Museo Nacional de las Intervenciones
Encyclopedia
The Museo Nacional de las Intervenciones (National Museum of the Interventions) is located in a former monastery, which was built on top of an Aztec
shrine. The museum in split into two sections. The downstairs is dedicated to the site’s history as a monastery, and the upstairs rooms are dedicated to artifacts related to the various military conflicts that have taken place on Mexican soil and how these have shaped the modern Mexican republic. The museum is located on Calle 20 de Agosto, one block east from Division del Norte, following Calle Xicoténcatl, in Churubusco
. It is one of five museums that are operated directly by the Instituto Nacional de Antropología e Historia (INAH).
. This shrine was eventually destroyed by the Franciscan
monks under Pedro del Monte. They Christianized the site
using the stones and the foundation of the shrine to build a small church and house for themselves. The current structure was built to replace the smaller house and church near the end of the 17th century.
Diego del Castillo and his wife, Elena de la Cruz sponsored the construction which was completed under architect Cristobál Medina Vargas. Work was completed in 1678, and designed to house thirty monks. The Aztec remains lay forgotten until excavation work in the late 20th century uncovered the pyramid foundation, Nahua sculptures, and human remains. Some of these are on display at the museum.
The monastery was founded with the full name of “Nuestra Señora de los Angeles de Churubusco
” (Our Lady of the Angels of Churubusco), the name of the village. It was founded by the Dieguina (of San Diego de Alcalá) order of Franciscan monks. These monks arrived in Mexico to establish a way station for evangelists heading to Asia, principally the Philippines
. This monastery was one of several dedicated to preparing priests and monks for missions in Asia.
The church associated with the monastery still maintains its original function but the rest of the complex today is a museum with two focuses. The first floor is dedicated to the history and daily life of the Franciscan Deiguina order, which occupied the site for more than 300 years. The upper floor is dedicated to recalling the various military conflicts that have taken place in Mexican territory.
Rooms downstairs such as the kitchen, the refectory
, the foyer
to the sacristy
, the pilgrim’s entrance as well as the garden areas outside have been restored to their original appearance. The kitchen was recreated in 2002, and the refectory, bath area and the foyer were restored in 2005. In addition, a number of other artifacts and spaces have been preserved, such as the excavations of the monastery foundations and its pre-Hispanic predecessors, but they are not available to the public. Most of the preserved downstairs rooms are related to the feeding and other necessities of the monks, such as the kitchen, the dining room and the bath area and generally were not open to the public. The lower cloister, the foyer to the sacristy and the portals were public spaces. There is also fountain inside the main patio that provided water for the monks and the surrounding community. The main garden contained and orchard which grew fruit and other foods for consumption by the monastery’s inhabitants. The “patio menor” on the side of the complex is where monks could converse with those visiting the facility.
The downstairs also contains a collection of paintings and sculptures from the 17th to the 19th centuries. The Churubusco Collection Room is primarily devoted to colonial-era paintings by Juan Correa
, Cristobal de Villalpando
, Nicolas Rodriguez Juarez and others. The collection also includes some sculptures and woodwork, usually representing angels, saints and the Virgin Mary. In the main stairwell, there are a number of large oil paintings. Two of the pieces has scenes from the life of Saint Francis of Assisi, called “El transito de San Francisco” (The Death of Saint Francis of Assisi) and “San Francisco como el Profeta Elías” (Saint Francis of Assisi as the Prophet Elijah). There is one other painting here called “La Elevación de San Juan Nepomuceno” (The Elevation of Saint John Nepomuk).
The upper floor and cloister was where the monks slept, studied and prayed and was not open to the public. These areas have not been restored to their original appearance but instead have been converted to a military museum, reflecting the site’s later history.
. At the time, the complex was far outside the city limits. On 20 August 1847, Battle of Churubusco
was fought. When the Mexicans ran out of ammunition, the battle turned to hand-to-hand fighting. When the Mexicans were defeated U.S. General David Twiggs asked General Pedro María de Anaya to surrender his ammunition. The reported response of Anaya is “If there was any, you wouldn’t be here.” This is also the site where Saint Patrick's Battalion
, an Irish regiment originally aligned the U.S., switched sides and fought with the Mexicans to defend Mexico City. A plaque honoring them is placed at the main entrance. In 1869, President Benito Juárez
declared the site a national monument in honor of the battle, which was reaffirmed in 1933. However, this did not turn it into a museum. From 1876 to 1914, it served as a military hospital, specializing in contagious diseases. In the 1920s, it was an art school, and from 1920 to 1960 it was a depot. In the 1960s and 1970s, this building was known unofficially as the Transport Museum as a large number of old vehicles were stored there. This collection was eventually sent to Zacatecas
in 1985.
