Lusterware
Encyclopedia
Lusterware or Lustreware (respectively the US and British English spellings) is a type of pottery
or porcelain
with a metal
lic glaze that gives the effect of iridescence
, produced by metallic oxide
s in an overglaze
finish, which is given a second firing at a lower temperature in a "muffle kiln", reduction
kiln
, which excludes oxygen.
The first use of lustre decoration was as painting on glass
. While some scholars see this as a purely Islamic invention originating in Fustat, others place the origins of lustre decoration in Roman and Coptic Egypt during the centuries preceding the rise of Islam
. Staining glass vessels with copper and silver pigments was known from around the 3rd century AD, although true lustre
technology probably began sometime between the 4th and 8th centuries AD.
Lustre glazes were applied to pottery in Mesopotamia
in the 9th century; the technique soon became popular in Persia
and Syria
. Lusterware was later produced in Egypt
during the Fatimid
caliphate in the 10th-12th centuries. While the production of lusterware continued in the Middle East
, it spread to Europe
—first to Al-Andalus
, at Malaga
and other centres of Hispano-Moresque ware, and then to Italy
, where it was used to enhance maiolica
. In the 16th century lustred maiolica was a specialty of Gubbio
, noted for a rich ruby red, and at Deruta
.
Metallic lustre of another sort produced English lustreware, which imparts to a piece of pottery the appearance of an object of silver, gold or copper. Silver lustre employed the new metal platinum
, whose chemical properties were analyzed towards the end of the 18th century, John Hancock of Hanley invented the application of a platinum technique, and "put it in practice at Mr Spode's manufactory
, for Messrs. Daniels and Brown", about 1800. Very dilute amounts of powdered gold or platinum were dissolved in aqua regia
and added to spirits of tar for platinum and a mixture of turpentine, flowers of sulfur and linseed oil for gold. The mixture was applied to the glazed ware and fired in an enameling kiln, depositing a thin film of platinum or gold. Platinum produced the appearance of solid silver, and was employed for the middle class in shapes identical to those uses for silver tea services, ca. 1810-1840. Depending on the concentration of gold in the lustring compound and the under slip on which it was applied, a range of colours could be achieved, from pale rose and lavender, to copper and gold. The gold lustre could be painted or stenciled on the ware, or it could be applied in the resist technique, in which the background was solidly lustred, and the design remained in the body color. In the resist technique, similar to batik
, the design was painted in glue and size in a glycerin or honey compound, the lustre applied by dipping, and the resist washed off before the piece was fired.
Lustreware became popular in Staffordshire
during the 19th century, where it was also used by Josiah Wedgwood
, who introduced pink and white lustreware simulating mother o' pearl effects in dishes and bowls cast in the shapes of shells, and silver lustre, introduced at Wedgwood in 1805. In 1810 Peter Warburton of New Hall
patented a method of transfer-printing in gold and silver lustre. Sunderland Lustreware
in the North East
is renowned for its mottled pink lustreware, and lustreware was also produced in Leeds, Yorkshire, where the technique may have been introduced by Thomas Lakin. Wedgwood's lusterware made in the 1820s spawned the production of mass quantities of copper and silver lustreware in England and Wales. Cream pitchers with appliqué-detailed spouts and meticulously applied handles were most common, and often featured stylized decorative bands in dark blue, cream yellow, pink, and, most rare, dark green and purple. Raised, multicolored patterns depicting pastoral scenes were also created, and sand was sometimes incorporated into the glaze to add texture. Pitchers were produced in a range of sizes from cream pitchers to large milk pitchers, as well as small coffeepots and teapots. Tea set
s came a bit later, usually featuring creamers, sugar bowlss, and slop bowls.
Large pitchers with transfer printed commemorative scenes appear to have arrived around the middle of the 19th century. These were purely decorative and today command high prices because of their historical connections. Delicate lustre imitating mother-of-pearl was produced by Wedgwood and at Belleek in the mid-century, derived from bismuth nitrate.
