Basilica di Santa Maria Novella
Encyclopedia
Santa Maria Novella is a church in Florence
, Italy, situated just across from the main railway station
which shares its name. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican
church.
The church, the adjoining cloister, and chapterhouse contain a store of art treasures and funerary monuments. Especially famous are frescoes by masters of Gothic
and early Renaissance
. They were financed through the generosity of the most important Florentine families, who ensured themselves of funerary chapels on consecrated ground.
of Santa Maria delle Vigne. When the site was assigned to Dominican Order
in 1221, they decided to build a new church and an adjoining cloister. The church was designed by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi. Building began in the mid-13th century (about 1246), and was finished about 1360 under the supervision of Friar Iacopo Talenti with the completion of the Romanesque
-Gothic
bell tower
and sacristy. At that time, only the lower part of the Tuscan gothic facade was finished. The three portals are spanned by round arches, while the rest of the lower part of the facade is spanned by blind arches, separated by pilasters, with below Gothic pointed arches, striped in green and white, capping noblemen's tombs. This same design continues in the adjoining wall around the old churchyard. The church was consecrated in 1420.
On a commission from Giovanni di Paolo Rucellai, a local textile merchant, Leone Battista Alberti
designed the upper part of the inlaid black and white marble facade of the church (1456–1470). He was already famous as the architect of the Tempio Malatestiano
in Rimini
, but even more for his seminal treatise on architecture De Re Aedificatoria, based on the book De Architectura of the classical Roman writer Vitruvius
. Alberti had also designed the facade for the Rucellai Palace
in Florence.
Alberti attempted to bring the ideals of humanist architecture, proportion and classically-inspired detailing, to bear on the design while also creating harmony with the already existing medieval part of the facade. His contribution consists of a broad frieze
decorated with squares and everything above it, including the four white-green pilasters and a round window, crowned by a pediment
with the Dominican solar emblem, and flanked on both sides by enormous S-curved volute
s.
The four columns with Corinthian capitals on the lower part of the facade were also added. The pediment and the frieze are clearly inspired by the antiquity, but the S-curved scrolls in the upper part are new and without precedent in antiquity. The scrolls (or variations of them), found in churches all over Italy, all find their origin here in the design of this church.
The frieze below the pediment carries the name of the patron : IOHAN(N)ES ORICELLARIUS PAU(LI) F(ILIUS) AN(NO) SAL(UTIS) MCCCCLXX (Giovanni Rucellai son of Paolo in the blessed year 1470).
-effect by which this nave towards the apse
seems longer than its actual length. The slender compound piers between the nave and the aisles are ever closer when you go deeper into the nave. The ceiling in the vault consists pointed arches with the four diagonal buttresses in black and white.
The interior also contains corinthian columns that were inspired by the Classical era of Greek and Roman times.
The stained-glass windows date from the 14th and 15th century, such as 15th century Madonna and Child and St. John and St. Philip (designed by Filippino Lippi
), both in the Filippo Strozzi
Chapel. Some stained glass windows have been damaged in the course of centuries and had to be replaced. The one on the facade, a depiction of the Coronation of Mary dates from the 14th century, based on a design of Andrea Bonaiuti.
The pulpit, commissioned by the Rucellai family in 1443, was designed by Filippo Brunelleschi
and executed by his adopted child Andrea Calvalcanti. This pulpit has a particular historical significance, because from this pulpit the first attack came on Galileo Galilei
, leading eventually to his indictment.
The Holy Trinity
, situated almost halfway in the left aisle, is a pioneering early renaissance work of Masaccio, showing his new ideas about perspective and mathematical proportions. Its meaning for the art of painting can easily be compared by the importance of Brunelleschi
for architecture and Donatello
for sculpture. The patrons are the kneeling figures of the judge and his wife, members of the Lenzi family. The cadaver tomb
below carries the epigram
: "I was once what you are, and what I am you will become".
Of particular note in the right aisle is the Tomba della Beata Villana, a monument by Bernardo Rossellino
in 1451. In the same aisle, you can find the tombs of the Bishop of Fiesole by Tino di Camaino
and another one by Nino Pisano
.
Chapel is situated on the right side of the main altar. The Strozzi Chapel was the place where the first tale of the Decamerone by Giovanni Boccaccio
began, when seven ladies decided to leave the town, and flee from the Black Plague to the countryside. The series of frescoes from Filippino Lippi depict the lives of Philip the Apostle
and James the Apostle
. They were completed in 1502. On the right wall is the fresco St Philip Driving the Dragon from the Temple of Hieropolis and in the lunette above it, the Crucifixion of St Philip. On the left wall is the fresco St John the Evangelist Resuscitating Druisana and in the lunette above it The Torture of St John the Evangelist. Adam, Noah, Abraham and Jacob are represented on the ribbed vault
. Behind the altar is the tomb of Filippo Strozzi
with a sculpture by Benedetto da Maiano
(1491).
