Xenomorph (Alien)
Encyclopedia
The Alien is a fictional endoparasitoid
extraterrestrial
species
that is the primary antagonist
of the Alien film series
. The species made its debut in the 1979 film Alien
, and reappeared in its sequels Aliens
(1986), Alien 3 (1992), and Alien Resurrection (1997), two crossovers Alien vs. Predator
(2004) and Aliens vs. Predator: Requiem (2007), as well as the various literature and video game spin-offs from the series.
Unlike many other recurring enemy extraterrestrial races in science fiction, the Aliens are not an intelligent civilization, but predatory
creatures with no higher goals than the propagation of their species and the destruction of life that could pose a threat. Like wasp
s or termite
s, Aliens are eusocial
, with a single fertile queen breeding a caste of warriors. The Aliens' biological life cycle
, in which their offspring are violently implanted inside living hosts before erupting from their chests, is in many ways their signature aspect. Their design deliberately evokes many sexual images, both male and female, to illustrate its blurring of human sexual dichotomy
.
The Alien design is credited to Swiss surrealist and artist H. R. Giger
, originating in a lithograph called Necronom IV and refined for the series' first film, Alien. The species' design and life cycle have been extensively added to throughout each film.
was initially drafted by Dan O'Bannon
and Ronald Shusett
. Dan O'Bannon drafted an opening in which the crew of a mining ship are sent to investigate a mysterious message on an alien planet. He eventually settled on the threat being an alien creature; however, he could not conceive of an interesting way for it to get onto the ship. Inspired after waking from a dream, Shusett said, "I have an idea: the monster screws one of them," planting its seed in his body, and then bursting out of his chest. Both realized the idea had never been done before, and it subsequently became the core of the film. "This is a movie about alien interspecies rape," O'Bannon said on the documentary Alien Evolution, "That's scary because it hits all of our buttons." O'Bannon felt that the symbolism of "homosexual oral rape" was an effective means of discomforting male viewers.
The title of the film was decided late in the script's development. O'Bannon had quickly dropped the film's original title, Star Beast, but could not think of a name to replace it. "I was running through titles, and they all stank", O'Bannon said in an interview, "when suddenly, that word alien just came out of the typewriter at me. Alien. It's a noun and it's an adjective." The word alien subsequently became the title of the film and, by extension, the name of the creature itself.
Prior to writing the script to Alien, O'Bannon had been working in France for Chilean cult director Alejandro Jodorowsky
's planned adaptation of Frank Herbert
's classic science-fiction novel Dune
. Also hired for the project was Swiss surrealist artist H. R. Giger
. Giger showed O'Bannon his nightmarish, monochromatic artwork, which left O'Bannon deeply disturbed. "I had never seen anything that was quite as horrible and at the same time as beautiful as his work," he remembered later. The Dune film collapsed, but O'Bannon would remember Giger when Alien was greenlit, and suggested to director Ridley Scott
that he be brought on to design the Alien, saying that if he were to design a monster, it would be truly original.
After O'Bannon handed him a copy of Giger's book Necronomicon
, Scott immediately saw the potential for Giger's designs, and chose Necronom IV, a painting Giger completed in 1976, as the basis for the Alien's design, citing its beauty and strong sexual overtones. That the creature could just as easily have been male or female was also a strong factor in the decision to use it. "It could just as easily fuck you before it killed you", said line producer Ivor Powell, "[which] made it all the more disconcerting." Fox was initially wary of allowing Giger onto the project, saying that his works would be too disturbing for audiences, but eventually relented. Giger initially offered to completely design the Alien from scratch, but Scott mandated that he base his work on Necronom IV, saying that to start over from the beginning would be too time-consuming. Giger signed on to design the adult, egg and chest-burster forms, but ultimately also designed the alien planetoid LV-426 and the Space Jockey alien vessel.
Giger conceived the Alien as being vaguely human but a human in full armor, protected from all outside forces. He mandated that the creature have no eyes, because he felt that it made them much more frightening if you could not tell they were looking at you. Giger also gave the Alien's mouth a second inner set of Pharyngeal jaws
located at the tip of a long, tongue-like proboscis which could extend rapidly for use as a weapon. His design for the creature was heavily influenced by an aesthetic he had created and termed biomechanical, a fusion of the organic and the mechanic. His mock-up of the Alien was created using parts from an old Rolls Royce
car, rib bones and the vertebrae from a snake, molded with plasticine. The Alien's animatronic head, which contained 900 moving parts, was designed and constructed by special effects designer Carlo Rambaldi
. Giger and Rambaldi would both go on to win the 1980 Academy Award for Visual Effects
for their design of the Alien.
Scott decided on the man-in-suit approach for creating the creature onscreen. Initially circus performers were tried, then multiple actors together in the same costume, but neither proved scary. Deciding that the creature would be scarier the closer it appeared to a human, Scott decided that a single, very tall, very thin man be used. Scott was inspired by a photograph of Leni Riefenstahl
standing next to a 6'4" (1.94 m) Nubian. The casting director found 7'2" (2.18 m), rail-thin graphic designer Bolaji Badejo in a local pub. Badejo went to tai chi and mime classes to learn how to slow down his movements.
and by Ellen Ripley
in a deleted scene from Alien 3. This term has been adopted by fans and used in merchandising as a convenient name. The species' binomial names are given in Latin
as either Internecivus raptus (meant as "murderous thief") in the Alien Quadrilogy DVD or Lingua foeda acheronsis (meant as "foul tongue from Acheron") in some comic books. The main Alien from Alien vs. Predator
is listed in the credits as "Grid", after a grid-like wound received during the film.
s technology as the series progressed have led to numerous variations in the creature's design, including varying numbers of fingers and limb joints and varying head design.
appearance and are usually colored in muted shades of black, blue or bronze. Aliens do not radiate heat, as their body heat matches the ambient temperature of the environment in which they are found. In most of the films, adult Aliens have the ability of running and crawling along ceilings and walls. They have great physical strength, having been shown to be capable of breaking through welded steel doors.
Aliens have segmented, blade
-tipped tail
s. The sharp tip was initially a small, scorpion-like barb, but from Aliens onwards the blade design increased in size and changed in appearance to more closely resemble a slashing weapon. From Alien Resurrection onwards, the tails have a flat ridge of spines at the base of the blade. This was introduced to help them swim convincingly, and was left intact in the subsequent cross-overs. The original shooting script for Aliens and the novelization both featured a scene in which Lieutenant Gorman is "stung" by the barb tail and rendered unconscious. In the final cut of the movie, Gorman is knocked out by falling crates. As a weapon, the strength of the tail is very effective, having been shown to be strong enough to impale and lift a Predator with seemingly little effort. They are also adept at using their tails as blunt weapon
s, sometimes to deadly effect, as seen in Alien.
They have elongated, cylindrical skull
s, but possess no visible eyes, though in the original Alien film, the top of the creature's head was translucent, with empty eye sockets of human appearance visible within. This element was re-used for the "Predalien" 29 years later. How the creatures see is uncertain. In Alien 3, a fisheye lens
was used to illustrate the Alien's point of view. In the novelization of the movie Alien, the creature is held mesmerized by a spinning green light for several minutes. In Aliens, the adult creatures have a more textured head rather than a smooth carapace. In the commentary for Aliens, it was speculated that this was part of the maturation of the creatures, as they had been alive far longer than the original Alien. The smooth design of the carapace would be used again in Alien 3 and Alien Resurrection, although made narrower with a longer muzzle and more prominent chin. This design would be kept in Alien versus Predator, and abandoned in Aliens vs. Predator: Requiem in favor of the ribbed design. The Aliens' inner jaws are powerful enough to smash through bone and metal.
Throughout their appearances, human-spawned Aliens have been shown to have a fluctuating number of fingers
. In Alien, the creature has webbed, six fingered hands. In Aliens, the number of fingers is reduced to three (two "paired" and a single, opposable thumb), and they are shown to be much longer and more skeletal. In Alien Resurrection, the number of digits is increased to four, with two long middle fingers and a pair of thumbs. This design is kept in the Alien vs. Predator films, though the hands were made bulkier in order to make the Aliens seem more formidable against the Predators.
Aliens have been alternately portrayed as both plantigrade
and digitigrade
organisms, usually in accordance to their host. Human-spawned Aliens were usually portrayed as having humanoid hind limbs, while in Alien 3, the featured Alien sported double-jointed legs due to its quadrupedal host. This characteristic would be continued in Alien Resurrection for the human-spawned Aliens. Tom Woodruff, who had previously played the "dog-alien" in Alien 3, described the human-spawned Aliens in Resurrection as feeling more like a dog than the previous creature, despite having been born from human hosts. The human spawned Alien warriors would revert back to a plantigrade posture in Alien vs. Predator.
and is capable of corroding on contact almost any substance with alarming speed. It is dull yellowish-green in color, and seems to be pressurized inside the body so that it spurts out when punctured. Shusett suggested the idea that the creature have acid blood as a plausible means to make the creature "unkillable"; if one were to use traditional firearms or explosives to attack it, its blood would eat through the hull of the ship. The Alien novelization suggests that, at least at the "facehugger" stage, the acid is not blood but a fluid maintained under pressure between a double layer of skin. In later films in the series, the Aliens are shown to be conscious of the effects of their acidic blood, and even use it to their advantage: In Alien Resurrection, two Aliens escape a cage by killing a fellow Alien so its acid eats through the cage floor; in Aliens vs. Predator a queen being held by chains apparently instructs several Aliens to slash and cut her, thus corroding the chains.
