La púrpura de la rosa
Encyclopedia
La púrpura de la rosa is an opera
in one act, composed by Tomás de Torrejón y Velasco
to a Spanish
libretto by Pedro Calderón de la Barca
, the last great writer of the Spanish Golden Age
. It is the first known opera to be composed and performed in the Americas
and is Torrejón y Velasco's only surviving opera. La púrpura de la rosa was first performed in Lima
in 1701 to celebrate the 18th birthday of Philip V
and the first anniversary of his succession to the Spanish throne. The libretto
, in polymetric verse and filled with lush mythological imagery, is a re-telling of the Ovidian
tale of the loves of Venus
and Adonis
. Torrejón y Velasco was not the first to use Calderón's libretto. Juan Hidalgo de Polanco, composer and master of music at the court of Madrid
, had previously used the text for a theatrical pageant in honor of the marriage of Louis XIV and Maria Teresa of Spain
in 1660. With its erotic poetry and music, the Hidalgo version was very popular at the Spanish court and had several revivals.
, Don Melchor Portocarrero y Lasso de la Vega
, instructed Torrejón to compose a piece of dramatic music for the colony's celebration of King Philip V
's 18th birthday and the first anniversary of his succession to the throne. La púrpura de la rosa was chosen as the subject. The work premiered on 19 October 1701
in the Palace of the Viceroy, Lima
. The opera was revived in 1707, 1708, and 1731 in Peru and somewhat later in Mexico and has had several performances in modern times. Its US premiere took place at
Rosary College outside Chicago on June 26, 1992 in a production by the Baroque music ensemble "Ars Musica Chicago". (Andrew Schultze, director & musicologist; Stephen Blackwelder, music director; Kate Lanham, choreographer) and soon thereafter at
the Aveda Institute in Minneapolis on October 28, 1994 in a production by the baroque
ensemble Ex Machina. (James Middleton, director; Bob Skiba, choreographer; Barbara Weiss, music director; Louise Stein, musicologist/adviser). The opera was also performed at Le Bâtiment des Forces Motrices in Geneva
in October 1999 and at the Teatro de la Zarzuela
in Madrid
in November 1999 in a co-production by the Teatro de La Zarzuela and the Grand Théâtre de Genève
. (Óscar Araiz, director and choreographer; Gabriel Garrido, conductor). La púrpura de la rosa received its British stage premiere at the University of Sheffield
Drama Studio on 27 February 2003, conducted and directed by Andrew Lawrence-King
. The production received two more performances in Sheffield before touring to Manchester
, Nottingham
, Galway
, and Dublin.
in Lima
and the other at the Bodleian Library
at Oxford University in England
. Musicologist Robert Stevenson
made a study and transcription of the score in Lima which was published in 1976. The Oxford score was used for a 1990 publication edited by Ángeles Cardona, Don Cruickshank, and Martín Cunningham which was published by Kassel. The scores, although largely uniform, are not exactly identical. For example, a large portion of the music for the vivacious jácaras in Venus's garden is missing from the Lima copy but appears in its entirety in the copy at Oxford (beginning at lines 1570, measure 2847 of the Kassel edition). Recent revivals of the opera have used both scores, adding music that may not be found in the other edition, in an attempt to create what may have been heard in 1701.
The music by Torrejón conserves much of the character and the idiosyncracies contained in the comedies of Calderón as previously set by Juan Hidalgo. It is speculated that Torrejón may have been one of Hidalgo's pupils and that his work was possibly a source of inspiration for Torrejón in the composition of his own version. The score makes use of a variety of Spanish song types and Latin American musical influences, incorporating Latin American melodies and rhythms into the overall European dramatic and harmonic structure. The erotic nature of the text is hightened by the use of dance rhythms, musical repetitions, and sensual lyrical lines. The ornamental writing is also used deftly to emphasize the drama of the text. The exact instrumentation has not been found in Torrejón y Velasco's surviving original scores. However, the scores of other late seventeenth century musical plays in Spain suggest that the instruments would include harps, guitars, viols, violins, clarino
and regular trumpets, drums, and castanets.
, emphasizing his goodness and justice. In Apollo
's Temple on Mount Parnassus
, the Muses Calliope
, Terpsichore
and Urania
, the personifications of Time (Tiempo) and Spain (España), and a chorus of the remaining six Muses sing to the glory of Spain and its new king. The paen ends with:
The ensuing opera recounts the love between Venus
and Adonis
, the jealousy of Mars
, and his desire for revenge.
