Utrecht Te Deum and Jubilate
Encyclopedia
Utrecht Te Deum and Jubilate is a sacred choral composition in two parts, written by George Frideric Handel
to celebrate the Treaty of Utrecht
, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession
. The combination of a Te Deum
and Jubilate, the Psalm 100
, follows earlier models. The official premiere of the work on English texts was on 13 July 1713 in a service in St Paul's Cathedral
in London.
's 1694 Te Deum and Jubilate with strings and trumpets, which was regularly performed for official functions in St Paul's even after the composer's death, and a 1709 setting by William Croft
. As in these models, Handel composed a combination of two liturgical texts, the Ambrosian Hymn Te Deum, We praise thee, O God, and a setting of Psalm 100, O be joyful in the Lord, all ye lands, which is a regular canticle
of the Anglican Morning Prayer. He followed the version of the Book of Common Prayer
. Handel's work was first performed in a public dress rehearsal on 5 March 1713 in St Paul's Cathedral
. The official premiere took place after the tedious peace negotiations had finished, in a solemn thanksgiving service on 13 July 1713.
The Te Deum and Jubilate, along with another composition As Pants the Hart
, earned Handel a yearly income from Queen Anne's Court. Donald Burrows
writes in "Handel and the English Chapel Royal" that "his close association with the Court, reinforced by his musical contribution to events that were personal to the royal family, gave him both the benefits and the disadvantages of identification with the Hanoverian establishment." However, at the time his annual pension was granted it would not have been obvious that he was going to continue to enjoy the favour of the future George I
, who was in fact opposed to the Treaty of Utrecht.
Handel arranged the Jubilate in about 1717/18 for the Duke of Chandos
. Te Deum and Jubilate was performed in St Paul’s for the annual Festival of the Sons of the Clergy, alternating with Purcell's work, until 1743 when Handel's Dettingen Te Deum
was first performed.
Utrecht Te Deum and Jubilate was first published in full score during the 1730s. It was published by the Deutsche Händelgesellschaft
in 1870 in Leipzig as HWV
278 and 279 in the attempted complete edition of Handel's works. Friedrich Chrysander
edited it as volume 31 of "G.F. Händel's Werke: Ausgabe der Deutschen Händelgesellschaft", titled Utrechter Te Deum und Jubilate, with the texts in both English and German. Chrysander mentions in his preface a score published in 1731 by John Walsh
: Te Deum and Jubilate, for Voices and Instruments performed before the Sons of the Clergy at the Cathedral-Church of St. Paul. Compos'd by George Frederick Handel. London. Printed for & sold by John Walsh.
Utrecht Te Deum and Jubilate has been published by Bärenreiter
in the Hallische Händel-Ausgabe
(HHA). The movement numbers below follow this critical edition.
s, two alto
s, tenor
and bass
), mixed choir, two trumpet
s, flauto traverso, two oboe
s, bassoon
, strings (three violin
s, viola
, cello
), and basso continuo. The choir is in five parts (SSATB) for most of the movements, but occasionally alto and tenor are divided as the soprano; the final doxology begins in eight parts. Almost all movements are set for solo singers and chorus; there are no arias. In modern performances, the number of soloists is typically reduced to four.
Glory be to the Father.
In the Te Deum, Handel inserted short solos to achieve a variety of textures as in a concerto grosso
, to express the words. In movement 2, the two alto soloists begin together "To Thee all Angels cry aloud" on a base of three times "the heavn and all the pow'rs therein" in unison octaves of the choir. In movement 3, the announcement "To Thee Cherubin and Seraphim continually do cry" is rendered by two sopranos, whereas the full choir enters the homophon statement "Holy, holy, holy". Similarly, in movement 4 a tenor soloist sings of the "glorious Company of the Apostles", the bass soloist continues "the goodly fellowship", then the soprano soloists' "The noble army of martyrs praise Thee" leads to a tutti
"The holy church", the movement culminates in an adagio on the words "The father of an infinite majesty" and concludes in runs in imitation on the word "glory". The beginning of movement 5 has been compared to Renaissance music
: an alto soloist refers to "the Virgin's womb", the following "sharpness of death" is expressed by four soloists a cappella
, contrasted by the choir's "Thou didst open the Kingdom of heav'n". Handel signed the last page of the Te Deum by SDG (Soli Deo Gloria, - To the only God glory).