Under the impetus of the Aesthetic Movement, William de Morgan
revived lustrewares in a manner more reminiscent of lustred Hispano-Moresque wares.
In the United States, copper lusterware became popular precisely because of its lustrousness. Apparently, as gaslights became available to the rich, the fad was to place groupings of lusterware on mirror platforms to be used as centerpieces for dinner parties. Gaslights accentuated their lustrousness.
Pottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
or porcelain
Porcelain
Porcelain is a ceramic material made by heating raw materials, generally including clay in the form of kaolin, in a kiln to temperatures between and...
with a metal
Metal
A metal , is an element, compound, or alloy that is a good conductor of both electricity and heat. Metals are usually malleable and shiny, that is they reflect most of incident light...
lic glaze that gives the effect of iridescence
Iridescence
Iridescence is generally known as the property of certain surfaces which appear to change color as the angle of view or the angle of illumination changes...
, produced by metallic oxide
Oxide
An oxide is a chemical compound that contains at least one oxygen atom in its chemical formula. Metal oxides typically contain an anion of oxygen in the oxidation state of −2....
s in an overglaze
Ceramic glaze
Glaze is a layer or coating of a vitreous substance which has been fired to fuse to a ceramic object to color, decorate, strengthen or waterproof it.-Use:...
finish, which is given a second firing at a lower temperature in a "muffle kiln", reduction
Redox
Redox reactions describe all chemical reactions in which atoms have their oxidation state changed....
kiln
Kiln
A kiln is a thermally insulated chamber, or oven, in which a controlled temperature regime is produced. Uses include the hardening, burning or drying of materials...
, which excludes oxygen.
The first use of lustre decoration was as painting on glass
Glass
Glass is an amorphous solid material. Glasses are typically brittle and optically transparent.The most familiar type of glass, used for centuries in windows and drinking vessels, is soda-lime glass, composed of about 75% silica plus Na2O, CaO, and several minor additives...
. While some scholars see this as a purely Islamic invention originating in Fustat, others place the origins of lustre decoration in Roman and Coptic Egypt during the centuries preceding the rise of Islam
Islam
Islam . The most common are and . : Arabic pronunciation varies regionally. The first vowel ranges from ~~. The second vowel ranges from ~~~...
. Staining glass vessels with copper and silver pigments was known from around the 3rd century AD, although true lustre
Lustre (mineralogy)
Lustre is a description of the way light interacts with the surface of a crystal, rock, or mineral. The word lustre traces its origins back to the Latin word lux, meaning "light", and generally implies radiance, gloss, or brilliance....
technology probably began sometime between the 4th and 8th centuries AD.
Lustre glazes were applied to pottery in Mesopotamia
Mesopotamia
Mesopotamia is a toponym for the area of the Tigris–Euphrates river system, largely corresponding to modern-day Iraq, northeastern Syria, southeastern Turkey and southwestern Iran.Widely considered to be the cradle of civilization, Bronze Age Mesopotamia included Sumer and the...
in the 9th century; the technique soon became popular in Persia
History of Iran
The history of Iran has been intertwined with the history of a larger historical region, comprising the area from the Danube River in the west to the Indus River and Jaxartes in the east and from the Caucasus, Caspian Sea, and Aral Sea in the north to the Persian Gulf and the Gulf of Oman and Egypt...
and Syria
Syria
Syria , officially the Syrian Arab Republic , is a country in Western Asia, bordering Lebanon and the Mediterranean Sea to the West, Turkey to the north, Iraq to the east, Jordan to the south, and Israel to the southwest....
. Lusterware was later produced in Egypt
Egypt
Egypt , officially the Arab Republic of Egypt, Arabic: , is a country mainly in North Africa, with the Sinai Peninsula forming a land bridge in Southwest Asia. Egypt is thus a transcontinental country, and a major power in Africa, the Mediterranean Basin, the Middle East and the Muslim world...
during the Fatimid
Fatimid
The Fatimid Islamic Caliphate or al-Fāṭimiyyūn was a Berber Shia Muslim caliphate first centered in Tunisia and later in Egypt that ruled over varying areas of the Maghreb, Sudan, Sicily, the Levant, and Hijaz from 5 January 909 to 1171.The caliphate was ruled by the Fatimids, who established the...
caliphate in the 10th-12th centuries. While the production of lusterware continued in the Middle East
Middle East
The Middle East is a region that encompasses Western Asia and Northern Africa. It is often used as a synonym for Near East, in opposition to Far East...