The drama opens in a forest where Venus has been hunting. Her nymphs rush onstage, crying that she is being chased by a wild boar
. Adonis rushes to her aid. Venus faints in his arms as he carries her on-stage. When she recovers, Adonis learns her true identity. He explains that the incestuous circumstances of his birth have made him renounce love forever and that he must flee from her. As Venus starts to pursue Adonis, her lover, Marte, appears and questions her. Dissatified with her answers, he then interrogates her nymphs, eventually frightening one of them into describing Venus' rescue by Adonis. Belona
, Marte's sister, arrives on Iris's rainbow
and summons him to combat to distract him from his jealousy.
The peasants, Chato and Celfa, joke about marriage but are interrupted by a chorus of peasants exclaiming that the wild boar is on the loose. Adonis pursues the boar, but then tires and lies down to rest. Venus comes upon the sleeping Adonis and torn by the humiliation of having fainted in his arms and her growing desire for him, she dismisses her nymphs. She calls on Amor
to help her and tells him about Adonis's renunciation of love. Amor shoots the sleeping Adonis in the heart with one of his golden arrows, infusing him with desire. When Adonis awakens, he is surprised to find Venus watching him, and sings of his terrible dream about a wild boar, a dream which foreshadows his death. Adonis praises Venus's beauty and confesses his attraction to her. Venus is unable to tear herself away from Adonis, and they reveal their mutual desire. Venus enters her garden of delights and Adonis follows her, welcomed by Celfa, Chato, and the nymphs.
The next scene finds Marte, Belona, Dragón and Belona's soldiers at the foot of a mountain. Marte is still jealous and distracted. Belona and Dragón try to humor him. Meanwhile, Amor is sneaking around in disguise, spying on Marte. He is eventually discovered hiding in the bushes and interrogated by Marte, who fails to recognize him, but is suspicious of his riddles about love. When Marte orders the soldiers to capture him, Amor escapes into a cleft in the mountain. The cleft then opens revealing the Prison of Jealousy. Shackled inside, is Desengaño (Disillusion), an old man dressed in animal skins. Marte and Dragón fearfully enter the grotto and find the masked personifications of Fear, Suspicion, Envy, Anger, and Bitterness. Desengaño and the masked figures warn Marte that when love is pursued it turns into disillusion. Desengaño holds up a magic mirror in which Marte sees Venus and Adonis embracing. Unable to face the truth, Marte runs away. There is a sudden earthquake, and the allegorical figures, the vision in the mirror, and the grotto all disappear.
In Venus's garden, Venus and Adonis delight in their illicit love. Adonis reclines in Venus's lap, while Chato, Celfa, and the nymphs, sing to the couple. Amor arrives and warns them of Marte's anger. Venus tells Adonis to return to the forest and plots to subdue Marte. When Marte arrives, the songs of the nymphs and vapors from the garden's fountains induce him to languor. Belona enters bringing a chorus of soldiers to counteract the spell cast by the nymphs' singing. Revived by the soldiers' songs, Marte heads for the forest looking for Adonis, who is again chasing the wild boar that had alarmed the peasants. Dragging Chato and Celfa off with him, Marte orders Dragón to tie them to a tree. Marte commands Megera
, one of the Furies
, to make the boar especially vicious, so that Adonis will die. Chato, Celfa, and Dragón have a comic argument about bullies and neglectful husbands, culminating with Dragón beating Celfa as Chato cheers him on.
In the forest, Adonis has been mortally wounded by the boar. Venus hears his cries and rushes to the scene. Seeing the distraught goddess with her hair loose, half naked, and her hands bloodstained, Belona is moved to pity and sings a lament. She and the nymph, Libia, try to convince Venus not to look at Adonis' body. The chorus describes how the blood of Adonis is turning the white roses around him red. Venus calls upon the gods with a lament. Marte cruelly describes the death of Adonis to Venus, and reveals his bloody body lying among the roses. Venus laments and faints. Amor then appears from the sky to announce that Jupiter
has been moved by the plight of the lovers and will elevate them together to Mount Olympus
– Adonis in the form of a flower (an anemone
) and Venus as the Evening Star
. Marte, Venus, Adonis, and Belona all comment, and as the sun sets, Venus and Adonis ascend to the heavens.
