En travesti
Encyclopedia
Travesti is a theatrical term referring to the portrayal of a character in an opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

, play
Play (theatre)
A play is a form of literature written by a playwright, usually consisting of scripted dialogue between characters, intended for theatrical performance rather than just reading. There are rare dramatists, notably George Bernard Shaw, who have had little preference whether their plays were performed...

, or ballet
Ballet
Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with...

 by a performer of the opposite sex. Some sources regard 'travesti' as an Italian term, some as French. Depending on sources, the term may be given as travesty, travesti, or en travesti. The Oxford Essential Dictionary of Foreign Terms in English explains the origin of the latter term as "pseudo-French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...

", although French sources from the mid-19th century have used the term, e.g. Bibliothèque musicale du Théâtre de l'opéra (1876), La revue des deux mondes (1868), and have continued the practice into the 21st century.

For social reasons, female roles were played by boys or men in many early forms of theatre, and travesti roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime
Pantomime
Pantomime — not to be confused with a mime artist, a theatrical performer of mime—is a musical-comedy theatrical production traditionally found in the United Kingdom, Australia, New Zealand, Canada, Jamaica, South Africa, India, Ireland, Gibraltar and Malta, and is mostly performed during the...

 traditionally contains a role for a "principal boy
Principal boy
In pantomime, a principal boy role is the young male protagonist of the play, traditionally played by a young actress in boy's clothes.The tradition grew out of laws restricting the use of child actors in London theatre, and the responsibility carried by such lead roles...

", a breeches role
Breeches role
A breeches role is a role in which an actress appears in male clothing .In opera it also refers to any male character that is sung and acted by a female singer...

 played by a young woman, and also one or more pantomime dame
Pantomime dame
A pantomime dame is a traditional character in British pantomime. It is a continuation of en travesti portrayal of female characters by male actors in drag. They are often played either in an extremely camp style, or else by men acting 'butch' in women's clothing...

s, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles.

Men in female roles

Until the late 17th century in Europe, women were conventionally portrayed by male actors (usually adolescents) in drag
Drag (clothing)
Drag is used for any clothing carrying symbolic significance but usually referring to the clothing associated with one gender role when worn by a person of another gender. The origin of the term "drag" is unknown, but it may have originated in Polari, a gay street argot in England in the early...

 because the presence of actual women on stage was considered immoral. As a boy player
Boy player
Boy player is a common term for the adolescent males employed by Medieval and English Renaissance playing companies. Some boy players worked for the mainstream companies and performed the female roles, as women did not perform on the English stage in this period...

, Alexander Cooke
Alexander Cooke
Alexander Cooke was an actor in the King's Men, the acting company of William Shakespeare and Richard Burbage.Edmond Malone introduced the hypothesis, still current though far from certain, that Cooke originated Shakespeare's principal female roles...

, is thought to have created many of Shakespeare's principal female roles, as well as Agrippina
Agrippina the elder
Vipsania Agrippina or most commonly known as Agrippina Major or Agrippina the Elder was a distinguished and prominent granddaughter of the Emperor Augustus. Agrippina was the wife of the general, statesman Germanicus and a relative to the first Roman Emperors...

 in Ben Jonson
Ben Jonson
Benjamin Jonson was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems...

's Sejanus His Fall. With the Restoration of the monarchy in 1660, women began to appear on the English stage, although some female roles continued to be played by boys and young men, including romantic leads. Edward Kynaston
Edward Kynaston
Edward Kynaston was an English actor, one of the last Restoration "boy players," young male actors who played women's roles.-Career:...

, whose roles included the title role in Ben Jonson's Epicoene
Epicoene, or the Silent Woman
Epicœne, or The silent woman, also known as The Epicene, is a comedy by Renaissance playwright Ben Jonson. It was originally performed by the Blackfriars Children, a group of boy players, in 1609...

 and Evadne in Beaumont
Francis Beaumont
Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher....

 and Fletcher's
John Fletcher (playwright)
John Fletcher was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; both during his lifetime and in the early Restoration, his fame rivalled Shakespeare's...

