Soubrette
Encyclopedia
A soubrette is a female stock character
in opera
and theatre. The term arrived in English from Provençal via French
, and means "conceited" or "coy".
, she often displays a flirtatious or even sexually aggressive nature. Such characters appeared in commedia dell'arte
scenarios, often in the role of Columbina
, where the actress would provide the details of her behavior and dialogue. From there, she moved to the works of Molière
, which were influenced by commedia; the role of Dorine in Tartuffe
(1664) fits the description. A famous example, though a hundred years later, is Suzanne in Beaumarchais' Le Mariage de Figaro (1784).
, the term soubrette refers to both a soprano
voice type
and a type of opera role. A soubrette voice is light with a bright, sweet timbre
, a tessitura
in the mid-range, and with no extensive coloratura
. A soubrette's range extends approximately from middle C (C4) to "high C" (C6). The voice has a lighter vocal weight
than other soprano voices with a brighter timbre. Many young singers start out as soubrettes but as they grow older and the voice matures more physically they may be reclassified as another voice type, usually either a light lyric soprano, a lyric coloratura soprano, or a coloratura mezzo-soprano. Rarely does a singer remain a soubrette throughout her entire career. The tessitura of the soubrette tends to lie a bit lower than the lyric soprano and spinto soprano
.
The soubrette roles are typically found in comic operas or operettas and they usually portray good-looking, youthful girls who are flirtatious, saucy, and street-wise. Typically these roles are sung by younger singers and both sopranos and mezzo-soprano
s are cast in them. Many soubrette roles have a considerable amount of spoken German dialogue, and therefore the soubrette singer must possess both an excellent comprehension of the German language and considerable acting skills. It is rare today to find true soubrettes singing in major opera houses as their voices are typically unable to carry over larger orchestras in larger halls. Often lyric, coloratura, and mezzo sopranos are cast in soubrette roles, especially in the early part of their singing careers. This does not mean that these singers are soubrette sopranos but it does mean they can play soubrette roles. The coloratura soprano
has a higher range, can sing more dexterous vocal passages and has a somewhat brighter sound than the soubrette. The lyric soprano
has a richer voice and higher range than the soubrette soprano. The mezzo-soprano can sing as high as a soubrette but with a darker timbre and heavier weight in the voice. Mezzos also have a much more extensive range in the lower register. In addition, the beautiful light voice of the soubrette is ideal for baroque music
, early music
and baroque opera, as well as many art songs. However, the soubrette soprano is limited even in this repertoire by its lack of coloratura skill and relatively limited range. Many operettas and musicals include soubrette characters, such as Valencienne in The Merry Widow
and in Gilbert and Sullivan
, the Jessie Bond
mezzo-soprano
roles such as Cousin Hebe (H.M.S. Pinafore
) and Lady Angela (Patience
). Another example is the character Ellie Mae Chipley, who sings "Life Upon the Wicked Stage" in Kern and Hammerstein's Show Boat
.
by Mozart.
Stock character
A Stock character is a fictional character based on a common literary or social stereotype. Stock characters rely heavily on cultural types or names for their personality, manner of speech, and other characteristics. In their most general form, stock characters are related to literary archetypes,...
in opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
and theatre. The term arrived in English from Provençal via French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...
, and means "conceited" or "coy".
Theater
In theatre, a soubrette is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy—often a chambermaid or confidante of the ingenueIngenue (stock character)
See also Disingenuous, which is not quite the antonym that it may seem!The ingénue is a stock character in literature, film, and a role type in the theatre; generally a girl or a young woman who is endearingly innocent and wholesome. Ingenue may also refer to a new young actress or one typecast in...
, she often displays a flirtatious or even sexually aggressive nature. Such characters appeared in commedia dell'arte
Commedia dell'arte
Commedia dell'arte is a form of theatre characterized by masked "types" which began in Italy in the 16th century, and was responsible for the advent of the actress and improvised performances based on sketches or scenarios. The closest translation of the name is "comedy of craft"; it is shortened...
scenarios, often in the role of Columbina
Columbina
Columbine is a fictional character in the Commedia dell'Arte. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot...
, where the actress would provide the details of her behavior and dialogue. From there, she moved to the works of Molière
Molière
Jean-Baptiste Poquelin, known by his stage name Molière, was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature...