The bronze crucifix on the main altar is by Giambologna
(16th century). The choir (or the Cappella Tornabuoni) contains another series of famous frescoes, by Domenico Ghirlandaio
and his apprentice the young Michelangelo
(1485–1490). They represent themes from the life of the Virgin and John the Baptist, situated in Florence of the late 15th century. Several members of important Florentine families were portrayed on these frescoes. The vaults are covered with paintings of the Evangelists. On the back wall are the paintings Saint Dominic burns the Heretical Books and Saint Peter's Martyrdom, the Annunciation, and Saint John goes into the Desert.
The stained-glass windows were made in 1492 by the Florentine artist Alessandro Agolanti, known also as il Bidello, based on cartoons by Ghirlandaio.
(ca.1503). The stained-glass window is recent and dates from the 20th century.
(1350–1357). The frescoes are inspired by Dante
's Divine Comedy: Last Judgment (on the back wall; including a portrait of Dante), Hell (on the right wall) and paradise (on the left wall). The main altarpiece of The Redeemer with the Madonna and Saints was done by his brother Andrea di Cione, better kwown as Orcagna. The large stained-glass window on the back was made from a cartoon by the brothers Andrea and Nardo di Cione
.
with a 14th century fresco Madonna and Child and St. Catherine. There is a wooden crucifix by Baccio da Montelupo
(1501) on the front altar.
(with possibly assistance by Michelangelo). The bronze tomb, in the centre of the floor, was made by Ghiberti in 1425.
. The Madonna del Rosario on the altar is by Giorgio Vasari
(1568)
. He had rediscovered the ideal proportions for the human body, as established by the Roman architect Vitruvius (1st century AD, see also : Vitruvian Man
). The sacristy is also embellished by a glazed terra cotta
and a marble font, masterpieces by Giovanni della Robbia
(1498). The cupboards were designed by Bernardo Buontalenti
in 1593. The paintings on the wall are ascribed to Giorgio Vasari and some other contemporary Florentine painters. The large Gothic window with three mullion
s at the back wall dates from 1386 and was based on cartoons by Niccolò di Pietro Gerini
. The large fresco on the right wall depicts the Allegory of the Active and Triumphant Church and of the Dominican order. It is especially interesting because in the background it shows a large pink building that may provide some insight into the original designs for the Duomo of Florence by Arnolfo di Cambio
(before Brunelleschi's dome was built), although this interpretation is fantastical as the Duomo was never intended to be pink, nor to have the belltower at its back side. This fresco also contains portraits of pope Benedict IX, cardinal Friar Niccolò Albertini, count Guido di Poppi, Arnolfo di Cambio
and the poet Petrarch
. The frescoes on the other walls represent scenes from the lives of Christ and Saint Peter on the entry wall (mostly ruined due to the later installation of a choir), The Triumph of Saint Thomas Aquinas and the Allegory of Christian Learning on the left wall, and the large "Crucifixion with the Way to Calvalry and the Descent into Limbo" on the archway of the altar wall. The four-part vault contains scenes of Christ's resurrection, the navicella, the ascension, and Pentecost. The five-panelled Gothic polyptych
that was probably originally made for the chapel's altar, depicting the Madonna Enthroned With and Child and Four Saints by Bernardo Daddi
dates from 1344 and is currently on display in a small museum area accessed through glass doors from the far end of the cloister. Together, the complex iconography of the ceiling vault, walls, and altar combine to communicate the message of Dominicans as guides to salvation.
and loft, and adding six chapels between the columns. An armillary sphere
(on the left) and a gnomon
(on the right) were added to the end blind arches of the lower façade by Ignazio Danti
, astronomer of Cosimo I, in 1572. The second remodelling was designed by Enrico Romoli, and was carried out between 1858 and 1860.
The square in front the church was used by Cosimo I for the yearly chariot race (Palio dei Cocchi). This custom existed between 1563 and late in the 19th century. The two obelisk
s marked the start and the finish of the race. They were set up to imitate an antique Roman circus
. The obelisks rest on bronze tortoises, made in 1608 by the sculptor Giambologna.
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, Italy, situated just across from the main railway station
Santa Maria Novella Station
Firenze Santa Maria Novella or Stazione di Santa Maria Novella - Firenze SMN is the main national and international train station in Florence, Italy...
which shares its name. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican
Dominican Order
The Order of Preachers , after the 15th century more commonly known as the Dominican Order or Dominicans, is a Catholic religious order founded by Saint Dominic and approved by Pope Honorius III on 22 December 1216 in France...
church.
