Luigi Marchesi
Encyclopedia
Luigi Marchesi was an Italian castrato
singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century.
. He joined the Milan Cathedral choir in 1765 and made his operatic debut in Rome
in 1773 at the Teatro delle Dame, cast as a female character, in Marcello da Capua's comic opera La contessina. For several years, Marchesi appeared either in minor roles or minor operatic centers, but he found a valuable ally in the Czech composer Josef Mysliveček
after he appeared in the latter's opera Ezio
and oratorio
Isacco figura del redentore in Munich
early in the year 1777. Marchesi's singing in both productions was considered to be extraordinary. In a letter written by Wolfgang Amadeus Mozart
to his father from Munich on October 11, 1777, it is mentioned that Mysliveček bragged of his influence with the management of the Teatro San Carlo in Naples
, the most prestigious venue for the performance of Italian serious opera in Europe: he apparently had the power to recommend the engagement of singers who were to be featured in productions planned for the 1778-79 operatic season there. Marchesi was one of the singers that Mysliveček recommended. His first appearances in Naples were as successful as those in Munich, and they permanently established him as one of the most talented vocal artists in Italy. In all, Mysliveček created five operatic roles for Marchesi before his premature death in 1781. After Marchesi's triumphs throughout Italy in the late 1770s and early 1780s, he ventured all the way to Vienna
, St. Petersburg, and London
, where he created a tremendous sensation and was proclaimed to be the greatest singer of his time. The Earl of Mount Edgcumbe
described Marchesi's impression at London as following:
In 1796 Marchesi refused to sing for Napoleon when he entered the city of Milan. For this Marchesi was honored as a national hero by the public, as reported by Vernon Lee:
Marchesi's last major appearance was in Simon Mayr
's Ginevra di Scozia for the inauguration of the Teatro Nuovo in Trieste
(1801). He continued to appear in public for a few more years, all the way till 1806, where he retired for good and moved to his villa at Inzago, where he died on 14 December 1829. After his retirement Marchesi did not go into obscurity; once in a while, when in good health, he used to arrange a couple of private concerts; some of them were dedicated to charity, particularly for poor orphaned children.
As an artist Marchesi was certainly one of the greatest singers of his time, and he was also a composer. In London he published his own volume set of Ariette Italiane, and also a handful of solfeggi. He maintained a collaboration similar to that with Josef Mysliveček later in life with Angelo Tarchi
. Perhaps his most important roles in the later part of his career were Megacle in Domenico Cimarosa
's L'Olimpiade and Lovinski in Simon Mayr's La Lodoiska
. Serious opera was the natural realm for his voice type, and he rarely sang comic roles after his early appearances in Rome.
In person Marchesi might have been the handsomest castrato of all time; during his London engagement in the 1790s, Maria Cosway
deserted husband and children and followed the singer around Europe for several years. Also, it is said he was adored by the whole female population of Rome. At the same time, however, Marchesi became famous for his turbulent temperament and notorious stipulations. He often insisted on making his entrance on the scene descending a hill on horseback, and wearing a helmet with multicoloured plumes at least a yard high, saying "Where am I?". Otherwise, he engaged in rivalry competitions that once nearly cost him life; the fanatic supporters of the soprano Luisa Todi
, his bitter rival, attempted to poison him in 1791.
Source: Claudio Sartori. I libretti italiani a stampa dalle origini al 1800. Cuneo, 1992-1994.
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...
singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century.
Biography
Luigi Ludovico Marchesi was born in MilanMilan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
. He joined the Milan Cathedral choir in 1765 and made his operatic debut in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
in 1773 at the Teatro delle Dame, cast as a female character, in Marcello da Capua's comic opera La contessina. For several years, Marchesi appeared either in minor roles or minor operatic centers, but he found a valuable ally in the Czech composer Josef Mysliveček
Josef Myslivecek
Josef Mysliveček was a Czech composer who contributed to the formation of late eighteenth-century classicism in music...
after he appeared in the latter's opera Ezio
Ezio (Mysliveček) (1777)
Ezio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's second setting of a libretto by the Italian poet Metastasio that was first performed in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day...
and oratorio
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
Isacco figura del redentore in Munich
Munich
Munich The city's motto is "" . Before 2006, it was "Weltstadt mit Herz" . Its native name, , is derived from the Old High German Munichen, meaning "by the monks' place". The city's name derives from the monks of the Benedictine order who founded the city; hence the monk depicted on the city's coat...