The idea of the Museo Nacional de las Intervenciones emerged in 1980 with the objective of unifying the collection of artifacts and documents related to the various military conflicts on Mexican soil, most of which involve foreign intervention. The building was chosen as the site of this museum because of its role during the Mexican-American War between 1846 and 1848. The outside walls still contain marks from the bullets and cannons from the U.S. army, especially near the main entrance. The presidential decree was issued on 13 September 1981 stating the museum’s purpose as “to explain the different armed interventions experienced by Mexico, from which has derived her basic principles of her foreign policy: non-intervention and the self-determination of peoples.” The adjoining plaza contains a monument to General Anaya, who headed the Mexican army during the Battle of Churubusco in with 1,300 Mexicans against 6,000 U.S. troops.
, Spain
and France
in Mexico’s internal affairs, ranging from political intrigue, diplomatic maneuvers and armed invasion to assert control over all or part of Mexico’s territory.
The military conflicts are represented here in chronological order, starting from the Mexican War of Independence
to the early 20th century. Its collection includes lithographs, military flags, weapons, furniture, drawings, paintings, photographs, maps, documents, and weapons such as cannons, rifles, pistols, bullets, swords and machetes. There are textiles such as flags and uniforms with accompanying insignia and medals. Most are originals but some are reproductions.
The museum is spread out over ten halls with the intention of explaining the historical processes of each of the military conflicts. It starts with an Introductory Hall at the top of the stairs, which is dedicated to showing the forms of fighting adopted in Mexico and the development of U.S. expansionism. The Hall of Independence contains explanations as to how Mexico gained her independence from Spain to the government of General Guadalupe Victoria from 1810 to 1829. The Spanish Intervention of 1829 Room is dedicated to Spain’s attempt to reclaim its former colony as well as U.S. attempts to buy Texas. The room dedicated to the Pastry War
(1838–1839), also called the “First French Intervention,” is dedicated to the conflict between France and Mexico over trade issues and its eventual end through negotiation. The Mexican-American War Room (1846–1848) begins with Mexico’s loss of Texas, which then annexed itself to the United States and how conflict over this event eventually led to war between the U.S. and Mexico. It covers how the U.S. invaded Mexican territory and ended with a peace treaty which required Mexico to give up much of its northern territory. Displays include the Texan flag flown at the Alamo and U.S. military maps of the 1847 battle in Churubusco, noting how much the monastery was separated from the city at that time. The (Second) French Intervention in Mexico (1862–1867) is represented in a room which focuses on the role of President Benito Juarez in the conflict. This is then followed by a room dedicated to the “Restored Republic.” It focuses on how the interventions up until that time shaped the Republic and how Mexico entered the world market as a supplier of raw materials.
The Porfiriato Room is concerned with the thirty-year long presidency of Porfirio Diaz
. Diaz’s regime was primarily concerned with the modernization of the economy and resulted in the concentration of power and wealth among the Mexican elite. The room serves as a context to understand why the Mexican Revolution happened. The Mexican Revolution
Room traces the progress of the civil struggle for power from its beginnings in 1910 to its end in 1916 and how foreign influences affected the conflict. There are also artifacts related to U.S. invasion during this event from 1914 to 1916.
In 2006, a multipurpose room called “Gaston Garcia Cantú” and the El Catalejo Library were opened. The latter offers visitors access to books, videos, sound recordings and other resources related to the history of Mexico.
Still in the planning stages are exhibits which will portray the Mexican government's interventions, and eventual conquests, of the indigenous peoples within its territory, including the Apache.
Aztec
The Aztec people were certain ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica in the 14th, 15th and 16th centuries, a period referred to as the late post-classic period in Mesoamerican chronology.Aztec is the...
shrine. The museum in split into two sections. The downstairs is dedicated to the site’s history as a monastery, and the upstairs rooms are dedicated to artifacts related to the various military conflicts that have taken place on Mexican soil and how these have shaped the modern Mexican republic. The museum is located on Calle 20 de Agosto, one block east from Division del Norte, following Calle Xicoténcatl, in Churubusco
Churubusco
Churubusco is a neighbourhood of Mexico City. Under the current territorial division of the Mexican Federal District, it is a part of the borough of Coyoacán...
