Cameo Glass
Encyclopedia
Cameo glass is a luxury form of glass art
Glass art
Studio glass or glass sculpture is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks. Specific approaches include working glass at room temperature cold working, stained glass, working glass in a torch flame , glass beadmaking, glass casting, glass...

 produced by etching
Etching
Etching is the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal...

 and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background. The technique is first seen in ancient Roman art
Roman art
Roman art has the visual arts made in Ancient Rome, and in the territories of the Roman Empire. Major forms of Roman art are architecture, painting, sculpture and mosaic work...

 of about 30BC, where it was an alternative to the luxury engraved gem vessels in cameo style that used naturally layered semi-precious gemstones
Gemstones
Gemstones is the third solo album by Adam Green, released in 2005. The album is characterised by the heavy presence of Wurlitzer piano, whereas its predecessor relied on a string section in its instrumentation.-Track listing:#Gemstones – 2:24...

 such as onyx
Onyx
Onyx is a banded variety of chalcedony. The colors of its bands range from white to almost every color . Commonly, specimens of onyx contain bands of black and/or white.-Etymology:...

 and agate
Agate
Agate is a microcrystalline variety of silica, chiefly chalcedony, characterised by its fineness of grain and brightness of color. Although agates may be found in various kinds of rock, they are classically associated with volcanic rocks and can be common in certain metamorphic rocks.-Etymology...

. Glass allowed consistent and predictable colored layers, even for round objects.

From the mid-19th century there was a revival of cameo glass, suited equally to Neo-Grec
Neo-Grec
Neo-Grec is a term referring to late manifestations of Neoclassicism, early Neo-Renaissance now called the Greek Revival style, which was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III, a period that lasted...

 taste and the French Art Nouveau
Art Nouveau
Art Nouveau is an international philosophy and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910. The name "Art Nouveau" is French for "new art"...

 practiced by Émile Gallé
Émile Gallé
Émile Gallé was a French artist who worked in glass, and is considered to be one of the major forces in the French Art Nouveau movement.- Biography :...

, and cameo glass is still produced today.

Roman glass

Despite the advantages described above, fragile Roman cameo glass is extremely rare - much more so than natural gemstone cameos like the Gemma Augustea
Gemma Augustea
The Gemma Augustea is a low-relief cameo engraved gem cut from a double-layered Arabian onyx stone. It is commonly agreed that the gem cutter who created the Gemma Augustea was either Dioscurides or one of his disciples, in the second or third decade of the 1st century AD.- Creation and...

 and Gonzaga Cameo
Gonzaga Cameo
Il Cammeo Gonzaga is a Hellenistic engraved gem; a cameo of the capita jugata variety cut out from the three layers of an Indian sardonyx, dating from perhaps the 3rd Century BC. It was a centrepiece of the Gonzaga collection of antiquities, first described in a 1542 inventory of Isabella d'Este's...

, which are the among the largest examples of many hundreds (at least) of surviving classical cameos produced from the 3rd century BC onwards. Only about 200 fragments and 15 complete objects of early Roman cameo glass survive. The best and most famous example of these, and also among the best preserved, is the Portland Vase
Portland Vase
The Portland Vase is a Roman cameo glass vase, currently dated to between AD 5 and AD 25, which served as an inspiration to many glass and porcelain makers from about the beginning of the 18th century onwards. Since 1810 the vase has been kept almost continuously in the British Museum in London...

 in the British Museum
British Museum
The British Museum is a museum of human history and culture in London. Its collections, which number more than seven million objects, are amongst the largest and most comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture from its...

. Other fine examples, such as the Morgan Cup (Corning Museum of Glass
Corning Museum of Glass
The Corning Museum of Glass, in Corning, New York, explores every facet of glass, including art, history, culture, science and technology, craft, and design....

), are drinking cups. Both of these named pieces show complex multi-figured mythological scenes, whose iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...

  has been much debated. The Getty Villa
Getty Villa
The Getty Villa in Pacific Palisades, California, USA, is one of two locations of the J. Paul Getty Museum. The Getty Villa is an educational center and museum dedicated to the study of the arts and cultures of ancient Greece, Rome, and Etruria...

 has another cup, and a perfume bottle with scenes of Egyptian deities, apparently an early instance of Orientalism
Orientalism
Orientalism is a term used for the imitation or depiction of aspects of Eastern cultures in the West by writers, designers and artists, as well as having other meanings...

. The Metropolitan Museum of Art
Metropolitan Museum of Art
The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...

 in New York has a fragment over 11 inches (28 cm) long and 5 inches (13 cm) high from what was evidently an architectural revetment
Revetment
Revetments, or revêtements , have a variety of meanings in architecture, engineering and art history. In stream restoration, river engineering or coastal management, they are sloping structures placed on banks or cliffs in such a way as to absorb the energy of incoming water...

 showing an acanthus
Acanthus (ornament)
The acanthus is one of the most common plant forms to make foliage ornament and decoration.-Architecture:In architecture, an ornament is carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to...

 frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...

 with eagles, the luxurious equivalent in glass of a "Campana relief" in pottery
Ancient Roman pottery
Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond...

.

Judging from the very limited number of survivals, cameo glass was apparently produced in two periods: the early period about 30BC to 60AD, and then for about a century from the late-3rd century to the period of Constantine the Great and his sons. The latter period also saw a brief court revival of the art of gem-carving, which had been in decline. All these dates are somewhat tentative, and it is possible that smaller gem-like pieces of cameo glass continued to be produced between these periods.