The church, the adjoining cloister, and chapterhouse contain a store of art treasures and funerary monuments. Especially famous are frescoes by masters of Gothic
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
and early Renaissance
Early Renaissance painting
Renaissance art is the painting, sculpture and decorative arts of that period of European history known as the Renaissance, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music and science...
. They were financed through the generosity of the most important Florentine families, who ensured themselves of funerary chapels on consecrated ground.
History
This church was called Novella (New) because it was built on the site of the 9th-century oratoryOratory (worship)
An oratory is a Christian room for prayer, from the Latin orare, to pray.-Catholic church:In the Roman Catholic Church, an oratory is a structure other than a parish church, set aside by ecclesiastical authority for prayer and the celebration of Mass...
of Santa Maria delle Vigne. When the site was assigned to Dominican Order
Dominican Order
The Order of Preachers , after the 15th century more commonly known as the Dominican Order or Dominicans, is a Catholic religious order founded by Saint Dominic and approved by Pope Honorius III on 22 December 1216 in France...
in 1221, they decided to build a new church and an adjoining cloister. The church was designed by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi. Building began in the mid-13th century (about 1246), and was finished about 1360 under the supervision of Friar Iacopo Talenti with the completion of the Romanesque
Romanesque architecture
Romanesque architecture is an architectural style of Medieval Europe characterised by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style,...
-Gothic
Gothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
bell tower
Campanile
Campanile is an Italian word meaning "bell tower" . The term applies to bell towers which are either part of a larger building or free-standing, although in American English, the latter meaning has become prevalent.The most famous campanile is probably the Leaning Tower of Pisa...
and sacristy. At that time, only the lower part of the Tuscan gothic facade was finished. The three portals are spanned by round arches, while the rest of the lower part of the facade is spanned by blind arches, separated by pilasters, with below Gothic pointed arches, striped in green and white, capping noblemen's tombs. This same design continues in the adjoining wall around the old churchyard. The church was consecrated in 1420.
On a commission from Giovanni di Paolo Rucellai, a local textile merchant, Leone Battista Alberti
Leone Battista Alberti
Leon Battista Alberti was an Italian author, artist, architect, poet, priest, linguist, philosopher, cryptographer and general Renaissance humanist polymath...
designed the upper part of the inlaid black and white marble facade of the church (1456–1470). He was already famous as the architect of the Tempio Malatestiano
Tempio Malatestiano
The Tempio Malatestiano is the cathedral church of Rimini, Italy. Officially named for St. Francis, it takes the popular name from Sigismondo Pandolfo Malatesta, who commissioned its reconstruction by the famous Renaissance theorist and architect Leon Battista Alberti around 1450.-History:San...
in Rimini
Rimini
Rimini is a medium-sized city of 142,579 inhabitants in the Emilia-Romagna region of Italy, and capital city of the Province of Rimini. It is located on the Adriatic Sea, on the coast between the rivers Marecchia and Ausa...
, but even more for his seminal treatise on architecture De Re Aedificatoria, based on the book De Architectura of the classical Roman writer Vitruvius
Vitruvius
Marcus Vitruvius Pollio was a Roman writer, architect and engineer, active in the 1st century BC. He is best known as the author of the multi-volume work De Architectura ....
. Alberti had also designed the facade for the Rucellai Palace
Palazzo Rucellai
Palazzo Rucellai is a palatial 15th century townhouse on the Via della Vigna Nuova in Florence, Italy. The Rucellai Palace is believed by most scholars to have been designed by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino...
in Florence.
Alberti attempted to bring the ideals of humanist architecture, proportion and classically-inspired detailing, to bear on the design while also creating harmony with the already existing medieval part of the facade. His contribution consists of a broad frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...
decorated with squares and everything above it, including the four white-green pilasters and a round window, crowned by a pediment
Pediment
A pediment is a classical architectural element consisting of the triangular section found above the horizontal structure , typically supported by columns. The gable end of the pediment is surrounded by the cornice moulding...
with the Dominican solar emblem, and flanked on both sides by enormous S-curved volute
Volute
A volute is a spiral scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals...
s.
The four columns with Corinthian capitals on the lower part of the facade were also added. The pediment and the frieze are clearly inspired by the antiquity, but the S-curved scrolls in the upper part are new and without precedent in antiquity. The scrolls (or variations of them), found in churches all over Italy, all find their origin here in the design of this church.
The frieze below the pediment carries the name of the patron : IOHAN(N)ES ORICELLARIUS PAU(LI) F(ILIUS) AN(NO) SAL(UTIS) MCCCCLXX (Giovanni Rucellai son of Paolo in the blessed year 1470).
Interior
The vast interior is based on a basilica plan, designed as a Latin cross and is divided into a nave, two aisles with stained-glass windows and a short transept. The large nave is 100 metres long and gives an impression of austerity. There is a trompe l'oeilTrompe l'oeil
Trompe-l'œil, which can also be spelled without the hyphen in English as trompe l'oeil, is an art technique involving extremely realistic imagery in order to create the optical illusion that the depicted objects appear in three dimensions.-History in painting:Although the phrase has its origin in...