. It is one of five museums that are operated directly by the Instituto Nacional de Antropología e Historia (INAH).
The monastery
Before the Spanish Conquest of Mexico, the land originally belonged to an Aztec lord and was the site of a pyramid shrine to the god HuitzilopochtliHuitzilopochtli
In Aztec mythology, Huitzilopochtli, also spelled Uitzilopochtli , was a god of war, a sun god, and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan.- Genealogy :...
. This shrine was eventually destroyed by the Franciscan
Franciscan
Most Franciscans are members of Roman Catholic religious orders founded by Saint Francis of Assisi. Besides Roman Catholic communities, there are also Old Catholic, Anglican, Lutheran, ecumenical and Non-denominational Franciscan communities....
monks under Pedro del Monte. They Christianized the site
Christianised sites
One aspect of Christianisation was the Christianisation of sites that had been pagan. In the 1st centuries of Christianity churches were either house churches in whatever houses were offered for use by their owners, or were shrines on the burial-sites of martyrs or saints, which following the usual...
using the stones and the foundation of the shrine to build a small church and house for themselves. The current structure was built to replace the smaller house and church near the end of the 17th century.
Diego del Castillo and his wife, Elena de la Cruz sponsored the construction which was completed under architect Cristobál Medina Vargas. Work was completed in 1678, and designed to house thirty monks. The Aztec remains lay forgotten until excavation work in the late 20th century uncovered the pyramid foundation, Nahua sculptures, and human remains. Some of these are on display at the museum.
The monastery was founded with the full name of “Nuestra Señora de los Angeles de Churubusco
Churubusco
Churubusco is a neighbourhood of Mexico City. Under the current territorial division of the Mexican Federal District, it is a part of the borough of Coyoacán...
” (Our Lady of the Angels of Churubusco), the name of the village. It was founded by the Dieguina (of San Diego de Alcalá) order of Franciscan monks. These monks arrived in Mexico to establish a way station for evangelists heading to Asia, principally the Philippines
Philippines
The Philippines , officially known as the Republic of the Philippines , is a country in Southeast Asia in the western Pacific Ocean. To its north across the Luzon Strait lies Taiwan. West across the South China Sea sits Vietnam...
. This monastery was one of several dedicated to preparing priests and monks for missions in Asia.
The church associated with the monastery still maintains its original function but the rest of the complex today is a museum with two focuses. The first floor is dedicated to the history and daily life of the Franciscan Deiguina order, which occupied the site for more than 300 years. The upper floor is dedicated to recalling the various military conflicts that have taken place in Mexican territory.
Rooms downstairs such as the kitchen, the refectory
Refectory
A refectory is a dining room, especially in monasteries, boarding schools and academic institutions. One of the places the term is most often used today is in graduate seminaries...
, the foyer
Foyer
A foyer or lobby is a large, vast room or complex of rooms adjacent to the auditorium...
to the sacristy
Sacristy
A sacristy is a room for keeping vestments and other church furnishings, sacred vessels, and parish records.The sacristy is usually located inside the church, but in some cases it is an annex or separate building...
, the pilgrim’s entrance as well as the garden areas outside have been restored to their original appearance. The kitchen was recreated in 2002, and the refectory, bath area and the foyer were restored in 2005. In addition, a number of other artifacts and spaces have been preserved, such as the excavations of the monastery foundations and its pre-Hispanic predecessors, but they are not available to the public. Most of the preserved downstairs rooms are related to the feeding and other necessities of the monks, such as the kitchen, the dining room and the bath area and generally were not open to the public. The lower cloister, the foyer to the sacristy and the portals were public spaces. There is also fountain inside the main patio that provided water for the monks and the surrounding community. The main garden contained and orchard which grew fruit and other foods for consumption by the monastery’s inhabitants. The “patio menor” on the side of the complex is where monks could converse with those visiting the facility.
The downstairs also contains a collection of paintings and sculptures from the 17th to the 19th centuries. The Churubusco Collection Room is primarily devoted to colonial-era paintings by Juan Correa
Juan Correa
Juan Correa was a Mexican painter of mixed Moorish or African, Indian and Spanish heritage. His years of greatest activity were from 1671 to 1716. He painted many religious-themed, Baroque paintings for cathedrals in Mexico. Correa was José de Ibarra's teacher...
