also known as Ptolemy Lagides, c. 367 BC – c. 283 BC, was a Macedonian general under Alexander the Great, who became ruler of Egypt and founder of both the Ptolemaic Kingdom and the Ptolemaic Dynasty...
's Egyptian kingdom. Ptolemy's jester was suborned by Apelles' rivals to convey to the artist a spurious invitation to dine with Ptolemy. Apelles's unexpected arrival enraged the king. Ptolemy demanded to know who had given Apelles the invitation, and with a piece of charcoal
Charcoal
Charcoal is the dark grey residue consisting of carbon, and any remaining ash, obtained by removing water and other volatile constituents from animal and vegetation substances. Charcoal is usually produced by slow pyrolysis, the heating of wood or other substances in the absence of oxygen...
from the fireplace Apelles drew a likeness on the wall, which Ptolemy recognized as his jester in the first strokes of the sketch
Sketch (drawing)
A sketch is a rapidly executed freehand drawing that is not usually intended as a finished work...
.
Apelles was a contemporary of Protogenes
Protogenes
Protogenes was an ancient Greek painter, a contemporary rival of Apelles. As with the other famous ancient Greek painters, none of his work has survived, and it is known only from literary references and descriptions....
, whose reputation he advocated. Pliny also recorded an anecdote that was making the rounds among Hellenistic connoisseurs of the first century CE: Apelles travelled to Protogenes' home in Rhodes
Rhodes
Rhodes is an island in Greece, located in the eastern Aegean Sea. It is the largest of the Dodecanese islands in terms of both land area and population, with a population of 117,007, and also the island group's historical capital. Administratively the island forms a separate municipality within...
to make the acquaintance of this painter he had heard so much about. Arriving at Protogenes' studio, he encountered an old woman who told him that Protogenes was out and asked for his name so she could report who had enquired after him. Observing in the studio a panel Protogenes had prepared for a painting, Apelles walked over to the easel, and taking up a brush told the servant to tell Protogenes "this came from me," and drew in colour an extremely fine line across the panel. When Protogenes returned, and the old woman explained what had taken place, he examined the line and pronounced that only Apelles could have done so perfect of work; Protogenes then dipped a brush into another colour and drew a still finer line above the first one, and asked his servant to show this to the visitor should he return. When Apelles returned, and was shown Protogenes' response, ashamed that he might be bettered, he drew in a third colour an even finer line between the first two, leaving no room for another display of craftsmanship. On seeing this, Protogenes admitted defeat, and went out to seek Apelles and meet him face-to-face.
Pliny claims that this very painting had been part of the collection of Julius Caesar
Julius Caesar
Gaius Julius Caesar was a Roman general and statesman and a distinguished writer of Latin prose. He played a critical role in the gradual transformation of the Roman Republic into the Roman Empire....
, but was destroyed when Caesar's mansion on the Palatine Hill
Palatine Hill
The Palatine Hill is the centermost of the Seven Hills of Rome and is one of the most ancient parts of the city...
burned down. While sketching one of Alexander the Great's concubines, Campaspe
Campaspe
Campaspe, the mistress of Alexander the Great and a prominent citizen of Larissa. She was painted by Apelles, who had the reputation in Antiquity for being the greatest of painters...
, Apelles fell in love with her. As a mark of appreciation for the great painter's work, Alexander presented her to him. Apelles is said to have been working on a painting of Aphrodite
Aphrodite
Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation.Her Roman equivalent is the goddess .Historically, her cult in Greece was imported from, or influenced by, the cult of Astarte in Phoenicia....
of Kos
Kos
Kos or Cos is a Greek island in the south Sporades group of the Dodecanese, next to the Gulf of Gökova/Cos. It measures by , and is from the coast of Bodrum, Turkey and the ancient region of Caria. Administratively the island forms a separate municipality within the Kos peripheral unit, which is...
when he died, and the painting was left unfinished for no one could be found with skill enough to complete it.
The renowned work of Apelles provided several exemplars for the narrative realism admired by Greco-Roman connoisseurs, succinctly expressed in Horace
Horace
Quintus Horatius Flaccus , known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus.-Life:...
's words ut pictura poesis
Ut pictura poesis
Ut pictura poesis is Latin, literally "As is painting so is poetry." The statement occurs most famously in Horace's Ars Poetica, near the end, immediately after the "other" most famous quotation from Horace's treatise on poetics, "bonus dormitat Homerus", or "even Homer nods" :Horace meant that...