 The Maid's Tragedy
The Maid's Tragedy
The Maid's Tragedy is a play by Francis Beaumont and John Fletcher. It was first published in 1619.The play was one of the earliest works in the canon of Fletcher and his collaborators that was acted by the King's Men; Fletcher would spend most of his career as that company's regular playwright...

, was one of the last of the era's boy players. London's Shakespeare's Globe
Shakespeare's Globe
Shakespeare's Globe is a reconstruction of the Globe Theatre, an Elizabethan playhouse in the London Borough of Southwark, located on the south bank of the River Thames, but destroyed by fire in 1613, rebuilt 1614 then demolished in 1644. The modern reconstruction is an academic best guess, based...

 theatre, a modern reconstruction of the original Globe Theatre
Globe Theatre
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, and was destroyed by fire on 29 June 1613...

, continues the practice of casting men in female Shakespearean roles. Toby Cockerell
Toby Cockerell
Toby Cockerell is an English actor who played the part of Scott Windsor in ITV's Emmerdale from 1993–1996.-External links:...

 played Katherine of France in the theatre's opening production of Henry V
Henry V (play)
Henry V is a history play by William Shakespeare, believed to be written in approximately 1599. Its full titles are The Cronicle History of Henry the Fifth and The Life of Henry the Fifth...

 in 1997, while Mark Rylance
Mark Rylance
Mark Rylance is an English actor, theatre director and playwright.As an actor, Rylance found success on stage and screen. For his work in theatre he has won Olivier and Tony Awards among others, and a BAFTA TV Award...

 played Cleopatra in the 1999 production of Antony and Cleopatra
Antony and Cleopatra
Antony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. It was first printed in the First Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Lives and follows the relationship between Cleopatra and Mark Antony...

. Travesti roles for men are still to be found in British pantomime
Pantomime
Pantomime — not to be confused with a mime artist, a theatrical performer of mime—is a musical-comedy theatrical production traditionally found in the United Kingdom, Australia, New Zealand, Canada, Jamaica, South Africa, India, Ireland, Gibraltar and Malta, and is mostly performed during the...

, where there is at least one humorous (and usually older) female character traditionally played by a male actor, the pantomime dame
Pantomime dame
A pantomime dame is a traditional character in British pantomime. It is a continuation of en travesti portrayal of female characters by male actors in drag. They are often played either in an extremely camp style, or else by men acting 'butch' in women's clothing...

.

Castrati
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...

, adult males with a female singing voice (usually produced by castration before puberty), appeared in the earliest operas – initially in female roles. In the first performance of Monteverdi's Orfeo
Orfeo
L'Orfeo , sometimes called L'Orfeo, favola in musica, is an early Baroque opera by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to...

 in 1607 the roles of Eurydice
Eurydice
Eurydice in Greek mythology, was an oak nymph or one of the daughters of Apollo . She was the wife of Orpheus, who loved her dearly; on their wedding day, he played joyful songs as his bride danced through the meadow. One day, a satyr saw and pursued Eurydice, who stepped on a venomous snake,...

 and Proserpina
Proserpina
Proserpina or Proserpine is an ancient Roman goddess whose story is the basis of a myth of Springtime. Her Greek goddess' equivalent is Persephone. The probable origin of her name comes from the Latin, "proserpere" or "to emerge," in respect to the growing of grain...

 were both sung by castrati. However, by 1680 the castrati had become the predominant singers for leading male roles as well. The use of castrati for both male and female roles was particularly strong in the Papal states
Papal States
The Papal State, State of the Church, or Pontifical States were among the major historical states of Italy from roughly the 6th century until the Italian peninsula was unified in 1861 by the Kingdom of Piedmont-Sardinia .The Papal States comprised territories under...

, where women were forbidden from public stage performances until the 19th century. An exception to this practice was in 17th and 18th century French opera where it was traditional to use uncastrated male voices both for the hero and for malevolent female divinities and spirits. In Lully
Jean-Baptiste Lully
Jean-Baptiste de Lully was an Italian-born French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French Baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in...

