Migration Period art
Encyclopedia
Migration Period art denotes the artwork of the Germanic peoples
during the Migration period
(ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art
or Hiberno-Saxon art of the Anglo-Saxon
and Celtic fusion in the British Isles
. It covers many different styles of art including the polychrome style and the animal style
. After Christianization
, Migration Period art developed into various schools of Early Medieval art
in Western Europe which are normally classified by region, such as Anglo-Saxon art
and Carolingian art
, before the continent-wide styles of Romanesque art
and finally Gothic art
developed.
pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks
settled in to Gaul and western Germany, and in the 5th century Scandinavians such as the Angles
, Saxons
and Jutes
invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.
Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.
Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea
area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art
or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic
, Mediterranean and other motifs and techniques.
, had some Greco-Roman influences, and was also popular with the Huns. Perhaps the most famous examples are found in the fourth-century Pietroasele treasure
(Romania
), which includes a great gold eagle brooch
(picture). The eagle motif derives from East Asia and results from the participation of the forebears of the Goths in the Hunnic Empire, as in the fourth-century Gothic polychrome eagle-head belt buckle (picture) from South Russia.
The Goths carried this style to Italy, southern France and Spain. One well known example is the Ostrogothic eagle fibula from Cesena
, Italy, now at the museum in Nuremberg
. Another is the Visigothic polychrome votive crown
(picture) of Recceswinth, King of Toledo, found in a votive crown hoard of c. 670 at Fuente de Guarrazar, near Toledo
. The popularity of the style can be attested to by the discovery of a polychrome sword (picture) in the tomb of Frankish king Childeric I
(died ca 481), well north of the Alps.
Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving
technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.
Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.
After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art.
, it contained no Style II elements, instead showing Mediterranean examples of fish used to construct large letters at the start of chapters.
s) was confined to Great Britain and Ireland and was the fusion of Germanic traditions (via the Anglo-Saxons) with Celtic traditions (via Irish monks). It can first be seen in the late 7th century and the style would continue in Britain for about 150 years until the Viking invasions of the 9th century (after which we see the emergence of Anglo-Saxon art
), and in Ireland up until the 12th century (after which see Romanesque art
).
, Saxons
and Jutes
were settling in England. The extreme political fragmentation of Ireland and its total lack of urban development prevented the emergence of a strong episcopal structure. Monasticism consequently emerged as the dominant force in Irish Christianity, and thus in Irish Christian art.
Celtic Christianity
also developed a strong emphasis on missionary activity. Around 563 Saint Columba
founded a base on the Scottish island of Iona
, from which to convert Pictish
pagans in Scotland
; this monastic settlement became long remained a key centre of Christian culture in northern Britain. Columban monks then went to Northumbria
in 635 and founded a monastery on the island of Lindisfarne
, from which to convert the north of England. However Rome had already begun the conversion of the Anglo-Saxons
from the south with a mission to Kent
in 597. Conflict arose between the Irish monks and Rome on the date to celebrate Easter, leading to withdrawal of the Irish mission from Lindisfarne to Iona. However, the widespread use of Irish decorative forms in art produced in England, and vice versa, attests to the continuing importance of interaction between the two cultures. England would come under increasing Mediterranean influence, but not before Irish Celtic and Anglo-Saxon art had profitably fused.
The first major work that can be called purely Hiberno-Saxon is the Book of Durrow
in the late 7th century. There followed a golden age in metalworking, manuscripts and stone sculpture. In the 9th century the heyday of the Hiberno-Saxon style neared its end, with the disruptions of Viking raids and the increasing dominance of Mediterranean forms (see Anglo-Saxon art
).
from the Iron Age period is dominated by metalwork in a La Tène style. Hanging bowl
s such as those found at Sutton Hoo
are among some of the most important of these crafts. As Irish missionaries began to spread the word of the Gospels they needed books, and almost from the start, they began to embellish their texts with artwork drawing from the designs of these metalworking traditions. The spirals and scrolls in the enlarged opening letters—found in the earliest manuscripts such as the 7th century Cathach of St. Columba
manuscript—borrows in style directly from Celtic enamels and La Tene metalworking motifs.