In the Aliens vs. Predator: Requiem documentary: "Science of the Alien", it is theorized that the Aliens' acid blood could be some type of "hydrosulphuric acid" composition due to its corrosiveness and the conspicuously toxic effects on living human tissue. The documentary also speculates that Aliens are immune to their own acidic and toxic liquids due to a endobiological build-up similar to the human stomach's ability to protect itself from its digestive fluids. The documentary takes this theory one step further and speculates that the Alien organisms' protection system against its own toxic hydrosulphuric acid is protecting the rest of the organism with what is basically a bio-organically produced Teflon isolation. In the film Alien vs. Predator
this is shown to be the case, as a Predator uses Alien chitin
to make armor for Alexa that protects her from their blood.
Aliens can produce a thick, strong resin
(secreted from their maws, giving them the look of a slavering beast) that they use to build their hives and to cocoon their victims, and they can use the walls of their hives as camouflage
. In the original Alien, the facehugger is shown to be able to "spit" acid, melting the faceplate of Kane's helmet and allowing the creature immediate access to the inside. This ability is also exhibited by adult Aliens in Alien 3 and Alien Resurrection; much like a spitting cobra
, they use it to blind and immobilize their victims.
and problem solving
. In both cases, the Aliens managed to learn how to operate the machinery of their mechanized environments at a very basic level. On LV-426, the Aliens were able to cut the power from a section of the complex to allow themselves access to the humans. The queen figured out to board the elevator simply by observing Ripley and Newt escaping in the one beside it, as Ripley had called for both elevators and boarded the first one to arrive. The novelisation of the film notes that the queen establishing her 'nest' at the base's main power plant could equally be the result of her selecting the warmest part of the base to make her nest or her deliberately selecting a location where any attackers would be unable to destroy her without destroying the entire facility. In the director's commentary for Aliens, James Cameron noted that the creatures in Aliens had been alive for far longer than the Alien in the original, and so had more time to learn how to manipulate machinery. On the USM Auriga, they were able to use blood from another Alien to melt through their enclosure and escape, with the Aliens in the Antarctic temple using a similar strategy to free the queen from her chains. With the exception of the "Newborn", Aliens have demonstrated little actual emotion, save for self preservation
and maternal instincts
toward their eggs.
which is ruled over by a queen. Their life cycle comprises several distinct stages: they begin their lives as an egg, which hatches a parasitoid
larval form known as a facehugger, which then attaches itself to a living host
by, as its name suggests, latching onto its face. In the Alien 3 novelization, Ripley commented that this parasitoid would not likely be able to use a host any smaller than a cat, or as large as an elephant.
The facehugger then "impregnates" the host with an embryo known as a "chestburster," which, after a gestation period of several hours, erupts violently from the host's chest resulting in the death of the host
.
The chestburster then matures to an adult phase within a few hours, shedding its skin and replacing its cells with polarized silicon
. Due to Horizontal gene transfer
during the gestation period, the Alien also takes on some of the basic physical attributes of the host from which it was born, allowing the individual alien to adapt to the host's environment.
Egg-laying Alien queens possess an immense ovipositor
on their lower torso, similar to a queen termite's. Unlike insect queens, there appears to be no need for drone
s to fertilize an Alien queen's eggs. When attached to its ovipositor, the queen is supported by a "biomechanical throne
" that consists of a lattice of struts resembling massive insect legs.
In the initial cut of Alien, the Alien possessed a complete life cycle, with the still-living bodies of its victims converted into eggs. However, the scene showing this final stage was cut for reasons of pacing, leaving the ultimate origin of the eggs obscure. This allowed Aliens director James Cameron
to introduce a concept he had initially conceived for a spec script called Mother, a massive mother Alien which laid the eggs and formed the basis for the Aliens' life cycle. Cameron conceived the Queen as a monstrous analogue to Ripley's own maternal role in the film. In that vein, some critics have compared it to Grendel's mother
.
The design of the queen was created by Cameron in collaboration with special effects artist Stan Winston
, based upon an initial painting Cameron had done at the start of the project. The Winston Studio created a test foam core queen before constructing the full hydraulic puppet
which was used for most of the scenes involving the large Alien. Two people were inside working the twin sets of arms and puppeteers off-screen worked its jaws and head. Although at the end of the film the queen was presented full-body fighting the power-loader, the audience never sees the legs of the queen, save those of the small-scale puppet that appears only briefly. In Aliens, Cameron used very selective camera-angles on the queen, using the 'less is more' style of photography. Subsequently the movie won an Oscar for Visual Effects
. An adult queen was to reappear in Alien Resurrection. The original mechanical head previously used in Aliens was provided by Bob Burns
. It was repainted with a blend of green and brown, giving it a shimmering, insect-like quality. This color concept would be abandoned in Alien versus Predator in favour of the original black color scheme.
In the climax of the 2004 film Alien vs. Predator
the queen's basic design was altered to make it more "streamlined" in appearance and its over-all size was increased to 6 meters (20 feet) tall. Other changes include the removal of the "high-heel" protrusions on its legs, including additional spines on its head and making its waist thinner because there was no need for puppeteers inside its chest. The animatronic laying queen had 47 points of hydraulic motion.
Aliens vs. Predator: Requiem (2007) introduced a younger form of the full grown queen, albeit with traits inherited from its Predator host. Recalling the facehugger's method of embryo implantation, the Predalien uses its inner mouth to directly deposit multiple chestburster embryos into pregnant female hosts. This is explained by the Brothers Strause as a means of quickly building an army of Aliens before the young queen evolves into its sedentary, egg-laying state.
arthropods such as arachnid
s and horseshoe crab
s.
The facehugger is a parasitoid
; its only purpose is to make contact with the host's mouth for the implantation process, by gripping its legs around the victim's head and wrapping its tail around the host's neck. Upon making contact, the facehugger tightens its tail around the host's neck in order to render it unconscious through oxygen deprivation. The facehugger then inserts a proboscis
down the host's throat, supplying it with oxygen while simultaneously implanting an embryo. Attempts to remove facehuggers generally prove fatal, as the parasitoid will respond by tightening its grip, and the facehugger's acidic blood prevents it from being safely cut away.
Once the Alien embryo is safely implanted, the facehugger detaches and dies.
Giger's original design for the facehugger was a much larger creature with eyes and a spring-loaded tail. Later, in response to comments from the filmmakers, Giger reduced the creature's size substantially. At first Giger assumed that the facehugger would wrap around the outside of the astronaut's helmet, but Scott decided that it would have far more impact if the facehugger were revealed once the helmet was removed. Scott and Giger realised that the facehugger could burn through the helmet's faceplate with its acid blood; subsequent redesigns of the space helmet included a far larger faceplate to allow for this. Dan O'Bannon
initially conceived the facehugger as somewhat resembling an octopus, possessing tentacles. However, when he received H. R. Giger
's designs, which substituted tentacles with fingerlike digits, he thought Giger's design concept superior. Since no one was available at the time, O'Bannon decided to design the facehugger prop himself. The technical elements of the musculature and bone were added by Ron Cobb
. Giger's initial design for the smaller facehugger had the fingers facing forward, but O'Bannon's redesign shifted the legs to the side. When the foam rubber
sculpture of the facehugger was produced, O'Bannon asked that it should remain unpainted, believing the rubber, which resembled human skin, was more plausible.
In Alien 3, another addition, a "super-facehugger" that would carry the embryo of the queen Alien, was planned but ultimately dropped. The super-facehugger is briefly glimpsed in the Assembly cut of Alien 3, but not identified as such.
, increased congestion and moderate to extreme hunger. In later stages where the incubation period
is extended in preparation of a queen birth, symptoms will include a shortness of breath, exhaustion, and hemorrhaging (detectable through biological scanners and present in nosebleeds or other seemingly random bleeding incidents), as well as chest pains inflicted either in lack of chest space due to the chestburster's presence, or even premature attempts to escape the host. The incubating embryo takes on some of the host's DNA
or traits, such as bipedalism, quadrupedalism or possessing the mandible
s of a Predator
and other body structure changes. Over the course of 1–24 hours, indeterminable in some cases, and sometimes up to a week, in the case of some queens, the embryo develops into a chestburster, at which point it emerges, violently ripping open the chest of the host, killing it.
The chestburster was designed by Alien
director Ridley Scott
and constructed by special effects artist Roger Dicken. Giger had produced a model of a chestburster that resembled a "degenerate plucked turkey" and was far too large to fit inside a ribcage. Much to Giger's chagrin, his model reduced the production team to fits of laughter on sight. Scott drafted a series of alternative designs for the chestburster based on the philosophy of working "back [from the adult] to the child" and ultimately produced "something phallic." The chestburster in the original Alien was armless but arms were added in Aliens to facilitate the creature crawling its way out of its host's corpse. This concept would be abandoned in Alien Resurrection and subsequent films.
in the DVD assembly cut). The Dog Alien in its Chestburster form is a miniature version of the adult, unlike the larva-like human spawned chestbursters. The adult is primarily quadrupedal, has digitigrade
hind legs and lacks the dorsal tubes of the human-spawned variety.
and Tim Zinnemann
, and was asked to redesign his own creations for Alien 3. Giger's new designs included an aquatic face-hugger and a four-legged version of the adult Alien. Giger said in an interview; "I had special ideas to make it more interesting. I designed a new creature, which was much more elegant and beastly, compared to my original. It was a four-legged Alien, more like a lethal feline
– a panther
or something. It had a kind of skin that was built up from other creatures – much like a symbiosis
." However, when Tom Woodruff and Alec Gillis of Amalgamated Dynamics told Giger that they had their own design, Giger expressed himself as "very upset" and that the creature he had especially designed was his "baby". Even after the production severed contact, Giger continued to fax suggestions to Fincher because of his enthusiasm for the project, and made full-scale drawings and a sculpt of the Alien, all of which were rejected.
