Medieval dance
Encyclopedia
Sources for an understanding of dance
in Europe
in the Middle Ages
are limited and fragmentary, being composed of some depictions in painting
s and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts. The first detailed descriptions of dancing only date from 1450 in Italy
, which is after the start of the Renaissance
.
The most documented form of dance during the Middle Ages is the carol
also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings. It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while dancing. No surviving lyrics or music for the carol have been identified. In northern France, other terms for this type of dance included "ronde" and its diminutives "rondet", "rondel", and "rondelet" from which the more modern music term "rondeau" derives. In the German-speaking areas, this same type of choral dance was known as "reigen".
in his series of Arthurian romances. In the wedding scene in Erec and Enide
(about 1170)
In The Knight of the Cart, (probably late 1170s) at a meadow where there are knights and ladies, various games are played while:
In what is probably Chretien's last work, Perceval, the Story of the Grail
, probably written 1181-1191, we find:
and later at a court setting:
(1265-1321) has a few minor references to dance in his works but a more substantive description of the round dance with song from Bologna comes from Giovanni del Virgilio (floruit 1319-1327).
Later in the 14th century Giovanni Boccaccio
(1313–1375) shows us the "carola" in Florence in the Decameron (about 1350-1353) which has several passages describing men and women dancing to their own singing or accompanied by musicians. Boccaccio also uses two other terms for contemporary dances, ridda and ballonchio, both of which refer to round dances with singing.
Approximately contemporary with the Decameron are a series of frescos in Siena
by Ambrogio Lorenzetti
painted about 1338-40, one of which shows a group of women doing a "bridge" figure while accompanied by another woman playing the tambourine
.
(1933) the term "carol" was first used in England for this type of circle dance accompanied by singing in manuscripts dating to as early as 1300. The word was used as both a noun and a verb and the usage of carol for a dance form persisted well into the 16th century. One of the earliest references is in Robert of Brunne's early 14th century Handlyng synne where it occurs as a verb.
Scandinavia
In Denmark, old ballads mention a closed Ring dance which can open into a Chain dance. A fresco
in Ørslev church in Zealand from about 1400 shows nine people, men and women, dancing in a line. The leader and some others in the chain carry bouquets of flowers. Dances could be for men and women, or for men alone, or women alone. In the case of women's dances, however, there may have been a man who acted as the leader. Two dances specifically named in the Danish ballads which appear to be line dances of this type are The Beggar Dance, and The Lucky Dance which may have been a dance for women. A modern version of theses medieval chains is seen in the Faroese chain dance
, the earliest account of which goes back only to the 17th century.
In Sweden too, medieval songs often mentioned dancing. A long chain was formed, with the leader singing the verses and setting the time while the other dancers joined in the chorus. These "Long Dances" have lasted into modern times in Sweden.
A similar type of song dance may have existed in Norway in the Middle Ages as well, but no historical accounts have been found.
Central Europe
The same dance in Germany was called "Reigen" and may have originated from devotional dances at early Christian festivals. Dancing around the church or a fire was frequently denounced by church authorities which only underscores how popular it was. Once again, in singing processions, the leader provided the verse and the other dancers supplied the chorus. The minnesinger Neidhart von Reuental
, who lived in the first half of the 13th century wrote several songs for dancing, some of which use the term "reigen".
In southern Tyrol, at Runkelstein Castle, a series of frescos was executed in the last years of the 14th century. One of the frescos depicts Elisabeth of Poland, Queen of Hungary leading a chain dance.
Circle dances were also found in the area that is today the Czech Republic
. Descriptions and illustrations of dancing can be found in church registers, chronicles and the 15th century writings of Bohuslav Hasištejnský z Lobkovic
. Dancing was primarily done around trees on the village green but special houses for dancing appear from the 14th century.
The Balkans
The present day folk dances in the Balkans
consist of dancers linked together in a hand or shoulder hold in an open or closed circle or a line. The basic round dance goes by many names in the various countries of the region: kolo, oro, horo or hora. The modern couple dance so common in western and northern Europe has only made a few inroads into the Balkan dance repertory.