, which were influenced by commedia; the role of Dorine in Tartuffe
Tartuffe
Tartuffe is a comedy by Molière. It is one of his most famous plays.-History:Molière wrote Tartuffe in 1664...
(1664) fits the description. A famous example, though a hundred years later, is Suzanne in Beaumarchais' Le Mariage de Figaro (1784).
Opera
In classical music and operaOpera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
, the term soubrette refers to both a soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
voice type
Voice type
A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics. Voice classification is the process by which human voices are evaluated and are thereby designated into voice types...
and a type of opera role. A soubrette voice is light with a bright, sweet timbre
Timbre
In music, timbre is the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices and musical instruments, such as string instruments, wind instruments, and percussion instruments. The physical characteristics of sound that determine the...
, a tessitura
Tessitura
In music, the term tessitura generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding texture or timbre...
in the mid-range, and with no extensive coloratura
Coloratura
Coloratura has several meanings. The word is originally from Italian, literally meaning "coloring", and derives from the Latin word colorare . When used in English, the term specifically refers to elaborate melody, particularly in vocal music and especially in operatic singing of the 18th and...
. A soubrette's range extends approximately from middle C (C4) to "high C" (C6). The voice has a lighter vocal weight
Vocal weight
Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music...
than other soprano voices with a brighter timbre. Many young singers start out as soubrettes but as they grow older and the voice matures more physically they may be reclassified as another voice type, usually either a light lyric soprano, a lyric coloratura soprano, or a coloratura mezzo-soprano. Rarely does a singer remain a soubrette throughout her entire career. The tessitura of the soubrette tends to lie a bit lower than the lyric soprano and spinto soprano
Spinto soprano
A spinto soprano is a category of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain. This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano...
.
The soubrette roles are typically found in comic operas or operettas and they usually portray good-looking, youthful girls who are flirtatious, saucy, and street-wise. Typically these roles are sung by younger singers and both sopranos and mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
s are cast in them. Many soubrette roles have a considerable amount of spoken German dialogue, and therefore the soubrette singer must possess both an excellent comprehension of the German language and considerable acting skills. It is rare today to find true soubrettes singing in major opera houses as their voices are typically unable to carry over larger orchestras in larger halls. Often lyric, coloratura, and mezzo sopranos are cast in soubrette roles, especially in the early part of their singing careers. This does not mean that these singers are soubrette sopranos but it does mean they can play soubrette roles. The coloratura soprano
Coloratura soprano
A coloratura soprano is a type of operatic soprano who specializes in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice...
has a higher range, can sing more dexterous vocal passages and has a somewhat brighter sound than the soubrette. The lyric soprano
Lyric soprano
A lyric soprano is a type of operatic soprano that has a warm quality with a bright, full timbre which can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have...
has a richer voice and higher range than the soubrette soprano. The mezzo-soprano can sing as high as a soubrette but with a darker timbre and heavier weight in the voice. Mezzos also have a much more extensive range in the lower register. In addition, the beautiful light voice of the soubrette is ideal for baroque music
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
, early music
Early music
Early music is generally understood as comprising all music from the earliest times up to the Renaissance. However, today this term has come to include "any music for which a historically appropriate style of performance must be reconstructed on the basis of surviving scores, treatises,...
and baroque opera, as well as many art songs. However, the soubrette soprano is limited even in this repertoire by its lack of coloratura skill and relatively limited range. Many operettas and musicals include soubrette characters, such as Valencienne in The Merry Widow
The Merry Widow
The Merry Widow is an operetta by the Austro–Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play,...
and in Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
, the Jessie Bond
Jessie Bond
Jessie Bond was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company.Musical from an early age, Bond began a concert singing...
mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
roles such as Cousin Hebe (H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
) and Lady Angela (Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
). Another example is the character Ellie Mae Chipley, who sings "Life Upon the Wicked Stage" in Kern and Hammerstein's Show Boat
Show Boat
Show Boat is a musical in two acts with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It was originally produced in New York in 1927 and in London in 1928, and was based on the 1926 novel of the same name by Edna Ferber. The plot chronicles the lives of those living and working...
.
Sopranos who sing or sang soubrette roles
- Kathleen BattleKathleen BattleKathleen Battle , is an African-American operatic soprano known for her agile and light voice and her silvery, pure tone. Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid 1970s. She made her opera debut in...