Torrejón y Velasco: La púrpura de la rosa - Clemencic Consort and La Capella Vocal Ensemble
Torrejón y Velasco: La púrpura de la rosa - Ensemble Elyma, Madrigalists and chorus of the Teatro de la Zarzuela
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
in one act, composed by Tomás de Torrejón y Velasco
Tomás de Torrejón y Velasco
Tomás de Torrejón y Velasco Sánchez was a Spanish composer, musician and organist based in Peru, associated with the American Baroque.-Life:...
to a Spanish
Spanish language
Spanish , also known as Castilian , is a Romance language in the Ibero-Romance group that evolved from several languages and dialects in central-northern Iberia around the 9th century and gradually spread with the expansion of the Kingdom of Castile into central and southern Iberia during the...
libretto by Pedro Calderón de la Barca
Pedro Calderón de la Barca
Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño usually referred as Pedro Calderón de la Barca , was a dramatist, poet and writer of the Spanish Golden Age. During certain periods of his life he was also a soldier and a Roman Catholic priest...
, the last great writer of the Spanish Golden Age
Spanish Golden Age
The Spanish Golden Age is a period of flourishing in arts and literature in Spain, coinciding with the political rise and decline of the Spanish Habsburg dynasty. El Siglo de Oro does not imply precise dates and is usually considered to have lasted longer than an actual century...
. It is the first known opera to be composed and performed in the Americas
Americas
The Americas, or America , are lands in the Western hemisphere, also known as the New World. In English, the plural form the Americas is often used to refer to the landmasses of North America and South America with their associated islands and regions, while the singular form America is primarily...
and is Torrejón y Velasco's only surviving opera. La púrpura de la rosa was first performed in Lima
Lima
Lima is the capital and the largest city of Peru. It is located in the valleys of the Chillón, Rímac and Lurín rivers, in the central part of the country, on a desert coast overlooking the Pacific Ocean. Together with the seaport of Callao, it forms a contiguous urban area known as the Lima...
in 1701 to celebrate the 18th birthday of Philip V
Philip V of Spain
Philip V was King of Spain from 15 November 1700 to 15 January 1724, when he abdicated in favor of his son Louis, and from 6 September 1724, when he assumed the throne again upon his son's death, to his death.Before his reign, Philip occupied an exalted place in the royal family of France as a...
and the first anniversary of his succession to the Spanish throne. The libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
, in polymetric verse and filled with lush mythological imagery, is a re-telling of the Ovidian
Ovid
Publius Ovidius Naso , known as Ovid in the English-speaking world, was a Roman poet who is best known as the author of the three major collections of erotic poetry: Heroides, Amores, and Ars Amatoria...
tale of the loves of Venus
Venus (mythology)
Venus is a Roman goddess principally associated with love, beauty, sex,sexual seduction and fertility, who played a key role in many Roman religious festivals and myths...
and Adonis
Adonis
Adonis , in Greek mythology, the god of beauty and desire, is a figure with Northwest Semitic antecedents, where he is a central figure in various mystery religions. The Greek , Adōnis is a variation of the Semitic word Adonai, "lord", which is also one of the names used to refer to God in the Old...
. Torrejón y Velasco was not the first to use Calderón's libretto. Juan Hidalgo de Polanco, composer and master of music at the court of Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...
, had previously used the text for a theatrical pageant in honor of the marriage of Louis XIV and Maria Teresa of Spain
Maria Theresa of Spain
Maria Theresa of Austria was the daughter of Philip IV, King of Spain and Elizabeth of France. Maria Theresa was Queen of France as wife of King Louis XIV and mother of the Grand Dauphin, an ancestor of the last four Bourbon kings of France.-Early life:Born as Infanta María Teresa of Spain at the...
in 1660. With its erotic poetry and music, the Hidalgo version was very popular at the Spanish court and had several revivals.
Performance history
The Viceroy of PeruPeru
Peru , officially the Republic of Peru , is a country in western South America. It is bordered on the north by Ecuador and Colombia, on the east by Brazil, on the southeast by Bolivia, on the south by Chile, and on the west by the Pacific Ocean....