's 1686 opera Armide
Armide (Lully)
Armide is an opera by Jean-Baptiste Lully. The libretto was written by Philippe Quinault, based on Torquato Tasso's La Gerusalemme liberata .Critics in the 18th century regarded Armide as Lully's masterpiece...

 the hero (Renaud) was sung by a haute-contre
Haute-contre
The haute-contre is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.-History:...

 (a type of high tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

 voice) while the female spirit of hatred (La Haine) was sung by a tenor. In Rameau's 1733 Hippolyte et Aricie
Hippolyte et Aricie
Hippolyte et Aricie was the first opera by Jean-Philippe Rameau, which opened to great controversy at the Académie Royale de Musique, Paris on October 1, 1733. The libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy Phèdre. The opera takes the traditional form of a tragédie en...

, the hero (Hippolyte
Hippolytus (mythology)
thumb|260px|The Death of Hippolytus, by [[Sir Lawrence Alma-Tadema]] .In Greek mythology, Hippolytus was a son of Theseus and either Antiope or Hippolyte...

) was sung by a haute-contre, while the roles of the three Fates
Parcae
thumb|#00px|Early 16th-century [[millefleur tapestry]] depicting the Three Fates under their Greek namesIn Roman mythology, the Parcae were the personifications of destiny, often called The Fates in English. Their Greek equivalent were the Moirae. They controlled the metaphorical thread of life of...

 and Tisiphone
Tisiphone
Tisiphone is the name of two figures in Greek mythology.-Erinyes:Tisiphone was one of the Erinyes or Furies, and sister of Alecto and Megaera. She was the one who punished crimes of murder: parricide, fratricide and homicide...

 were scored for basses
Bass (voice type)
A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...

 and tenors. The remaining female roles in both operas were sung by women. The title role of the vain but ugly marsh nymph in Rameau's Platée
Platée
Platée is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto Platée ou Junon Jalouse by Jacques Autreau and had d'Orville modify it...

 is also for a 'haute-contre'. Female roles in opera sung by men can still be found, although they are not common. The role of the witch in Humperdinck
Engelbert Humperdinck
Engelbert Humperdinck was a German composer, best known for his opera, Hänsel und Gretel. Humperdinck was born at Siegburg in the Rhine Province; at the age of 67 he died in Neustrelitz, Mecklenburg-Western Pomerania.-Life:After receiving piano lessons, Humperdinck produced his first composition...

's 1890 opera Hänsel und Gretel was originally written for a mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

, but was sung by the tenor Philip Langridge
Philip Langridge
Philip Gordon Langridge CBE was an English tenor, considered to be among the foremost exponents of English opera and oratorio....

 in the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...

's 2009 production directed by Richard Jones
Richard Jones (director)
Richard Jones is a British theatre and opera director.- Early life :Jones was born in London, and studied at the University of Hull and London...

. Azio Corghi
Azio Corghi
Azio Corghi is an Italian opera composer, also a teacher and musicologist. He was born at Cirié, in the Province of Turin, studied at the Turin and Milan conservatories and was a pupil of Bruno Bettinelli...

's 2005 opera Il dissoluto assolto, which incorporates story elements from Mozart's Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...

, casts a counter-tenor in the role of Donna Anna's mannequin
Mannequin
A mannequin is an often articulated doll used by artists, tailors, dressmakers, and others especially to display or fit clothing...

.

The portrayal of women by male dancers was very common in Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...

 court ballet and has continued into more modern times, although primarily restricted to comic or malevolent female characters. The use of male dancers for all the female roles in a ballet persisted well into the 18th century in the Papal States, when women dancers had long been taking these roles elsewhere in Italy. Abbé Jérôme Richard who travelled to Rome in 1762 wrote: "Female Dancers are not permitted on the stages in Rome. They substitute for them boys dressed as women and there is also a police ordinance that decreed they wear black bloomers." Another French traveller that year, Joseph-Thomas, comte d'Espinchal, asked himself: "What impression can one have of ballet in which the prima ballerina is a young man in disguise with artificial feminine curves?" In the original production of The Sleeping Beauty in 1890, a male dancer, Enrico Cecchetti
Enrico Cecchetti
Enrico Cecchetti was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in...