- Barbara BonneyBarbara Bonney-Early life:Bonney was born in Montclair, New Jersey. As a child she studied piano and cello. When Bonney was 13 her family moved to Maine, where she became part of the Portland Youth Orchestra as a cellist...
- Norma BurrowesNorma BurrowesNorma Burrowes is an Irish coloratura soprano, particularly associated with Handel and Mozart roles.-Life and career:...
- Ileana CotrubasIleana CotrubasIleana Cotrubaş is a Romanian opera soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages.-Biography:...
- Renée FlemingRenée FlemingRenée Fleming is an American soprano specializing in opera and lieder. Fleming has a full lyric soprano voice.Fleming has performed coloratura, lyric, and lighter spinto soprano repertoires. She has sung roles in Italian, German, French, Czech, and Russian, aside from her native English. She also...
- Gaële Le Roi
- Patrice MunselPatrice MunselPatrice Munsel is an American coloratura soprano, the youngest singer who ever starred at the Metropolitan Opera, nicknamed "Princess Pat"....
- Anna NetrebkoAnna NetrebkoAnna Yuryevna Netrebko is an Russian operatic soprano. She now holds dual Russian and Austrian citizenship and currently resides in Vienna. She has been nicknamed "La Bellissima" by fans.-Biography:...
- Lucia PoppLucia PoppLucia Popp was a notable Slovak operatic soprano. She began her career as a soubrette soprano, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the...
- Elisabeth SchumannElisabeth SchumannElisabeth Schumann was a German lyric soprano who sang in opera, operetta, oratorio, and lieder. She left a substantial legacy of recordings.-Career:...
- Graziella SciuttiGraziella SciuttiGraziella Sciutti was an Italian soprano opera singer and later vocal teacher and opera producer.-Career:Sciutti was born in Turin, Italy. Her parents were musical, her father being an organist; her mother was French...
- Dawn UpshawDawn UpshawDawn Upshaw is an American soprano described as "one of the most consequential performers of our time" by the Los Angeles Times. The recipient of several Grammy Awards and Edison Prize-winning discs, Upshaw is at home both in opera and art song, and in repertoire from Baroque to contemporary...
Mezzo-sopranos who sang or sing soubrette roles
- Agnes BaltsaAgnes BaltsaAgnes Baltsa is a leading Greek mezzo-soprano.Baltsa was born in Lefkada. She began playing piano at the age of six, before moving to Athens in 1958 to concentrate on singing...
- Cecilia BartoliCecilia BartoliCecilia Bartoli is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music...
- Jane BerbiéJane BerbiéJane Berbié is a French mezzo-soprano particularly associated with Mozart and Rossini roles.- Life and career :Berbié was born Jeanne Bergougne, in Villefranche-de-Lauragais, Haute-Garonne, France, and studied piano and voice at the Music Conservatory in nearby Toulouse...
- Christa LudwigChrista LudwigChrista Ludwig is a retired German mezzo-soprano, distinguished for her performances of opera, Lieder, oratorio and other major religious works like masses and passions, and solos contained in symphonic literature...
Soubrette roles in opera and operettas
- Adele, Die FledermausDie FledermausDie Fledermaus is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.- Literary sources :...
(Johann Strauss IIJohann Strauss IIJohann Strauss II , also known as Johann Baptist Strauss or Johann Strauss, Jr., the Younger, or the Son , was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas...
) - Alison, The Wandering ScholarThe Wandering ScholarThe Wandering Scholar, Op.50 is a chamber opera in one act by the English composer Gustav Holst. The libretto, by Clifford Bax, is based on the book The Wandering Scholars by Helen Waddell....
(HolstHolstHolst and von Holst are surnames. In Denmark and Norway it is of Medieval age, meaning Holsatian . It may refer to:-Holst:*Alison Holst , New Zealand food writer and television chef...
) - Amor, Orfeo ed EuridiceOrfeo ed EuridiceOrfeo ed Euridice is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing...
(Gluck) - Ännchen, Der FreischützDer FreischützDer Freischütz is an opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin...
(Carl Maria von WeberCarl Maria von WeberCarl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school....