, Don Melchor Portocarrero y Lasso de la Vega
Melchor Portocarrero y Lasso de la Vega, 3rd conde de Monclova
Don Melchor Portocarrero y Lasso de la Vega, 3rd conde de Monclova was viceroy of New Spain from November 30, 1686 to November 19, 1688 and viceroy of Peru from August 1689 to 1705.-Military career:...
, instructed Torrejón to compose a piece of dramatic music for the colony's celebration of King Philip V
Philip V of Spain
Philip V was King of Spain from 15 November 1700 to 15 January 1724, when he abdicated in favor of his son Louis, and from 6 September 1724, when he assumed the throne again upon his son's death, to his death.Before his reign, Philip occupied an exalted place in the royal family of France as a...
's 18th birthday and the first anniversary of his succession to the throne. La púrpura de la rosa was chosen as the subject. The work premiered on 19 October 1701
1701 in music
- Events :*Georg Philipp Telemann matriculates in law at the University of Leipzig. In the same year, he meets George Frideric Handel for the first time.*Founding of the Slovenian Philharmonic Society...
in the Palace of the Viceroy, Lima
Lima
Lima is the capital and the largest city of Peru. It is located in the valleys of the Chillón, Rímac and Lurín rivers, in the central part of the country, on a desert coast overlooking the Pacific Ocean. Together with the seaport of Callao, it forms a contiguous urban area known as the Lima...
. The opera was revived in 1707, 1708, and 1731 in Peru and somewhat later in Mexico and has had several performances in modern times. Its US premiere took place at
Rosary College outside Chicago on June 26, 1992 in a production by the Baroque music ensemble "Ars Musica Chicago". (Andrew Schultze, director & musicologist; Stephen Blackwelder, music director; Kate Lanham, choreographer) and soon thereafter at
the Aveda Institute in Minneapolis on October 28, 1994 in a production by the baroque
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
ensemble Ex Machina. (James Middleton, director; Bob Skiba, choreographer; Barbara Weiss, music director; Louise Stein, musicologist/adviser). The opera was also performed at Le Bâtiment des Forces Motrices in Geneva
Geneva
Geneva In the national languages of Switzerland the city is known as Genf , Ginevra and Genevra is the second-most-populous city in Switzerland and is the most populous city of Romandie, the French-speaking part of Switzerland...
in October 1999 and at the Teatro de la Zarzuela
Teatro de la Zarzuela
The Teatro de la Zarzuela is a theatre in Madrid, Spain. The theatre is today mainly devoted to zarzuela , as well as operetta and recitals. In the past, in the city's long absence of an opera theatre , this was Madrid's theatre where most major opera performances were shown...
in Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...
in November 1999 in a co-production by the Teatro de La Zarzuela and the Grand Théâtre de Genève
Grand Théâtre de Genève
Grand Théâtre de Genève is an opera house in Geneva, Switzerland.As with many other opera houses, the Grand Théâtre de Genève is both a venue and an institution. The venue is a majestic building, towering over Place Neuve, officially opened in 1876, partly destroyed by fire in 1951 and reopened in...
. (Óscar Araiz, director and choreographer; Gabriel Garrido, conductor). La púrpura de la rosa received its British stage premiere at the University of Sheffield
University of Sheffield
The University of Sheffield is a research university based in the city of Sheffield in South Yorkshire, England. It is one of the original 'red brick' universities and is a member of the Russell Group of leading research intensive universities...
Drama Studio on 27 February 2003, conducted and directed by Andrew Lawrence-King
Andrew Lawrence-King
Andrew Lawrence-King is a harpist and early music specialist, and is currently the director of The Harp Consort...
. The production received two more performances in Sheffield before touring to Manchester
Manchester
Manchester is a city and metropolitan borough in Greater Manchester, England. According to the Office for National Statistics, the 2010 mid-year population estimate for Manchester was 498,800. Manchester lies within one of the UK's largest metropolitan areas, the metropolitan county of Greater...
, Nottingham
Nottingham
Nottingham is a city and unitary authority in the East Midlands of England. It is located in the ceremonial county of Nottinghamshire and represents one of eight members of the English Core Cities Group...
, Galway
Galway
Galway or City of Galway is a city in County Galway, Republic of Ireland. It is the sixth largest and the fastest-growing city in Ireland. It is also the third largest city within the Republic and the only city in the Province of Connacht. Located on the west coast of Ireland, it sits on the...