-effect by which this nave towards the apse
Apse
In architecture, the apse is a semicircular recess covered with a hemispherical vault or semi-dome...
seems longer than its actual length. The slender compound piers between the nave and the aisles are ever closer when you go deeper into the nave. The ceiling in the vault consists pointed arches with the four diagonal buttresses in black and white.
The interior also contains corinthian columns that were inspired by the Classical era of Greek and Roman times.
The stained-glass windows date from the 14th and 15th century, such as 15th century Madonna and Child and St. John and St. Philip (designed by Filippino Lippi
Filippino Lippi
Filippino Lippi was an Italian painter working during the High Renaissance in Florence, Italy.-Biography:...
), both in the Filippo Strozzi
Filippo Strozzi the Elder
Filippo Strozzi the Elder was an Italian banker and statesman, a member of the affluent Strozzi family of Florence....
Chapel. Some stained glass windows have been damaged in the course of centuries and had to be replaced. The one on the facade, a depiction of the Coronation of Mary dates from the 14th century, based on a design of Andrea Bonaiuti.
The pulpit, commissioned by the Rucellai family in 1443, was designed by Filippo Brunelleschi
Filippo Brunelleschi
Filippo Brunelleschi was one of the foremost architects and engineers of the Italian Renaissance. He is perhaps most famous for inventing linear perspective and designing the dome of the Florence Cathedral, but his accomplishments also included bronze artwork, architecture , mathematics,...
and executed by his adopted child Andrea Calvalcanti. This pulpit has a particular historical significance, because from this pulpit the first attack came on Galileo Galilei
Galileo Galilei
Galileo Galilei , was an Italian physicist, mathematician, astronomer, and philosopher who played a major role in the Scientific Revolution. His achievements include improvements to the telescope and consequent astronomical observations and support for Copernicanism...
, leading eventually to his indictment.
The Holy Trinity
Holy Trinity (Masaccio)
The Holy Trinity, with the Virgin and Saint John and donors is a fresco by the Early Italian Renaissance painter Masaccio. It is located in the Dominican church of Santa Maria Novella, in Florence.-Description:...
, situated almost halfway in the left aisle, is a pioneering early renaissance work of Masaccio, showing his new ideas about perspective and mathematical proportions. Its meaning for the art of painting can easily be compared by the importance of Brunelleschi
Filippo Brunelleschi
Filippo Brunelleschi was one of the foremost architects and engineers of the Italian Renaissance. He is perhaps most famous for inventing linear perspective and designing the dome of the Florence Cathedral, but his accomplishments also included bronze artwork, architecture , mathematics,...
for architecture and Donatello
Donatello
Donato di Niccolò di Betto Bardi , also known as Donatello, was an early Renaissance Italian artist and sculptor from Florence...
for sculpture. The patrons are the kneeling figures of the judge and his wife, members of the Lenzi family. The cadaver tomb
Cadaver tomb
A cadaver tomb or transi is a church monument or tomb featuring an effigy in the macabre form of a decomposing corpse. The topos was particularly characteristic of the later Middle Ages....
below carries the epigram
Epigram
An epigram is a brief, interesting, usually memorable and sometimes surprising statement. Derived from the epigramma "inscription" from ἐπιγράφειν epigraphein "to write on inscribe", this literary device has been employed for over two millennia....
: "I was once what you are, and what I am you will become".
Of particular note in the right aisle is the Tomba della Beata Villana, a monument by Bernardo Rossellino
Bernardo Rossellino
Bernardo di Matteo del Borra Gamberelli , better known as Bernardo Rossellino, was an Italian sculptor and architect, the elder brother of the sculptor Antonio Rossellino...
in 1451. In the same aisle, you can find the tombs of the Bishop of Fiesole by Tino di Camaino
Tino di Camaino
thumb|300px|Tomb of Antonio d'Orso, in [[Santa Maria del Fiore]], [[Florence]].Tino di Camaino was an Italian sculptor....
and another one by Nino Pisano
Nino Pisano
thumb|280px|"Euclid", panel from [[Giotto's Bell Tower]], now in the [[Museo dell'Opera del Duomo |Museo dell'Opera del Duomo]], [[Florence]].Nino Pisano thumb|280px|"Euclid", panel from [[Giotto's Bell Tower]], now in the [[Museo dell'Opera del Duomo (Florence)|Museo dell'Opera del Duomo]],...
.
Filippo Strozzi Chapel
The Filippo StrozziFilippo Strozzi the Elder
Filippo Strozzi the Elder was an Italian banker and statesman, a member of the affluent Strozzi family of Florence....
