Ivan Yershov
Encyclopedia
Ivan Vasiliyevitch Yershov or Ershov , born November 8, 1867 - died November 21, 1943, was a Russian opera
singer. He earned renown for his brilliant performances at the Mariinsky Theatre
in Saint Petersburg
, performing some of the most demanding roles written for the dramatic tenor
voice.
. He entered the Aleksandrovsk railroad school in 1884 and trained to become a mechanic/engine driver. In his spare time, he sang in choirs. The outstanding potential of his voice was noticed and he received singing lessons in Moscow. In 1888, Anton Rubinstein
awarded him a scholarship to the Saint Petersburg Conservatory
where he was assigned to the class of the distinguished teacher Stanislav Ivanovich Gabel (1849-1924). He studied, too, with Joseph Palacek at the conservatory.
According to the Concise Oxford Dictionary of Opera at least, Yershov made his operatic debut in Saint Petersburg in 1893 as Gounod's Faust.
The young tenor travelled to Italy the following year to complete his studies in Milan
with Ernesto Rossi
. While in Italy, he performed at Turin
and at Reggio Emilia
, appearing as Don Jose in Carmen
and Canio in Pagliacci
. He returned to Russia in 1894 and took up an engagement with the Kharkov Opera. Here he sang a variety of roles as diverse as Romeo in Roméo et Juliette, Arturo in I puritani
, Samson in Samson and Delilah
, Vladimir in Prince Igor
and Ernani in Ernani
. Yershov met with considerable success at Kharkov, although his voice still exhibited some shortcomings. Such was his promise, however, he was offered a contract by Russia's foremost opera house, the Mariinsky Theatre in Saint Petersburg. His debut as a Mariinsky artist came in the title role of Faust
in January 1895.
Yershov's singing continued to grow in size and technical assurance following his arrival at the Mariinsky. Before long, he was being hailed by audiences and music critics alike as Russia's finest dramatic tenor.
He would appear regularly at the Mariinsky in a wide spectrum of operatic works, including Peter Tchaikovsky's masterpiece Eugene Onegin
, in which he sang the part of Lenski. He also sang the title roles in Tannhäuser
and Lohengrin
and appeared as Faust in Mefistofele
. The part of Roland in Esclarmonde
was added in 1897 to his repertoire. In 1900, he appeared as Tristan in Tristan und Isolde
and Raoul in Les Huguenots
. He sang the title role in Otello
the next year, and that of Siegfried in Siegfried
in 1902. He appeared, too, as Radames in Aida
and Paolo in Francesca da Rimini
in 1904. Other roles which he undertook included John of Leyden, Florestan, Grishka Kuterma, Sobinin, Tsar Berendey, Sadko, Finn, Mikhailo Tucha, Orest, Gvidan and Golitsyn. He also gave concerts featuring vocal music by Tchaikovsky, Modest Mussorgsky
, J.S. Bach, G.F. Handel, Robert Schumann
, Hector Berlioz
and other prominent composers.
In private life Yershov was a reserved, serious-minded individual who shunned the limelight and was genuinely humble about his achievements. He also disliked travel and when Cosima Wagner
asked him in 1901 to sing at the Bayreuth Festival
, he declined the invitation on the grounds that he did not wish to restudy his Wagnerian roles in German. (He also feared that his musical interpretations would be stifled by the prevailing Bayreuth style of singing, which preferred Sprechgesang
to bel canto
.)
Yershov believed strongly that opera was an important art form and not mere entertainment for the wealthy. After the Russian Revolution of 1917, he concentrated most of his energies on producing operatic works and teaching vocal students at the Leningrad
(Saint Petersburg) Conservatory, although, in February 1919, he agreed to perform the leading role in a revival of Rimsky-Korsakov's Kashchey the Deathless. He also sang Truffaldino in Prokofiev's The Love for Three Oranges, which received its premiere Russian performance in February 1926 at the Mariinsky (or the "Leningrad State Academic Theatre for Opera and Ballet" as it had been renamed by the Soviet authorities).