, and Dublin.
Music
There are two surviving original scores of Torrejón's opera, one at the Biblioteca Nacional del PerúBiblioteca Nacional del Perú
The Biblioteca Nacional del Perú is the national library of Peru, located in Lima. It is the country's oldest and most important library. Like the majority of Peruvian libraries, it is a non-circulating library.- History :...
in Lima
Lima
Lima is the capital and the largest city of Peru. It is located in the valleys of the Chillón, Rímac and Lurín rivers, in the central part of the country, on a desert coast overlooking the Pacific Ocean. Together with the seaport of Callao, it forms a contiguous urban area known as the Lima...
and the other at the Bodleian Library
Bodleian Library
The Bodleian Library , the main research library of the University of Oxford, is one of the oldest libraries in Europe, and in Britain is second in size only to the British Library...
at Oxford University in England
England
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west; the Irish Sea is to the north west, the Celtic Sea to the south west, with the North Sea to the east and the English Channel to the south separating it from continental...
. Musicologist Robert Stevenson
Robert Stevenson (musicologist)
Robert Murrell Stevenson is an American musicologist. He studied at the college of mines and metallurgy of the University of Texas at El Paso]] , the Juilliard School of Music , Yale University and the University of Rochester ; further study took him to Harvard University , Princeton...
made a study and transcription of the score in Lima which was published in 1976. The Oxford score was used for a 1990 publication edited by Ángeles Cardona, Don Cruickshank, and Martín Cunningham which was published by Kassel. The scores, although largely uniform, are not exactly identical. For example, a large portion of the music for the vivacious jácaras in Venus's garden is missing from the Lima copy but appears in its entirety in the copy at Oxford (beginning at lines 1570, measure 2847 of the Kassel edition). Recent revivals of the opera have used both scores, adding music that may not be found in the other edition, in an attempt to create what may have been heard in 1701.
The music by Torrejón conserves much of the character and the idiosyncracies contained in the comedies of Calderón as previously set by Juan Hidalgo. It is speculated that Torrejón may have been one of Hidalgo's pupils and that his work was possibly a source of inspiration for Torrejón in the composition of his own version. The score makes use of a variety of Spanish song types and Latin American musical influences, incorporating Latin American melodies and rhythms into the overall European dramatic and harmonic structure. The erotic nature of the text is hightened by the use of dance rhythms, musical repetitions, and sensual lyrical lines. The ornamental writing is also used deftly to emphasize the drama of the text. The exact instrumentation has not been found in Torrejón y Velasco's surviving original scores. However, the scores of other late seventeenth century musical plays in Spain suggest that the instruments would include harps, guitars, viols, violins, clarino
Clarion (instrument)
Clarion is a common name for a trumpet in the Middle Ages and the Renaissance. It also is used as a name for a 4' organ reed stop. There is wide confusion over whether clarion invariably refers to a type of trumpet or simply the upper register of the standard trumpet....
and regular trumpets, drums, and castanets.