, created the role of the evil fairy Carabosse, although the role has subsequently been danced by both men and women. In Frederick Ashton
Frederick Ashton
Sir Frederick William Mallandaine Ashton OM, CH, CBE was a leading international dancer and choreographer. He is most noted as the founder choreographer of The Royal Ballet in London, but also worked as a director and choreographer of opera, film and theatre revues.-Early life:Ashton was born at...

's 1948 choreography of Cinderella, Robert Helpman and Ashton himself danced the roles of the two stepsisters. Ben Stevenson
Ben Stevenson
Ben Stevenson, OBE , is a former ballet dancer with Britain's Royal Ballet and English National Ballet, co-director of National Ballet in Washington, D.C...

 later continued the practice of casting male dancers as the stepsisters in his own choreography of the ballet. Other female ballet characters traditionally performed by male dancers are Old Madge, the village sorceress in La Sylphide
La Sylphide
La Sylphide is one of the world's oldest surviving romantic ballets. There were two versions of the ballet; the version choreographed by the Danish balletmaster August Bournonville is the only version known to have survived....

 and the Widow Simone in La fille mal gardée
La Fille Mal Gardée
La Fille mal gardée is a comic ballet presented in two acts, inspired by Pierre-Antoine Baudouin's 1789 painting, La réprimande/Une jeune fille querellée par sa mère...

.

Women in male roles

With the Restoration of Charles II
English Restoration
The Restoration of the English monarchy began in 1660 when the English, Scottish and Irish monarchies were all restored under Charles II after the Interregnum that followed the Wars of the Three Kingdoms...

 in 1660 women started appearing on the English stage, both in the female roles that in Shakespeare's day had been portrayed by men and boys, and in male roles. It has been estimated that of the 375 plays produced in London between 1660 and 1700, nearly a quarter contained one or more roles for actresses dressed as men. Amongst the 19th century actresses who made a mark in travesti roles were Mary Anne Keeley
Mary Anne Keeley
Mary Anne Keeley, née Goward was an English actress and actor-manager.She was born at Ipswich, her father being a brazier and tinman. After some experience in the provinces, she first appeared on the stage in London on July 2, 1825, in the opera Rosina...

 who portrayed Smike in the stage adaptation of Nicholas Nickleby and the robber Jack Sheppard
Jack Sheppard
Jack Sheppard was a notorious English robber, burglar and thief of early 18th-century London. Born into a poor family, he was apprenticed as a carpenter but took to theft and burglary in 1723, with little more than a year of his training to complete...

 in Buckstone
John Baldwin Buckstone
John Baldwin Buckstone was an English actor, playwright and comedian who wrote 150 plays, the first of which was produced in 1826....

's play based on his life; Maude Adams
Maude Adams
Maude Ewing Kiskadden , known professionally as Maude Adams, was an American stage actress who achieved her greatest success as Peter Pan. Adams's personality appealed to a large audience and helped her become the most successful and highest-paid performer of her day, with a yearly income of more...

 who played Peter Pan
Peter and Wendy
Peter and Wendy, published in 1911, is the novelisation by J. M. Barrie of his most famous play Peter Pan; or, the Boy Who Wouldn't Grow Up...

 in the American premiere of Barrie
J. M. Barrie
Sir James Matthew Barrie, 1st Baronet, OM was a Scottish author and dramatist, best remembered today as the creator of Peter Pan. The child of a family of small-town weavers, he was educated in Scotland. He moved to London, where he developed a career as a novelist and playwright...

's play and went on to play the role over 1500 times; and Sarah Bernhardt
Sarah Bernhardt
Sarah Bernhardt was a French stage and early film actress, and has been referred to as "the most famous actress the world has ever known". Bernhardt made her fame on the stages of France in the 1870s, and was soon in demand in Europe and the Americas...

 who created the role of Napoleon II of France
Napoleon II of France
Napoléon II , after 1818 known as Franz, Duke of Reichstadt, was the son of Napoleon I, Emperor of the French, and his second wife, Marie Louise of Austria...

 in Edmond Rostand
Edmond Rostand
Edmond Eugène Alexis Rostand was a French poet and dramatist. He is associated with neo-romanticism, and is best known for his play Cyrano de Bergerac. Rostand's romantic plays provided an alternative to the naturalistic theatre popular during the late nineteenth century...