Yershov retired from the stage in 1929, having performed in approximately 55 different operas during the course of his career. In 1938, he was made a People's Artist of the Soviet Union and awarded a doctorate of musicology three years later. He was evacuated to Tashkent
in Uzbekistan
during the German army's invasion of Russia in World War II. Yershov died in Tashkent in 1943 at the age of 76. His remains were brought back to Russia for reinterment in 1956. Plot: he died during the evacuation and in 1956 was re-buried in Necropolis of Arts Alexander Nevsky Monastery (Saint Petersburg)http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=56960407
Painter and graphic designer. He was born into an artistic family; his father Ivan Ershov was an opera singer with the Imperial Marinskii Theatre and his mother was both a singer and a professor at the St Petersburg Conservatoire.
In 1932, Ershov began his studies at the academy of Painting, Sclpture and Architecture. Amongst his professors were I.Brodsky and I.Bilibin, the masters of the «silver age» of Russian paintings. His studies were interrupted by the Second World War when he was evacuated to Tashkent. Ershov graduated from the Academy in 1947, presenting litographs for A. Pushkin's Bronze Horseman. In 1949, a jubilee edition of Pushkin's works was published with illustrations by the artist. From the 1950s onwards, he worked mainly as an illustratorof children's books. At least two generations of Russian children grew up reading Khorovod with Ershov's illustrations. His illustrations for the Russian folk tales by Charles Perrault and Aleksandr Pushkin were very popular; The tale of the Golden Cockerel (1957-1960), A tale of the Fisherman and his wife (1956-57), Russian fairy-tales (1957-1960). Ershov also illustrated the books of contemporary poets such as M.Dudin, E.Rein, and G.Sapgir. The total publication of Ershov's children's books exceeeds 1.2 mln copies.
Ershov's works can be found in the collectons of a number of Russian museums including the State Russian Museum and Museum of A.S. Pushkin and in museums and private collections in both France and England.
(bio provided by the grand-daughter Xenia Krivocheine)Paris "Une atmosphère de conte de fées" http://www.egliserusse.eu/blogdiscussion/Une-atmosphere-de-conte-de-fees_a680.html
, Francesco Tamagno
, Enrico Caruso, Lauritz Melchior
, Beniamino Gigli
and Jussi Björling
. His enormous reputation is supported by a handful of acoustic discs which he made in Saint Petersburg for Columbia Records
in 1903, and which are now available on CD reissues. These recordings consist of some Russian songs and a few operatic arias by Giacomo Meyerbeer
, Richard Wagner
and Giuseppe Verdi
. Despite their sonic limitations, caused by the technological limitations of the day, they show that he possessed a powerful, steady, pure-toned voice of wide compass with clarion high notes and a formidable technique.
Yershov was praised, too, for his theatrical make-up skills and vivid stage presence. His acting was said to be on the same level as that of his celebrated contemporary, the bass Feodor Chaliapin
.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
singer. He earned renown for his brilliant performances at the Mariinsky Theatre
Mariinsky Theatre
The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. The...
in Saint Petersburg
Saint Petersburg
Saint Petersburg is a city and a federal subject of Russia located on the Neva River at the head of the Gulf of Finland on the Baltic Sea...
, performing some of the most demanding roles written for the dramatic tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
voice.
Career
Yershov was born illegitimate into a poor family in NovocherkasskNovocherkassk
Novocherkassk is a city in Rostov Oblast, Russia, located on the right bank of the Tuzlov River and on the Aksay River. Population: 169,039 ; 170,822 ; 178,000 ; 123,000 ; 81,000 ; 52,000 ....
. He entered the Aleksandrovsk railroad school in 1884 and trained to become a mechanic/engine driver. In his spare time, he sang in choirs. The outstanding potential of his voice was noticed and he received singing lessons in Moscow. In 1888, Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
awarded him a scholarship to the Saint Petersburg Conservatory
Saint Petersburg Conservatory
The N. A. Rimsky-Korsakov Saint Petersburg State Conservatory is a music school in Saint Petersburg. In 2004, the conservatory had around 275 faculty members and 1,400 students.-History:...
where he was assigned to the class of the distinguished teacher Stanislav Ivanovich Gabel (1849-1924). He studied, too, with Joseph Palacek at the conservatory.