Roles
Role | Voice type |
---|---|
Venus Venus (mythology) Venus is a Roman goddess principally associated with love, beauty, sex,sexual seduction and fertility, who played a key role in many Roman religious festivals and myths... |
soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Adonis Adonis Adonis , in Greek mythology, the god of beauty and desire, is a figure with Northwest Semitic antecedents, where he is a central figure in various mystery religions. The Greek , Adōnis is a variation of the Semitic word Adonai, "lord", which is also one of the names used to refer to God in the Old... |
soprano |
Marte (Mars Mars (mythology) Mars was the Roman god of war and also an agricultural guardian, a combination characteristic of early Rome. He was second in importance only to Jupiter, and he was the most prominent of the military gods worshipped by the Roman legions... ) |
mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
Amor (Cupid Cupid In Roman mythology, Cupid is the god of desire, affection and erotic love. He is the son of the goddess Venus and the god Mars. His Greek counterpart is Eros... ) |
soprano |
Belona (Bellona Bellona (goddess) Bellona was an Ancient Roman goddess of war, similar to the Ancient Greek Enyo. Bellona's attribute is a sword and she is depicted wearing a helmet and armed with a spear and a torch.... ) |
mezzo-soprano |
Dragón, a soldier | mezzo-soprano |
Celfa, a peasant | soprano |
Chato, a peasant | baritone Baritone Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or... |
El Desengaño (Disillusion) | baritone |
La Ira (Anger) | soprano |
La Sospecha (Suspicion) | soprano |
La Envidia (Envy) | countertenor Countertenor A countertenor is a male singing voice whose vocal range is equivalent to that of a contralto, mezzo-soprano, or a soprano, usually through use of falsetto, or far more rarely than normal, modal voice. A pre-pubescent male who has this ability is called a treble... |
El Temor (Fear) | tenor |
El Rencor (Bitterness) | ? |
Flora (nymph Nymph A nymph in Greek mythology is a female minor nature deity typically associated with a particular location or landform. Different from gods, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing;... ) |
soprano |
Cintia (nymph) | soprano |
Clori (nymph) | soprano |
Libia (nymph) | mezzo-soprano |
Muses Muse The Muses in Greek mythology, poetry, and literature, are the goddesses who inspire the creation of literature and the arts. They were considered the source of the knowledge, related orally for centuries in the ancient culture, that was contained in poetic lyrics and myths... , soldiers and shepherds |
chorus Choir A choir, chorale or chorus is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform.A body of singers who perform together as a group is called a choir or chorus... |
Synopsis
The opera is preceded by an allegorical paen to Philip VPhilip V of Spain
Philip V was King of Spain from 15 November 1700 to 15 January 1724, when he abdicated in favor of his son Louis, and from 6 September 1724, when he assumed the throne again upon his son's death, to his death.Before his reign, Philip occupied an exalted place in the royal family of France as a...
, emphasizing his goodness and justice. In Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
's Temple on Mount Parnassus
Mount Parnassus
Mount Parnassus, also Parnassos , is a mountain of limestone in central Greece that towers above Delphi, north of the Gulf of Corinth, and offers scenic views of the surrounding olive groves and countryside. According to Greek mythology, this mountain was sacred to Apollo and the Corycian nymphs,...
, the Muses Calliope
Calliope
In Greek mythology, Calliope was the muse of epic poetry, daughter of Zeus and Mnemosyne, and is now best known as Homer's muse, the inspiration for the Odyssey and the Iliad....
, Terpsichore
Terpsichore
In Greek mythology, Terpsichore "delight of dancing" was one of the nine Muses, ruling over dance and the dramatic chorus. She lends her name to the word "terpsichorean" which means "of or relating to dance". She is usually depicted sitting down, holding a lyre, accompanying the dancers' choirs...
and Urania
Urania
Urania was, in Greek mythology, the muse of astronomy. Some accounts list her as the mother of the musician Linus. She is usually depicted with a globe in her left hand. She is able to foretell the future by the arrangement of the stars...
, the personifications of Time (Tiempo) and Spain (España), and a chorus of the remaining six Muses sing to the glory of Spain and its new king. The paen ends with:
¡Viva Filipo, viva!
¡Viva el sucesor del imperio
que, puesto a sus plantas,
seguro afianza
su eterno blasón!
The ensuing opera recounts the love between Venus
Venus (mythology)
Venus is a Roman goddess principally associated with love, beauty, sex,sexual seduction and fertility, who played a key role in many Roman religious festivals and myths...
and Adonis
Adonis
Adonis , in Greek mythology, the god of beauty and desire, is a figure with Northwest Semitic antecedents, where he is a central figure in various mystery religions. The Greek , Adōnis is a variation of the Semitic word Adonai, "lord", which is also one of the names used to refer to God in the Old...
, the jealousy of Mars
Mars (mythology)
Mars was the Roman god of war and also an agricultural guardian, a combination characteristic of early Rome. He was second in importance only to Jupiter, and he was the most prominent of the military gods worshipped by the Roman legions...
, and his desire for revenge.
The drama opens in a forest where Venus has been hunting. Her nymphs rush onstage, crying that she is being chased by a wild boar
Boar
Wild boar, also wild pig, is a species of the pig genus Sus, part of the biological family Suidae. The species includes many subspecies. It is the wild ancestor of the domestic pig, an animal with which it freely hybridises...