's L'Aiglon
L'Aiglon
L'Aiglon is a play in six acts by Edmond Rostand based on the life of Napoleon's son, Napoleon II of France, Duke of Reichstadt. The title comes from a nickname for Napoleon II, the French word for "eaglet" . The title role was created by Sarah Bernhardt in the play's premiere on 15 March 1900 at...

 as well as playing Lorenzino de' Medici
Lorenzino de' Medici
Lorenzino de' Medici , sometimes called Lorenzaccio de' Medici, was an Italian writer remembered primarily as the assassin of Alessandro de' Medici, duke and ruler of Florence.-Biography:...

 in Musset
Alfred de Musset
Alfred Louis Charles de Musset-Pathay was a French dramatist, poet, and novelist.Along with his poetry, he is known for writing La Confession d'un enfant du siècle from 1836.-Biography:Musset was born on 11 December 1810 in Paris...

's Lorenzaccio, Pelléas in Maeterlinck
Maurice Maeterlinck
Maurice Polydore Marie Bernard Maeterlinck, also called Comte Maeterlinck from 1932, was a Belgian playwright, poet, and essayist who wrote in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life...

's Pelléas and Mélisande
Pelléas and Mélisande
Pelléas and Mélisande is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893....

 and perhaps most famously the title role in Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...

. In the Victorian era
Victorian era
The Victorian era of British history was the period of Queen Victoria's reign from 20 June 1837 until her death on 22 January 1901. It was a long period of peace, prosperity, refined sensibilities and national self-confidence...

, musical burlesques generally included several breeches roles. According to the Grove Dictionary of Music and Musicians
Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Musik in Geschichte und Gegenwart, it is the largest single reference work on Western music. The dictionary has gone through several editions since the 19th century...

, although "an almost indispensable element of burlesque was the display of attractive women dressed in tights, often in travesty roles
Breeches role
A breeches role is a role in which an actress appears in male clothing .In opera it also refers to any male character that is sung and acted by a female singer...

 ... the plays themselves did not normally tend to indecency." One of the specialists in these roles was Nellie Farren
Nellie Farren
Nellie Farren was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre.Born into a theatrical family, Farren began acting as a child...

 who created the title roles in numerous burlesques and pantomimes, including Robert the Devil
Robert the Devil (Gilbert)
Robert the Devil, or The Nun, the Dun, and the Son of a Gun is an operatic parody by W. S. Gilbert of Giacomo Meyerbeer's romantic opera Robert le diable, which was named after, but bears little resemblance to, the medieval French legend of the same name. Gilbert set new lyrics to tunes by...

, Little Jack Sheppard
Little Jack Sheppard
Little Jack Sheppard is a burlesque melodrama written by Henry Pottinger Stephens and William Yardley, with music by Meyer Lutz, with songs contributed by Florian Pascal, Corney Grain, Arthur Cecil, Michael Watson, Henry J. Leslie, Alfred Cellier and Hamilton Clarke...

 and Ruy Blas and the Blase Roue
Ruy Blas and the Blase Roue
Ruy Blas and the Blasé Roué is a burlesque written by A. C. Torr and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama Ruy Blas. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun...

. In British pantomime
Pantomime
Pantomime — not to be confused with a mime artist, a theatrical performer of mime—is a musical-comedy theatrical production traditionally found in the United Kingdom, Australia, New Zealand, Canada, Jamaica, South Africa, India, Ireland, Gibraltar and Malta, and is mostly performed during the...

, which is still regularly performed, the young male protagonist or Principal boy
Principal boy
In pantomime, a principal boy role is the young male protagonist of the play, traditionally played by a young actress in boy's clothes.The tradition grew out of laws restricting the use of child actors in London theatre, and the responsibility carried by such lead roles...

 is traditionally played by an actress in boy's clothes.