early in the year 1777. Marchesi's singing in both productions was considered to be extraordinary. In a letter written by Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
to his father from Munich on October 11, 1777, it is mentioned that Mysliveček bragged of his influence with the management of the Teatro San Carlo in Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
, the most prestigious venue for the performance of Italian serious opera in Europe: he apparently had the power to recommend the engagement of singers who were to be featured in productions planned for the 1778-79 operatic season there. Marchesi was one of the singers that Mysliveček recommended. His first appearances in Naples were as successful as those in Munich, and they permanently established him as one of the most talented vocal artists in Italy. In all, Mysliveček created five operatic roles for Marchesi before his premature death in 1781. After Marchesi's triumphs throughout Italy in the late 1770s and early 1780s, he ventured all the way to Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
, St. Petersburg, and London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
, where he created a tremendous sensation and was proclaimed to be the greatest singer of his time. The Earl of Mount Edgcumbe
Earl of Mount Edgcumbe
Earl of Mount Edgcumbe is a title in the Peerage of Great Britain. It was created in 1789 for George Edgcumbe, 3rd Baron Edgcumbe. The Edgcumbe family descends from Sir Piers Edgcumbe of Cotehele in Cornwall, who acquired the Mount Edgcumbe estate near Plymouth through marriage in the early 16th...
described Marchesi's impression at London as following:
- Marchesi was at this time (1788) a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick. His execution was very considerable, and he was rather too fond of displaying it; nor was his cantibile singing equal to his bravura. In recitative, and scenes of energy and passion, he was incomparable, and had he been less lavish of ornaments, which were not always appropriate, and possessed a more pure and simple taste, his performance would have been faultless: it was always striking, animated and effective. He chose for his début Sarti's beautiful opera of Giulio Sabino, in which all the songs of the principal character, and they are many and various, are of the very finest description....
- He was received with ruptures applause.
In 1796 Marchesi refused to sing for Napoleon when he entered the city of Milan. For this Marchesi was honored as a national hero by the public, as reported by Vernon Lee:
- The frivolous part of society chatted and danced, and adored.... the singer Marchesi whom Alfieri called upon to buckle on his helmet, and march out against the French, as the only remaining Italian who dared to resist the 'Corsian Gallis' invader, although only in the matter of song.
Marchesi's last major appearance was in Simon Mayr
Simon Mayr
Johann Simon Mayr , also known in Italian as Giovanni Simone Mayr or Simone Mayr was a German composer.- Life :...
's Ginevra di Scozia for the inauguration of the Teatro Nuovo in Trieste
Trieste
Trieste is a city and seaport in northeastern Italy. It is situated towards the end of a narrow strip of land lying between the Adriatic Sea and Italy's border with Slovenia, which lies almost immediately south and east of the city...
(1801). He continued to appear in public for a few more years, all the way till 1806, where he retired for good and moved to his villa at Inzago, where he died on 14 December 1829. After his retirement Marchesi did not go into obscurity; once in a while, when in good health, he used to arrange a couple of private concerts; some of them were dedicated to charity, particularly for poor orphaned children.
As an artist Marchesi was certainly one of the greatest singers of his time, and he was also a composer. In London he published his own volume set of Ariette Italiane, and also a handful of solfeggi. He maintained a collaboration similar to that with Josef Mysliveček later in life with Angelo Tarchi
Angelo Tarchi
Angelo Tarchi was an Italian composer of numerous operas as well as sacred music. Between 1778 and 1787, he worked primarily in Italy, producing five or six new operas each year....
. Perhaps his most important roles in the later part of his career were Megacle in Domenico Cimarosa
Domenico Cimarosa
Domenico Cimarosa was an Italian opera composer of the Neapolitan school...
's L'Olimpiade and Lovinski in Simon Mayr's La Lodoiska
La Lodoiska
La Lodoiska is an opera in three acts by Simon Mayr to an Italian libretto by Francesco Gonella De Ferrari. It was Mayr's second opera and premiered at La Fenice in Venice on 26 January 1796.-Background and performance history:...
. Serious opera was the natural realm for his voice type, and he rarely sang comic roles after his early appearances in Rome.