Chain dances of a similar type to these modern dance forms have been documented from the medieval Balkans.
Tens of thousands of medieval tombstones called "Stećci"
are found in Bosnia and Hercegovina and neighboring areas in Montenegro
, Serbia
and Croatia
. They date from the end of the 12th century to the 16th century. Many of the stones bear inscription and figures, several of which have been interpreted as dancers in a ring or line dance. These mostly date to the 14th and 15th centuries. Usually men and women are portrayed dancing together holding hands at shoulder level but occasionally the groups consist of only one sex.
Further south in Macedonia
, near the town of Zletovo
, the monastery of Lesnovo (Lesnovo Manastir), originally built in the 11th century, was renovated in the middle of the 14th century and a series of murals were painted. One of these shows a group of young men linking arms in a round dance. They are accompanied by two musicians, one playing the kanun
while the other beats on a long drum.
At a later period there are the accounts of two western European travelers to Constantinople, the capital of the Ottoman Empire
. Salomon Schweigger (1551-1622) was a German preacher who traveled in the entourage of Jochim von Sinzendorf, Ambassador to Constantinople for Rudolf II
in 1577. He describes the events at a Greek wedding:
Another traveler, the German pharmacist Reinhold Lubenau, was in Constantinople in November 1588 and reports on a Greek wedding in these terms:
(about 1150-1207) wrote the famous Provençal
song Kalenda Maya to fit the tune of an estampie
that he heard two jongleurs
play, then the history of the estampie extends back to the 12th century. The only musical examples actually identified as "estampie" or "istanpita" occur in two 14th century manuscripts. The same manuscripts also contain other pieces named "danse real" or other dance names. These are similar in musical structure to the estampies but consensus is divided as to whether these should be considered the same.
In addition to these instrumental music compositions, there are also mentions of the estampie in various literary sources from the 13th and 14th centuries. One of these as "stampenie" is found in Gottfried von Strassburg
's Tristan
from 1210 in a catalog of Tristan's accomplishments:
Later, in a description of Isolde:
A century and a half later in the poem La Prison amoreuse (1372-73) by French chronicler and poet Jean Froissart
(c. 1337-1405), we find:
Opinion is divided as to whether the Estampie was actually a dance or simply early instrumental music. Sachs believes the strong rhythm of the music, a derivation of the name from a term meaning "to stamp" and the quotation from the Froissart poem above definitely label the estampie as a dance. However, others stress the complex music in some examples as being uncharacteristic of dance melodies and interpret Froissart's poem to mean that the dancing begins with the carol. There is also debate on the derivation of the word "estampie". In any case, no description of dance steps or figures for the estampie are known.
Dance
Dance is an art form that generally refers to movement of the body, usually rhythmic and to music, used as a form of expression, social interaction or presented in a spiritual or performance setting....
in Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
in the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
are limited and fragmentary, being composed of some depictions in painting
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
s and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts. The first detailed descriptions of dancing only date from 1450 in Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
, which is after the start of the Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
.
Carol
- For the carol as a musical form see:CarolCarol (music)A carol is a festive song, generally religious but not necessarily connected with church worship, and often with a dance-like or popular character....
, Christmas carolChristmas carolA Christmas carol is a carol whose lyrics are on the theme of Christmas or the winter season in general and which are traditionally sung in the period before Christmas.-History:...
The most documented form of dance during the Middle Ages is the carol
Carol (music)
A carol is a festive song, generally religious but not necessarily connected with church worship, and often with a dance-like or popular character....
also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings. It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while dancing. No surviving lyrics or music for the carol have been identified. In northern France, other terms for this type of dance included "ronde" and its diminutives "rondet", "rondel", and "rondelet" from which the more modern music term "rondeau" derives. In the German-speaking areas, this same type of choral dance was known as "reigen".