After the Cathach of St. Columba, book decoration became increasingly more complex and new styles from other cultures were introduced. Carpet page
s—entire pages of ornamentation with no text—were inserted, usually at the start of each Gospel. The geometric motifs and interlaced
patterns may have been influences from Coptic Egypt or elsewhere in the Byzantine Middle East. The increasing use of animal ornamentation was an Anglo-Saxon contribution of its animal style. All of these influences and traditions combined into what could be called a new Hiberno-Saxon style, with the Book of Durrow
in the later 7th century being the first of its type. The Lindisfarne Gospels
is another famous example.
The Book of Kells
was probably created in Iona in the 8th century. When the monks fled to Ireland in the face of Viking raids in 807, they probably brought it with them to Kells in Ireland. It is the most richly decorated of the Hiberno-Saxon manuscripts and represents a large array of techniques and motifs created during the 8th century.
that allowed ever smaller and more detailed ornamentations, especially on the penannular and pseudo-penannular Celtic brooch
es that were important symbols of status for the elite, and also worn by clergy as part of their vestment
s. The Tara Brooch
and Ardagh Hoard are among the most magnificent Insular examples, whilst the 7th century royal jewellery from the Sutton Hoo
ship burial shows a Pre-Christian Anglo-Saxon style. They brought together all of the available skills of the goldsmith
in one piece: ornamentation applied to a variety of techniques and materials, chip carving
, filigree
, cloisonné
and rock crystal.
s. For many centuries it had been Irish custom to display a large wooden cross inside the monastic building enclosure. These were then translated in to stone crosses called high cross
es and covered with the same intricate patterns used by goldsmiths, and often figure sculptures.
Germanic peoples
The Germanic peoples are an Indo-European ethno-linguistic group of Northern European origin, identified by their use of the Indo-European Germanic languages which diversified out of Proto-Germanic during the Pre-Roman Iron Age.Originating about 1800 BCE from the Corded Ware Culture on the North...
during the Migration period
Migration Period
The Migration Period, also called the Barbarian Invasions , was a period of intensified human migration in Europe that occurred from c. 400 to 800 CE. This period marked the transition from Late Antiquity to the Early Middle Ages...
(ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art
Insular art
Insular art, also known as Hiberno-Saxon art, is the style of art produced in the post-Roman history of Ireland and Great Britain. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe...
or Hiberno-Saxon art of the Anglo-Saxon
Anglo-Saxon
Anglo-Saxon may refer to:* Anglo-Saxons, a group that invaded Britain** Old English, their language** Anglo-Saxon England, their history, one of various ships* White Anglo-Saxon Protestant, an ethnicity* Anglo-Saxon economy, modern macroeconomic term...
and Celtic fusion in the British Isles
British Isles
The British Isles are a group of islands off the northwest coast of continental Europe that include the islands of Great Britain and Ireland and over six thousand smaller isles. There are two sovereign states located on the islands: the United Kingdom of Great Britain and Northern Ireland and...
. It covers many different styles of art including the polychrome style and the animal style
Animal style
Animal style art is characterized by its emphasis on animal and bird motifs, and the term describes an approach to decoration which existed from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period...
. After Christianization
Christianization
The historical phenomenon of Christianization is the conversion of individuals to Christianity or the conversion of entire peoples at once...
, Migration Period art developed into various schools of Early Medieval art
Medieval art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art history in Europe, and at times the Middle East and North Africa...
in Western Europe which are normally classified by region, such as Anglo-Saxon art
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
and Carolingian art
Carolingian art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about AD 780 to 900 — during the reign of Charlemagne and his immediate heirs — popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of...
, before the continent-wide styles of Romanesque art
Romanesque art
Romanesque art refers to the art of Western Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. The preceding period is increasingly known as the Pre-Romanesque...
and finally Gothic art
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
developed.
Background
In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when HunsHuns
The Huns were a group of nomadic people who, appearing from east of the Volga River, migrated into Europe c. AD 370 and established the vast Hunnic Empire there. Since de Guignes linked them with the Xiongnu, who had been northern neighbours of China 300 years prior to the emergence of the Huns,...
pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks
Franks
The Franks were a confederation of Germanic tribes first attested in the third century AD as living north and east of the Lower Rhine River. From the third to fifth centuries some Franks raided Roman territory while other Franks joined the Roman troops in Gaul. Only the Salian Franks formed a...
settled in to Gaul and western Germany, and in the 5th century Scandinavians such as the Angles
Angles
The Angles is a modern English term for a Germanic people who took their name from the ancestral cultural region of Angeln, a district located in Schleswig-Holstein, Germany...