Giger would later be angered by the end credits of the released film presenting him as merely the creator of the original creature, and the fact that ADI personnel gave a series of interviews that minimized Giger's contribution. Fox eventually reimbursed Giger, but only after he refused to be interviewed for their behind-the-scenes documentary of Alien 3.
The Academy Awards overlooked Giger's contribution to Alien 3. However, Ridley Scott included Giger's name along with nominees Carlo Rambaldi and Richard Johnson. Fox, at the time Alien 3 was released, pointed out that studios are precluded from submitting nominees in the effects category directly to the Academy. This upset Giger so much that at one point he sent Academy president Karl Malden a fax with this closing comment: "I am under the strong impression that my contribution to the visual effects of the nominated movie has been intentionally suppressed", signing the letter with a large black pentagram
.
Giger however would comment that he thought the resulting film was "okay" and that the Alien was "better than in the second film."
The Newborn creature was originally scripted by Joss Whedon
as being an eyeless, ivory-white quadruped with red veins running along the sides of its head. It had an inner jaw, with the addition of a pair of pincers on the sides of its head. These pincers would have been used to immobilise its prey as it drained it of blood through the inner jaw. The creature was also meant to rival the Queen in size.
Jean-Pierre Jeunet
later asked ADI to lean towards making the human-Alien hybrid, known as the Newborn, more human than Alien. The Newborn's eyes and nose were added to improve its expressions to make it a character, rather than just a "killing machine", and give it depth as a character. Jeunet was adamant about the Newborn having genitalia, a mix of both sexes. However, Fox was uncomfortable and even Jeunet felt "even for a Frenchman, it's too much." The genitalia were digitally removed in post-production
. The Newborn animatronic required nine puppeteers and was the most complex animatronic in the film.
. The "Predalien" was first depicted in a painting by Dave Dorman
, and subsequently featured in the Aliens versus Predator comics and games. A Predalien chestburster debuts in the final scene of Alien vs. Predator, but it is not until Aliens vs. Predator: Requiem that an adult hybrid makes its first movie appearance.
The Predalien shares many characteristics with its host, such as long hair-like appendages, mandible
s, skin color and similar vocalizations. It is a large, bulky creature, and possesses physical strength greater than that of human-spawned Aliens. Like human-born Aliens, it is also shown to be stronger than its host species, as evidenced by its ability to pin, push, and knock a Predator away with ease. It also possessed the ability to impregnate human hosts with multiple Alien embryos.
.
Blondie
co-founder Chris Stein
, who is a friend of Giger, pondered in an interview:
Examples of Alien-inspired works include the classic video games Contra and Metroid
.
The Aliens have appeared in many crossovers
(including a large number of intercompany crossover
s) in comic books and other media such as novels, toys, and video games. Crossovers include encounters with Terminators
, Judge Dredd
, Green Lanterns
, Batman
, and Superman
. The largest of these crossovers is the Alien vs. Predator
franchise, in which the Aliens battle the Predators
. This was an idea that came to comic book artist Chris Warner
in early 1989. He and other people at Dark Horse Comics
were trying to come up with a good character combo for a new comics series. Dark Horse had been publishing Aliens
comic book under license from 20th Century Fox
since 1987. In 1990, the first depiction of the idea in film appeared in Predator 2
, when an Alien skull, sculpted by Kevin Hudson, appeared as one of the trophies in the Predator spacecraft.
Parasitoid
A parasitoid is an organism that spends a significant portion of its life history attached to or within a single host organism in a relationship that is in essence parasitic; unlike a true parasite, however, it ultimately sterilises or kills, and sometimes consumes, the host...
extraterrestrial
Extraterrestrial life in popular culture
In popular cultures, "extraterrestrials" are life forms — especially intelligent life forms— that are of extraterrestrial origin .-Historical ideas:-Pre-modern:...
species
Species
In biology, a species is one of the basic units of biological classification and a taxonomic rank. A species is often defined as a group of organisms capable of interbreeding and producing fertile offspring. While in many cases this definition is adequate, more precise or differing measures are...
that is the primary antagonist
Antagonist
An antagonist is a character, group of characters, or institution, that represents the opposition against which the protagonist must contend...
of the Alien film series
Alien (film series)
The Alien film series is a science fiction horror film franchise, focusing on Lieutenant Ellen Ripley and her battle with an extraterrestrial lifeform, commonly referred to as "the Alien"...
. The species made its debut in the 1979 film Alien
Alien (film)
Alien is a 1979 science fiction horror film directed by Ridley Scott and starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The film's title refers to its primary antagonist: a highly aggressive extraterrestrial creature which...
, and reappeared in its sequels Aliens
Aliens (film)
Aliens is a 1986 science fiction action film directed by James Cameron and starring Sigourney Weaver, Carrie Henn, Michael Biehn, Lance Henriksen, William Hope, and Bill Paxton...
(1986), Alien 3 (1992), and Alien Resurrection (1997), two crossovers Alien vs. Predator
Alien vs. Predator (film)
Alien vs. Predator is a 2004 American science fiction film directed by Paul W. S. Anderson for 20th Century Fox and starring Sanaa Lathan and Lance Henriksen. The film adapts the Alien vs. Predator crossover imprint bringing together the eponymous creatures of the Alien and Predator series, a...
(2004) and Aliens vs. Predator: Requiem (2007), as well as the various literature and video game spin-offs from the series.
Unlike many other recurring enemy extraterrestrial races in science fiction, the Aliens are not an intelligent civilization, but predatory
Predation
In ecology, predation describes a biological interaction where a predator feeds on its prey . Predators may or may not kill their prey prior to feeding on them, but the act of predation always results in the death of its prey and the eventual absorption of the prey's tissue through consumption...
creatures with no higher goals than the propagation of their species and the destruction of life that could pose a threat. Like wasp
Wasp
The term wasp is typically defined as any insect of the order Hymenoptera and suborder Apocrita that is neither a bee nor an ant. Almost every pest insect species has at least one wasp species that preys upon it or parasitizes it, making wasps critically important in natural control of their...
s or termite
Termite
Termites are a group of eusocial insects that, until recently, were classified at the taxonomic rank of order Isoptera , but are now accepted as the epifamily Termitoidae, of the cockroach order Blattodea...
s, Aliens are eusocial
Eusociality
Eusociality is a term used for the highest level of social organization in a hierarchical classification....
, with a single fertile queen breeding a caste of warriors. The Aliens' biological life cycle
Biological life cycle
A life cycle is a period involving all different generations of a species succeeding each other through means of reproduction, whether through asexual reproduction or sexual reproduction...
, in which their offspring are violently implanted inside living hosts before erupting from their chests, is in many ways their signature aspect. Their design deliberately evokes many sexual images, both male and female, to illustrate its blurring of human sexual dichotomy
Dichotomy
A dichotomy is any splitting of a whole into exactly two non-overlapping parts, meaning it is a procedure in which a whole is divided into two parts...
.
The Alien design is credited to Swiss surrealist and artist H. R. Giger
H. R. Giger
Hans Rudolf "Ruedi" Giger is a Swiss surrealist painter, sculptor, and set designer. He won an Academy Award for Best Achievement for Visual Effects for his design work on the film Alien.-Early life:...
, originating in a lithograph called Necronom IV and refined for the series' first film, Alien. The species' design and life cycle have been extensively added to throughout each film.
Concept and creation
The script for the 1979 film AlienAlien (film)
Alien is a 1979 science fiction horror film directed by Ridley Scott and starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The film's title refers to its primary antagonist: a highly aggressive extraterrestrial creature which...
was initially drafted by Dan O'Bannon
Dan O'Bannon
Daniel Thomas "Dan" O'Bannon was an American motion picture screenwriter, director and occasional actor, usually in the science fiction and horror genres.-Early life and career:...
and Ronald Shusett
Ronald Shusett
Ronald Shusett is a motion picture screenwriter and producer, usually in the science fiction genre.He wrote the original story for Alien with Dan O'Bannon....
. Dan O'Bannon drafted an opening in which the crew of a mining ship are sent to investigate a mysterious message on an alien planet. He eventually settled on the threat being an alien creature; however, he could not conceive of an interesting way for it to get onto the ship. Inspired after waking from a dream, Shusett said, "I have an idea: the monster screws one of them," planting its seed in his body, and then bursting out of his chest. Both realized the idea had never been done before, and it subsequently became the core of the film. "This is a movie about alien interspecies rape," O'Bannon said on the documentary Alien Evolution, "That's scary because it hits all of our buttons." O'Bannon felt that the symbolism of "homosexual oral rape" was an effective means of discomforting male viewers.