, "as is painting so is poetry." Apelles seemed to have had a taste for elaborate allegory
Allegory
Allegory is a demonstrative form of representation explaining meaning other than the words that are spoken. Allegory communicates its message by means of symbolic figures, actions or symbolic representation...
and personification, which he carried far in his rendering of Calumny, described by Lucian
Lucian
Lucian of Samosata was a rhetorician and satirist who wrote in the Greek language. He is noted for his witty and scoffing nature.His ethnicity is disputed and is attributed as Assyrian according to Frye and Parpola, and Syrian according to Joseph....
, in which an innocent youth is falsely accused by Ignorance, Envy, Treachery and Deceit. The story occasioning the painting was alleged to have been false accusations by a rival artist that Apelles took part in a conspiracy against Ptolemy
Ptolemy
Claudius Ptolemy , was a Roman citizen of Egypt who wrote in Greek. He was a mathematician, astronomer, geographer, astrologer, and poet of a single epigram in the Greek Anthology. He lived in Egypt under Roman rule, and is believed to have been born in the town of Ptolemais Hermiou in the...
. This almost led to the artist's execution. "In the Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
the exemplar of the poetic painting which was invariably cited whenever the art-poetry question was discussed was the Calumny of Apelles, known through Lucian's description." Sandro Botticelli
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli was an Italian painter of the Early Renaissance...
's panel of Calumny of Apelles
Calumny of Apelles (Botticelli)
The Calumny of Apelles is a tempera painting by Italian Renaissance painter Sandro Botticelli. Based on the description of a painting by Apelles, the work was completed in approximately 1494. It is on display in the Uffizi in Florence.-Theme:...
was painted in conscious striving to equal the painting in Lucian's ekphrasis.
The physician and philosopher Sextus Empiricus
Sextus Empiricus
Sextus Empiricus , was a physician and philosopher, and has been variously reported to have lived in Alexandria, Rome, or Athens. His philosophical work is the most complete surviving account of ancient Greek and Roman skepticism....
wrote that Apelles experienced Ataraxia
Ataraxia
Ataraxia is a Greek term used by Pyrrho and Epicurus for a lucid state, characterized by freedom from worry or any other preoccupation.For the Epicureans, ataraxia was synonymous with the only true happiness possible for a person...
while he was trying to paint a horse. He wished to represent its foam (likely a bit of frothy saliva near its mouth). He was so unsuccessful that, in a rage, he gave up and threw the sponge he was using to clean his brushes with at the medium, thus producing the effect of the horse's foam.
Works
Apelles' paintings (none of which survive) included:- Alexander wielding a thunderboltThunderboltA thunderbolt is a discharge of lightning accompanied by a loud thunderclap or its symbolic representation. In its original usage the word may also have been a description of meteors, or, as Plato suggested in Timaeus, of the consequences of a close approach between two planetary cosmic bodies,...
, one of the many he did of both Alexander and his father Philip; - Aphrodite AnadyomeneVenus AnadyomeneVenus Anadyomene was one of the iconic representations of Aphrodite, made famous in a much-admired painting by Apelles, now lost, but described in Pliny's Natural History, with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model...
("Aphrodite Rising from the Sea"), showing the goddessGoddessA goddess is a female deity. In some cultures goddesses are associated with Earth, motherhood, love, and the household. In other cultures, goddesses also rule over war, death, and destruction as well as healing....
rising from the sea (not the painting he was working on when he died, but an earlier painting), for which Pliny the ElderPliny the ElderGaius Plinius Secundus , better known as Pliny the Elder, was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian...
relates the tradition he used a former mistress of Alexander, CampaspeCampaspeCampaspe, the mistress of Alexander the Great and a prominent citizen of Larissa. She was painted by Apelles, who had the reputation in Antiquity for being the greatest of painters...
, as his model for Aphrodite. According to AthenaeusAthenaeusAthenaeus , of Naucratis in Egypt, Greek rhetorician and grammarian, flourished about the end of the 2nd and beginning of the 3rd century AD...
, the idea of Aphrodite Rising from the Sea was inspired by PhrynePhrynePhryne was a famous hetaera of Ancient Greece .- Early life :Her real name was Mnesarete , but owing to her yellowish complexion she was called Phryne "Toad", a name given to other courtesans. She was born at Thespiae in Boeotia, but seems to have lived at Athens...
who during the time of the festivals of the EleusiniaEleusinian MysteriesThe Eleusinian Mysteries were initiation ceremonies held every year for the cult of Demeter and Persephone based at Eleusis in ancient Greece. Of all the mysteries celebrated in ancient times, these were held to be the ones of greatest importance...
and PoseidonPoseidonPoseidon was the god of the sea, and, as "Earth-Shaker," of the earthquakes in Greek mythology. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology: both were sea gods analogous to Poseidon...
ia had no problem swimming nude in the sea. - A portrait of Antigonus I MonophthalmusAntigonus I MonophthalmusAntigonus I Monophthalmus , son of Philip from Elimeia, was a Macedonian nobleman, general, and satrap under Alexander the Great. During his early life he served under Philip II, and he was a major figure in the Wars of the Diadochi after Alexander's death, declaring himself king in 306 BC and...
on horseback, in a three-quarters view which artfully concealed the subject's blind eye; - A portrait of ArtemisArtemisArtemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name and indeed the goddess herself was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals"...
surrounded by a group of maidens offering a sacrificeSacrificeSacrifice is the offering of food, objects or the lives of animals or people to God or the gods as an act of propitiation or worship.While sacrifice often implies ritual killing, the term offering can be used for bloodless sacrifices of cereal food or artifacts...