According to the Concise Oxford Dictionary of Opera at least, Yershov made his operatic debut in Saint Petersburg in 1893 as Gounod's Faust.
The young tenor travelled to Italy the following year to complete his studies in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
with Ernesto Rossi
Ernesto Rossi (actor)
Ernesto Rossi , was an Italian actor and playwright.He was born in Livorno to a middle class family and was intending to study at the university there, when he substituted for an actor in the Calloud theatre company who had become ill. After his successful performance, he continued performing with...
. While in Italy, he performed at Turin
Turin
Turin is a city and major business and cultural centre in northern Italy, capital of the Piedmont region, located mainly on the left bank of the Po River and surrounded by the Alpine arch. The population of the city proper is 909,193 while the population of the urban area is estimated by Eurostat...
and at Reggio Emilia
Reggio Emilia
Reggio Emilia is an affluent city in northern Italy, in the Emilia-Romagna region. It has about 170,000 inhabitants and is the main comune of the Province of Reggio Emilia....
, appearing as Don Jose in Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
and Canio in Pagliacci
Pagliacci
Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...
. He returned to Russia in 1894 and took up an engagement with the Kharkov Opera. Here he sang a variety of roles as diverse as Romeo in Roméo et Juliette, Arturo in I puritani
I puritani
I puritani is an opera in three acts by Vincenzo Bellini. It was his last opera. Its libretto is by Count Carlo Pepoli, based on Têtes rondes et Cavaliers by Jacques-François Ancelot and Joseph Xavier Saintine, which is in turn based on Walter Scott's novel Old Mortality. It was first produced at...
, Samson in Samson and Delilah
Samson and Delilah (opera)
Samson and Delilah , Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire...
, Vladimir in Prince Igor
Prince Igor
Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185...
and Ernani in Ernani
Ernani
Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. The first production took place at La Fenice Theatre, Venice on 9 March 1844...
. Yershov met with considerable success at Kharkov, although his voice still exhibited some shortcomings. Such was his promise, however, he was offered a contract by Russia's foremost opera house, the Mariinsky Theatre in Saint Petersburg. His debut as a Mariinsky artist came in the title role of Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
in January 1895.
Yershov's singing continued to grow in size and technical assurance following his arrival at the Mariinsky. Before long, he was being hailed by audiences and music critics alike as Russia's finest dramatic tenor.
He would appear regularly at the Mariinsky in a wide spectrum of operatic works, including Peter Tchaikovsky's masterpiece Eugene Onegin
Eugene Onegin (opera)
Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
, in which he sang the part of Lenski. He also sang the title roles in Tannhäuser
Tannhäuser (opera)
Tannhäuser is an opera in three acts, music and text by Richard Wagner, based on the two German legends of Tannhäuser and the song contest at Wartburg...
and Lohengrin
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
and appeared as Faust in Mefistofele
Mefistofele
Mefistofele is an opera in a prologue, four acts and an epilogue, the only completed opera by the Italian composer-librettist Arrigo Boito.-Composition history:...
. The part of Roland in Esclarmonde
Esclarmonde
Esclarmonde is an opéra in four acts and eight tableaux, with prologue and epilogue, by Jules Massenet, to a French libretto by Alfred Blau and Louis Ferdinand de Gramont....
was added in 1897 to his repertoire. In 1900, he appeared as Tristan in Tristan und Isolde
Tristan und Isolde
Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting...
and Raoul in Les Huguenots
Les Huguenots
Les Huguenots is a French opera by Giacomo Meyerbeer, one of the most popular and spectacular examples of the style of grand opera. The opera is in five acts and premiered in Paris in 1836. The libretto was written by Eugène Scribe and Émile Deschamps....