The title of the film was decided late in the script's development. O'Bannon had quickly dropped the film's original title, Star Beast, but could not think of a name to replace it. "I was running through titles, and they all stank", O'Bannon said in an interview, "when suddenly, that word alien just came out of the typewriter at me. Alien. It's a noun and it's an adjective." The word alien subsequently became the title of the film and, by extension, the name of the creature itself.
Prior to writing the script to Alien, O'Bannon had been working in France for Chilean cult director Alejandro Jodorowsky
Alejandro Jodorowsky
Alejandro Jodorowsky Prullansky, known as Alejandro Jodorowsky, is a Chilean filmmaker, playwright, actor, author, comic book writer and spiritual guru...
's planned adaptation of Frank Herbert
Frank Herbert
Franklin Patrick Herbert, Jr. was a critically acclaimed and commercially successful American science fiction author. Although a short story author, he is best known for his novels, most notably Dune and its five sequels...
's classic science-fiction novel Dune
Dune (novel)
Dune is a science fiction novel written by Frank Herbert, published in 1965. It won the Hugo Award in 1966, and the inaugural Nebula Award for Best Novel...
. Also hired for the project was Swiss surrealist artist H. R. Giger
H. R. Giger
Hans Rudolf "Ruedi" Giger is a Swiss surrealist painter, sculptor, and set designer. He won an Academy Award for Best Achievement for Visual Effects for his design work on the film Alien.-Early life:...
. Giger showed O'Bannon his nightmarish, monochromatic artwork, which left O'Bannon deeply disturbed. "I had never seen anything that was quite as horrible and at the same time as beautiful as his work," he remembered later. The Dune film collapsed, but O'Bannon would remember Giger when Alien was greenlit, and suggested to director Ridley Scott
Ridley Scott
Sir Ridley Scott is an English film director and producer. His most famous films include The Duellists , Alien , Blade Runner , Legend , Thelma & Louise , G. I...
that he be brought on to design the Alien, saying that if he were to design a monster, it would be truly original.
After O'Bannon handed him a copy of Giger's book Necronomicon
Necronomicon (H. R. Giger)
Necronomicon was the first major published compendium of images by Swiss artist H. R. Giger. Originally published in 1977, the book was given to director Ridley Scott during the pre-production of the film Alien, who then hired Giger to produce artwork and conceptual designs for the film.The book...
, Scott immediately saw the potential for Giger's designs, and chose Necronom IV, a painting Giger completed in 1976, as the basis for the Alien's design, citing its beauty and strong sexual overtones. That the creature could just as easily have been male or female was also a strong factor in the decision to use it. "It could just as easily fuck you before it killed you", said line producer Ivor Powell, "[which] made it all the more disconcerting." Fox was initially wary of allowing Giger onto the project, saying that his works would be too disturbing for audiences, but eventually relented. Giger initially offered to completely design the Alien from scratch, but Scott mandated that he base his work on Necronom IV, saying that to start over from the beginning would be too time-consuming. Giger signed on to design the adult, egg and chest-burster forms, but ultimately also designed the alien planetoid LV-426 and the Space Jockey alien vessel.
Giger conceived the Alien as being vaguely human but a human in full armor, protected from all outside forces. He mandated that the creature have no eyes, because he felt that it made them much more frightening if you could not tell they were looking at you. Giger also gave the Alien's mouth a second inner set of Pharyngeal jaws
Pharyngeal jaws
Pharyngeal jaws are a "second set" of jaws contained within an animal's throat, or pharynx, distinct from the primary jaws. They are believed to have originated as modified gill arches, in much the same way as oral jaws....
located at the tip of a long, tongue-like proboscis which could extend rapidly for use as a weapon. His design for the creature was heavily influenced by an aesthetic he had created and termed biomechanical, a fusion of the organic and the mechanic. His mock-up of the Alien was created using parts from an old Rolls Royce
Rolls-Royce (car)
This a list of Rolls-Royce motor cars and includes vehicles produced by:*Rolls-Royce Limited *Rolls-Royce Motors , which was owned by Vickers between 1980 and 1998, and after that by Volkswagen...
car, rib bones and the vertebrae from a snake, molded with plasticine. The Alien's animatronic head, which contained 900 moving parts, was designed and constructed by special effects designer Carlo Rambaldi
Carlo Rambaldi
Carlo Rambaldi is an Italian special effects artist who is most famous for designing the title character of the 1982 film E.T. the Extra-Terrestrial and the mechanical head-effects for the creature in Alien...
. Giger and Rambaldi would both go on to win the 1980 Academy Award for Visual Effects
Academy Award for Visual Effects
The Academy Award for Visual Effects is an Academy Award given for the best achievement in visual effects.-History of the award:The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1928, presenting a...
for their design of the Alien.
Scott decided on the man-in-suit approach for creating the creature onscreen. Initially circus performers were tried, then multiple actors together in the same costume, but neither proved scary. Deciding that the creature would be scarier the closer it appeared to a human, Scott decided that a single, very tall, very thin man be used. Scott was inspired by a photograph of Leni Riefenstahl
Leni Riefenstahl
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, actress and dancer widely noted for her aesthetics and innovations as a filmmaker. Her most famous film was Triumph des Willens , a propaganda film made at the 1934 Nuremberg congress of the Nazi Party...
standing next to a 6'4" (1.94 m) Nubian. The casting director found 7'2" (2.18 m), rail-thin graphic designer Bolaji Badejo in a local pub. Badejo went to tai chi and mime classes to learn how to slow down his movements.
Name
This creature has no specific name, and has been referred to most often onscreen, and in the credits of each film, simply as the Alien. It was called an alien, an organism, and Kane's son in the first film. It has also been referred to as a creature, a serpent, a beast, a dragon, a monster, or simply, a thing. The term xenomorph (lit. "alien form"—from Greek xeno- or "strange" and -morph, shape) was used by the character Lieutenant Gorman in AliensAliens (film)
Aliens is a 1986 science fiction action film directed by James Cameron and starring Sigourney Weaver, Carrie Henn, Michael Biehn, Lance Henriksen, William Hope, and Bill Paxton...
and by Ellen Ripley
Ellen Ripley
Ellen Ripley is a fictional character and the main protagonist of the Alien film series played by American actress Sigourney Weaver. The character was heralded as a seminal role for challenging gender roles, particularly in the science fiction genre, and remains Weaver's most famous role to...
in a deleted scene from Alien 3. This term has been adopted by fans and used in merchandising as a convenient name. The species' binomial names are given in Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
as either Internecivus raptus (meant as "murderous thief") in the Alien Quadrilogy DVD or Lingua foeda acheronsis (meant as "foul tongue from Acheron") in some comic books. The main Alien from Alien vs. Predator
Alien vs. Predator (film)
Alien vs. Predator is a 2004 American science fiction film directed by Paul W. S. Anderson for 20th Century Fox and starring Sanaa Lathan and Lance Henriksen. The film adapts the Alien vs. Predator crossover imprint bringing together the eponymous creatures of the Alien and Predator series, a...
is listed in the credits as "Grid", after a grid-like wound received during the film.
Characteristics
Continuing advancements made in the field of special effectSpecial effect
The illusions used in the film, television, theatre, or entertainment industries to simulate the imagined events in a story are traditionally called special effects ....
s technology as the series progressed have led to numerous variations in the creature's design, including varying numbers of fingers and limb joints and varying head design.
Appearance
When standing upright, the Aliens are vaguely bipedal in form, though they adopt a more hunched, quadrupedal stance when walking or sprinting. They have a skeletal, biomechanicalBiomechanics
Biomechanics is the application of mechanical principles to biological systems, such as humans, animals, plants, organs, and cells. Perhaps one of the best definitions was provided by Herbert Hatze in 1974: "Biomechanics is the study of the structure and function of biological systems by means of...
appearance and are usually colored in muted shades of black, blue or bronze. Aliens do not radiate heat, as their body heat matches the ambient temperature of the environment in which they are found. In most of the films, adult Aliens have the ability of running and crawling along ceilings and walls. They have great physical strength, having been shown to be capable of breaking through welded steel doors.
Aliens have segmented, blade
Blade
A blade is that portion of a tool, weapon, or machine with a cutting edge and/or a pointed tip that is designed to cut and/or puncture, stab, slash, chop, slice, thrust, or scrape animate or inanimate surfaces or materials...
-tipped tail
Tail
The tail is the section at the rear end of an animal's body; in general, the term refers to a distinct, flexible appendage to the torso. It is the part of the body that corresponds roughly to the sacrum and coccyx in mammals, reptiles, and birds...
s. The sharp tip was initially a small, scorpion-like barb, but from Aliens onwards the blade design increased in size and changed in appearance to more closely resemble a slashing weapon. From Alien Resurrection onwards, the tails have a flat ridge of spines at the base of the blade. This was introduced to help them swim convincingly, and was left intact in the subsequent cross-overs. The original shooting script for Aliens and the novelization both featured a scene in which Lieutenant Gorman is "stung" by the barb tail and rendered unconscious. In the final cut of the movie, Gorman is knocked out by falling crates. As a weapon, the strength of the tail is very effective, having been shown to be strong enough to impale and lift a Predator with seemingly little effort. They are also adept at using their tails as blunt weapon
Weapon
A weapon, arm, or armament is a tool or instrument used with the aim of causing damage or harm to living beings or artificial structures or systems...
s, sometimes to deadly effect, as seen in Alien.