Chretien de Troyes
Some of the earliest mentions of the carol occur in the works of the French poet Chretien de TroyesChrétien de Troyes
Chrétien de Troyes was a French poet and trouvère who flourished in the late 12th century. Perhaps he named himself Christian of Troyes in contrast to the illustrious Rashi, also of Troyes...
in his series of Arthurian romances. In the wedding scene in Erec and Enide
Erec and Enide
Erec and Enide is the first of Chrétien de Troyes' five romance poems, completed around 1170. It is one of three completed works by the author...
(about 1170)
-
-
-
- Puceles carolent et dancent,
- Trestuit de joie feire tancent
-
- (lines 2047-2048)
-
-
-
- "Maidens performed rounds and other dances, each trying to outdo the other in showing their joy"
In The Knight of the Cart, (probably late 1170s) at a meadow where there are knights and ladies, various games are played while:
-
-
-
- Li autre, qui iluec estoient,
- Redemenoient lor anfances,
- Baules et queroles et dance;
- Et chantent et tunbent et saillent
-
- (lines 1656-1659)
-
-
-
- "[S]ome others were playing at childhood games - rounds, dances and reels, singing, tumbling, and leaping"
In what is probably Chretien's last work, Perceval, the Story of the Grail
Perceval, the Story of the Grail
Perceval, the Story of the Grail is the unfinished fifth romance of Chrétien de Troyes. Probably written between 1181 and 1191, it is dedicated to Chrétien's patron Philip, Count of Flanders...
, probably written 1181-1191, we find:
- "Men and women danced rounds through every street and square"
and later at a court setting:
- "The queen ... had all her maidens join hands together to dance and begin the merry-making. In his honour they began their singing, dances, and rounds"
Italy
DanteDante Alighieri
Durante degli Alighieri, mononymously referred to as Dante , was an Italian poet, prose writer, literary theorist, moral philosopher, and political thinker. He is best known for the monumental epic poem La commedia, later named La divina commedia ...
(1265-1321) has a few minor references to dance in his works but a more substantive description of the round dance with song from Bologna comes from Giovanni del Virgilio (floruit 1319-1327).
Later in the 14th century Giovanni Boccaccio
Giovanni Boccaccio
Giovanni Boccaccio was an Italian author and poet, a friend, student, and correspondent of Petrarch, an important Renaissance humanist and the author of a number of notable works including the Decameron, On Famous Women, and his poetry in the Italian vernacular...
(1313–1375) shows us the "carola" in Florence in the Decameron (about 1350-1353) which has several passages describing men and women dancing to their own singing or accompanied by musicians. Boccaccio also uses two other terms for contemporary dances, ridda and ballonchio, both of which refer to round dances with singing.
Approximately contemporary with the Decameron are a series of frescos in Siena
Siena
Siena is a city in Tuscany, Italy. It is the capital of the province of Siena.The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008...
by Ambrogio Lorenzetti
Ambrogio Lorenzetti
Ambrogio Lorenzetti was an Italian painter of the Sienese school. He was active between approximately 1317 to 1348. His elder brother was the painter Pietro Lorenzetti....
painted about 1338-40, one of which shows a group of women doing a "bridge" figure while accompanied by another woman playing the tambourine
Tambourine
The tambourine or marine is a musical instrument of the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zils". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head at all....
.
England
In a life of Saint Dunstan composed about 1000, the author tells how Dunstan, going into a church, found maidens dancing in a ring and singing a hymn. According to the Oxford English DictionaryOxford English Dictionary
The Oxford English Dictionary , published by the Oxford University Press, is the self-styled premier dictionary of the English language. Two fully bound print editions of the OED have been published under its current name, in 1928 and 1989. The first edition was published in twelve volumes , and...
(1933) the term "carol" was first used in England for this type of circle dance accompanied by singing in manuscripts dating to as early as 1300. The word was used as both a noun and a verb and the usage of carol for a dance form persisted well into the 16th century. One of the earliest references is in Robert of Brunne's early 14th century Handlyng synne where it occurs as a verb.