, it spread to Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
—first to Al-Andalus
Al-Andalus
Al-Andalus was the Arabic name given to a nation and territorial region also commonly referred to as Moorish Iberia. The name describes parts of the Iberian Peninsula and Septimania governed by Muslims , at various times in the period between 711 and 1492, although the territorial boundaries...
, at Malaga
Málaga
Málaga is a city and a municipality in the Autonomous Community of Andalusia, Spain. With a population of 568,507 in 2010, it is the second most populous city of Andalusia and the sixth largest in Spain. This is the southernmost large city in Europe...
and other centres of Hispano-Moresque ware, and then to Italy
History of Islam in southern Italy
The history of Islam in southern Italy begins with the Islamic conquest and subsequent rule of Sicily and Malta, a process that started in the 9th century. Islamic rule over Sicily was effective from 902, and the complete rule of the island lasted from 965 until 1061...
, where it was used to enhance maiolica
Maiolica
Maiolica is Italian tin-glazed pottery dating from the Renaissance. It is decorated in bright colours on a white background, frequently depicting historical and legendary scenes.-Name:...
. In the 16th century lustred maiolica was a specialty of Gubbio
Gubbio
Gubbio is a town and comune in the far northeastern part of the Italian province of Perugia . It is located on the lowest slope of Mt. Ingino, a small mountain of the Apennines. See also Mount Ingino Christmas Tree.-History:...
, noted for a rich ruby red, and at Deruta
Deruta
Deruta is a hill town and comune in the Province of Perugia in the Umbria region of central Italy. Long known as a center of refined maiolica manufacture, Deruta remains known for its ceramics, which are exported worldwide.-History:...
.
Metallic lustre of another sort produced English lustreware, which imparts to a piece of pottery the appearance of an object of silver, gold or copper. Silver lustre employed the new metal platinum
Platinum
Platinum is a chemical element with the chemical symbol Pt and an atomic number of 78. Its name is derived from the Spanish term platina del Pinto, which is literally translated into "little silver of the Pinto River." It is a dense, malleable, ductile, precious, gray-white transition metal...
, whose chemical properties were analyzed towards the end of the 18th century, John Hancock of Hanley invented the application of a platinum technique, and "put it in practice at Mr Spode's manufactory
Josiah Spode
Josiah Spode was an English potter and the founder of the English Spode pottery works which became very famous for the quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition and introduction in c...
, for Messrs. Daniels and Brown", about 1800. Very dilute amounts of powdered gold or platinum were dissolved in aqua regia
Aqua regia
Aqua regia or aqua regis is a highly corrosive mixture of acids, fuming yellow or red solution, also called nitro-hydrochloric acid. The mixture is formed by freshly mixing concentrated nitric acid and hydrochloric acid, usually in a volume ratio of 1:3, respectively...
and added to spirits of tar for platinum and a mixture of turpentine, flowers of sulfur and linseed oil for gold. The mixture was applied to the glazed ware and fired in an enameling kiln, depositing a thin film of platinum or gold. Platinum produced the appearance of solid silver, and was employed for the middle class in shapes identical to those uses for silver tea services, ca. 1810-1840. Depending on the concentration of gold in the lustring compound and the under slip on which it was applied, a range of colours could be achieved, from pale rose and lavender, to copper and gold. The gold lustre could be painted or stenciled on the ware, or it could be applied in the resist technique, in which the background was solidly lustred, and the design remained in the body color. In the resist technique, similar to batik
Batik
Batik is a cloth that traditionally uses a manual wax-resist dyeing technique. Batik or fabrics with the traditional batik patterns are found in Indonesia, Malaysia, Japan, China, Azerbaijan, India, Sri Lanka, Egypt, Nigeria, Senegal, and Singapore.Javanese traditional batik, especially from...