In the Jubilate, only the first movement is for solo and choir, an alto soloist, who exposes a coloratura theme, which the choir repeats. Movement 1 is adapted from "Laudate Pueri" which Handel composed for his Carmelite Vespers in Rome. Movement 3 is an introspective duet of alto and bass solo, with solo oboe and violin, based on the first movement of Handel's A mirarvi io son intento (HWV 178), composed in 1711 in Hanover. In movement 5 three low voices expand on For the Lord is gracious. All other movements are set for the choir.
George Frideric Handel
George Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...
to celebrate the Treaty of Utrecht
Treaty of Utrecht
The Treaty of Utrecht, which established the Peace of Utrecht, comprises a series of individual peace treaties, rather than a single document, signed by the belligerents in the War of Spanish Succession, in the Dutch city of Utrecht in March and April 1713...
, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession
War of the Spanish Succession
The War of the Spanish Succession was fought among several European powers, including a divided Spain, over the possible unification of the Kingdoms of Spain and France under one Bourbon monarch. As France and Spain were among the most powerful states of Europe, such a unification would have...
. The combination of a Te Deum
Te Deum
The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered literally as "Thee, O God, we praise"....
and Jubilate, the Psalm 100
Psalm 100
Psalm 100 is part of the biblical Book of Psalms. It may be used as a canticle in the Anglican liturgy of Morning Prayer, when it is referred to by its incipit as the Jubilate or Jubilate Deo...
, follows earlier models. The official premiere of the work on English texts was on 13 July 1713 in a service in St Paul's Cathedral
St Paul's Cathedral
St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. St Paul's sits at the top of Ludgate Hill, the highest point in the City of London, and is the mother...
in London.
History
Handel's composition was written to celebrate the Peace of Utrecht in 1713. It was his first commission by the English Royal family and established his career in London. It was also his first major sacred work to English texts. Handel followed the models of Henry PurcellHenry Purcell
Henry Purcell – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music...
's 1694 Te Deum and Jubilate with strings and trumpets, which was regularly performed for official functions in St Paul's even after the composer's death, and a 1709 setting by William Croft
William Croft
William Croft was an English composer and organist.Croft was born at the Manor House, Nether Ettington, Warwickshire. He was educated at the Chapel Royal, under the instruction of John Blow, and remained there until 1698. Two years after this departure, he became organist of St. Anne's Church, Soho...
. As in these models, Handel composed a combination of two liturgical texts, the Ambrosian Hymn Te Deum, We praise thee, O God, and a setting of Psalm 100, O be joyful in the Lord, all ye lands, which is a regular canticle
Canticle
A canticle is a hymn taken from the Bible. The term is often expanded to include ancient non-biblical hymns such as the Te Deum and certain psalms used liturgically.-Roman Catholic Church:From the Old Testament, the Roman Breviary takes seven canticles for use at Lauds, as follows:*...
of the Anglican Morning Prayer. He followed the version of the Book of Common Prayer
Book of Common Prayer
The Book of Common Prayer is the short title of a number of related prayer books used in the Anglican Communion, as well as by the Continuing Anglican, "Anglican realignment" and other Anglican churches. The original book, published in 1549 , in the reign of Edward VI, was a product of the English...
. Handel's work was first performed in a public dress rehearsal on 5 March 1713 in St Paul's Cathedral
St Paul's Cathedral
St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. St Paul's sits at the top of Ludgate Hill, the highest point in the City of London, and is the mother...
. The official premiere took place after the tedious peace negotiations had finished, in a solemn thanksgiving service on 13 July 1713.
The Te Deum and Jubilate, along with another composition As Pants the Hart
As Pants the Hart (Handel)
As pants the hart is an anthem composed by George Frideric Handel for the Chapel Royal of Queen Anne and subsequently revised. There are five versions of the work , the first being completed in 1713, and the final in 1738...
, earned Handel a yearly income from Queen Anne's Court. Donald Burrows
Donald Burrows (musicologist)
Donald James Burrows is Professor of Music at the Open University, and a leading scholar of the music of George Frideric Handel.He read History and Music at Trinity Hall, Cambridge ....
writes in "Handel and the English Chapel Royal" that "his close association with the Court, reinforced by his musical contribution to events that were personal to the royal family, gave him both the benefits and the disadvantages of identification with the Hanoverian establishment." However, at the time his annual pension was granted it would not have been obvious that he was going to continue to enjoy the favour of the future George I
George I of Great Britain
George I was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of the Duchy and Electorate of Brunswick-Lüneburg in the Holy Roman Empire from 1698....
, who was in fact opposed to the Treaty of Utrecht.