, Saxons
Saxons
The Saxons were a confederation of Germanic tribes originating on the North German plain. The Saxons earliest known area of settlement is Northern Albingia, an area approximately that of modern Holstein...
and Jutes
Jutes
The Jutes, Iuti, or Iutæ were a Germanic people who, according to Bede, were one of the three most powerful Germanic peoples of their time, the other two being the Saxons and the Angles...
invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms.
Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived.
Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea
Black Sea
The Black Sea is bounded by Europe, Anatolia and the Caucasus and is ultimately connected to the Atlantic Ocean via the Mediterranean and the Aegean seas and various straits. The Bosphorus strait connects it to the Sea of Marmara, and the strait of the Dardanelles connects that sea to the Aegean...
area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art
Insular art
Insular art, also known as Hiberno-Saxon art, is the style of art produced in the post-Roman history of Ireland and Great Britain. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe...
or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic
Celtic art
Celtic art is the art associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic...
, Mediterranean and other motifs and techniques.
Polychrome style
During the 2nd century the Goths of southern Russia discovered a new found taste for gold figurines and objects inlaid with precious stones. This style was borrowed from Scythians and the SarmatiansSarmatians
The Iron Age Sarmatians were an Iranian people in Classical Antiquity, flourishing from about the 5th century BC to the 4th century AD....
, had some Greco-Roman influences, and was also popular with the Huns. Perhaps the most famous examples are found in the fourth-century Pietroasele treasure
Pietroasele treasure
The Pietroasele Treasure found in Pietroasele, Buzău, Romania, in 1837, is a late fourth-century Gothic treasure that included some twenty-two objects of gold, among the most famous examples of the polychrome style of Migration Period art...
(Romania
Romania
Romania is a country located at the crossroads of Central and Southeastern Europe, on the Lower Danube, within and outside the Carpathian arch, bordering on the Black Sea...
), which includes a great gold eagle brooch
Brooch
A brooch ; also known in ancient times as a fibula; is a decorative jewelry item designed to be attached to garments. It is usually made of metal, often silver or gold but sometimes bronze or some other material...
(picture). The eagle motif derives from East Asia and results from the participation of the forebears of the Goths in the Hunnic Empire, as in the fourth-century Gothic polychrome eagle-head belt buckle (picture) from South Russia.
The Goths carried this style to Italy, southern France and Spain. One well known example is the Ostrogothic eagle fibula from Cesena
Cesena
Cesena is a city and comune in the Emilia-Romagna region of northern Italy, south of Ravenna and west of Rimini, on the Savio River, co-chief of the Province of Forlì-Cesena. It is at the foot of the Apennines, and about 15 km from the Adriatic Sea.-History:Cesena was originally an Umbrian...
, Italy, now at the museum in Nuremberg
Nuremberg
Nuremberg[p] is a city in the German state of Bavaria, in the administrative region of Middle Franconia. Situated on the Pegnitz river and the Rhine–Main–Danube Canal, it is located about north of Munich and is Franconia's largest city. The population is 505,664...
. Another is the Visigothic polychrome votive crown
Votive crown
A votive crown is a votive offering in the form of a crown, normally in precious metals and often adorned with jewels. Especially in the Early Middle Ages, they are of a special form, designed to be suspended by chains at an altar, shrine or image...
(picture) of Recceswinth, King of Toledo, found in a votive crown hoard of c. 670 at Fuente de Guarrazar, near Toledo
Toledo, Spain
Toledo's Alcázar became renowned in the 19th and 20th centuries as a military academy. At the outbreak of the Spanish Civil War in 1936 its garrison was famously besieged by Republican forces.-Economy:...
. The popularity of the style can be attested to by the discovery of a polychrome sword (picture) in the tomb of Frankish king Childeric I
Childeric I
Childeric I was a Merovingian king of the Salian Franks and the father of Clovis.He succeeded his father Merovech as king, traditionally in 457 or 458...