, Cristobal de Villalpando
Cristóbal de Villalpando
Cristóbal de Villalpando was a Mexican painter. He painted prolifically and produced many Baroque works visible in several Mexican cathedrals, including the cathedrals in Querétaro and Mexico City.. He married María de Mendoza in 1669, and later had four children.-References:...
, Nicolas Rodriguez Juarez and others. The collection also includes some sculptures and woodwork, usually representing angels, saints and the Virgin Mary. In the main stairwell, there are a number of large oil paintings. Two of the pieces has scenes from the life of Saint Francis of Assisi, called “El transito de San Francisco” (The Death of Saint Francis of Assisi) and “San Francisco como el Profeta Elías” (Saint Francis of Assisi as the Prophet Elijah). There is one other painting here called “La Elevación de San Juan Nepomuceno” (The Elevation of Saint John Nepomuk).
The upper floor and cloister was where the monks slept, studied and prayed and was not open to the public. These areas have not been restored to their original appearance but instead have been converted to a military museum, reflecting the site’s later history.
The Battle of Churubusco
The Mexican Army dislocated the monks living here during the Mexican-American War in order to defend Mexico City from the invading U.S. Army. The Mexicans fortified the building, which included building the parapetParapet
A parapet is a wall-like barrier at the edge of a roof, terrace, balcony or other structure. Where extending above a roof, it may simply be the portion of an exterior wall that continues above the line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a...
. At the time, the complex was far outside the city limits. On 20 August 1847, Battle of Churubusco
Battle of Churubusco
The Battle of Churubusco took place on August 20, 1847, in the immediate aftermath of the Battle of Contreras during the Mexican-American War. After defeating the Mexican army at Churubusco, the U.S. Army was only 5 miles away from Mexico City, the capital of the nation...
was fought. When the Mexicans ran out of ammunition, the battle turned to hand-to-hand fighting. When the Mexicans were defeated U.S. General David Twiggs asked General Pedro María de Anaya to surrender his ammunition. The reported response of Anaya is “If there was any, you wouldn’t be here.” This is also the site where Saint Patrick's Battalion
Saint Patrick's Battalion
The Saint Patrick's Battalion , formed and led by Jon Riley, was a unit of 175 to several hundred immigrants and expatriates of European descent who fought as part of the Mexican Army against the United States in the Mexican-American War of 1846 to 1848. Most of the battalion's members had...
, an Irish regiment originally aligned the U.S., switched sides and fought with the Mexicans to defend Mexico City. A plaque honoring them is placed at the main entrance. In 1869, President Benito Juárez
Benito Juárez
Benito Juárez born Benito Pablo Juárez García, was a Mexican lawyer and politician of Zapotec origin from Oaxaca who served five terms as president of Mexico: 1858–1861 as interim, 1861–1865, 1865–1867, 1867–1871 and 1871–1872...
declared the site a national monument in honor of the battle, which was reaffirmed in 1933. However, this did not turn it into a museum. From 1876 to 1914, it served as a military hospital, specializing in contagious diseases. In the 1920s, it was an art school, and from 1920 to 1960 it was a depot. In the 1960s and 1970s, this building was known unofficially as the Transport Museum as a large number of old vehicles were stored there. This collection was eventually sent to Zacatecas
Zacatecas
Zacatecas officially Estado Libre y Soberano de Zacatecas is one of the 31 states which, with the Federal District, comprise the 32 Federal Entities of Mexico. It is divided in 58 municipalities and its capital city is Zacatecas....
in 1985.
The idea of the Museo Nacional de las Intervenciones emerged in 1980 with the objective of unifying the collection of artifacts and documents related to the various military conflicts on Mexican soil, most of which involve foreign intervention. The building was chosen as the site of this museum because of its role during the Mexican-American War between 1846 and 1848. The outside walls still contain marks from the bullets and cannons from the U.S. army, especially near the main entrance. The presidential decree was issued on 13 September 1981 stating the museum’s purpose as “to explain the different armed interventions experienced by Mexico, from which has derived her basic principles of her foreign policy: non-intervention and the self-determination of peoples.” The adjoining plaza contains a monument to General Anaya, who headed the Mexican army during the Battle of Churubusco in with 1,300 Mexicans against 6,000 U.S. troops.