The practice of women performing en travesti in operas became increasingly common in the early 19th century as castrato
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...

 singers went out of fashion and were replaced by mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

s or contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...

s in the young masculine roles. See for example, the title role of Rossini's 1813 Tancredi
Tancredi
Tancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano Rossi, based on Voltaire's play Tancrède...

 which was specifically written for a female singer. However, travesti mezzo-sopranos had been used earlier by both Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....

 and Mozart, sometimes because a castrato was not available, or to portray a boy or very young man, e.g. Cherubino in The Marriage of Figaro
The Marriage of Figaro
Le nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...

. In 20th-century opera, composers continued to ask women to sing the roles of young men, when they felt the mature tenor voice sounded wrong for the part. Notable examples are Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...

's use of a mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

 for Octavian in Der Rosenkavalier
Der Rosenkavalier
Der Rosenkavalier is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière’s comedy Monsieur de Pourceaugnac...

, and the composer in Ariadne auf Naxos
Ariadne auf Naxos
Ariadne auf Naxos is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Bringing together slapstick comedy and consuming beautiful music, the opera's theme is the competition between high and low art for the public's attention.- First version :The opera was originally...

.

From 1830 to 1850, female ballet dancers were increasingly seen in the corps de ballet
Corps de ballet
In ballet, the corps de ballet is the group of dancers who are not soloists. They are a permanent part of the ballet company and often work as a backdrop for the principal dancers. A corps de ballet works as one, with synchronized movements and corresponding positioning on the stage...

 portraying matador
Matador
A torero or toureiro is a bullfighter and the main performer in bullfighting, practised in Spain, Colombia, Portugal, Mexico, France and various other countries influenced by Spanish culture. In Spanish, the word torero describes any of the performers who actively participate in the bullfight...

s, hussar
Hussar
Hussar refers to a number of types of light cavalry which originated in Hungary in the 14th century, tracing its roots from Serbian medieval cavalry tradition, brought to Hungary in the course of the Serb migrations, which began in the late 14th century....

s, and cavaliers, and even as the prima ballerina's 'leading man', a practice which was to last well into the 20th century in France. Although both Fanny Elssler
Fanny Elssler
Fanny Elssler - 27 November 1884), born Franziska Elßler, was an Austrian ballerina of the 'Romantic Period'.- Life :Daughter of Johann Florian Elssler, a second generation employee of Prince Esterhazy in Eisenstadt. Both Johann and his brother Josef were employed as copyists to the Prince's...

 and her sister Thérèse danced travesti roles at the Paris Opera, Thérèse, who was very tall by the standards of the day, danced them more frequently, often partnering Fanny as her leading man. The French ballerina Eugénie Fiocre
Eugénie Fiocre
Eugénie Fiocre was a principal dancer at the Paris Opéra 1864–75 where she often danced en travesti, creating Frantz in Coppélia in 1870, and, renowned for her beauty, was sculpted by Jean-Baptiste Carpeaux and painted by Degas in a scene from Saint-Léon's ballet La Source...

, who created the role of Franz in Coppélia
Coppélia
Coppélia is a sentimental comic ballet with original choreography by Arthur Saint-Léon to a ballet libretto by Saint-Léon and Charles Nuitter and music by Léo Delibes. It was based upon two macabre stories by E. T. A. Hoffmann, Der Sandmann , and Die Puppe...

, was also particularly known for her travesti performances.

See also

  • Commedia dell'arte
    Commedia dell'arte
    Commedia dell'arte is a form of theatre characterized by masked "types" which began in Italy in the 16th century, and was responsible for the advent of the actress and improvised performances based on sketches or scenarios. The closest translation of the name is "comedy of craft"; it is shortened...

     (a theatrical form where female roles were played by women from as early as the 1560s)
  • Cross-dressing
    Cross-dressing
    Cross-dressing is the wearing of clothing and other accoutrement commonly associated with a gender within a particular society that is seen as different than the one usually presented by the dresser...

  • Onnagata (male actors who play female roles in Japanese kabuki
    Kabuki
    is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill...

     theatre)
  • Takarazuka Revue
    Takarazuka Revue
    The Takarazuka Revue is a Japanese all-female musical theater troupe based in Takarazuka, Hyōgo Prefecture, Japan. Women play all roles in lavish, Broadway-style productions of Western-style musicals, and sometimes stories adapted from shōjo manga and Japanese folktales. The troupe takes its name...