. Adonis rushes to her aid. Venus faints in his arms as he carries her on-stage. When she recovers, Adonis learns her true identity. He explains that the incestuous circumstances of his birth have made him renounce love forever and that he must flee from her. As Venus starts to pursue Adonis, her lover, Marte, appears and questions her. Dissatified with her answers, he then interrogates her nymphs, eventually frightening one of them into describing Venus' rescue by Adonis. Belona
Bellona (goddess)
Bellona was an Ancient Roman goddess of war, similar to the Ancient Greek Enyo. Bellona's attribute is a sword and she is depicted wearing a helmet and armed with a spear and a torch....
, Marte's sister, arrives on Iris's rainbow
Iris (mythology)
In Greek mythology, Iris is the personification of the rainbow and messenger of the gods. As the sun unites Earth and heaven, Iris links the gods to humanity...
and summons him to combat to distract him from his jealousy.
The peasants, Chato and Celfa, joke about marriage but are interrupted by a chorus of peasants exclaiming that the wild boar is on the loose. Adonis pursues the boar, but then tires and lies down to rest. Venus comes upon the sleeping Adonis and torn by the humiliation of having fainted in his arms and her growing desire for him, she dismisses her nymphs. She calls on Amor
Cupid
In Roman mythology, Cupid is the god of desire, affection and erotic love. He is the son of the goddess Venus and the god Mars. His Greek counterpart is Eros...
to help her and tells him about Adonis's renunciation of love. Amor shoots the sleeping Adonis in the heart with one of his golden arrows, infusing him with desire. When Adonis awakens, he is surprised to find Venus watching him, and sings of his terrible dream about a wild boar, a dream which foreshadows his death. Adonis praises Venus's beauty and confesses his attraction to her. Venus is unable to tear herself away from Adonis, and they reveal their mutual desire. Venus enters her garden of delights and Adonis follows her, welcomed by Celfa, Chato, and the nymphs.
The next scene finds Marte, Belona, Dragón and Belona's soldiers at the foot of a mountain. Marte is still jealous and distracted. Belona and Dragón try to humor him. Meanwhile, Amor is sneaking around in disguise, spying on Marte. He is eventually discovered hiding in the bushes and interrogated by Marte, who fails to recognize him, but is suspicious of his riddles about love. When Marte orders the soldiers to capture him, Amor escapes into a cleft in the mountain. The cleft then opens revealing the Prison of Jealousy. Shackled inside, is Desengaño (Disillusion), an old man dressed in animal skins. Marte and Dragón fearfully enter the grotto and find the masked personifications of Fear, Suspicion, Envy, Anger, and Bitterness. Desengaño and the masked figures warn Marte that when love is pursued it turns into disillusion. Desengaño holds up a magic mirror in which Marte sees Venus and Adonis embracing. Unable to face the truth, Marte runs away. There is a sudden earthquake, and the allegorical figures, the vision in the mirror, and the grotto all disappear.
In Venus's garden, Venus and Adonis delight in their illicit love. Adonis reclines in Venus's lap, while Chato, Celfa, and the nymphs, sing to the couple. Amor arrives and warns them of Marte's anger. Venus tells Adonis to return to the forest and plots to subdue Marte. When Marte arrives, the songs of the nymphs and vapors from the garden's fountains induce him to languor. Belona enters bringing a chorus of soldiers to counteract the spell cast by the nymphs' singing. Revived by the soldiers' songs, Marte heads for the forest looking for Adonis, who is again chasing the wild boar that had alarmed the peasants. Dragging Chato and Celfa off with him, Marte orders Dragón to tie them to a tree. Marte commands Megera
Megaera
Megaera is one of the Erinyes, Eumenides or "Furies" in Greek mythology. Lamprière's Classical Dictionary states "According to the most received opinions, they were three in number, Tisiphone, Megara [sic] and Alecto" and "Megaera .....
, one of the Furies
Erinyes
In Greek mythology the Erinyes from Greek ἐρίνειν " pursue, persecute"--sometimes referred to as "infernal goddesses" -- were female chthonic deities of vengeance. A formulaic oath in the Iliad invokes them as "those who beneath the earth punish whosoever has sworn a false oath"...
, to make the boar especially vicious, so that Adonis will die. Chato, Celfa, and Dragón have a comic argument about bullies and neglectful husbands, culminating with Dragón beating Celfa as Chato cheers him on.