In person Marchesi might have been the handsomest castrato of all time; during his London engagement in the 1790s, Maria Cosway
Maria Cosway
Maria Cosway was an Anglo-Italian artist, who exhibited at the Royal Academy of Arts in London. She also worked in France, where she cultivated a large circle of friends and clients, and later in Italy. She commissioned the first portrait of Napoleon to be seen in England...
deserted husband and children and followed the singer around Europe for several years. Also, it is said he was adored by the whole female population of Rome. At the same time, however, Marchesi became famous for his turbulent temperament and notorious stipulations. He often insisted on making his entrance on the scene descending a hill on horseback, and wearing a helmet with multicoloured plumes at least a yard high, saying "Where am I?". Otherwise, he engaged in rivalry competitions that once nearly cost him life; the fanatic supporters of the soprano Luisa Todi
Luísa Todi
Luísa Rosa de Aguiar Todi was a popular and successful Portuguese mezzo-soprano opera singer.Luísa Todi was born Luísa Rosa de Aguiar on January 9, 1753 in Setúbal, Portugal. In 1765, her family moved to Lisbon, where her father was a musical writer in the Theatre of Bairro Alto.Luísa began her...
, his bitter rival, attempted to poison him in 1791.
Operatic Roles to 1800
- Contessina Elmira in La contessina by Marcello di Capua (RomeRomeRome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, 1773) - Cecchina in La buona figliola by Niccolò PiccinniNiccolò PiccinniNiccolò Piccinni was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure, even to music lovers today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of his day...
(Rome, 1774) - Marchesa Violante in La finta giardiniera by Pasquale AnfossiPasquale AnfossiBonifacio Domenico Pasquale Anfossi was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome....
(Rome, 1774) - Gandarte in Alessandro nell'Indie by Carlo Monza (MilanMilanMilan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
, 1775) - Evandro in Medonte re di Epiro by Luigi Alessandri (Milan, 1775)
- Olinto in Demetrio by Pietro Guglielmi (VeniceVeniceVenice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
, 1775) - Tarquinio in Il trionfo di Clelia (MunichMunichMunich The city's motto is "" . Before 2006, it was "Weltstadt mit Herz" . Its native name, , is derived from the Old High German Munichen, meaning "by the monks' place". The city's name derives from the monks of the Benedictine order who founded the city; hence the monk depicted on the city's coat...
, 1776) - Farnaspe in Adriano in Siria by Pasquale Anfossi (PaduaPaduaPadua is a city and comune in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 212,500 . The city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, having...
, 1777) - Ezio in EzioEzio (Mysliveček) (1777)Ezio is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was the composer's second setting of a libretto by the Italian poet Metastasio that was first performed in 1728, one of the most popular of the Metastasian librettos in Mysliveček's day...
by Josef MyslivečekJosef MyslivecekJosef Mysliveček was a Czech composer who contributed to the formation of late eighteenth-century classicism in music...
(Munich, 1777) - Tarsile in La CalliroeLa CalliroeLa Calliroe is an opera in three acts by Josef Mysliveček set to a libretto by Matteo Verazi that is based on Greek legends about the naiad Callirrhoe. This opera belong to the serious type in Italian language referred to as opera seria...
by Josef Mysliveček (NaplesNaplesNaples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
, 1778) - Aminta in Il re pastore by Ignazio Platania (Naples, 1778)
- Megacle in L'OlimpiadeL'Olimpiade (Mysliveček)L'Olimpiade is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first performed in 1733...
by Josef Mysliveček (Naples, 1778) - Achille in Ifigenia in Aulide by Vicente Martín y SolerVicente Martín y SolerVicente Martín y Soler was a Spanish composer of opera and ballet. Although relatively obscure today, in his own day he was compared favorably with his contemporary, Wolfgang Amadeus Mozart, as a composer of opera buffa. He has been called the Valencian Mozart.He was born in Valencia and studied...
(Naples, 1779) - Ulisse in La CirceLa CirceLa Circe is an opera in three acts by Josef Mysliveček set to a libretto by Domenico Perelli that is based on Greek legends about the sorceress Circe...
by Josef MyslivečekJosef MyslivecekJosef Mysliveček was a Czech composer who contributed to the formation of late eighteenth-century classicism in music...