They have elongated, cylindrical skull
Skull
The skull is a bony structure in the head of many animals that supports the structures of the face and forms a cavity for the brain.The skull is composed of two parts: the cranium and the mandible. A skull without a mandible is only a cranium. Animals that have skulls are called craniates...
s, but possess no visible eyes, though in the original Alien film, the top of the creature's head was translucent, with empty eye sockets of human appearance visible within. This element was re-used for the "Predalien" 29 years later. How the creatures see is uncertain. In Alien 3, a fisheye lens
Fisheye lens
In photography, a fisheye lens is a wide-angle lens that takes in a broad, panoramic and hemispherical image. Originally developed for use in meteorology to study cloud formation and called "whole-sky lenses", fisheye lenses quickly became popular in general photography for their unique, distorted...
was used to illustrate the Alien's point of view. In the novelization of the movie Alien, the creature is held mesmerized by a spinning green light for several minutes. In Aliens, the adult creatures have a more textured head rather than a smooth carapace. In the commentary for Aliens, it was speculated that this was part of the maturation of the creatures, as they had been alive far longer than the original Alien. The smooth design of the carapace would be used again in Alien 3 and Alien Resurrection, although made narrower with a longer muzzle and more prominent chin. This design would be kept in Alien versus Predator, and abandoned in Aliens vs. Predator: Requiem in favor of the ribbed design. The Aliens' inner jaws are powerful enough to smash through bone and metal.
Throughout their appearances, human-spawned Aliens have been shown to have a fluctuating number of fingers
Hand
A hand is a prehensile, multi-fingered extremity located at the end of an arm or forelimb of primates such as humans, chimpanzees, monkeys, and lemurs...
. In Alien, the creature has webbed, six fingered hands. In Aliens, the number of fingers is reduced to three (two "paired" and a single, opposable thumb), and they are shown to be much longer and more skeletal. In Alien Resurrection, the number of digits is increased to four, with two long middle fingers and a pair of thumbs. This design is kept in the Alien vs. Predator films, though the hands were made bulkier in order to make the Aliens seem more formidable against the Predators.
Aliens have been alternately portrayed as both plantigrade
Plantigrade
right|151px|thumb|Human skeleton, showing plantigrade habitIn terrestrial animals, plantigrade locomotion means walking with the podials and metatarsals flat on the ground. It is one of three forms of locomotion adopted by mammals...
and digitigrade
Digitigrade
A digitigrade is an animal that stands or walks on its digits, or toes. Digitigrades include walking birds , cats, dogs, and many other mammals, but not plantigrades or unguligrades...
organisms, usually in accordance to their host. Human-spawned Aliens were usually portrayed as having humanoid hind limbs, while in Alien 3, the featured Alien sported double-jointed legs due to its quadrupedal host. This characteristic would be continued in Alien Resurrection for the human-spawned Aliens. Tom Woodruff, who had previously played the "dog-alien" in Alien 3, described the human-spawned Aliens in Resurrection as feeling more like a dog than the previous creature, despite having been born from human hosts. The human spawned Alien warriors would revert back to a plantigrade posture in Alien vs. Predator.
Blood and secretions
Alien blood is an extremely potent acidAcid
An acid is a substance which reacts with a base. Commonly, acids can be identified as tasting sour, reacting with metals such as calcium, and bases like sodium carbonate. Aqueous acids have a pH of less than 7, where an acid of lower pH is typically stronger, and turn blue litmus paper red...
and is capable of corroding on contact almost any substance with alarming speed. It is dull yellowish-green in color, and seems to be pressurized inside the body so that it spurts out when punctured. Shusett suggested the idea that the creature have acid blood as a plausible means to make the creature "unkillable"; if one were to use traditional firearms or explosives to attack it, its blood would eat through the hull of the ship. The Alien novelization suggests that, at least at the "facehugger" stage, the acid is not blood but a fluid maintained under pressure between a double layer of skin. In later films in the series, the Aliens are shown to be conscious of the effects of their acidic blood, and even use it to their advantage: In Alien Resurrection, two Aliens escape a cage by killing a fellow Alien so its acid eats through the cage floor; in Aliens vs. Predator a queen being held by chains apparently instructs several Aliens to slash and cut her, thus corroding the chains.
In the Aliens vs. Predator: Requiem documentary: "Science of the Alien", it is theorized that the Aliens' acid blood could be some type of "hydrosulphuric acid" composition due to its corrosiveness and the conspicuously toxic effects on living human tissue. The documentary also speculates that Aliens are immune to their own acidic and toxic liquids due to a endobiological build-up similar to the human stomach's ability to protect itself from its digestive fluids. The documentary takes this theory one step further and speculates that the Alien organisms' protection system against its own toxic hydrosulphuric acid is protecting the rest of the organism with what is basically a bio-organically produced Teflon isolation. In the film Alien vs. Predator
Alien vs. Predator (film)
Alien vs. Predator is a 2004 American science fiction film directed by Paul W. S. Anderson for 20th Century Fox and starring Sanaa Lathan and Lance Henriksen. The film adapts the Alien vs. Predator crossover imprint bringing together the eponymous creatures of the Alien and Predator series, a...
this is shown to be the case, as a Predator uses Alien chitin
Chitin
Chitin n is a long-chain polymer of a N-acetylglucosamine, a derivative of glucose, and is found in many places throughout the natural world...
to make armor for Alexa that protects her from their blood.
Aliens can produce a thick, strong resin
Resin
Resin in the most specific use of the term is a hydrocarbon secretion of many plants, particularly coniferous trees. Resins are valued for their chemical properties and associated uses, such as the production of varnishes, adhesives, and food glazing agents; as an important source of raw materials...
(secreted from their maws, giving them the look of a slavering beast) that they use to build their hives and to cocoon their victims, and they can use the walls of their hives as camouflage
Camouflage
Camouflage is a method of concealment that allows an otherwise visible animal, military vehicle, or other object to remain unnoticed, by blending with its environment. Examples include a leopard's spotted coat, the battledress of a modern soldier and a leaf-mimic butterfly...
. In the original Alien, the facehugger is shown to be able to "spit" acid, melting the faceplate of Kane's helmet and allowing the creature immediate access to the inside. This ability is also exhibited by adult Aliens in Alien 3 and Alien Resurrection; much like a spitting cobra
Spitting cobra
A spitting cobra is one of several species of cobras that have the ability to eject venom from their fangs when defending themselves against predators. The sprayed venom is harmless to intact skin...
, they use it to blind and immobilize their victims.
Intelligence and communication
Events on the LV-426 colony and USM Auriga showed that the species excels at observational learningObservational learning
Observational learning is a type of learning that occurs as a function of observing, retaining and replicating novel behavior executed by others...
and problem solving
Problem solving
Problem solving is a mental process and is part of the larger problem process that includes problem finding and problem shaping. Consideredthe most complex of all intellectual functions, problem solving has been defined as higher-order cognitive process that requires the modulation and control of...
. In both cases, the Aliens managed to learn how to operate the machinery of their mechanized environments at a very basic level. On LV-426, the Aliens were able to cut the power from a section of the complex to allow themselves access to the humans. The queen figured out to board the elevator simply by observing Ripley and Newt escaping in the one beside it, as Ripley had called for both elevators and boarded the first one to arrive. The novelisation of the film notes that the queen establishing her 'nest' at the base's main power plant could equally be the result of her selecting the warmest part of the base to make her nest or her deliberately selecting a location where any attackers would be unable to destroy her without destroying the entire facility. In the director's commentary for Aliens, James Cameron noted that the creatures in Aliens had been alive for far longer than the Alien in the original, and so had more time to learn how to manipulate machinery. On the USM Auriga, they were able to use blood from another Alien to melt through their enclosure and escape, with the Aliens in the Antarctic temple using a similar strategy to free the queen from her chains. With the exception of the "Newborn", Aliens have demonstrated little actual emotion, save for self preservation
Self preservation
Self-preservation is behavior that ensures the survival of an organism. It is universal among living organisms. In some vertebrates, pain and fear are parts of this mechanism. Pain causes discomfort so that the organism is inclined to stop the pain...
and maternal instincts
Maternal bond
The maternal bond is typically the relationship between a mother and her child.While it typically occurs due to pregnancy and childbirth, it may also occur between a woman and an unrelated child, such as in adoption...
toward their eggs.
Life cycle
Aliens are depicted as eusocial life-forms with a defined caste systemCaste
Caste is an elaborate and complex social system that combines elements of endogamy, occupation, culture, social class, tribal affiliation and political power. It should not be confused with race or social class, e.g. members of different castes in one society may belong to the same race, as in India...
which is ruled over by a queen. Their life cycle comprises several distinct stages: they begin their lives as an egg, which hatches a parasitoid
Parasitoid
A parasitoid is an organism that spends a significant portion of its life history attached to or within a single host organism in a relationship that is in essence parasitic; unlike a true parasite, however, it ultimately sterilises or kills, and sometimes consumes, the host...
larval form known as a facehugger, which then attaches itself to a living host
Host (biology)
In biology, a host is an organism that harbors a parasite, or a mutual or commensal symbiont, typically providing nourishment and shelter. In botany, a host plant is one that supplies food resources and substrate for certain insects or other fauna...
by, as its name suggests, latching onto its face. In the Alien 3 novelization, Ripley commented that this parasitoid would not likely be able to use a host any smaller than a cat, or as large as an elephant.