(died ca 481), well north of the Alps.
Animal style
The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving
Chip carving
Chip carving or chip-carving, kerbschnitt in German, is a style of carving in which knives or chisels are used to remove small chips of the material from a flat surface in a single piece. The style became important in Migration Period metalwork, mainly Animal style jewellery, where the faceted...
technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.
Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.
After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art.
Christian influence
The Church in the early Migration period emerged as the only supranational force in Europe after the collapse of the Roman Empire. It provided a unifying element and was the only institution left that could preserve selected rudiments of classical civilization. As the conversion of Germanic peoples by the end of the 7th centuries in western Europe neared completion, the church became the prime patron for art, commissioning illuminated manuscripts and other liturgical objects. The record shows a steady decline in Germanic forms and increasing Mediterranean influence. This process occurred quickly with the Goths of Italy and Spain and more slowly the further north one looked. This change can be observed in the 8th century Merovingian codex Gelasian SacramentaryGelasian Sacramentary
The so-called "Gelasian Sacramentary" is a book of Christian liturgy. A sacramentary contains the priest's texts for celebrating the Eucharist throughout the year...
, it contained no Style II elements, instead showing Mediterranean examples of fish used to construct large letters at the start of chapters.
Insular art
Insular art, often also known as Hiberno-Saxon art, especially in relation to illuminated manuscriptIlluminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s) was confined to Great Britain and Ireland and was the fusion of Germanic traditions (via the Anglo-Saxons) with Celtic traditions (via Irish monks). It can first be seen in the late 7th century and the style would continue in Britain for about 150 years until the Viking invasions of the 9th century (after which we see the emergence of Anglo-Saxon art
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
), and in Ireland up until the 12th century (after which see Romanesque art
Romanesque art
Romanesque art refers to the art of Western Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. The preceding period is increasingly known as the Pre-Romanesque...
).
History
Ireland was converted to Christianity by missions from Britain and the continent, beginning in the mid-fifth century, while simultaneously pagan AnglesAngles
The Angles is a modern English term for a Germanic people who took their name from the ancestral cultural region of Angeln, a district located in Schleswig-Holstein, Germany...
, Saxons
Saxons
The Saxons were a confederation of Germanic tribes originating on the North German plain. The Saxons earliest known area of settlement is Northern Albingia, an area approximately that of modern Holstein...
and Jutes
Jutes
The Jutes, Iuti, or Iutæ were a Germanic people who, according to Bede, were one of the three most powerful Germanic peoples of their time, the other two being the Saxons and the Angles...
were settling in England. The extreme political fragmentation of Ireland and its total lack of urban development prevented the emergence of a strong episcopal structure. Monasticism consequently emerged as the dominant force in Irish Christianity, and thus in Irish Christian art.
Celtic Christianity
Celtic Christianity
Celtic Christianity or Insular Christianity refers broadly to certain features of Christianity that were common, or held to be common, across the Celtic-speaking world during the Early Middle Ages...
also developed a strong emphasis on missionary activity. Around 563 Saint Columba
Saint Columba
-Saints:* Columba , Irish Christian saint who evangelized Scotland* Columba the Virgin, also known as Saint Columba of Cornwall* Columba of Sens* Columba of Spain* Columba of Terryglass* Sancta Columba -Schools:...
founded a base on the Scottish island of Iona
Iona
Iona is a small island in the Inner Hebrides off the western coast of Scotland. It was a centre of Irish monasticism for four centuries and is today renowned for its tranquility and natural beauty. It is a popular tourist destination and a place for retreats...
, from which to convert Pictish
Picts
The Picts were a group of Late Iron Age and Early Mediaeval people living in what is now eastern and northern Scotland. There is an association with the distribution of brochs, place names beginning 'Pit-', for instance Pitlochry, and Pictish stones. They are recorded from before the Roman conquest...
pagans in Scotland
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
; this monastic settlement became long remained a key centre of Christian culture in northern Britain. Columban monks then went to Northumbria
Northumbria
Northumbria was a medieval kingdom of the Angles, in what is now Northern England and South-East Scotland, becoming subsequently an earldom in a united Anglo-Saxon kingdom of England. The name reflects the approximate southern limit to the kingdom's territory, the Humber Estuary.Northumbria was...
in 635 and founded a monastery on the island of Lindisfarne
Lindisfarne
Lindisfarne is a tidal island off the north-east coast of England. It is also known as Holy Island and constitutes a civil parish in Northumberland...