(Venice, 1779) - Achille in Achille in Sciro by Giuseppe SartiGiuseppe SartiGiuseppe Sarti was an Italian opera composer.-Biography:He was born at Faenza. His date of birth is not known, but he was baptised on 1 December 1729. Some earlier sources say he was born on 28 December, but his baptism certificate proves the later date impossible...
(FlorenceFlorenceFlorence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, 1779) - Castore in Castore e PolluceCastore e PolluceCastore e Polluce is an opera seria by Francesco Bianchi. The libretto was one translated by Carlo Innocenzo Frugoni, from Pierre-Joseph-Justin Bernard's French text for Rameau's Castor et Pollux....
by Francesco BianchiFrancesco BianchiFrancesco Bianchi was an Italian painter of the Renaissance. He is also known as Francesco del Bianchi Ferrara, also called Il Frare) was an Italian painter of the Renaissance. He was born at Ferrara. Modena is also mentioned as the place of his birth. His works were much esteemed in his time. He...
(Florence, 1779) - Rinaldo in ArmidaArmida (Mysliveček)Armida is an opera in three acts by Josef Mysliveček set to a libretto by Gianambrogio Migliavacca based on an earlier libretto by Philippe Quinault. It is one of many operas set at the time of the Crusades that is based on characters and incidents from Torquato Tasso's epic poem La Gerusalemme...
by Josef Mysliveček (Milan, 1780) - Timante in Demofoonte (PisaPisaPisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
, 1780) - Linceo in L'Ipermestra by Vicente Martín y Soler (Naples, 1780)
- Rinaldo in Armida abbandonataArmida abbandonataArmida Abbandonata is an opera in three acts by the Italian composer Niccolò Jommelli. The libretto, by Francesco Saverio De Rogatis, is based on the epic poem Gerusalemme liberata by Torquato Tasso. The opera was first performed at the Teatro San Carlo, Naples on 30 May 1770. The young Wolfgang...
by Niccolò JommelliNiccolò JommelliNiccolò Jommelli was an Italian composer. He was born in Aversa and died in Naples. Along with other composers mainly in the Holy Roman Empire and France, he made important changes to opera and reduced the importance of star singers.-Early life:Jommelli was born to Francesco Antonio Jommelli and...
(Naples, 1780) - Arbace in ArbaceArbaceArbace is an opera seria in three acts by Francesco Bianchi. The libretto was by Gaetano Sertor.The opera was forward looking in its structure, with tension gradually mounting, via an exciting prison scene to a considerable climax. Marita P...
by Francesco Bianchi (Naples, 1781) - Timante in Demofoonte (GenoaGenoaGenoa |Ligurian]] Zena ; Latin and, archaically, English Genua) is a city and an important seaport in northern Italy, the capital of the Province of Genoa and of the region of Liguria....
, 1781) - Adone in Venere e Adone by Francesco Bianchi (Florence, 1781)
- Giulio Sabino in Giulio SabinoGiulio SabinoGiulio Sabino is a dramma per musica in three acts by Giuseppe Sarti. The libretto was by Pietro Giovannini....
by Giuseppe SartiGiuseppe SartiGiuseppe Sarti was an Italian opera composer.-Biography:He was born at Faenza. His date of birth is not known, but he was baptised on 1 December 1729. Some earlier sources say he was born on 28 December, but his baptism certificate proves the later date impossible...
(Florence, 1781; ViennaViennaVienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
, 1785; LondonLondonLondon is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
, 1788) - Ezio in Ezio by Felice AlessandriFelice AlessandriFelice Alessandri was an Italian keyboardist and composer who was internationally active; working in Berlin, London, Paris, St. Petersburg, and Turin. He is best known for his stage works, and he produced a total of 32 operas between 1764 and 1794...
(Milan, AlessandriaAlessandria-Monuments:* The Citadel * The church of Santa Maria di Castello * The church of Santa Maria del Carmine * Palazzo Ghilini * Università del Piemonte Orientale-Museums:* The Marengo Battle Museum...
, and LuccaLuccaLucca is a city and comune in Tuscany, central Italy, situated on the river Serchio in a fertile plainnear the Tyrrhenian Sea. It is the capital city of the Province of Lucca...