Handel arranged the Jubilate in about 1717/18 for the Duke of Chandos
James Brydges, 1st Duke of Chandos
James Brydges, 1st Duke of Chandos, MP, PC was the first of fourteen children by Sir James Brydges, 3rd Baronet of Wilton Castle, Sheriff of Herefordshire, 8th Baron Chandos; and Elizabeth Barnard...
. Te Deum and Jubilate was performed in St Paul’s for the annual Festival of the Sons of the Clergy, alternating with Purcell's work, until 1743 when Handel's Dettingen Te Deum
Dettingen Te Deum
The Dettingen Te Deum is a canticle in D major composed by George Frideric Handel in 1743.-Background:On 27 June 1743, the British army and its allies, under the command of King George II and Lord Stair, won a victory at the Battle of Dettingen, over the French army, commanded by the Maréchal de...
was first performed.
Utrecht Te Deum and Jubilate was first published in full score during the 1730s. It was published by the Deutsche Händelgesellschaft
Händel-Gesellschaft
Between 1858 and 1902, the Händel-Gesellschaft, or "German Handel Society," produced a collected 105-volume edition of the works of Georg Frideric Handel. Even though the collection was initiated by the society, many of the volumes were published by Friedrich Chrysander working alone...
in 1870 in Leipzig as HWV
Händel-Werke-Verzeichnis
The Händel-Werke-Verzeichnis is the Catalogue of Handel's Works. It was published in three volumes by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Frideric Handel...
278 and 279 in the attempted complete edition of Handel's works. Friedrich Chrysander
Friedrich Chrysander
Karl Franz Friedrich Chrysander was a German music historian and critic, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology.Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son...
edited it as volume 31 of "G.F. Händel's Werke: Ausgabe der Deutschen Händelgesellschaft", titled Utrechter Te Deum und Jubilate, with the texts in both English and German. Chrysander mentions in his preface a score published in 1731 by John Walsh
John Walsh (printer)
John Walsh was an English music publisher of Irish descent, established off the Strand, London, by c. 1690. He was appointed musical instrument-maker-in-ordinary to the king in 1692....
: Te Deum and Jubilate, for Voices and Instruments performed before the Sons of the Clergy at the Cathedral-Church of St. Paul. Compos'd by George Frederick Handel. London. Printed for & sold by John Walsh.
Utrecht Te Deum and Jubilate has been published by Bärenreiter
Bärenreiter
Bärenreiter is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle in Augsburg in 1923, and moved to Kassel in 1927, where it still maintains headquarters; it also has offices in Basel, London, New York and Prague...
in the Hallische Händel-Ausgabe
Hallische Händel-Ausgabe
The Hallische Händel-Ausgabe is a multi-volume collection of the works of George Frideric Handel. It was first published in the 1950s: initially as an adjunct to the HG edition, but by 1958 as a collected edition in its own right...
(HHA). The movement numbers below follow this critical edition.
Scoring and structure
The work is festively scored for six soloists (two sopranoSoprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
s, two alto
Alto
Alto is a musical term, derived from the Latin word altus, meaning "high" in Italian, that has several possible interpretations.When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence,...
s, tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
and bass
Bass (voice type)
A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...
), mixed choir, two trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
s, flauto traverso, two oboe
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
s, bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
, strings (three violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
s, viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
, cello
Cello
The cello is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin, viola, and double bass. Old forms of the instrument in the Baroque era are baryton and viol .A person who plays a cello is...
), and basso continuo. The choir is in five parts (SSATB) for most of the movements, but occasionally alto and tenor are divided as the soprano; the final doxology begins in eight parts. Almost all movements are set for solo singers and chorus; there are no arias. In modern performances, the number of soloists is typically reduced to four.
Te Deum
- We praise Thee, O God (Adagio, SATB)
- To Thee all Angels cry aloud (Largo e staccato, 2 altos, TB unisonUnisonIn music, the word unison can be applied in more than one way. In general terms, it may refer to two notes sounding the same pitch, often but not always at the same time; or to the same musical voice being sounded by several voices or instruments together, either at the same pitch or at a distance...