The facehugger then "impregnates" the host with an embryo known as a "chestburster," which, after a gestation period of several hours, erupts violently from the host's chest resulting in the death of the host
Host (biology)
In biology, a host is an organism that harbors a parasite, or a mutual or commensal symbiont, typically providing nourishment and shelter. In botany, a host plant is one that supplies food resources and substrate for certain insects or other fauna...
.
The chestburster then matures to an adult phase within a few hours, shedding its skin and replacing its cells with polarized silicon
Silicon
Silicon is a chemical element with the symbol Si and atomic number 14. A tetravalent metalloid, it is less reactive than its chemical analog carbon, the nonmetal directly above it in the periodic table, but more reactive than germanium, the metalloid directly below it in the table...
. Due to Horizontal gene transfer
Horizontal gene transfer
Horizontal gene transfer , also lateral gene transfer , is any process in which an organism incorporates genetic material from another organism without being the offspring of that organism...
during the gestation period, the Alien also takes on some of the basic physical attributes of the host from which it was born, allowing the individual alien to adapt to the host's environment.
Queen
Queen Aliens are significantly larger and stronger than the warriors, approximately 4.5 metres (14.8 ft) tall. Their body structure differs also, having two pairs of arms, one large and one small. The queen's head is larger than other adult Aliens and is protected by a large, flat crest, like a crown, and they vary from queen-to-queen. Unlike other Aliens, the queen also has high heel protrusions from its feet.Egg-laying Alien queens possess an immense ovipositor
Ovipositor
The ovipositor is an organ used by some animals for oviposition, i.e., the laying of eggs. It consists of a maximum of three pairs of appendages formed to transmit the egg, to prepare a place for it, and to place it properly...
on their lower torso, similar to a queen termite's. Unlike insect queens, there appears to be no need for drone
Drone (bee)
Drones are male honey bees. They develop from eggs that have not been fertilized, and they cannot sting, since the worker bee's stinger is a modified ovipositor .-Etymology:...
s to fertilize an Alien queen's eggs. When attached to its ovipositor, the queen is supported by a "biomechanical throne
Throne
A throne is the official chair or seat upon which a monarch is seated on state or ceremonial occasions. "Throne" in an abstract sense can also refer to the monarchy or the Crown itself, an instance of metonymy, and is also used in many expressions such as "the power behind the...
" that consists of a lattice of struts resembling massive insect legs.
In the initial cut of Alien, the Alien possessed a complete life cycle, with the still-living bodies of its victims converted into eggs. However, the scene showing this final stage was cut for reasons of pacing, leaving the ultimate origin of the eggs obscure. This allowed Aliens director James Cameron
James Cameron
James Francis Cameron is a Canadian-American film director, film producer, screenwriter, editor, environmentalist and inventor...
to introduce a concept he had initially conceived for a spec script called Mother, a massive mother Alien which laid the eggs and formed the basis for the Aliens' life cycle. Cameron conceived the Queen as a monstrous analogue to Ripley's own maternal role in the film. In that vein, some critics have compared it to Grendel's mother
Grendel's mother
Grendel's mother is one of three antagonists in the work of Old English literature of anonymous authorship, Beowulf . She is never given a name in the text....
.
The design of the queen was created by Cameron in collaboration with special effects artist Stan Winston
Stan Winston
Stanley Winston was an American visual effects supervisor, makeup artist, and film director. He was best known for his work in the Terminator series, the Jurassic Park series, Aliens, the Predator series, Iron Man, Edward Scissorhands, and Avatar...
, based upon an initial painting Cameron had done at the start of the project. The Winston Studio created a test foam core queen before constructing the full hydraulic puppet
Puppet
A puppet is an inanimate object or representational figure animated or manipulated by an entertainer, who is called a puppeteer. It is used in puppetry, a play or a presentation that is a very ancient form of theatre....
which was used for most of the scenes involving the large Alien. Two people were inside working the twin sets of arms and puppeteers off-screen worked its jaws and head. Although at the end of the film the queen was presented full-body fighting the power-loader, the audience never sees the legs of the queen, save those of the small-scale puppet that appears only briefly. In Aliens, Cameron used very selective camera-angles on the queen, using the 'less is more' style of photography. Subsequently the movie won an Oscar for Visual Effects
Academy Award for Visual Effects
The Academy Award for Visual Effects is an Academy Award given for the best achievement in visual effects.-History of the award:The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1928, presenting a...
. An adult queen was to reappear in Alien Resurrection. The original mechanical head previously used in Aliens was provided by Bob Burns
Bob Burns III
Bob Burns III is an actor, consultant, producer, archivist and historian of props, costumes, and other screen used paraphernalia from some of the greatest science fiction, fantasy, and horror motion pictures. He is best known for his work with and collection of movie props, particularly from...
. It was repainted with a blend of green and brown, giving it a shimmering, insect-like quality. This color concept would be abandoned in Alien versus Predator in favour of the original black color scheme.
In the climax of the 2004 film Alien vs. Predator
Alien vs. Predator (film)
Alien vs. Predator is a 2004 American science fiction film directed by Paul W. S. Anderson for 20th Century Fox and starring Sanaa Lathan and Lance Henriksen. The film adapts the Alien vs. Predator crossover imprint bringing together the eponymous creatures of the Alien and Predator series, a...
the queen's basic design was altered to make it more "streamlined" in appearance and its over-all size was increased to 6 meters (20 feet) tall. Other changes include the removal of the "high-heel" protrusions on its legs, including additional spines on its head and making its waist thinner because there was no need for puppeteers inside its chest. The animatronic laying queen had 47 points of hydraulic motion.
Aliens vs. Predator: Requiem (2007) introduced a younger form of the full grown queen, albeit with traits inherited from its Predator host. Recalling the facehugger's method of embryo implantation, the Predalien uses its inner mouth to directly deposit multiple chestburster embryos into pregnant female hosts. This is explained by the Brothers Strause as a means of quickly building an army of Aliens before the young queen evolves into its sedentary, egg-laying state.
Egg
The eggs laid by the queen are large, ellipsoidal leathery objects between two to three feet high with a four-lobed opening at the top. As a potential host approaches, the egg's lobes unfold like flower petals, and the parasitic facehugger extracts itself from the egg and attaches itself to the potential host. Giger initially designed the eggs with a much more obviously vaginal appearance, complete with an "inner and outer vulva". The producers complained that Catholic countries would ban the film if the allusion was too strong, so Giger doubled the lobes to four, so that, in his words, "seen from above, they would form the cross that people in Catholic countries are so fond of looking at." The interior of the original egg was composed of "Nottingham lace", which is the lining of a cow's stomach. In the first film, the quick shot of the facehugger erupting from the egg was done with sheep's intestine. Initially the egg remained totally stationary save for the hydraulic movement of the lobes; however, by Alien Resurrection the entire egg was made to ripple as it opened.Facehugger
A facehugger is the second stage in the Alien's life cycle. It has eight long finger-like legs which allow it to crawl rapidly, and a long tail adapted for making great leaps. These particular appendages give it an appearance somewhat comparable to chelicerateChelicerata
The subphylum Chelicerata constitutes one of the major subdivisions of the phylum Arthropoda, and includes horseshoe crabs, scorpions, spiders and mites...
arthropods such as arachnid
Arachnid
Arachnids are a class of joint-legged invertebrate animals in the subphylum Chelicerata. All arachnids have eight legs, although in some species the front pair may convert to a sensory function. The term is derived from the Greek words , meaning "spider".Almost all extant arachnids are terrestrial...
s and horseshoe crab
Horseshoe crab
The Atlantic horseshoe crab, Limulus polyphemus, is a marine chelicerate arthropod. Despite its name, it is more closely related to spiders, ticks, and scorpions than to crabs. Horseshoe crabs are most commonly found in the Gulf of Mexico and along the northern Atlantic coast of North America...
s.
The facehugger is a parasitoid
Parasitoid
A parasitoid is an organism that spends a significant portion of its life history attached to or within a single host organism in a relationship that is in essence parasitic; unlike a true parasite, however, it ultimately sterilises or kills, and sometimes consumes, the host...
; its only purpose is to make contact with the host's mouth for the implantation process, by gripping its legs around the victim's head and wrapping its tail around the host's neck. Upon making contact, the facehugger tightens its tail around the host's neck in order to render it unconscious through oxygen deprivation. The facehugger then inserts a proboscis
Proboscis
A proboscis is an elongated appendage from the head of an animal, either a vertebrate or an invertebrate. In simpler terms, a proboscis is the straw-like mouth found in several varieties of species.-Etymology:...
down the host's throat, supplying it with oxygen while simultaneously implanting an embryo. Attempts to remove facehuggers generally prove fatal, as the parasitoid will respond by tightening its grip, and the facehugger's acidic blood prevents it from being safely cut away.
Once the Alien embryo is safely implanted, the facehugger detaches and dies.