Chapel is situated on the right side of the main altar. The Strozzi Chapel was the place where the first tale of the Decamerone by Giovanni Boccaccio
Giovanni Boccaccio
Giovanni Boccaccio was an Italian author and poet, a friend, student, and correspondent of Petrarch, an important Renaissance humanist and the author of a number of notable works including the Decameron, On Famous Women, and his poetry in the Italian vernacular...
began, when seven ladies decided to leave the town, and flee from the Black Plague to the countryside. The series of frescoes from Filippino Lippi depict the lives of Philip the Apostle
Philip the Apostle
Philip the Apostle was one of the Twelve Apostles of Jesus. Later Christian traditions describe Philip as the apostle who preached in Greece, Syria, and Phrygia....
and James the Apostle
Saint James the Great
James, son of Zebedee was one of the Twelve Apostles of Jesus. He was a son of Zebedee and Salome, and brother of John the Apostle...
. They were completed in 1502. On the right wall is the fresco St Philip Driving the Dragon from the Temple of Hieropolis and in the lunette above it, the Crucifixion of St Philip. On the left wall is the fresco St John the Evangelist Resuscitating Druisana and in the lunette above it The Torture of St John the Evangelist. Adam, Noah, Abraham and Jacob are represented on the ribbed vault
Rib vault
The intersection of two or three barrel vaults produces a rib vault or ribbed vault when they are edged with an armature of piped masonry often carved in decorative patterns; compare groin vault, an older form of vault construction...
. Behind the altar is the tomb of Filippo Strozzi
Filippo Strozzi the Elder
Filippo Strozzi the Elder was an Italian banker and statesman, a member of the affluent Strozzi family of Florence....
with a sculpture by Benedetto da Maiano
Benedetto da Maiano
Benedetto da Maiano was an Italian sculptor of the early Renaissance.Born in the village of Maiano , he started his career as companion of his brother, the architect Giuliano da Maiano. When he reached the age of thirty he started training under the sculptor Antonio Rossellino...
(1491).
The bronze crucifix on the main altar is by Giambologna
Giambologna
Giambologna, born as Jean Boulogne, incorrectly known as Giovanni da Bologna and Giovanni Bologna , was a sculptor, known for his marble and bronze statuary in a late Renaissance or Mannerist style.- Biography :...
(16th century). The choir (or the Cappella Tornabuoni) contains another series of famous frescoes, by Domenico Ghirlandaio
Domenico Ghirlandaio
Domenico Ghirlandaio was an Italian Renaissance painter from Florence. Among his many apprentices was Michelangelo.-Early years:Ghirlandaio's full name is given as Domenico di Tommaso di Currado di Doffo Bigordi...
and his apprentice the young Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
(1485–1490). They represent themes from the life of the Virgin and John the Baptist, situated in Florence of the late 15th century. Several members of important Florentine families were portrayed on these frescoes. The vaults are covered with paintings of the Evangelists. On the back wall are the paintings Saint Dominic burns the Heretical Books and Saint Peter's Martyrdom, the Annunciation, and Saint John goes into the Desert.
The stained-glass windows were made in 1492 by the Florentine artist Alessandro Agolanti, known also as il Bidello, based on cartoons by Ghirlandaio.
Gondi Chapel
This chapel, designed by Giuliano da Sangallo, is situated on the left side of the main altar and dates from the end of the 13th century. Here, on the back wall, is the famous wooden Crucifix by Brunelleschi, one of his very few sculptures. The legend goes that he was so disgusted by the "primitive" Crucifix of Donatello in the Santa Croce church, that he made this one. The vault contains fragments of frescoes by 13th-century Greek painters. The polychrome marble decoration was applied by Giuliano da SangalloGiuliano da Sangallo
Giuliano da Sangallo was an Italian sculptor, architect and military engineer active during the Italian Renaissance.He was born in Florence. His father Francesco Giamberti was a woodworker and architect, much employed by Cosimo de Medici, and his brother Antonio da Sangallo the Elder and nephew...
(ca.1503). The stained-glass window is recent and dates from the 20th century.
Cappella Strozzi di Mantova
The Cappella Strozzi di Mantova is situated at the end of the left transept. The frescoes were commissioned by Tommaso Strozzi, an ancestor of Filippo Strozzi, to Nardo di CioneNardo di Cione
Nardo di Cione , was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter’s Guild of Florence...
(1350–1357). The frescoes are inspired by Dante
DANTE
Delivery of Advanced Network Technology to Europe is a not-for-profit organisation that plans, builds and operates the international networks that interconnect the various national research and education networks in Europe and surrounding regions...