) - To Thee Cherubin and Seraphim (Andante, 2 sopranos, SSATB)
- The glorious Company of the Apostles (Andante - Adagio - Allegro- adagio - Allegro, tenor, bass, two sopranos, SSATB)
- When thou took’st upon thee to deliver man (Adagio - allegro - adagio - Allegro, SSATB)
- We believe that thou shalt come to be our judge (Largo, soprano, alto, tenor, bass, SATB)
- Day by day we magnify thee (Allegro, double choir: SST AATB)
- And we worship thy name (SSATB)
- Vouchsafe, O Lord (Adagio, SSAATB)
- O Lord, in thee have I trusted (Allegro, SSATB)
Jubilate
- O be joyful in the Lord, all ye lands (alto, SATB)
- Serve the Lord with gladness (SSATB)
- Be ye sure that the Lord he is God (duet: alto, bass, violin, oboe)
- O go your way into his gates (SATB, strings)
- For the Lord is gracious (Adagio: 2 altos, bass, oboes, violins)
- Glory be to the Father (SSAATTBB)
- As it was in the beginning (SSATB)
Music
Handel could rely on the trained musicians of the Chapel Royal who were able to sing solo. Unlike in his operas, he set the work mostly for choir, divided in a double choir for Day by day we magnify thee and divided in eight parts for the homophonHomophony
In music, homophony is a texture in which two or more parts move together in harmony, the relationship between them creating chords. This is distinct from polyphony, in which parts move with rhythmic independence, and monophony, in which all parts move in parallel rhythm and pitch. A homophonic...
Glory be to the Father.
In the Te Deum, Handel inserted short solos to achieve a variety of textures as in a concerto grosso
Concerto grosso
The concerto grosso is a form of baroque music in which the musical material is passed between a small group of soloists and full orchestra...
, to express the words. In movement 2, the two alto soloists begin together "To Thee all Angels cry aloud" on a base of three times "the heavn and all the pow'rs therein" in unison octaves of the choir. In movement 3, the announcement "To Thee Cherubin and Seraphim continually do cry" is rendered by two sopranos, whereas the full choir enters the homophon statement "Holy, holy, holy". Similarly, in movement 4 a tenor soloist sings of the "glorious Company of the Apostles", the bass soloist continues "the goodly fellowship", then the soprano soloists' "The noble army of martyrs praise Thee" leads to a tutti
Tutti
Tutti is an Italian word literally meaning all or together and is used as a musical term, for the whole orchestra as opposed to the soloist...
"The holy church", the movement culminates in an adagio on the words "The father of an infinite majesty" and concludes in runs in imitation on the word "glory". The beginning of movement 5 has been compared to Renaissance music
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...
: an alto soloist refers to "the Virgin's womb", the following "sharpness of death" is expressed by four soloists a cappella
A cappella
A cappella music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It is the opposite of cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato...
, contrasted by the choir's "Thou didst open the Kingdom of heav'n". Handel signed the last page of the Te Deum by SDG (Soli Deo Gloria, - To the only God glory).
In the Jubilate, only the first movement is for solo and choir, an alto soloist, who exposes a coloratura theme, which the choir repeats. Movement 1 is adapted from "Laudate Pueri" which Handel composed for his Carmelite Vespers in Rome. Movement 3 is an introspective duet of alto and bass solo, with solo oboe and violin, based on the first movement of Handel's A mirarvi io son intento (HWV 178), composed in 1711 in Hanover. In movement 5 three low voices expand on For the Lord is gracious. All other movements are set for the choir.
Recordings
- Bach: Magnificat; Handel: Utrecht Te Deum / Harnoncourt , Nikolaus HarnoncourtNikolaus HarnoncourtNikolaus Harnoncourt is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble in the 1950s, and became a pioneer of the Early Music movement...
, Arnold Schoenberg ChoirArnold Schoenberg ChoirThe Arnold Schoenberg Chor is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the musical scene in general...
, Concentus Musicus WienConcentus Musicus WienConcentus Musicus Wien is a baroque music ensemble founded by Nikolaus and Alice Harnoncourt in 1953. It generated the now well-established movement in performance and recordings to play early music on period instruments....
, Felicity PalmerFelicity PalmerDame Felicity Joan Palmer, DBE , is an English mezzo-soprano and music professor. She sang soprano roles until 1983....
, Marjana LipovsekMarjana LipovšekMarjana Lipovšek is an opera and concert singer. The daughter of composer Marijan Lipovšek, she was born on December 3, 1946 in Ljubljana, Slovenia....
, Philip LangridgePhilip LangridgePhilip Gordon Langridge CBE was an English tenor, considered to be among the foremost exponents of English opera and oratorio....
, Kurt EquiluzKurt EquiluzKurt Equiluz is an Austrian classical tenor in opera and concert, known for recording works of Johann Sebastian Bach with Nikolaus Harnoncourt and Helmuth Rilling, a member of the Vienna State Opera as a tenor buffo from 1957 until 1983.- Professional career :Kurt Equiluz was an alto soloist of...