, 1782; Florence, 1783) - Megacle in L'Olimpiade by Francesco Bianchi (Milan, 1782)
- Ciro in Il trionfo della pace by Francesco Bianchi (TurinTurinTurin is a city and major business and cultural centre in northern Italy, capital of the Piedmont region, located mainly on the left bank of the Po River and surrounded by the Alpine arch. The population of the city proper is 909,193 while the population of the urban area is estimated by Eurostat...
, 1782) - Timante in Demofoonte (Lucca, 1782)
- Arbace in Artaserse by Giacomo RustGiacomo RustGiacomo Rust or Rusti was an Italian opera composer, probably of German ancestry.Not a great deal is known about Rust. Between 1763 and 1777, Rust was active in Venice, where his first opera, a dramma giocoso, La contadina in corte, to a libretto by Niccolò Tassi, was performed in 1763...
(Rome, 1783) - Quinto Fabio in Quinto Fabio by Luigi CherubiniLuigi CherubiniLuigi Cherubini was an Italian composer who spent most of his working life in France. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries....
(Rome, 1783) - Timante in Demofoonte by Felice Alessandri (Padua, 1783)
- Arsace in Medonte, re di EpiroMedonte, re di EpiroMedonte, re di Epiro is an opera seria in three acts by Giuseppe Sarti. The libretto was by Giovanni de Gamerra.-Performance history:It was first performed at the Teatro della Pergola in Florence on 8 September 1777...
by Giuseppe Sarti (SenigalliaSenigalliaSenigallia is a comune and port town on Italy's Adriatic coast, 25 km by rail north of Ancona, in the Marche region, province of Ancona....
, 1783) - Piramo in Piramo e Tisbe by Giovanni Battista Borghi (Florence, 1783)
- Aspard in Aspard by Francesco Bianchi (Rome, 1784)
- Megacle in L'Olimpiade by Giuseppe Sarti (Rome, 1784)
- Poro in Alessandro nell'Indie by Luigi Cherubini (Mantua, 1784)
- Megacle in L'Olimpiade by Domenico CimarosaDomenico CimarosaDomenico Cimarosa was an Italian opera composer of the Neapolitan school...
(VicenzaVicenzaVicenza , a city in north-eastern Italy, is the capital of the eponymous province in the Veneto region, at the northern base of the Monte Berico, straddling the Bacchiglione...
and Lucca, 1784; London and Milan, 1788; Venice, 1790; LivornoLivornoLivorno , traditionally Leghorn , is a port city on the Tyrrhenian Sea on the western edge of Tuscany, Italy. It is the capital of the Province of Livorno, having a population of approximately 160,000 residents in 2009.- History :...
, 1791; ModenaModenaModena is a city and comune on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of Italy....
, 1795) - Achille in Achille in Sciro by Gaetano PugnaniGaetano PugnaniGaetano Pugnani was born in Turin. He trained on the violin under Giovanni Battista Somis and Giuseppe Tartini. In 1752, Pugnani became the first violinist of the Royal Chapel in Turin. Then he went on a large tour that granted him great fame for his extraordinary skill on the violin...
(Turin, 1785) - Arbace in Artaserse (Turin, 1785)
- Arminio in Arminio by Angelo TarchiAngelo TarchiAngelo Tarchi was an Italian composer of numerous operas as well as sacred music. Between 1778 and 1787, he worked primarily in Italy, producing five or six new operas each year....
(Mantua, 1785) - Castore in Castore e Polluce by Giuseppe Sarti (St. Petersburg, 1786)
- Ramiro in Il conte di Saldagna by Angelo Tarchi (Milan, 1787)
- Timante in Demofoonte by Gaetano Pugnani (Turin, 1788)
- Achille in Ifigenia in Aulide by Luigi Cherubini (Turin and Milan, 1788; London, 1789)
- Poro in La generosità d'Alessandro by Angelo Tarchi (London, 1789)
- Timante in L'usurpator innocente by Vincenzo Federici (London, 1790)
- Giulio Sabino in Giulio Sabino by Angelo Tarchi (Turin, 1790)
- Megacle in L'Olimpiade by Vincenzo Federici (Turin, 1790)
- Medoro in Angelica e MedoroAngelica and MedoroAngelica and Medoro was a popular theme for Romantic painters, composers and writers from the sixteenth until the nineteenth century. Angelica and Medoro are two characters from the siwteenth-century Italian epic Orlando Furioso by Ludovico Ariosto...
by Ferdinando BertoniFerdinando BertoniFerdinando Bertoni was an Italian composer and organist.He was born in Salò, and began his music studies in Brescia, not far from his birthplace. Around 1740 he went to Bologna, where he studied till 1745 with the famous music theorist Giovanni Battista Martini...