's Divine Comedy: Last Judgment (on the back wall; including a portrait of Dante), Hell (on the right wall) and paradise (on the left wall). The main altarpiece of The Redeemer with the Madonna and Saints was done by his brother Andrea di Cione, better kwown as Orcagna. The large stained-glass window on the back was made from a cartoon by the brothers Andrea and Nardo di Cione
Nardo di Cione
Nardo di Cione , was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter’s Guild of Florence...
.
Della Pura Chapel
The Della Pura Chapel is situated north of the old cemetery. It dates from 1474 and was constructed with Renaissance columns. It was restored in 1841 by Baccani. On the left side there is a lunetteLunette
In architecture, a lunette is a half-moon shaped space, either filled with recessed masonry or void. A lunette is formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If a door is set within a round-headed arch, the space within the...
with a 14th century fresco Madonna and Child and St. Catherine. There is a wooden crucifix by Baccio da Montelupo
Baccio da Montelupo
Baccio da Montelupo , born Bartolomeo di Giovanni d'Astore dei Sinibaldi, was a sculptor of the Italian Renaissance. He is the father of another Italian sculptor, Raffaello da Montelupo...
(1501) on the front altar.
Rucellai Chapel
The Rucellai Chapel, at the end of the right aisle, dates from the 14th century. It houses, besides the tomb of Paolo Rucellai (15th century) and the marble statue of the Madonna and the Child by Nino Pisano, several art treasures such as remains of frescoes by the Maestro di Santa Cecilia (end 13th - beginning 14th century). The panel on the left wall, the Martyrdom of Saint Catherine, was painted by Giuliano BugiardiniGiuliano Bugiardini
Giuliano Bugiardini was an Italian painter of the late-Renaissance period known as Mannerism, active mainly in Florence....
(with possibly assistance by Michelangelo). The bronze tomb, in the centre of the floor, was made by Ghiberti in 1425.
Bardi Chapel
The Bardi Chapel, the second chapel on the right of the apse, was founded by Riccardo Bardi and dates from early 14th century. The high-relief on a pillar on the right depicts Saint Gregory blessing Riccardo Bardi. The walls show us some early 14th century frescoes attributed to Spinello AretinoSpinello Aretino
Spinello Aretino was an Italian painter, the son of a Florentine named Luca, who had taken refuge in Arezzo in 1310 when exiled with the rest of the Ghibelline party.-Biography:...
. The Madonna del Rosario on the altar is by Giorgio Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
(1568)
Sacristy
The sacristy, at the end of the left aisle, was built as the Chapel of the Annunciation by the Cavalcanti family in 1380. Now it houses again, after a period of fourteen years of cleaning and renovation, the enormous painted Crucifix with the Madonna and John the Evangelist, an early work by GiottoGiotto di Bondone
Giotto di Bondone , better known simply as Giotto, was an Italian painter and architect from Florence in the late Middle Ages...
. He had rediscovered the ideal proportions for the human body, as established by the Roman architect Vitruvius (1st century AD, see also : Vitruvian Man
Vitruvian Man
The Vitruvian Man is a world-renowned drawing created by Leonardo da Vinci circa 1487. It is accompanied by notes based on the work of the famed architect, Vitruvius. The drawing, which is in pen and ink on paper, depicts a male figure in two superimposed positions with his arms and legs apart and...
). The sacristy is also embellished by a glazed terra cotta
Glazed architectural terra-cotta
Glazed architectural terra-cotta is a ceramic masonry building material popular in the United States from the late 19th century until the 1930s, and still one of the most common building materials found in U.S. urban environments...
and a marble font, masterpieces by Giovanni della Robbia
Giovanni della Robbia
thumb|250px|Saint Sebastian, [[Musée du Louvre]], Paris.Giovanni della Robbia was an Italian Renaissance ceramic artist. He was the son of Andrea della Robbia and grandnephew of Luca della Robbia....
(1498). The cupboards were designed by Bernardo Buontalenti
Bernardo Buontalenti
Bernardo Buontalenti, byname of Bernardo Delle Girandole was an Italian stage designer, architect, theatrical designer, military engineer and artist.-Biography:Buontalenti was born in Florence....
in 1593. The paintings on the wall are ascribed to Giorgio Vasari and some other contemporary Florentine painters. The large Gothic window with three mullion
Mullion
A mullion is a vertical structural element which divides adjacent window units. The primary purpose of the mullion is as a structural support to an arch or lintel above the window opening. Its secondary purpose may be as a rigid support to the glazing of the window...
s at the back wall dates from 1386 and was based on cartoons by Niccolò di Pietro Gerini
Niccolò di Pietro Gerini
Niccolò di Pietro Gerini was an Italian painter of the late Gothic period, active mainly in his native Florence. Niccolo di Pietro Gerini's works can be found in major art galleries in Rome, the Vatican, Florence, London, Milan, New York, Los Angeles, Amsterdam, Berlin, Paris, St Petersburg,...