     (a Japanese musical theatre troupe in which all roles are played by women)

Sources

  • Anderson, Jack (1992). Ballet & Modern Dance: A concise history, 2nd edition. Princeton Book Co. ISBN 0871271729
  • Bibliothèque musicale du Théâtre de l'opéra, Volume 2 (1876). Librairie des bibliophiles.
  • Blackmer, Corinne E. and Smith, Patricia Juliana (eds) (1995), En Travesti: Women, Gender Subversion, Opera, Columbia University Press. ISBN 0231102690
  • Brillarelli, Livia (1995). Cecchetti A Ballet Dynasty. Toronto: Dance Collection Danse Educational Publications.
  • Budden, Julian (1992), 'Travesty' in The New Grove Dictionary of Opera
    New Grove Dictionary of Opera
    The New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes....

    , ed. Stanley Sadie (London) ISBN 0-333-73432-7
  • Coste, Martine Agathe (2004). La folie sur scène: Paris 1900/1968 . Editions Publibook. ISBN 2748303652
  • Duron, Jean (ed.) (2008). Cadmus et Hermione (1673). Editions Mardaga. ISBN 2870099843
  • Foster, Susan Leigh (1998). Choreography & Narrative: Ballet's staging of story and desire. Indiana University Press. ISBN 0253212162
  • Gallo, Denise (2006). Trouser Roles in Opera, Study Guide: The Siege of Corinth, Baltimore Opera.
  • Garafola, Lynn (1985), "The Travesty Dancer in Nineteenth-Century Ballet" in Dance Research Journal, Vol. 17, No. 2 (Autumn, 1985), pp. 35–40. (Also reprinted in Ann Dils and Ann Cooper Albright (eds) Moving History / Dancing Cultures: A Dance History Reader, Wesleyan University Press, 2001, pp. 210–216. ISBN 081956413)
  • Gelli, Piero and Poletti, Filippo eds. (2007). "Dissoluto asolto, Il", Dizionario dell'opera. Baldini Castoldi Dalai. ISBN 8860731844
  • Halliday, F. E.
    F. E. Halliday
    Frank Ernest Halliday was a twentieth-century English academic and author. He wrote on a wide range of subjects, though he was best known for his books on William Shakespeare....

     (1964). A Shakespeare Companion 1564-1964, Baltimore, Penguin
  • Harbin, Billy J., Marra, Kim and Schanke, Robert A. (2005). The Gay & Lesbian Theatrical Legacy, University of Michigan Press. ISBN 0472098586
  • Harris-Warrick, Rebecca (2005). The grotesque dancer on the eighteenth-century stage: Gennaro Magri and his world. Univiversity of Wisconsin Press. ISBN 0299203549
  • Howe, Elizabeth (1992). The First English Actresses: Women and Drama 1660–1700, Cambridge University Press.
  • Kennedy, Michael
    Michael Kennedy (music critic)
    Dr. George Michael Sinclair Kennedy CBE is an English biographer, journalist and writer on classical music. He joined the Daily Telegraph at the age of 15 in 1941, and began writing music criticism for it in 1948...

    (2006), The Oxford Dictionary of Music, 985 pages, ISBN 0-19-861459-4
  • revue des deux mondes, Volume 69 (1868).
  • Lee, Carol (2002). Ballet in Western Culture: A History of Its Origins and Evolution. Routledge. ISBN 0415942578
  • Senelick, Laurence (2000). The Changing Room: Sex, Drag and Theatre. Routledge. ISBN 0415159865
  • Speake, Jennifer and LaFlaur, Mark, "en travesti" in The Oxford Essential Dictionary of Foreign Terms in English, Oxford University Press, 1999.
  • Taylor, Millie (2007). British Pantomime Performance. Intellect Books. ISBN 1841501743
  • Upper, Nancy (2004). Ballet Dancers in Career Transition. McFarland. ISBN 0786418192
  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
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