Other Chain Dances
Circle or line dances also existed in other parts of Europe outside of England, France and Italy where the term carol was best known. These dances were of the same type with dancers hand-in-hand and a leader who sang the ballad.Scandinavia
In Denmark, old ballads mention a closed Ring dance which can open into a Chain dance. A fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
in Ørslev church in Zealand from about 1400 shows nine people, men and women, dancing in a line. The leader and some others in the chain carry bouquets of flowers. Dances could be for men and women, or for men alone, or women alone. In the case of women's dances, however, there may have been a man who acted as the leader. Two dances specifically named in the Danish ballads which appear to be line dances of this type are The Beggar Dance, and The Lucky Dance which may have been a dance for women. A modern version of theses medieval chains is seen in the Faroese chain dance
Faroese dance
The Faroese dance is the national chain dance of the Faroe Islands, accompanied by kvæði, the Faroese ballads.The dance is a mediaeval ring dance, which only survived in the Faroe Islands, while in other European countries it was banned by the church, due to its pagan origin...
, the earliest account of which goes back only to the 17th century.
In Sweden too, medieval songs often mentioned dancing. A long chain was formed, with the leader singing the verses and setting the time while the other dancers joined in the chorus. These "Long Dances" have lasted into modern times in Sweden.
A similar type of song dance may have existed in Norway in the Middle Ages as well, but no historical accounts have been found.
Central Europe
The same dance in Germany was called "Reigen" and may have originated from devotional dances at early Christian festivals. Dancing around the church or a fire was frequently denounced by church authorities which only underscores how popular it was. Once again, in singing processions, the leader provided the verse and the other dancers supplied the chorus. The minnesinger Neidhart von Reuental
Neidhart von Reuental
Neidhart von Reuental was one of the most famous German minnesingers. He was probably active in Bavaria and then is known to have been a singer at the court of Friedrich II in Vienna...
, who lived in the first half of the 13th century wrote several songs for dancing, some of which use the term "reigen".
In southern Tyrol, at Runkelstein Castle, a series of frescos was executed in the last years of the 14th century. One of the frescos depicts Elisabeth of Poland, Queen of Hungary leading a chain dance.
Circle dances were also found in the area that is today the Czech Republic
Czech Republic
The Czech Republic is a landlocked country in Central Europe. The country is bordered by Poland to the northeast, Slovakia to the east, Austria to the south, and Germany to the west and northwest....
. Descriptions and illustrations of dancing can be found in church registers, chronicles and the 15th century writings of Bohuslav Hasištejnský z Lobkovic
Bohuslav Hasištejnský z Lobkovic
Bohuslav Hasištejnský z Lobkovic was a nobleman, writer and humanist of old Bohemian family of Lobkovic.He was born at Hasištejn Castle near Kadaň, Bohemia. He studied in Bologna and Ferrara and converted from Utraquism to Catholicism there...
. Dancing was primarily done around trees on the village green but special houses for dancing appear from the 14th century.
The Balkans
The present day folk dances in the Balkans
Balkans
The Balkans is a geopolitical and cultural region of southeastern Europe...
consist of dancers linked together in a hand or shoulder hold in an open or closed circle or a line. The basic round dance goes by many names in the various countries of the region: kolo, oro, horo or hora. The modern couple dance so common in western and northern Europe has only made a few inroads into the Balkan dance repertory.
Chain dances of a similar type to these modern dance forms have been documented from the medieval Balkans.
Tens of thousands of medieval tombstones called "Stećci"
Stecak
The Stećci , are monumental medieval tombstones that lie scattered across Bosnia and Herzegovina, and the border parts of Croatia, Montenegro and Serbia. An estimated 60,000 are found within the borders of Bosnia and Herzegovina and the rest of 10,000 are found in Croatia, Serbia, and Montenegro...
are found in Bosnia and Hercegovina and neighboring areas in Montenegro
Montenegro
Montenegro Montenegrin: Crna Gora Црна Гора , meaning "Black Mountain") is a country located in Southeastern Europe. It has a coast on the Adriatic Sea to the south-west and is bordered by Croatia to the west, Bosnia and Herzegovina to the northwest, Serbia to the northeast and Albania to the...