, from which to convert the north of England. However Rome had already begun the conversion of the Anglo-Saxons
Anglo-Saxons
Anglo-Saxon is a term used by historians to designate the Germanic tribes who invaded and settled the south and east of Great Britain beginning in the early 5th century AD, and the period from their creation of the English nation to the Norman conquest. The Anglo-Saxon Era denotes the period of...
from the south with a mission to Kent
Kent
Kent is a county in southeast England, and is one of the home counties. It borders East Sussex, Surrey and Greater London and has a defined boundary with Essex in the middle of the Thames Estuary. The ceremonial county boundaries of Kent include the shire county of Kent and the unitary borough of...
in 597. Conflict arose between the Irish monks and Rome on the date to celebrate Easter, leading to withdrawal of the Irish mission from Lindisfarne to Iona. However, the widespread use of Irish decorative forms in art produced in England, and vice versa, attests to the continuing importance of interaction between the two cultures. England would come under increasing Mediterranean influence, but not before Irish Celtic and Anglo-Saxon art had profitably fused.
The first major work that can be called purely Hiberno-Saxon is the Book of Durrow
Book of Durrow
The Book of Durrow is a 7th-century illuminated manuscript gospel book in the Insular style. It was probably created between 650 and 700, in Northumbria in Northern England, where Lindisfarne or Durham would be the likely candidates, or on the island of Iona in the Scottish Inner Hebrides...
in the late 7th century. There followed a golden age in metalworking, manuscripts and stone sculpture. In the 9th century the heyday of the Hiberno-Saxon style neared its end, with the disruptions of Viking raids and the increasing dominance of Mediterranean forms (see Anglo-Saxon art
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
).
Illuminated manuscripts
The surviving evidence of Irish Celtic artCeltic art
Celtic art is the art associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic...
from the Iron Age period is dominated by metalwork in a La Tène style. Hanging bowl
Hanging bowl
Hanging bowls are a distinctive type of artifact of the period between the end of Roman rule in Britain in c. 410 AD and the emergence of the Christian Anglo-Saxon kingdoms during the 7th century...
s such as those found at Sutton Hoo
Sutton Hoo
Sutton Hoo, near to Woodbridge, in the English county of Suffolk, is the site of two 6th and early 7th century cemeteries. One contained an undisturbed ship burial including a wealth of Anglo-Saxon artefacts of outstanding art-historical and archaeological significance, now held in the British...
are among some of the most important of these crafts. As Irish missionaries began to spread the word of the Gospels they needed books, and almost from the start, they began to embellish their texts with artwork drawing from the designs of these metalworking traditions. The spirals and scrolls in the enlarged opening letters—found in the earliest manuscripts such as the 7th century Cathach of St. Columba
Cathach of St. Columba
The Cathach of St. Columba is an late 6th century Irish Psalter.It is traditionally associated with St. Columba , and was identified as the copy made by him of a book loaned to him by St. Finnian, and which led to the Battle of Cúl Dreimhne in 561...
manuscript—borrows in style directly from Celtic enamels and La Tene metalworking motifs.
After the Cathach of St. Columba, book decoration became increasingly more complex and new styles from other cultures were introduced. Carpet page
Carpet page
Carpet pages are a characteristic feature of Insular illuminated manuscripts. They are pages of mainly geometrical ornamentation, which may include repeated animal forms, typically placed at the beginning of each of the four Gospels in Gospel Books...
s—entire pages of ornamentation with no text—were inserted, usually at the start of each Gospel. The geometric motifs and interlaced
Interlace (visual arts)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motifs are looped, braided, and knotted in complex geometric patterns, often to fill a space. Islamic interlace patterns and Celtic knotwork share similar patterns, suggesting a...
patterns may have been influences from Coptic Egypt or elsewhere in the Byzantine Middle East. The increasing use of animal ornamentation was an Anglo-Saxon contribution of its animal style. All of these influences and traditions combined into what could be called a new Hiberno-Saxon style, with the Book of Durrow
Book of Durrow
The Book of Durrow is a 7th-century illuminated manuscript gospel book in the Insular style. It was probably created between 650 and 700, in Northumbria in Northern England, where Lindisfarne or Durham would be the likely candidates, or on the island of Iona in the Scottish Inner Hebrides...
in the later 7th century being the first of its type. The Lindisfarne Gospels
Lindisfarne Gospels
The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John in the British Library...
is another famous example.