In the forest, Adonis has been mortally wounded by the boar. Venus hears his cries and rushes to the scene. Seeing the distraught goddess with her hair loose, half naked, and her hands bloodstained, Belona is moved to pity and sings a lament. She and the nymph, Libia, try to convince Venus not to look at Adonis' body. The chorus describes how the blood of Adonis is turning the white roses around him red. Venus calls upon the gods with a lament. Marte cruelly describes the death of Adonis to Venus, and reveals his bloody body lying among the roses. Venus laments and faints. Amor then appears from the sky to announce that Jupiter
Jupiter (mythology)
In ancient Roman religion and myth, Jupiter or Jove is the king of the gods, and the god of the sky and thunder. He is the equivalent of Zeus in the Greek pantheon....
has been moved by the plight of the lovers and will elevate them together to Mount Olympus
Mount Olympus
Mount Olympus is the highest mountain in Greece, located on the border between Thessaly and Macedonia, about 100 kilometres away from Thessaloniki, Greece's second largest city. Mount Olympus has 52 peaks. The highest peak Mytikas, meaning "nose", rises to 2,917 metres...
– Adonis in the form of a flower (an anemone
Anemone
Anemone , is a genus of about 120 species of flowering plants in the buttercup family Ranunculaceae in the north and south temperate zones...
) and Venus as the Evening Star
Venus
Venus is the second planet from the Sun, orbiting it every 224.7 Earth days. The planet is named after Venus, the Roman goddess of love and beauty. After the Moon, it is the brightest natural object in the night sky, reaching an apparent magnitude of −4.6, bright enough to cast shadows...
. Marte, Venus, Adonis, and Belona all comment, and as the sun sets, Venus and Adonis ascend to the heavens.
Recordings
Torrejón y Velasco: La púrpura de la rosa - The Harp ConsortThe Harp Consort
The Harp Consort is an international Early Music ensemble directed by Andrew Lawrence-King, specialising in Baroque Opera, early dance-music, and historical World Music....
- Conductor: Andrew Lawrence-KingAndrew Lawrence-KingAndrew Lawrence-King is a harpist and early music specialist, and is currently the director of The Harp Consort...
- Principal singers: Judith MalafronteJudith MalafronteJudith Malafronte is an American mezzo-soprano currently on the faculty at Yale University. Winner of several top awards in Italy, Spain, Belgium and the US, including the Grand Prize at the International Vocal Competition in Hertogenbosch, Holland, Malafronte earned a B.A. with honors from Vassar...
(Venus), Ellen Hargis (Adonis), Maria del Mar Fernandez-Doval (Marte) - Recording date: (published 1999)
- Label: Deutsche Harmonia Mundi - 0054727735523 (CD)
Torrejón y Velasco: La púrpura de la rosa - Clemencic Consort and La Capella Vocal Ensemble
- Conductor: Rene Clemencic
- Principal singers: Mieke Van der Sluis (Venus), Mark Tucker (Adonis), Pedro Liendo (Marte), Luiz Alves Da Silva (Amor), Elisabeth Magnus-Harnoncourt (Belona), Josep Benet (Chato), Lina Akerlund (Celfa), Andrea Martin (Dragón), John Winbigler (Fear), Louise Page (Envy), Pamela Mildenhall (Anger), Stephanie Prewitt (Suspicion), Josep Cabre (Disillusionment)
- Recording date: (published 2003)
- Label: Nuova Era - 1121548 (CD)
Torrejón y Velasco: La púrpura de la rosa - Ensemble Elyma, Madrigalists and chorus of the Teatro de la Zarzuela
Teatro de la Zarzuela
The Teatro de la Zarzuela is a theatre in Madrid, Spain. The theatre is today mainly devoted to zarzuela , as well as operetta and recitals. In the past, in the city's long absence of an opera theatre , this was Madrid's theatre where most major opera performances were shown...
- Conductor: Gabriel Garrido
- Principal singers: Isabel Monar (Venus), Graciela Oddone (Adonis), Cecilia Diaz (Marte), Isabel Alvarez (Amor), Alicia Borges (Belona), Susanna Moncayo (Dragón), Adriana Fernandez (Celfa), Marcello Lippi (Chato)
- Recording date:
- Label: K617 Records France - K617108 (CD)
External links
- Libretto of La púrpura de la rosa, University of Ottawa. (Pdf)