Giger's original design for the facehugger was a much larger creature with eyes and a spring-loaded tail. Later, in response to comments from the filmmakers, Giger reduced the creature's size substantially. At first Giger assumed that the facehugger would wrap around the outside of the astronaut's helmet, but Scott decided that it would have far more impact if the facehugger were revealed once the helmet was removed. Scott and Giger realised that the facehugger could burn through the helmet's faceplate with its acid blood; subsequent redesigns of the space helmet included a far larger faceplate to allow for this. Dan O'Bannon
Dan O'Bannon
Daniel Thomas "Dan" O'Bannon was an American motion picture screenwriter, director and occasional actor, usually in the science fiction and horror genres.-Early life and career:...
initially conceived the facehugger as somewhat resembling an octopus, possessing tentacles. However, when he received H. R. Giger
H. R. Giger
Hans Rudolf "Ruedi" Giger is a Swiss surrealist painter, sculptor, and set designer. He won an Academy Award for Best Achievement for Visual Effects for his design work on the film Alien.-Early life:...
's designs, which substituted tentacles with fingerlike digits, he thought Giger's design concept superior. Since no one was available at the time, O'Bannon decided to design the facehugger prop himself. The technical elements of the musculature and bone were added by Ron Cobb
Ron Cobb
Ron Cobb is an American cartoonist, artist, writer, film designer, and film director.By the age of 18, with no formal training in graphic illustration, Cobb was working as an animation "inbetweener" artist for Disney Studios in Burbank, California. He progressed to becoming a breakdown artist on...
. Giger's initial design for the smaller facehugger had the fingers facing forward, but O'Bannon's redesign shifted the legs to the side. When the foam rubber
Foam rubber
Foam rubber refers to rubber that has been manufactured with a foaming agent to create an air-filled matrix structure. Commercial foam rubbers are generally either polyurethane foam or natural foam rubber latex. Latex foam rubber, used in mattresses, is well-known for its endurance.-See also:*...
sculpture of the facehugger was produced, O'Bannon asked that it should remain unpainted, believing the rubber, which resembled human skin, was more plausible.
In Alien 3, another addition, a "super-facehugger" that would carry the embryo of the queen Alien, was planned but ultimately dropped. The super-facehugger is briefly glimpsed in the Assembly cut of Alien 3, but not identified as such.
Chestburster
After implantation, facehuggers die and the embryo's host wakes up afterwards showing no considerable outward negative symptoms. Symptoms build acutely after detachment of the facehugger, the most common being sore throat, slight nauseaNausea
Nausea , is a sensation of unease and discomfort in the upper stomach with an involuntary urge to vomit. It often, but not always, precedes vomiting...
, increased congestion and moderate to extreme hunger. In later stages where the incubation period
Incubation period
Incubation period is the time elapsed between exposure to a pathogenic organism, a chemical or radiation, and when symptoms and signs are first apparent...
is extended in preparation of a queen birth, symptoms will include a shortness of breath, exhaustion, and hemorrhaging (detectable through biological scanners and present in nosebleeds or other seemingly random bleeding incidents), as well as chest pains inflicted either in lack of chest space due to the chestburster's presence, or even premature attempts to escape the host. The incubating embryo takes on some of the host's DNA
DNA
Deoxyribonucleic acid is a nucleic acid that contains the genetic instructions used in the development and functioning of all known living organisms . The DNA segments that carry this genetic information are called genes, but other DNA sequences have structural purposes, or are involved in...
or traits, such as bipedalism, quadrupedalism or possessing the mandible
Mandible
The mandible pronunciation or inferior maxillary bone forms the lower jaw and holds the lower teeth in place...
s of a Predator
Predator (alien)
The Predator is a fictional extraterrestrial species featured in the Predator science-fiction franchise, characterised by its trophy hunting of other dangerous species for sport, including humans and its fictional counterparts, Aliens....
and other body structure changes. Over the course of 1–24 hours, indeterminable in some cases, and sometimes up to a week, in the case of some queens, the embryo develops into a chestburster, at which point it emerges, violently ripping open the chest of the host, killing it.
The chestburster was designed by Alien
Alien (film)
Alien is a 1979 science fiction horror film directed by Ridley Scott and starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto. The film's title refers to its primary antagonist: a highly aggressive extraterrestrial creature which...
director Ridley Scott
Ridley Scott
Sir Ridley Scott is an English film director and producer. His most famous films include The Duellists , Alien , Blade Runner , Legend , Thelma & Louise , G. I...
and constructed by special effects artist Roger Dicken. Giger had produced a model of a chestburster that resembled a "degenerate plucked turkey" and was far too large to fit inside a ribcage. Much to Giger's chagrin, his model reduced the production team to fits of laughter on sight. Scott drafted a series of alternative designs for the chestburster based on the philosophy of working "back [from the adult] to the child" and ultimately produced "something phallic." The chestburster in the original Alien was armless but arms were added in Aliens to facilitate the creature crawling its way out of its host's corpse. This concept would be abandoned in Alien Resurrection and subsequent films.
Growth and maturity
When a chestburster erupts from the body of its host, it is less than 1 feet (30.5 cm) tall. However, it soon undergoes a dramatic growth spurt, reaching adult size in a matter of hours; in Alien the chestburster had grown to 2 metres (6.6 ft) in height by the time the Nostromo crew located it again. The chestburster is shown to have molted before reaching maturity. In Aliens vs. Predator: Requiem Alien warriors are shown who are still growing, showing shedding skin. In the unrated cut, the Predalien is shown actively wiping off its final molted skin at the film's start. A shed skin of a growing chestburster is also shown, showing that the creature's final limbs do not grow in the earliest stages.Alternative forms
Aliens take on various forms depending on the characteristics of their hosts. Most of the Aliens seen to date have been human-spawned, but a number of Aliens born from other hosts have also been seen."Dog Alien"
The "Dog Alien" (also jokingly referred to as the "Bambi burster", or "Runner Alien" in the expanded universe stories), was introduced in Alien 3. The creature itself shares the same basic physical conformation and instincts as the other Aliens shown in the previous films, although there are several differences due to the host it was spawned from (a dog in the theatrical cut, an oxOx
An ox , also known as a bullock in Australia, New Zealand and India, is a bovine trained as a draft animal. Oxen are commonly castrated adult male cattle; castration makes the animals more tractable...
in the DVD assembly cut). The Dog Alien in its Chestburster form is a miniature version of the adult, unlike the larva-like human spawned chestbursters. The adult is primarily quadrupedal, has digitigrade
Digitigrade
A digitigrade is an animal that stands or walks on its digits, or toes. Digitigrades include walking birds , cats, dogs, and many other mammals, but not plantigrades or unguligrades...
hind legs and lacks the dorsal tubes of the human-spawned variety.
Concept and credit controversy
Originally, H. R. Giger was approached on July 28, 1990 by David FincherDavid Fincher
David Andrew Leo Fincher is an American film and music video director. Known for his dark and stylish thrillers, such as Seven , The Game , Fight Club , Panic Room , and Zodiac , Fincher received Academy Award nominations for Best Director for his 2008 film The Curious Case of Benjamin Button and...
and Tim Zinnemann
Tim Zinnemann
Tim Zinnemann is an American film director, producer and photographer. He is best known for his work on the films The Cowboys, The Long Riders, The Running Man and The Island of Dr. Moreau.-Life and career:...
, and was asked to redesign his own creations for Alien 3. Giger's new designs included an aquatic face-hugger and a four-legged version of the adult Alien. Giger said in an interview; "I had special ideas to make it more interesting. I designed a new creature, which was much more elegant and beastly, compared to my original. It was a four-legged Alien, more like a lethal feline
Felidae
Felidae is the biological family of the cats; a member of this family is called a felid. Felids are the strictest carnivores of the thirteen terrestrial families in the order Carnivora, although the three families of marine mammals comprising the superfamily pinnipedia are as carnivorous as the...
– a panther
Leopard
The leopard , Panthera pardus, is a member of the Felidae family and the smallest of the four "big cats" in the genus Panthera, the other three being the tiger, lion, and jaguar. The leopard was once distributed across eastern and southern Asia and Africa, from Siberia to South Africa, but its...
or something. It had a kind of skin that was built up from other creatures – much like a symbiosis
Symbiosis
Symbiosis is close and often long-term interaction between different biological species. In 1877 Bennett used the word symbiosis to describe the mutualistic relationship in lichens...
." However, when Tom Woodruff and Alec Gillis of Amalgamated Dynamics told Giger that they had their own design, Giger expressed himself as "very upset" and that the creature he had especially designed was his "baby". Even after the production severed contact, Giger continued to fax suggestions to Fincher because of his enthusiasm for the project, and made full-scale drawings and a sculpt of the Alien, all of which were rejected.
Giger would later be angered by the end credits of the released film presenting him as merely the creator of the original creature, and the fact that ADI personnel gave a series of interviews that minimized Giger's contribution. Fox eventually reimbursed Giger, but only after he refused to be interviewed for their behind-the-scenes documentary of Alien 3.
The Academy Awards overlooked Giger's contribution to Alien 3. However, Ridley Scott included Giger's name along with nominees Carlo Rambaldi and Richard Johnson. Fox, at the time Alien 3 was released, pointed out that studios are precluded from submitting nominees in the effects category directly to the Academy. This upset Giger so much that at one point he sent Academy president Karl Malden a fax with this closing comment: "I am under the strong impression that my contribution to the visual effects of the nominated movie has been intentionally suppressed", signing the letter with a large black pentagram
Pentagram
A pentagram is the shape of a five-pointed star drawn with five straight strokes...
.
Giger however would comment that he thought the resulting film was "okay" and that the Alien was "better than in the second film."