, Ludwig BaumannLudwig Baumann-References:*German language Wikipedia: Ludwig Baumann. Retrieved October 29, 2005....
, TeldecTeldecThe Teldec is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group.-History:...
1996 - Handel: Utrecht Te Deum & Jubilate, Christopher HogwoodChristopher HogwoodChristopher Jarvis Haley Hogwood CBE, MA , HonMusD , born 10 September 1941, Nottingham, is an English conductor, harpsichordist, writer and musicologist, well known as the founder of the Academy of Ancient Music.-Biography:...
, DeccaDecca RecordsDecca Records began as a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934; however, owing to World War II, the link with the British company was broken for several decades....
1998 - Music for St Paul's, John ScottJohn Scott (organist)John Gavin Scott LVO is an English-born organist and choirmaster. He directed the Choir of St. Paul's Cathedral in London from 1990 to 2004. He now directs the Choir of Men and Boys of Saint Thomas Church on 53rd Street and Fifth Avenue in New York City...
, St Paul's Cathedral Choir, The Parley of Instruments, Sophie Daneman, Julia Gooding, Robin BlazeRobin Blaze- Childhood and education :The son of a professional golfer Peter, Robin Blaze grew up in Shadwell, near Leeds and was educated at Leeds Grammar School, Uppingham School, and Magdalen College, Oxford....
, Rogers Covey-Crump, Mark Le Brocq, Andrew Dale Forbes, DISCID 1998 - Vivaldi: Gloria, Handel Utrecht Te Deum and Jubilate, Simon PrestonSimon PrestonSimon John Preston CBE is an English organist, conductor, and composer.- Early life :He attended the Canford School in Wimborne in Dorset. Originally a chorister at King's College, Cambridge, he studied the organ with C. H...
, Christ Church CathedralChrist Church Cathedral, OxfordChrist Church Cathedral is the cathedral of the diocese of Oxford, which consists of the counties of Oxfordshire, Buckinghamshire and Berkshire. It is also, uniquely, the chapel of Christ Church, a college of the University of Oxford.-History:...
Choir, Oxford, Academy of Ancient MusicAcademy of Ancient MusicThe Academy of Ancient Music is a period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after a previous organisation of the same name of the 18th century. The musicians play on either original instruments or modern copies of...
, Emma KirkbyEmma KirkbyDame Carolyn Emma Kirkby, DBE is an English soprano singer and one of the world's most renowned early music specialists. She attended Sherborne School For Girls in Dorset and was a classics student at Somerville College, Oxford, and an English teacher before developing a career as a soloist...
, Judith Nelson, Carolyn WatkinsonCarolyn WatkinsonThe English mezzo-soprano Carolyn Watkinson is a well-known singer of baroque music.Watkinson was born in Preston and studied at the Royal Manchester College of Music and in The Hague. In 1978 she sang Rameau's Phèdre at the English Bach Festival at London's Royal Opera House, Covent Garden...
, Charles Brett, Rogers Covey-Crump, Paul Elliott, David ThomasDavid Thomas (singer)Bass David Thomas was a member of the choir of King's College, Cambridge. He has since become a well known early music / baroque music singer, who has won particular acclaim for his performances of works by Monteverdi, Purcell, Bach, Handel, and Mozart....
, L'Oiseau-LyreL'Oiseau-LyreL'Oiseau-Lyre may refer to:* Éditions de l'Oiseau-Lyre, French-Australian Music publishers* L'Oiseau-Lyre , an classical early music label owned by Decca Records since 1970... - Treaty of Utrecht, Jos van VeldhovenJos van VeldhovenJos van Veldhoven is a Dutch choral conductor. He studied musicology at the Rijksuniversiteit of Utrecht, and choral and orchestral conducting at the Royal Conservatory, the Hague. He has been artistic director of De Nederlandse Bachvereniging since 1983...
, Netherlands Bach Society, Nicki Kennedy, William Towers, Wolfram Lattke, Julian Podger, Peter Harvey, Channel Classics RecordsChannel Classics RecordsChannel Classics Records is a record label from the Netherlands, specializing in classical music. The managing director and producer is C. Jared Sacks, who grew up in Boston. Sacks was schooled as a professional horn player at the Oberlin Conservatory of Music and the Conservatorium van Amsterdam...
2010
External links
- Utrechter Te Deum und Jubilate von Georg Friedrich Händel Händel-Werkausgabe, hrsg. v. Friedrich ChrysanderFriedrich ChrysanderKarl Franz Friedrich Chrysander was a German music historian and critic, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology.Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son...
, Leipzig 1869