, based on OdysseyOdysseyThe Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The poem is fundamental to the modern Western canon, and is the second—the Iliad being the first—extant work of Western literature...
6.102ff; - Sacrifice in CosKosKos or Cos is a Greek island in the south Sporades group of the Dodecanese, next to the Gulf of Gökova/Cos. It measures by , and is from the coast of Bodrum, Turkey and the ancient region of Caria. Administratively the island forms a separate municipality within the Kos peripheral unit, which is...
, described in the Mimes (4.59) of HerodasHerodasthumb|The first column of the Herodas papyrus, showing Mimiamb 1. 1–15.Herodas , or Herondas , was a Greek poet and the author of short humorous dramatic scenes in verse, written under the Alexandrian empire in the 3rd century BC.Apart from the intrinsic merit of these pieces, they are...
. - The portraits of Clitus the BlackClitus the BlackCleitus the Black was an officer of the Macedonian army led by Alexander the Great. He saved Alexander's life at the Battle of the Granicus and was killed by him in a drunken quarrel several years later...
and Archelaus I of MacedonArchelaus I of MacedonArchelaus I was a king of Macedon from 413 to 399 BC. He was a capable and beneficent ruler, known for the sweeping changes he made in state administration, the military, and commerce. By the time that he died, Archelaus had succeeded in converting Macedon into a significantly stronger power...
. - The procession of the high priest of Artemis at Ephesus.
- The great allegory of Calumny.
A number of his paintings were taken to Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
(including Aphrodite Anadyomene) and placed there on public display; two compositions that included a portrait of Alexander (Castor and Pollux with Victory and Alexander the Great, and The Figure of War with his Hands Tied Behind Him Following the Triumphal Chariot of Alexander) the Emperor Claudius
Claudius
Claudius , was Roman Emperor from 41 to 54. A member of the Julio-Claudian dynasty, he was the son of Drusus and Antonia Minor. He was born at Lugdunum in Gaul and was the first Roman Emperor to be born outside Italy...
later had Alexander's face replaced with that of his grandfather Augustus
Augustus
Augustus ;23 September 63 BC – 19 August AD 14) is considered the first emperor of the Roman Empire, which he ruled alone from 27 BC until his death in 14 AD.The dates of his rule are contemporary dates; Augustus lived under two calendars, the Roman Republican until 45 BC, and the Julian...
.
Legacy
Few things are more hopeless than the attempt to realize the style of a painter whose works have vanished. But a great wealth of stories, true or invented, clung to Apelles in antiquity; and modern archaeologists have naturally tried to discover what they indicate.We are told, for example, that he attached great value to the drawing of outlines, practising every day. The tale is well known of his visit to Protogenes, and the rivalry of the two masters as to which could draw the finest and steadiest line. The power of drawing such lines is conspicuous in the decoration of red-figured vases of Athens. Apelles is said to have treated his rival with generosity, for he increased the value of his pictures by spreading a report that he meant to buy them and sell them as his own.
Apelles allowed the superiority of some of his contemporaries in particular matters: according to Pliny he admired the dispositio of Melanthius
Melanthius
Melanthius was a notable ancient Greek painter of the 4th century BC. He belonged to the school of Sicyon, which was noted for fine drawing.-References:...
, i.e. the way in which he spaced his figures, and the mensurae of Asclepiodorus, who must have been a great master of symmetry and proportion. It was especially in that undefinable quality "grace" that Apelles excelled. He probably used but a small variety of colours, and avoided elaborate perspective: simplicity of design, beauty of line and charm of expression were his chief merits. When the naturalism of some of his works is praised—for example, the hand of his Alexander is said to have stood out from the picture—we must remember that this is the merit always ascribed by ignorant critics to works which they admire. In fact the age of Alexander was one of notable idealism, and probably Apelles succeeded in a marked degree in imparting to his figures a beauty beyond nature.