Glass from the later period is even rarer than from the earlier, with only a "handful" of complete pieces known, one of which was excavated in Norway
Norway
Norway , officially the Kingdom of Norway, is a Nordic unitary constitutional monarchy whose territory comprises the western portion of the Scandinavian Peninsula, Jan Mayen, and the Arctic archipelago of Svalbard and Bouvet Island. Norway has a total area of and a population of about 4.9 million...

. Its use was clearly restricted to the elite; the Portland Vase is said to have been excavated from the tomb of the Emperor Septimus Severus, for whom it would have been a 200 year-old antique. The most popular color scheme for objects from the early period is white over blue, as in the vase from Pompeii (illustration), but other colors are found, such as the white over black, imitating onyx, of the Portland Vase. In the early period usually all layers are opaque. By contrast, in the later period, there is a translucent colored overlay over a virtually colorless background, perhaps imitating rock crystal. The surface of the top layer elements is flat rather than carved as in the earlier group of pieces.

Later periods

The technique was used in Islamic art
Islamic art
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by or ruled by culturally Islamic populations...

 in the 9th and 10th centuries, but then lost until the 18th century in Europe, and not perfected until the 19th century. Nineteenth-century English producers of true cameo glass include Thomas Webb and Sons
Thomas Webb and Sons
Thomas Webb & Sons was an English glass company, founded in 1837 by Thomas Webb near Stourbridge, England. The name T. Webb & Co. was adopted in 1842, and later became Thomas Webb & Sons...

 and George Bacchus & Sons
George Bacchus & Sons
George Bacchus & Sons, originally called Bacchus & Green was a 19th century manufacturer of fine glassware located in Birmingham.In the 1830s Bacchus produced pressed glass by using a plunger to force molten glass into a cast-iron mold...

, though ceramic
Ceramic art
In art history, ceramics and ceramic art mean art objects such as figures, tiles, and tableware made from clay and other raw materials by the process of pottery. Some ceramic products are regarded as fine art, while others are regarded as decorative, industrial or applied art objects, or as...

 imitations made popular by Wedgwood
Wedgwood
Wedgwood, strictly speaking Josiah Wedgwood and Sons, is a pottery firm owned by KPS Capital Partners, a private equity company based in New York City, USA. Wedgwood was founded on May 1, 1759 by Josiah Wedgwood and in 1987 merged with Waterford Crystal to create Waterford Wedgwood, an...

's bi-colored "jasper ware", imitated by others from the late 18th century onwards, are far more common. Like Wedgwood's designers, they usually worked in a more or less neoclassical
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...

 style. The French medalist Alphonse Eugène Lecheverel, whose work for Richardson's was exhibited in Paris in 1878. Outstanding English cameo glass artisans were Philip Pargeter (1826–1906) and John Northwood (1836–1902), who first successfully reproduced the Portland Vase in cameo glass. and George Woodall. Cameo glass, roughed out by the etching process provided a popular substitute for genuine cameos in brooch
Brooch
A brooch ; also known in ancient times as a fibula; is a decorative jewelry item designed to be attached to garments. It is usually made of metal, often silver or gold but sometimes bronze or some other material...

es and plaques and similar uses, and there are still many producers today.

Artistically the most notable work since the revival was in the Art Nouveau
Art Nouveau
Art Nouveau is an international philosophy and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910. The name "Art Nouveau" is French for "new art"...

 period, by makers such as Émile Gallé
Émile Gallé
Émile Gallé was a French artist who worked in glass, and is considered to be one of the major forces in the French Art Nouveau movement.- Biography :...

 (1846–1904) and Daum of Nancy, when Roman-inspired subjects and color schemes were totally abandoned, and plant and flower designs predominate. Cameo glass Louis Comfort Tiffany
Louis Comfort Tiffany
Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau  and Aesthetic movements...

 made only a small number of cameo pieces, which were a French specialty in this period, though other firms such as the Czech Moser Glass
Moser Glass
Moser a.s. is a luxury, high-quality glass manufacturer based in Karlovy Vary, Czech Republic, previously Karlsbad in Bohemia, Austria-Hungary. The company is known for manufacturing fine stemware, decorative glassware , luxury glass gifts and various art engravings...

 were also producers.

Techniques

In the modern revival all of the top layer except the areas needed for the design are usually removed by an etching process — the figure areas are covered with a resist layer of wax
Wax
thumb|right|[[Cetyl palmitate]], a typical wax ester.Wax refers to a class of chemical compounds that are plastic near ambient temperatures. Characteristically, they melt above 45 °C to give a low viscosity liquid. Waxes are insoluble in water but soluble in organic, nonpolar solvents...

 or some other acid-resistant material such as bituminous paint, and the blank repeatedly dipped in hydrofluoric acid
Hydrofluoric acid
Hydrofluoric acid is a solution of hydrogen fluoride in water. It is a valued source of fluorine and is the precursor to numerous pharmaceuticals such as fluoxetine and diverse materials such as PTFE ....

, so that cameo glass is in some sense a sub-set of acid-etched glass. The detailed work is then done with wheels and drills, before finishing, and usually polishing. It seems that in the ancient world the entire process of removing the unwanted white or other top layer was done by drills and wheels — wheel-cut decoration on glass of a single color was very common in ancient Rome. In the case of "three-layer" (or three-color) cameo, there is another layer of glass on top of the white opaque one, and further layers are possible. One Roman piece uses a record six layers. It is not known where the Roman pieces were produced, but for want of any better suggestion most scholars think in the capital itself. It appears likely that at least the making of the blanks was initially in the hands of imported Syrian glass-workers.

External links

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