) - Ann Page, The Merry Wives of WindsorThe Merry Wives of Windsor (opera)The Merry Wives of Windsor is an opera in three acts by Otto Nicolai to a German libretto by Hermann Salomon Mosenthal, based on the play The Merry Wives of Windsor by William Shakespeare....
(Carl Otto NicolaiCarl Otto NicolaiCarl Otto Ehrenfried Nicolai was a German composer, conductor, and founder of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy The Merry Wives of Windsor...
) - Auretta, L'Oca del CairoL'oca del CairoL'oca del Cairo is an opera buffa in three acts, K. 422, begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October.The complete three act libretto by Giovanni Battista Varesco remains....
(Mozart) - Barbarina, The Marriage of FigaroThe Marriage of FigaroLe nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...
(Mozart) - Bastienne, Bastien und BastienneBastien und BastienneBastien und Bastienne , K. 50 is a one-act singspiel, a comic opera, by Wolfgang Amadeus Mozart....
(Mozart) - Belinda, Dido and AeneasDido and AeneasDido and Aeneas is an opera in a prologue and three acts by the English Baroque composer Henry Purcell to a libretto by Nahum Tate. The first known performance was at Josias Priest's girls' school in London no later than the summer of 1688. The story is based on Book IV of Virgil's Aeneid...
(PurcellHenry PurcellHenry Purcell – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music...
) - Blondchen, The Abduction from the Seraglio (Mozart)
- Cis, Albert HerringAlbert HerringAlbert Herring, Op. 39, is a chamber opera in three acts by Benjamin Britten.Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera The Rape of Lucretia...
(Britten) - Clotilda, NormaNorma (opera)Norma is a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after Norma, ossia L'infanticidio by Alexandre Soumet. First produced at La Scala on December 26, 1831, it is generally regarded as an example of the supreme height of the bel canto tradition...
(BelliniVincenzo BelliniVincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...
) - Despina, Così fan tutteCosì fan tutteCosì fan tutte, ossia La scuola degli amanti K. 588, is an opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte....
(Mozart) - Echo, Ariadne auf NaxosAriadne auf NaxosAriadne auf Naxos is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Bringing together slapstick comedy and consuming beautiful music, the opera's theme is the competition between high and low art for the public's attention.- First version :The opera was originally...
(Richard StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) - Elisa, Il re pastoreIl re pastoreIl re pastore is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Gianbattista Varesco. It is an opera seria...
(Mozart) - Emmie, Albert HerringAlbert HerringAlbert Herring, Op. 39, is a chamber opera in three acts by Benjamin Britten.Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera The Rape of Lucretia...
(Britten) - Giannetta, L'Elisir d'AmoreL'elisir d'amoreL'elisir d'amore is an opera by the Italian composer Gaetano Donizetti. It is a melodramma giocoso in two acts...
(Donizetti)
- Hebe, H.M.S. PinaforeH.M.S. PinaforeH.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
(Gilbert and SullivanGilbert and SullivanGilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
) - Lisa, The Grand DukeThe Grand DukeThe Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
(Gilbert and SullivanGilbert and SullivanGilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
) - Lisette, La rondineLa rondineLa rondine is an opera in three acts by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on a libretto by Alfred Maria Willner and Heinz Reichert...
(Puccini) - Marie, Der Waffenschmied (Albert LortzingAlbert LortzingGustav Albert Lortzing was a German composer, actor and singer. He is considered to be the main representative of the German Spieloper, a form similar to the French opéra comique, which grew out of the Singspiel.-Biography:Lortzing was born in Berlin to Johann Gottlieb Lortzing and Charlotte Sophie...
) - Marie, Zar und ZimmermannZar und ZimmermannZar und Zimmermann is an opera in three acts, music by Albert Lortzing, libretto by the composer after Georg Christian Römer's Der Bürgermeister on Saarlem, oder Die zwei Peter, itself based on a French work entitled Le Bourgesmestre de Sardam, ou Les deux Pierres by Anne-Honoré-Joseph Duveyrier...
(Albert LortzingAlbert LortzingGustav Albert Lortzing was a German composer, actor and singer. He is considered to be the main representative of the German Spieloper, a form similar to the French opéra comique, which grew out of the Singspiel.-Biography:Lortzing was born in Berlin to Johann Gottlieb Lortzing and Charlotte Sophie...