. He sang the title role in Otello
Otello
Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....
the next year, and that of Siegfried in Siegfried
Siegfried (opera)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen , by Richard Wagner. It received its premiere at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring...
in 1902. He appeared, too, as Radames in Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
and Paolo in Francesca da Rimini
Francesca da Rimini (Zandonai)
Francesca da Rimini is an opera in four acts, composed by Riccardo Zandonai, with libretto by Tito Ricordi, , after a play by Gabriele D'Annunzio. It was premiered at the Teatro Regio in Turin on February 19, 1914, and is still staged occasionally.This opera is Zandonai's best-known work...
in 1904. Other roles which he undertook included John of Leyden, Florestan, Grishka Kuterma, Sobinin, Tsar Berendey, Sadko, Finn, Mikhailo Tucha, Orest, Gvidan and Golitsyn. He also gave concerts featuring vocal music by Tchaikovsky, Modest Mussorgsky
Modest Mussorgsky
Modest Petrovich Mussorgsky was a Russian composer, one of the group known as 'The Five'. He was an innovator of Russian music in the romantic period...
, J.S. Bach, G.F. Handel, Robert Schumann
Robert Schumann
Robert Schumann, sometimes known as Robert Alexander Schumann, was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era....
, Hector Berlioz
Hector Berlioz
Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
and other prominent composers.
In private life Yershov was a reserved, serious-minded individual who shunned the limelight and was genuinely humble about his achievements. He also disliked travel and when Cosima Wagner
Cosima Wagner
Cosima Francesca Gaetana Wagner, née de Flavigny, from 1844 known as Cosima Liszt; was the daughter of Hungarian composer Franz Liszt...
asked him in 1901 to sing at the Bayreuth Festival
Bayreuth Festival
The Bayreuth Festival is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th century German composer Richard Wagner are presented...
, he declined the invitation on the grounds that he did not wish to restudy his Wagnerian roles in German. (He also feared that his musical interpretations would be stifled by the prevailing Bayreuth style of singing, which preferred Sprechgesang
Sprechgesang
Sprechgesang and Sprechstimme are musical terms used to refer to an expressionist vocal technique between singing and speaking. Though sometimes used interchangeably, sprechgesang is a term directly related to the operatic recitative manner of singing , whereas sprechstimme is...
to bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
.)
Yershov believed strongly that opera was an important art form and not mere entertainment for the wealthy. After the Russian Revolution of 1917, he concentrated most of his energies on producing operatic works and teaching vocal students at the Leningrad
Leningrad
Leningrad is the former name of Saint Petersburg, Russia.Leningrad may also refer to:- Places :* Leningrad Oblast, a federal subject of Russia, around Saint Petersburg* Leningrad, Tajikistan, capital of Muminobod district in Khatlon Province...
(Saint Petersburg) Conservatory, although, in February 1919, he agreed to perform the leading role in a revival of Rimsky-Korsakov's Kashchey the Deathless. He also sang Truffaldino in Prokofiev's The Love for Three Oranges, which received its premiere Russian performance in February 1926 at the Mariinsky (or the "Leningrad State Academic Theatre for Opera and Ballet" as it had been renamed by the Soviet authorities).
Yershov retired from the stage in 1929, having performed in approximately 55 different operas during the course of his career. In 1938, he was made a People's Artist of the Soviet Union and awarded a doctorate of musicology three years later. He was evacuated to Tashkent
Tashkent
Tashkent is the capital of Uzbekistan and of the Tashkent Province. The officially registered population of the city in 2008 was about 2.2 million. Unofficial sources estimate the actual population may be as much as 4.45 million.-Early Islamic History:...
in Uzbekistan
Uzbekistan
Uzbekistan , officially the Republic of Uzbekistan is a doubly landlocked country in Central Asia and one of the six independent Turkic states. It shares borders with Kazakhstan to the west and to the north, Kyrgyzstan and Tajikistan to the east, and Afghanistan and Turkmenistan to the south....
during the German army's invasion of Russia in World War II. Yershov died in Tashkent in 1943 at the age of 76. His remains were brought back to Russia for reinterment in 1956. Plot: he died during the evacuation and in 1956 was re-buried in Necropolis of Arts Alexander Nevsky Monastery (Saint Petersburg)http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=56960407
- Wife: Akimova, Sofia Vladimirovna ( 1887 – 1972 ) opera singer soprano. Sophia Akimova was born in Tiflis, and received her vocal training under Maria Slavina. She became the wife of fellow opera singer and actor Ivan Vasilievich Ershov (1867 – 1943). Sofia performed as a soloist with the Marinskii Theatre in Petrograd, and was later appointed a professor of music at the Leningrad Conservatory.