, Serbia
Serbia
Serbia , officially the Republic of Serbia , is a landlocked country located at the crossroads of Central and Southeast Europe, covering the southern part of the Carpathian basin and the central part of the Balkans...
and Croatia
Croatia
Croatia , officially the Republic of Croatia , is a unitary democratic parliamentary republic in Europe at the crossroads of the Mitteleuropa, the Balkans, and the Mediterranean. Its capital and largest city is Zagreb. The country is divided into 20 counties and the city of Zagreb. Croatia covers ...
. They date from the end of the 12th century to the 16th century. Many of the stones bear inscription and figures, several of which have been interpreted as dancers in a ring or line dance. These mostly date to the 14th and 15th centuries. Usually men and women are portrayed dancing together holding hands at shoulder level but occasionally the groups consist of only one sex.
Further south in Macedonia
Macedonia (region)
Macedonia is a geographical and historical region of the Balkan peninsula in southeastern Europe. Its boundaries have changed considerably over time, but nowadays the region is considered to include parts of five Balkan countries: Greece, the Republic of Macedonia, Bulgaria, Albania, Serbia, as...
, near the town of Zletovo
Zletovo
Zletovo is a city in the Probištip Municipality of Macedonia. Its FIPS code was MK48 ....
, the monastery of Lesnovo (Lesnovo Manastir), originally built in the 11th century, was renovated in the middle of the 14th century and a series of murals were painted. One of these shows a group of young men linking arms in a round dance. They are accompanied by two musicians, one playing the kanun
Kanun (Instrument)
The Qanun is a string instrument found in the 10th century in Farab in Turkestan...
while the other beats on a long drum.
At a later period there are the accounts of two western European travelers to Constantinople, the capital of the Ottoman Empire
Ottoman Empire
The Ottoman EmpireIt was usually referred to as the "Ottoman Empire", the "Turkish Empire", the "Ottoman Caliphate" or more commonly "Turkey" by its contemporaries...
. Salomon Schweigger (1551-1622) was a German preacher who traveled in the entourage of Jochim von Sinzendorf, Ambassador to Constantinople for Rudolf II
Rudolf II, Holy Roman Emperor
Rudolf II was Holy Roman Emperor , King of Hungary and Croatia , King of Bohemia and Archduke of Austria...
in 1577. He describes the events at a Greek wedding:
- da schrencken sie die Arm uebereinander / machen ein Ring / gehen also im Ring herumb / mit dem Fuessen hart tredent und stampffend / einer singt vor / welchem die andern alle nachfolgen.
- "then they joined arms one upon the other, made a circle, went round the circle, with their feet stepping hard and stamping; one sang first, with the others all following after."
Another traveler, the German pharmacist Reinhold Lubenau, was in Constantinople in November 1588 and reports on a Greek wedding in these terms:
- eine Companei, oft von zehen oder mehr Perschonen, Grichen herfuhr auf den Platz, fasten einander bei den Henden, machten einen runden Kreis und traten balde hinder sich, balde fur sich, balde gingen sie herumb, sungen grichisch drein, balde trampelden sie starck mit den Fussen auf die Erde.
- "a company of Greeks, often of ten or more persons, stepped forth to the open place, took each other by the hand, made a round circle, and now stepped backward, now forward, sometimes went around, singing in Greek the while, sometimes stamped strongly on the ground with their feet."
Estampie
If the story is true that troubadour Raimbaut de VaqueirasRaimbaut de Vaqueiras
Raimbaut de Vaqueiras was a Provençal troubadour and, later in his life, knight. His life was spent mainly in Italian courts until 1203, when he joined the Fourth Crusade....