) - Marzellina, FidelioFidelioFidelio is a German opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The German libretto is by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly which had been used for the 1798 opera Léonore, ou L’amour conjugal by Pierre Gaveaux, and for the 1804 opera Leonora...
(Beethoven) - Nannetta, FalstaffFalstaff (opera)Falstaff is an operatic commedia lirica in three acts by Giuseppe Verdi, adapted by Arrigo Boito from Shakespeare's plays The Merry Wives of Windsor and scenes from Henry IV. It was Verdi's last opera, written in the composer's ninth decade, and only the second of his 26 operas to be a comedy...
(Verdi) - Norina, Don PasqualeDon PasqualeDon Pasquale is an opera buffa, or comic opera, in three acts by Gaetano Donizetti. The librettist Giovanni Ruffini wrote the Italian language libretto after Angelo Anelli's libretto for Stefano Pavesi's Ser Marcantonio ....
(Donizetti) - Ninetta, La finta sempliceLa finta sempliceLa finta semplice , K. 51 is an opera buffa in three acts for soloists and orchestra, composed in 1769 by then 12-year-old Wolfgang Amadeus Mozart to an Italian libretto by the court poet Marco Coltellini based on an early work by Carlo Goldoni...
(Mozart) - Papagena, The Magic FluteThe Magic FluteThe Magic Flute is an opera in two acts composed in 1791 by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue....
(Mozart) - Pitti-Sing, The MikadoThe MikadoThe Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
(Gilbert and SullivanGilbert and SullivanGilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
) - Servilia, La Clemenza di TitoLa clemenza di TitoLa clemenza di Tito , K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Metastasio...
(Mozart) - Serpetta, La finta giardinieraLa finta giardinieraLa finta giardiniera , K. 196, is an Italian opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on January 13 at the Salvatortheater in Munich...
(Mozart) - Serpina, La serva padronaLa serva padronaLa serva padrona is an opera buffa by Giovanni Battista Pergolesi to a libretto by Gennaro Antonio Federico, after the play by Jacopo Angello Nelli. The opera is only 45 minutes long and was originally performed as an intermezzo between the acts of a larger serious opera...
(PergolesiGiovanni Battista PergolesiGiovanni Battista Pergolesi was an Italian composer, violinist and organist.-Biography:Born at Iesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others...
) - Sophie, Der RosenkavalierDer RosenkavalierDer Rosenkavalier is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière’s comedy Monsieur de Pourceaugnac...
(Richard StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) - Susanna, The Marriage of FigaroThe Marriage of FigaroLe nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...
(Mozart) - Zerlina, Don GiovanniDon GiovanniDon Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
(Mozart)
Listen and compare
Here are five different voice types singing the same soubrette role, Susanna, in The Marriage of FigaroThe Marriage of Figaro
Le nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...
by Mozart.
- To hear soubrette Dawn UpshawDawn UpshawDawn Upshaw is an American soprano described as "one of the most consequential performers of our time" by the Los Angeles Times. The recipient of several Grammy Awards and Edison Prize-winning discs, Upshaw is at home both in opera and art song, and in repertoire from Baroque to contemporary...
as Susanna click here
- To hear coloratura sopranoColoratura sopranoA coloratura soprano is a type of operatic soprano who specializes in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice...
Diana DamrauDiana DamrauDiana Damrau is a German lyric coloratura soprano of the operatic stage.-Biography:Diana Damrau was born in 1971 in Günzburg, Bavaria, Germany, and began her operatic studies with Carmen Hanganu at the Musikhochschule in Würzburg. After graduating from music conservatory she worked in Salzburg...
as Susanna click here
- To hear light lyric soprano Lucia PoppLucia PoppLucia Popp was a notable Slovak operatic soprano. She began her career as a soubrette soprano, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the...
as Susanna click here
- To hear full lyric soprano Anna NetrebkoAnna NetrebkoAnna Yuryevna Netrebko is an Russian operatic soprano. She now holds dual Russian and Austrian citizenship and currently resides in Vienna. She has been nicknamed "La Bellissima" by fans.-Biography:...
as Susanna click here
- To hear mezzo-sopranoMezzo-sopranoA mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
Cecilia BartoliCecilia BartoliCecilia Bartoli is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music...
as Susanna click here