Spanish Chapel
The Spanish Chapel (or Cappellone degli Spagnoli) is the former chapterhouse of the monastery. It is situated at the north side of the green Cloister (Chiostro Verde). It was commissioned by Buonamico (Mico) Guidalotti as his funerary chapel. Construction started c. 1343 and was finished in 1355. The Guidalotti chapel was later called "Spanish Chapel", because Cosimo I assigned it to Eleonora of Toledo and her Spanish retinue. The Spanish Chapel contains a smaller Chapel of the Most Holy Sacrament. The Spanish Chapel was decorated from 1365 to 1367 by Andrea di Bonaiuto, also known as Andrea da FirenzeAndrea da Firenze
Andrea da Firenze was an Italian composer and organist of the late medieval era. Along with Francesco Landini and Paolo da Firenze, he was a leading representative of the Italian ars nova style of the Trecento, and was a prolific composer of secular songs, principally ballate.-Life:Since Andrea...
. The large fresco on the right wall depicts the Allegory of the Active and Triumphant Church and of the Dominican order. It is especially interesting because in the background it shows a large pink building that may provide some insight into the original designs for the Duomo of Florence by Arnolfo di Cambio
Arnolfo di Cambio
Arnolfo di Cambio was an Italian architect and sculptor.-Biography:Arnolfo was born in Colle Val d'Elsa, Tuscany....
(before Brunelleschi's dome was built), although this interpretation is fantastical as the Duomo was never intended to be pink, nor to have the belltower at its back side. This fresco also contains portraits of pope Benedict IX, cardinal Friar Niccolò Albertini, count Guido di Poppi, Arnolfo di Cambio
Arnolfo di Cambio
Arnolfo di Cambio was an Italian architect and sculptor.-Biography:Arnolfo was born in Colle Val d'Elsa, Tuscany....
and the poet Petrarch
Petrarch
Francesco Petrarca , known in English as Petrarch, was an Italian scholar, poet and one of the earliest humanists. Petrarch is often called the "Father of Humanism"...
. The frescoes on the other walls represent scenes from the lives of Christ and Saint Peter on the entry wall (mostly ruined due to the later installation of a choir), The Triumph of Saint Thomas Aquinas and the Allegory of Christian Learning on the left wall, and the large "Crucifixion with the Way to Calvalry and the Descent into Limbo" on the archway of the altar wall. The four-part vault contains scenes of Christ's resurrection, the navicella, the ascension, and Pentecost. The five-panelled Gothic polyptych
Polyptych
A polyptych generally refers to a painting which is divided into sections, or panels. The terminology that follows is in relevance to the number of panels integrated into a particular piece of work: "diptych" describes a two-part work of art; "triptych" describes a three-part work; "tetraptych"...
that was probably originally made for the chapel's altar, depicting the Madonna Enthroned With and Child and Four Saints by Bernardo Daddi
Bernardo Daddi
Bernardo Daddi was an early Italian renaissance painter and apprentice of Giotto. He was also influenced by the Sienese art of Lorenzetti....
dates from 1344 and is currently on display in a small museum area accessed through glass doors from the far end of the cloister. Together, the complex iconography of the ceiling vault, walls, and altar combine to communicate the message of Dominicans as guides to salvation.
Architecture
Giorgio Vasari was the architect, commissioned in 1567 by Grand Duke Cosimo I, for the first remodelling of the church, which included removing its original rood screenRood screen
The rood screen is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron...
and loft, and adding six chapels between the columns. An armillary sphere
Armillary sphere
An armillary sphere is a model of objects in the sky , consisting of a spherical framework of rings, centred on Earth, that represent lines of celestial longitude and latitude and other astronomically important features such as the ecliptic...
(on the left) and a gnomon
Gnomon
The gnomon is the part of a sundial that casts the shadow. Gnomon is an ancient Greek word meaning "indicator", "one who discerns," or "that which reveals."It has come to be used for a variety of purposes in mathematics and other fields....
(on the right) were added to the end blind arches of the lower façade by Ignazio Danti
Ignazio Danti
Ignazio Danti , born Pellegrino Rainaldi Danti, was an Italian priest, mathematician, astronomer, and cosmographer.-Biography:Danti was born in Perugia to a family rich in artists and scientists...
, astronomer of Cosimo I, in 1572. The second remodelling was designed by Enrico Romoli, and was carried out between 1858 and 1860.
The square in front the church was used by Cosimo I for the yearly chariot race (Palio dei Cocchi). This custom existed between 1563 and late in the 19th century. The two obelisk
Obelisk
An obelisk is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape at the top, and is said to resemble a petrified ray of the sun-disk. A pair of obelisks usually stood in front of a pylon...
s marked the start and the finish of the race. They were set up to imitate an antique Roman circus
Circus Maximus
The Circus Maximus is an ancient Roman chariot racing stadium and mass entertainment venue located in Rome, Italy. Situated in the valley between the Aventine and Palatine hills, it was the first and largest stadium in ancient Rome and its later Empire...