(about 1150-1207) wrote the famous Provençal
Provence
Provence ; Provençal: Provença in classical norm or Prouvènço in Mistralian norm) is a region of south eastern France on the Mediterranean adjacent to Italy. It is part of the administrative région of Provence-Alpes-Côte d'Azur...
song Kalenda Maya to fit the tune of an estampie
Estampie
The Estampie is a medieval dance and musical form, it was a popular instrumental style of the 13th and 14th centuries.-Musical Form:The estampie consists of four to seven sections, called puncta, each of which is repeated, in the form...
that he heard two jongleurs
Jongleurs
Jongleurs is a chain of comedy clubs in the United Kingdom. Maria Kempinska MBE established and opened the first Jongleurs club in 1983 in Battersea, London. In 1985 Maria then met her business partner John Davy, and together they built the Jongleurs brand. The company evolved into a corporate...
play, then the history of the estampie extends back to the 12th century. The only musical examples actually identified as "estampie" or "istanpita" occur in two 14th century manuscripts. The same manuscripts also contain other pieces named "danse real" or other dance names. These are similar in musical structure to the estampies but consensus is divided as to whether these should be considered the same.
In addition to these instrumental music compositions, there are also mentions of the estampie in various literary sources from the 13th and 14th centuries. One of these as "stampenie" is found in Gottfried von Strassburg
Gottfried von Strassburg
Gottfried von Strassburg is the author of the Middle High German courtly romance Tristan and Isolt, an adaptation of the 12th-century Tristan and Iseult legend. Gottfried's work is regarded, alongside Wolfram von Eschenbach's Parzival and the Nibelungenlied, as one of the great narrative...
's Tristan
Tristan and Iseult
The legend of Tristan and Iseult is an influential romance and tragedy, retold in numerous sources with as many variations. The tragic story is of the adulterous love between the Cornish knight Tristan and the Irish princess Iseult...
from 1210 in a catalog of Tristan's accomplishments:
-
-
-
- ouch sang er wol ze prise
- schanzune und spaehe wise,
- refloit und stampenie
- (lines 2293-2295)
-
-
- "he also sang most excellently subtle airs, 'chansons', 'refloits', and 'estampies'"
Later, in a description of Isolde:
-
-
-
- Si videlt ir stampenie,
- leiche und so vremediu notelin,
- diu niemer vremeder kunden sin,
- in franzoiser wise
- von Sanze und San Dinise.
-
- (lines 8058-8062)
-
-
-
- "She fiddled her 'estampie', her lays, and her strange tunes in the French style, about Sanze and St Denis"
A century and a half later in the poem La Prison amoreuse (1372-73) by French chronicler and poet Jean Froissart
Jean Froissart
Jean Froissart , often referred to in English as John Froissart, was one of the most important chroniclers of medieval France. For centuries, Froissart's Chronicles have been recognized as the chief expression of the chivalric revival of the 14th century Kingdom of England and France...
(c. 1337-1405), we find:
-
-
-
- La estoient li menestrel
- Qui s'acquittoient bien et bel
- A piper et tout de novel
- Unes danses teles qu'il sorent,
- Et si trestot que cessé orent
- Les estampies qu'il batoient,
- Cil et celes qui s'esbatoient
- Au danser sans gueres atendre
- Commencierent leurs mains a tendre
- Pour caroler.
-
-
- "Here are all the minstrels rare Who now acquit themselves so fair In playing on their pipes whate'er The dances be that one may do. So soon as they have glided through The estampies of this sort Youths and maidens who disport Themselves in dancing now begin With scarce a wait to join hands in The choral".
Opinion is divided as to whether the Estampie was actually a dance or simply early instrumental music. Sachs believes the strong rhythm of the music, a derivation of the name from a term meaning "to stamp" and the quotation from the Froissart poem above definitely label the estampie as a dance. However, others stress the complex music in some examples as being uncharacteristic of dance melodies and interpret Froissart's poem to mean that the dancing begins with the carol. There is also debate on the derivation of the word "estampie". In any case, no description of dance steps or figures for the estampie are known.