Pliny connects a number of sayings to Apelles, which may come from Apelles' lost treatise on the art of painting. One comes from Apelles' judgement on Protogenes, that Protogenes knew when his painting was finished: quod manum de tabula scirat -- "[He knew] when to take the hand from the picture." Another refers to his practice of exhibiting his works in the front of his shop, then hiding nearby to hear the comments of passers-by. When a cobbler commented on his mistakes in painting a shoe, Apelles made the corrections that very night; the next morning the cobbler noticed the changes, and proud of his effect on the artist's work began to criticize how Apelles portrayed the leg—whereupon Apelles emerged from his hiding-place to state: Ne sutor ultra crepidam -- "Let the shoemaker venture no further." The last saying Pliny attributes to Apelles refers to the painter's diligence at practising his art every day: Nulla dies sine linea -- "Not a day without a line drawn." Apelles was also reportedly asked why he touched and retouched his paintings so continually, trying to achieve perfection (at least in his own mind); to which he replied, "I paint for eternity."
Pliny states that Apelles made a number of useful innovations to the art of painting, but his recipe for a black varnish
Varnish
Varnish is a transparent, hard, protective finish or film primarily used in wood finishing but also for other materials. Varnish is traditionally a combination of a drying oil, a resin, and a thinner or solvent. Varnish finishes are usually glossy but may be designed to produce satin or semi-gloss...
, called by Pliny atramentum
Atramentum
Atramentum or atrament, generally means a very black, usually liquid, substance. For example, an octopus may emit a puff of atrament.In ancient Rome, the term atramentum signified any black colouring substance used for any purpose...
-- which served both to preserve his paintings and to soften their colour, and created an effect that Pliny praises to no end—Apelles kept secret and was lost with his death.
There can be little doubt that Apelles was one of the most bold and progressive of artists. Such was his fame that several Italian Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
painters repeated his subjects, in a vain hope of giving some notion of the composition of them. Raphael may have portrayed himself as Apelles in The School of Athens
The School of Athens
The School of Athens, or in Italian, is one of the most famous paintings by the Italian Renaissance artist Raphael. It was painted between 1510 and 1511 as a part of Raphael's commission to decorate with frescoes the rooms now known as the , in the Apostolic Palace in the Vatican...
and Sandro Botticelli
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli was an Italian painter of the Early Renaissance...
based two paintings — The Birth of Venus
The Birth of Venus (Botticelli)
The Birth of Venus is a painting by Sandro Botticelli. It depicts the goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore...
and Calumny of Apelles
Calumny of Apelles (Botticelli)
The Calumny of Apelles is a tempera painting by Italian Renaissance painter Sandro Botticelli. Based on the description of a painting by Apelles, the work was completed in approximately 1494. It is on display in the Uffizi in Florence.-Theme:...
— on his works.
Publications
- Pliny the ElderPliny the ElderGaius Plinius Secundus , better known as Pliny the Elder, was a Roman author, naturalist, and natural philosopher, as well as naval and army commander of the early Roman Empire, and personal friend of the emperor Vespasian...
, Historia Naturalis xxxv, 91 ff. - WoltmannAlfred WoltmannAlfred Woltmann was a German art historian. He was born at Charlottenburg, studied at Berlin and Munich, and was appointed professor of art history successively at the Polytechnicum in Karlsruhe and at the universities of Prague and Strasbourg...
and WoermannKarl WoermannKarl Woermann was a German art historian and museum director. He was born in Hamburg, studied at various universities , and traveled widely...
, History of Painting, volume i (English translation, New York, 1886) - HoussayeHenry HoussayeHenry Houssaye , was a French historian and academician.He was born in Paris, the son of the novelist Arsène Houssaye. His early writings were devoted to classical antiquity, his knowledge drawn partly from visits to the actual Greek sites in 1868...
, Histoire d'Apelles (Paris, 1867) - WustmannGustav WustmannGustav Wustmann was a German philologist and historian, born in Dresden, where he frequented the Kreuzschule, before studying philology at Leipzig in 1862-66. He then taught at the Nikolai Gymnasium in Leipzig until 1881, when appointed director of the municipal archives and city librarian...
, Apelles' Leben und Werke (Leipzig, 1870) - Ernst H. Gombrich, 'The Heritage of Apelles', The Heritage of Apelles: Studies in the Art of Renaissance, (Cornell University Press: IthacaIthacaIthaca or Ithaka is an island located in the Ionian Sea, in Greece, with an area of and a little more than three thousand inhabitants. It is also a separate regional unit of the Ionian Islands region, and the only municipality of the regional unit. It lies off the northeast coast of Kefalonia and...
, New York, 1976), pp 3–18.
Sources
- John J. Popovic, "Apelles, the greatest painter of Antiquity" Source quotes from Pliny's Natural History.
- (rodcorp) "Giotto's circle, Apelles' lines, Chuang-tzu's crab": Tracing a literary topos.