, the design was painted in glue and size in a glycerin or honey compound, the lustre applied by dipping, and the resist washed off before the piece was fired.
Lustreware became popular in Staffordshire
Staffordshire
Staffordshire is a landlocked county in the West Midlands region of England. For Eurostat purposes, the county is a NUTS 3 region and is one of four counties or unitary districts that comprise the "Shropshire and Staffordshire" NUTS 2 region. Part of the National Forest lies within its borders...
during the 19th century, where it was also used by Josiah Wedgwood
Josiah Wedgwood
Josiah Wedgwood was an English potter, founder of the Wedgwood company, credited with the industrialization of the manufacture of pottery. A prominent abolitionist, Wedgwood is remembered for his "Am I Not A Man And A Brother?" anti-slavery medallion. He was a member of the Darwin–Wedgwood family...
, who introduced pink and white lustreware simulating mother o' pearl effects in dishes and bowls cast in the shapes of shells, and silver lustre, introduced at Wedgwood in 1805. In 1810 Peter Warburton of New Hall
New Hall
New Hall may refer to:* New Hall School, a school in Essex, England* New Hall, Cambridge, a Cambridge University college now known as Murray Edwards College, in Cambridge, England* New Hall , a prison in West Yorkshire, England...
patented a method of transfer-printing in gold and silver lustre. Sunderland Lustreware
Sunderland Lustreware
Sunderland Lustreware is a type of pottery originating from Sunderland, England.Several potteries were located along the banks of the River Wear in Sunderland in the Nineteenth Century. Though many made everyday tableware, some of them made a distinct type which became known as Sunderland Lustreware...
in the North East
North East England
North East England is one of the nine official regions of England. It covers Northumberland, County Durham, Tyne and Wear, and Teesside . The only cities in the region are Durham, Newcastle upon Tyne and Sunderland...
is renowned for its mottled pink lustreware, and lustreware was also produced in Leeds, Yorkshire, where the technique may have been introduced by Thomas Lakin. Wedgwood's lusterware made in the 1820s spawned the production of mass quantities of copper and silver lustreware in England and Wales. Cream pitchers with appliqué-detailed spouts and meticulously applied handles were most common, and often featured stylized decorative bands in dark blue, cream yellow, pink, and, most rare, dark green and purple. Raised, multicolored patterns depicting pastoral scenes were also created, and sand was sometimes incorporated into the glaze to add texture. Pitchers were produced in a range of sizes from cream pitchers to large milk pitchers, as well as small coffeepots and teapots. Tea set
Tea set
A tea set, in the Western tradition, is a set of dishes sold in a group for use at afternoon tea or a formal tea party.Tea sets vary greatly in quality and price, from inexpensive to high-end.-Items in a tea set:...
s came a bit later, usually featuring creamers, sugar bowlss, and slop bowls.
Large pitchers with transfer printed commemorative scenes appear to have arrived around the middle of the 19th century. These were purely decorative and today command high prices because of their historical connections. Delicate lustre imitating mother-of-pearl was produced by Wedgwood and at Belleek in the mid-century, derived from bismuth nitrate.
Under the impetus of the Aesthetic Movement, William de Morgan
William De Morgan
William Frend De Morgan was an English potter and tile designer. A lifelong friend of William Morris, he designed tiles, stained glass and furniture for Morris & Co. from 1863 to 1872. His tiles are often based on medieval designs or Persian patterns, and he experimented with innovative glazes and...
revived lustrewares in a manner more reminiscent of lustred Hispano-Moresque wares.
In the United States, copper lusterware became popular precisely because of its lustrousness. Apparently, as gaslights became available to the rich, the fad was to place groupings of lusterware on mirror platforms to be used as centerpieces for dinner parties. Gaslights accentuated their lustrousness.