- Son: Igor Ivanovich Ershov ( 1916-1985 )
Painter and graphic designer. He was born into an artistic family; his father Ivan Ershov was an opera singer with the Imperial Marinskii Theatre and his mother was both a singer and a professor at the St Petersburg Conservatoire.
In 1932, Ershov began his studies at the academy of Painting, Sclpture and Architecture. Amongst his professors were I.Brodsky and I.Bilibin, the masters of the «silver age» of Russian paintings. His studies were interrupted by the Second World War when he was evacuated to Tashkent. Ershov graduated from the Academy in 1947, presenting litographs for A. Pushkin's Bronze Horseman. In 1949, a jubilee edition of Pushkin's works was published with illustrations by the artist. From the 1950s onwards, he worked mainly as an illustratorof children's books. At least two generations of Russian children grew up reading Khorovod with Ershov's illustrations. His illustrations for the Russian folk tales by Charles Perrault and Aleksandr Pushkin were very popular; The tale of the Golden Cockerel (1957-1960), A tale of the Fisherman and his wife (1956-57), Russian fairy-tales (1957-1960). Ershov also illustrated the books of contemporary poets such as M.Dudin, E.Rein, and G.Sapgir. The total publication of Ershov's children's books exceeeds 1.2 mln copies.
Ershov's works can be found in the collectons of a number of Russian museums including the State Russian Museum and Museum of A.S. Pushkin and in museums and private collections in both France and England.
(bio provided by the grand-daughter Xenia Krivocheine)Paris "Une atmosphère de conte de fées" http://www.egliserusse.eu/blogdiscussion/Une-atmosphere-de-conte-de-fees_a680.html
Recordings & Assessment
Although his career was almost completely confined to Russia, Yershov is considered to have been one of the very best operatic tenors of the past 125 years, on a par with the likes of Jean de ReszkeJean de Reszke
Jean de Reszke, born Jan Mieczyslaw, , was a Polish tenor. Renowned internationally for the high quality of his singing and the elegance of his bearing, he became the biggest male opera star of the late 19th century....
, Francesco Tamagno
Francesco Tamagno
Francesco Tamagno was an operatic tenor from Italy who sang with enormous success throughout Europe and America. On 5 February 1887, he cemented his place in musical history by creating the role of Otello in Giuseppe Verdi's masterpiece of the same name...
, Enrico Caruso, Lauritz Melchior
Lauritz Melchior
Lauritz Melchior was a Danish and later American opera singer. He was the pre-eminent Wagnerian tenor of the 1920s, 1930s, and 1940s, and has since come to be considered the quintessence of his voice type.-Biography:...
, Beniamino Gigli
Beniamino Gigli
Beniamino Gigli was an Italian opera singer. The most famous tenor of his generation, he was renowned internationally for the great beauty of his voice and the soundness of his vocal technique. Music critics sometimes took him to task, however, for what was perceived to be the over-emotionalism...
and Jussi Björling
Jussi Björling
Johan Jonatan "Jussi" Björling was a Swedish tenor. One of the leading operatic singers of the 20th Century, Björling appeared frequently at the Royal Opera House in London, La Scala in Milan, and the Metropolitan Opera in New York City as well as at other major European opera...
. His enormous reputation is supported by a handful of acoustic discs which he made in Saint Petersburg for Columbia Records
Columbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...
in 1903, and which are now available on CD reissues. These recordings consist of some Russian songs and a few operatic arias by Giacomo Meyerbeer
Giacomo Meyerbeer
Giacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
, Richard Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
and Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
. Despite their sonic limitations, caused by the technological limitations of the day, they show that he possessed a powerful, steady, pure-toned voice of wide compass with clarion high notes and a formidable technique.
Yershov was praised, too, for his theatrical make-up skills and vivid stage presence. His acting was said to be on the same level as that of his celebrated contemporary, the bass Feodor Chaliapin
Feodor Chaliapin
Feodor Ivanovich Chaliapin was a Russian opera singer. The possessor of a large and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form.During the first phase...
.