The Book of Kells
Book of Kells
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier...
was probably created in Iona in the 8th century. When the monks fled to Ireland in the face of Viking raids in 807, they probably brought it with them to Kells in Ireland. It is the most richly decorated of the Hiberno-Saxon manuscripts and represents a large array of techniques and motifs created during the 8th century.
Metalworking
In the 7th century there emerged a resurgence of metalworking with new techniques such as gold filigreeFiligree
Filigree is a delicate kind of jewellery metalwork made with twisted threads usually of gold and silver or stitching of the same curving motifs. It often suggests lace, and in recent centuries remains popular in Indian and other Asian metalwork, and French from 1660 to the late 19th century...
that allowed ever smaller and more detailed ornamentations, especially on the penannular and pseudo-penannular Celtic brooch
Celtic brooch
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large...
es that were important symbols of status for the elite, and also worn by clergy as part of their vestment
Vestment
Vestments are liturgical garments and articles associated primarily with the Christian religion, especially among Latin Rite and other Catholics, Eastern Orthodox, Anglicans, and Lutherans...
s. The Tara Brooch
Tara Brooch
The Tara Brooch is a Celtic brooch of about 700 AD generally considered to be the most impressive of over 50 elaborate Irish brooches to have been discovered...
and Ardagh Hoard are among the most magnificent Insular examples, whilst the 7th century royal jewellery from the Sutton Hoo
Sutton Hoo
Sutton Hoo, near to Woodbridge, in the English county of Suffolk, is the site of two 6th and early 7th century cemeteries. One contained an undisturbed ship burial including a wealth of Anglo-Saxon artefacts of outstanding art-historical and archaeological significance, now held in the British...
ship burial shows a Pre-Christian Anglo-Saxon style. They brought together all of the available skills of the goldsmith
Goldsmith
A goldsmith is a metalworker who specializes in working with gold and other precious metals. Since ancient times the techniques of a goldsmith have evolved very little in order to produce items of jewelry of quality standards. In modern times actual goldsmiths are rare...
in one piece: ornamentation applied to a variety of techniques and materials, chip carving
Chip carving
Chip carving or chip-carving, kerbschnitt in German, is a style of carving in which knives or chisels are used to remove small chips of the material from a flat surface in a single piece. The style became important in Migration Period metalwork, mainly Animal style jewellery, where the faceted...
, filigree
Filigree
Filigree is a delicate kind of jewellery metalwork made with twisted threads usually of gold and silver or stitching of the same curving motifs. It often suggests lace, and in recent centuries remains popular in Indian and other Asian metalwork, and French from 1660 to the late 19th century...
, cloisonné
Cloisonné
Cloisonné is an ancient technique for decorating metalwork objects, in recent centuries using vitreous enamel, and in older periods also inlays of cut gemstones, glass, and other materials. The resulting objects can also be called cloisonné...
and rock crystal.
Stone sculpture
The skills displayed in metalworking can be seen in stone sculptureSculpture
Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer materials can also be used, such as clay, textiles, plastics, polymers and softer metals...
s. For many centuries it had been Irish custom to display a large wooden cross inside the monastic building enclosure. These were then translated in to stone crosses called high cross
High cross
A high cross or standing cross is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors...
es and covered with the same intricate patterns used by goldsmiths, and often figure sculptures.
Further reading
- Boltin, Lee, ed.: Treasures of Early Irish Art, 1500 B.C. to 1500 A.D.: From the Collections of the National Museum of Ireland, Royal Irish Academy, Trinity College, Dublin, Metropolitan Museum of ArtMetropolitan Museum of ArtThe Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...
, 1977, ISBN 0-87099-164-7.
External links
- Images from History, see "Iron Age Europe".
- Eagle Fibula at the Walters Art Museum