Newborn
In Alien Resurrection, due to significant genetic tampering in an attempt to recover DNA from the deceased Ellen Ripley and the Alien Queen within her, the resulting cloned Aliens show a number of minor human traits. The cloned Queen inherits a womb, and as a result it ceases to lay eggs and gives birth to a humanoid mutant. Physically, the human-Alien Newborn is very different from its brethren, being larger, with pale, translucent skin, a skull-shaped face with eyes, a human tongue and complete absence of a tail. The Newborn fails to bond with its Alien Queen mother, and kills it. Instead, the Newborn sees the Ripley clone as a surrogate parent.The Newborn creature was originally scripted by Joss Whedon
Joss Whedon
Joseph Hill "Joss" Whedon is an American screenwriter, executive producer, director, comic book writer, occasional composer and actor, founder of Mutant Enemy Productions and co-creator of Bellwether Pictures...
as being an eyeless, ivory-white quadruped with red veins running along the sides of its head. It had an inner jaw, with the addition of a pair of pincers on the sides of its head. These pincers would have been used to immobilise its prey as it drained it of blood through the inner jaw. The creature was also meant to rival the Queen in size.
Jean-Pierre Jeunet
Jean-Pierre Jeunet
-Life and career:Jean-Pierre Jeunet was born in Roanne, Loire, France. He bought his first camera at the age of 17 and made short films while studying animation at Cinémation Studios. He befriended Marc Caro, a designer and comic book artist who became his longtime collaborator and...
later asked ADI to lean towards making the human-Alien hybrid, known as the Newborn, more human than Alien. The Newborn's eyes and nose were added to improve its expressions to make it a character, rather than just a "killing machine", and give it depth as a character. Jeunet was adamant about the Newborn having genitalia, a mix of both sexes. However, Fox was uncomfortable and even Jeunet felt "even for a Frenchman, it's too much." The genitalia were digitally removed in post-production
Post-production
Post-production is part of filmmaking and the video production process. It occurs in the making of motion pictures, television programs, radio programs, advertising, audio recordings, photography, and digital art...
. The Newborn animatronic required nine puppeteers and was the most complex animatronic in the film.
Predalien
This variation is the result of a facehugger impregnating a PredatorPredator (alien)
The Predator is a fictional extraterrestrial species featured in the Predator science-fiction franchise, characterised by its trophy hunting of other dangerous species for sport, including humans and its fictional counterparts, Aliens....
. The "Predalien" was first depicted in a painting by Dave Dorman
Dave Dorman
Dave Dorman is a science fiction, horror and fantasy illustrator.-Background:Dorman's parents are Air Force Lieutenant Colonel Jack N. Dorman and Phyllis Dorman. Both parents are deceased. Dorman is married to award-winning TV/video producer, writer and publicist Denise Dorman of WriteBrain Media...
, and subsequently featured in the Aliens versus Predator comics and games. A Predalien chestburster debuts in the final scene of Alien vs. Predator, but it is not until Aliens vs. Predator: Requiem that an adult hybrid makes its first movie appearance.
The Predalien shares many characteristics with its host, such as long hair-like appendages, mandible
Mandible
The mandible pronunciation or inferior maxillary bone forms the lower jaw and holds the lower teeth in place...
s, skin color and similar vocalizations. It is a large, bulky creature, and possesses physical strength greater than that of human-spawned Aliens. Like human-born Aliens, it is also shown to be stronger than its host species, as evidenced by its ability to pin, push, and knock a Predator away with ease. It also possessed the ability to impregnate human hosts with multiple Alien embryos.
Cultural impact
In the years since the release of Alien, the Alien has become one of the world's most recognized movie monsters and a pop-cultural icon. In 2003, the Alien was voted as the 14th most memorable screen villain by the American Film InstituteAmerican Film Institute
The American Film Institute is an independent non-profit organization created by the National Endowment for the Arts, which was established in 1967 when President Lyndon B. Johnson signed the National Foundation on the Arts and the Humanities Act...
.
Blondie
Blondie (band)
Blondie is an American rock band, founded by singer Deborah Harry and guitarist Chris Stein. The band was a pioneer in the early American New Wave and punk scenes of the mid-1970s...
co-founder Chris Stein
Chris Stein
Christopher "Chris" Stein is co-founder and guitarist in the New Wave band, Blondie. He is also a producer and performer for the classic soundtrack of the hip hop film Wild Style....
, who is a friend of Giger, pondered in an interview:
I'd like to see someone even vaguely compile how many versions of the Alien are floating around the world in models and stuff; there must be close to 100,000–little toys, things. All the Japanese horror comics just plunder his style.
Examples of Alien-inspired works include the classic video games Contra and Metroid
Metroid
is an action-adventure video game, and the first entry in the Metroid series. It was co-developed by Nintendo's Research and Development 1 division and Intelligent Systems, and was released in Japan in August 1986, in North America in August 1987, and in Europe in January 1988...
.
The Aliens have appeared in many crossovers
Fictional crossover
A fictional crossover is the placement of two or more otherwise discrete fictional characters, settings, or universes into the context of a single story. They can arise from legal agreements between the relevant copyright holders, or because of unauthorized efforts by fans, or even amid common...
(including a large number of intercompany crossover
Intercompany crossover
In comic books, an intercompany crossover is a comic or series of comics where characters published by one company meet those published by another...
s) in comic books and other media such as novels, toys, and video games. Crossovers include encounters with Terminators
Terminator (character concept)
In the Terminator film series, a terminator is an autonomous robot, typically humanoid, originally conceived as a virtually indestructible soldier and assassin, as well as an infiltrator....
, Judge Dredd
Judge Dredd
Judge Joseph Dredd is a comics character whose strip in the British science fiction anthology 2000 AD is the magazine's longest running . Dredd is an American law enforcement officer in a violent city of the future where uniformed Judges combine the powers of police, judge, jury and executioner...
, Green Lanterns
Green Lantern Corps
The Green Lantern Corps is the name of a fictional intergalactic military/police force appearing in comics published by DC Comics. They patrol the farthest reaches of the DC Universe at the behest of the Guardians, a race of immortals residing on the planet Oa...
, Batman
Batman
Batman is a fictional character created by the artist Bob Kane and writer Bill Finger. A comic book superhero, Batman first appeared in Detective Comics #27 , and since then has appeared primarily in publications by DC Comics...
, and Superman
Superman
Superman is a fictional comic book superhero appearing in publications by DC Comics, widely considered to be an American cultural icon. Created by American writer Jerry Siegel and Canadian-born American artist Joe Shuster in 1932 while both were living in Cleveland, Ohio, and sold to Detective...
. The largest of these crossovers is the Alien vs. Predator
Alien vs. Predator
Aliens vs. Predator, also known as Alien vs. Predator and Aliens versus Predator , is a science fiction-horror fiction series spanning several media. The series is a crossover between two film franchises about extraterrestrial beings: the Aliens and the Predators...
franchise, in which the Aliens battle the Predators
Predator (alien)
The Predator is a fictional extraterrestrial species featured in the Predator science-fiction franchise, characterised by its trophy hunting of other dangerous species for sport, including humans and its fictional counterparts, Aliens....
. This was an idea that came to comic book artist Chris Warner
Chris Warner (comics)
Chris Warner is a comic book writer and artist who has done work for Dark Horse, notably their mid-1990s line of Comics' Greatest World and Dark Horse Heroes....
in early 1989. He and other people at Dark Horse Comics
Dark Horse Comics
Dark Horse Comics is the largest independent American comic book and manga publisher.Dark Horse Comics was founded in 1986 by Mike Richardson in Milwaukie, Oregon, with the concept of establishing an ideal atmosphere for creative professionals. Richardson started out by opening his first comic book...
were trying to come up with a good character combo for a new comics series. Dark Horse had been publishing Aliens
Aliens (comic book)
The Aliens comic books were first published by Dark Horse Comics in 1988 and set in the Alien fictional universe.Some stories often feature the company Weyland-Yutani and the United States Colonial Marines. Originally intended as a sequel to James Cameron's Aliens, the first mini-series features...
comic book under license from 20th Century Fox
20th Century Fox
Twentieth Century Fox Film Corporation — also known as 20th Century Fox, or simply 20th or Fox — is one of the six major American film studios...
since 1987. In 1990, the first depiction of the idea in film appeared in Predator 2
Predator 2
Predator 2 is a 1990 science fiction action film starring Danny Glover, Gary Busey, María Conchita Alonso, Rubén Blades, and Bill Paxton. Written by Jim and John Thomas and directed by Stephen Hopkins, the film is a sequel to 1987's Predator, with Kevin Peter Hall again playing the role of the...
, when an Alien skull, sculpted by Kevin Hudson, appeared as one of the trophies in the Predator spacecraft.
See also
- List of castes from the Alien expanded universe
- Aliens (comic book)Aliens (comic book)The Aliens comic books were first published by Dark Horse Comics in 1988 and set in the Alien fictional universe.Some stories often feature the company Weyland-Yutani and the United States Colonial Marines. Originally intended as a sequel to James Cameron's Aliens, the first mini-series features...
- Predator (alien)Predator (alien)The Predator is a fictional extraterrestrial species featured in the Predator science-fiction franchise, characterised by its trophy hunting of other dangerous species for sport, including humans and its fictional counterparts, Aliens....