. The obelisks rest on bronze tortoises, made in 1608 by the sculptor Giambologna.
List of artworks
Artists who produced items for the church include:- Sandro BotticelliSandro BotticelliAlessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli was an Italian painter of the Early Renaissance...
- early nativity scene above the door - Baccio D'AgnoloBaccio D'AgnoloBaccio D'Agnolo , born Bartolomeo Baglioni, was an Italian woodcarver, sculptor and architect from Florence."Baccio"'is an abbreviation of Bartolomeo, and "d'Agnolo" refers to Angelo, his father's name...
- wood carvings - Bronzino - the Miracle of Jesus
- Filippo BrunelleschiFilippo BrunelleschiFilippo Brunelleschi was one of the foremost architects and engineers of the Italian Renaissance. He is perhaps most famous for inventing linear perspective and designing the dome of the Florence Cathedral, but his accomplishments also included bronze artwork, architecture , mathematics,...
- The Crucifix (between 1410 and 1425) - Tino da Camaino - Bust of St. Antoninus (in terra cotta); the Tomb of the Bishop of Fiesole
- Nardo di CioneNardo di CioneNardo di Cione , was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter’s Guild of Florence...
- frescoes of the Divine Judgment - DuccioDuccioDuccio di Buoninsegna was one of the most influential Italian artists of his time. Born in Siena, Tuscany, he worked mostly with pigment and egg tempera and like most of his contemporaries painted religious subjects...
- Rucellai Madonna - Lorenzo GhibertiLorenzo GhibertiLorenzo Ghiberti , born Lorenzo di Bartolo, was an Italian artist of the early Renaissance best known for works in sculpture and metalworking.-Early life:...
- tombstone of Leonardo Dati (1423) - Domenico GhirlandaioDomenico GhirlandaioDomenico Ghirlandaio was an Italian Renaissance painter from Florence. Among his many apprentices was Michelangelo.-Early years:Ghirlandaio's full name is given as Domenico di Tommaso di Currado di Doffo Bigordi...
- frescoes (late 15th century) in the Tornabuoni ChapelTornabuoni ChapelThe Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and...
, design of the stained-glass window - Filippino LippiFilippino LippiFilippino Lippi was an Italian painter working during the High Renaissance in Florence, Italy.-Biography:...
- frescoes in the Strozzi Chapel, depicting the life of Philip the Apostle; stained glass window - Benedetto da MaianoBenedetto da MaianoBenedetto da Maiano was an Italian sculptor of the early Renaissance.Born in the village of Maiano , he started his career as companion of his brother, the architect Giuliano da Maiano. When he reached the age of thirty he started training under the sculptor Antonio Rossellino...
- the Tomb of Filippo Strozzi (1491) at the backside of the Strozzi Chapel. - Giacomo Marchetti : Martyrdom of Saint Laurence.
- Tommaso Masaccio - The Trinity
- Nino PisanoNino Pisanothumb|280px|"Euclid", panel from [[Giotto's Bell Tower]], now in the [[Museo dell'Opera del Duomo |Museo dell'Opera del Duomo]], [[Florence]].Nino Pisano thumb|280px|"Euclid", panel from [[Giotto's Bell Tower]], now in the [[Museo dell'Opera del Duomo (Florence)|Museo dell'Opera del Duomo]],...
- Madonna with Child (1368) - Bernardo RossellinoBernardo RossellinoBernardo di Matteo del Borra Gamberelli , better known as Bernardo Rossellino, was an Italian sculptor and architect, the elder brother of the sculptor Antonio Rossellino...
- Monument to the Beata Villana (1451) - Santi di TitoSanti di TitoSanti di Tito was an Italian painter of Late-Mannerist or proto-Baroque style, what is sometimes referred to as Contra-Maniera or Counter-Mannerism.-Biography:...
- Lazarus Raised from Death - Paolo UccelloPaolo UccelloPaolo Uccello , born Paolo di Dono, was an Italian painter and a mathematician who was notable for his pioneering work on visual perspective in art. Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his...
- frescoes in the cloisterCloisterA cloister is a rectangular open space surrounded by covered walks or open galleries, with open arcades on the inner side, running along the walls of buildings and forming a quadrangle or garth...
s - Giorgio VasariGiorgio VasariGiorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
- Madonna of the Rosary (1568)
External links
- Santa Maria Novella Museum and Cloisters, from the Municipality of Florence
- Museo di Santa Maria Novella, from the Civic Museums of Florence
- Santa Maria Novella, Florence virtual reality movie and pictures
- Paradoxplace Santa Maria Novella Photo & History Page
- The Museums of Florence Santa Maria Novella