Displays related to the “Intervenciones”
In addition to the cannon, memorials and plaques placed outside the main monastery entrance in honor of the Battle of Churubusco, the second floor of the building itself is dedicated to the Mexican American War and various other conflicts on Mexican soil between 1825 and 1916. This period in Mexican history is characterized by near-constant intervention by the governments of the United StatesUnited States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
, Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
and France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
in Mexico’s internal affairs, ranging from political intrigue, diplomatic maneuvers and armed invasion to assert control over all or part of Mexico’s territory.
The military conflicts are represented here in chronological order, starting from the Mexican War of Independence
Mexican War of Independence
The Mexican War of Independence was an armed conflict between the people of Mexico and the Spanish colonial authorities which started on 16 September 1810. The movement, which became known as the Mexican War of Independence, was led by Mexican-born Spaniards, Mestizos and Amerindians who sought...
to the early 20th century. Its collection includes lithographs, military flags, weapons, furniture, drawings, paintings, photographs, maps, documents, and weapons such as cannons, rifles, pistols, bullets, swords and machetes. There are textiles such as flags and uniforms with accompanying insignia and medals. Most are originals but some are reproductions.
The museum is spread out over ten halls with the intention of explaining the historical processes of each of the military conflicts. It starts with an Introductory Hall at the top of the stairs, which is dedicated to showing the forms of fighting adopted in Mexico and the development of U.S. expansionism. The Hall of Independence contains explanations as to how Mexico gained her independence from Spain to the government of General Guadalupe Victoria from 1810 to 1829. The Spanish Intervention of 1829 Room is dedicated to Spain’s attempt to reclaim its former colony as well as U.S. attempts to buy Texas. The room dedicated to the Pastry War
Pastry War
The Pastry War was an invasion of Mexico by French forces in 1838.-Background:The war arose from the widespread civil disorder that plagued the early years of the Mexican republic. In 1828, President Manuel Gómez Pedraza ejected Lorenzo de Zavala from the office of governor of the state of México...
(1838–1839), also called the “First French Intervention,” is dedicated to the conflict between France and Mexico over trade issues and its eventual end through negotiation. The Mexican-American War Room (1846–1848) begins with Mexico’s loss of Texas, which then annexed itself to the United States and how conflict over this event eventually led to war between the U.S. and Mexico. It covers how the U.S. invaded Mexican territory and ended with a peace treaty which required Mexico to give up much of its northern territory. Displays include the Texan flag flown at the Alamo and U.S. military maps of the 1847 battle in Churubusco, noting how much the monastery was separated from the city at that time. The (Second) French Intervention in Mexico (1862–1867) is represented in a room which focuses on the role of President Benito Juarez in the conflict. This is then followed by a room dedicated to the “Restored Republic.” It focuses on how the interventions up until that time shaped the Republic and how Mexico entered the world market as a supplier of raw materials.
The Porfiriato Room is concerned with the thirty-year long presidency of Porfirio Diaz
Porfirio Díaz
José de la Cruz Porfirio Díaz Mori was a Mexican-American War volunteer and French intervention hero, an accomplished general and the President of Mexico continuously from 1876 to 1911, with the exception of a brief term in 1876 when he left Juan N...
. Diaz’s regime was primarily concerned with the modernization of the economy and resulted in the concentration of power and wealth among the Mexican elite. The room serves as a context to understand why the Mexican Revolution happened. The Mexican Revolution
Mexican Revolution
The Mexican Revolution was a major armed struggle that started in 1910, with an uprising led by Francisco I. Madero against longtime autocrat Porfirio Díaz. The Revolution was characterized by several socialist, liberal, anarchist, populist, and agrarianist movements. Over time the Revolution...
Room traces the progress of the civil struggle for power from its beginnings in 1910 to its end in 1916 and how foreign influences affected the conflict. There are also artifacts related to U.S. invasion during this event from 1914 to 1916.
In 2006, a multipurpose room called “Gaston Garcia Cantú” and the El Catalejo Library were opened. The latter offers visitors access to books, videos, sound recordings and other resources related to the history of Mexico.
Still in the planning stages are exhibits which will portray the Mexican government's interventions, and eventual conquests, of the indigenous peoples within its territory, including the Apache.