(Venice, 1791) - Ercole in L'apoteosi d'Ercole by Angelo Tarchi (Venice, 1791)
- Timante in Demofoonte (Venice and Livorno, 1791)
- Gualtieri in Il disertore by Angelo Tarchi (SienaSienaSiena is a city in Tuscany, Italy. It is the capital of the province of Siena.The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008...
, 1791; Vicenza, 1794; Genoa, 1799) - Poro in Alessandro nell'Indie by Angelo Tarchi (Livorno, 1791)
- Learco in Adrasto re d'Egitto by Angelo Tarchi (Milan, 1792)
- Pirro in Pirro re di Epiro by Niccolò Antonio ZingarelliNiccolò Antonio ZingarelliNiccolò Antonio Zingarelli was an Italian composer, chiefly of opera.-Early career:Zingarelli was born in Naples, where he studied at the Santa Maria di Loreto Conservatory under Fenaroli and Speranza....
(Milan, 1792; Venice and BergamoBergamoBergamo is a town and comune in Lombardy, Italy, about 40 km northeast of Milan. The comune is home to over 120,000 inhabitants. It is served by the Orio al Serio Airport, which also serves the Province of Bergamo, and to a lesser extent the metropolitan area of Milan...
, 1793; Vicenza, 1794; Venice, 1795; FaenzaFaenzaFaenza is an Italian city and comune, in the province of Ravenna, Emilia-Romagna, situated 50 km southeast of Bologna.Faenza is noted for its manufacture of majolica ware glazed earthenware pottery, known from the name of the town as "faience"....
, 1796; Livorno, 1798) - Ezio in Ezio by Angelo Tarchi (Vicenza, 1792)
- Arbace in Artaserse by Niccolò Antonio Zingarelli (Milan, 1794)
- Timante in Demofoonte by Marcos PortugalMarcos PortugalMarcos António da Fonseca Portugal was a Portuguese classical composer, who achieved great international fame for his operas in Italian....
(Milan, 1794) - Achille in Achille in Sciro by Marcello Bernardini (Venice, 1794)
- Ramiro in Il conte di Saldagna by Niccolò Antonio Zingarelli (Venice and Reggio EmiliaReggio EmiliaReggio Emilia is an affluent city in northern Italy, in the Emilia-Romagna region. It has about 170,000 inhabitants and is the main comune of the Province of Reggio Emilia....
, 1795; Venice and Livorno, 1798) - Achille in Ifigenia in Aulide by Niccolò Antonio Zingarelli (Venice, 1795)
- Arbace in Artaserse by Giuseppe Nicolini (Venice, 1795)
- Timante in Demofoonte (Venice, 1795)
- Lovinski in La LodoiskaLa LodoiskaLa Lodoiska is an opera in three acts by Simon Mayr to an Italian libretto by Francesco Gonella De Ferrari. It was Mayr's second opera and premiered at La Fenice in Venice on 26 January 1796.-Background and performance history:...
by Simon MayrSimon MayrJohann Simon Mayr , also known in Italian as Giovanni Simone Mayr or Simone Mayr was a German composer.- Life :...
(Venice, Faenza, and Senigallia, 1796; Venice and Genoa, 1797; Livorno, 1798, Genoa, 1799; Milan, 1800) - Lovinski in a pasticcioPasticcioIn music, a pasticcio or pastiche is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic.-Etymology:The term is first attested in the...
of La Lodoiska (LisbonLisbonLisbon is the capital city and largest city of Portugal with a population of 545,245 within its administrative limits on a land area of . The urban area of Lisbon extends beyond the administrative city limits with a population of 3 million on an area of , making it the 9th most populous urban...
, 1796) - Lauso in Lauso e Lidia by Simon Mayr (Venice, 1798)
- Mexicow in Carolina e Mexicow by Gaetano Rossi (Venice, 1798)
- Tito in Bruto by Giuseppe Nicolini (Genoa, 1799)
- Idante in Idante by Marcos Portugal (Milan, 1800)
Source: Claudio Sartori. I libretti italiani a stampa dalle origini al 1800. Cuneo, 1992-1994.