Blood on the Dance Floor (song)
Encyclopedia
"Blood on the Dance Floor" is a song by Michael Jackson
. The song was released as the first single from the remix album
, Blood on the Dance Floor: HIStory in the Mix. Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous. However, it did not appear on that record and was minimally altered before commercial release in 1997. The song is about a predatory woman by the name of Susie, who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from rock
to funk
and Hi-NRG
.
Commentators compared "Blood on the Dance Floor" to music from Dangerous. Others commented on the song's perceived aggressive tone and the vocal style, the broad genres heard and possible lyrical interpretations of the song. Reviews at the time of release were largely mixed, but contemporary reviews have been favorable. The song was promoted with a music video
that premiered on Top of the Pops
. It centered around Susie seducing Jackson in a courtship dance, before opening a switchblade
. "Blood on the Dance Floor" was the only track from the remix album performed on the HIStory World Tour
. The lead single peaked at number one in several countries, including the UK.
Instruments played in the song include a guitar and piano, the latter of which has an F2-Eb5 range in scientific pitch notation
. Jackson's vocal range on the track is C3-Bb5 and aspects of the song are performed in the key A-flat major. Genres that have been attributed to the song are rock
, pop
, house
, dance
, RnB
, funk
and New Jack Swing
. Jackson incorporates many of the vocal traits associated with his work, such as hiccups and gasps. Neil Strauss
of The New York Times
suggests that the predatory woman in the title track, "Susie", is a metaphor for AIDS
.
described "Blood on the Dance Floor" as an angry tale of a back-stabbing woman and Michael Saunders of The Boston Globe
described it as "a middling dance-funk cut". Anthony Violenti of The Buffalo News
said of the single, "[it is] laced with Teddy Riley's new jack swing sound and a pounding techno beat", whereas The Cincinnati Post
characterized the song as a "lackluster first release ... dated, played-out dance track", but gave the album an overall favorable review. Jim Farber of New York Daily News
, noted of the vocals and musical style, "[Jackson] coughs up a series of strangulated mutters and munchkin hiccups in lieu of a vocal, while its chilly, faux-industrial music proves as appealing as a migraine".
William Ruhlman of Allmusic observed, "'Blood on the Dance Floor' is an uptempo Jackson song in the increasingly hysterical tradition of 'Billie Jean
' and 'Smooth Criminal
' with Jackson huffing, puffing, and yelping through some nonsense about a stabbing ... over a fairly generic electronic dance track". He was not complimentary of the B-sides that accompanied it. Stephen Thomas Erlewine
, also of Allmusic, had a negative reaction to the record. He described "Blood on the Dance Floor" as a "bleak reworking of 'Jam' and 'Scream
'".
Music commentator Nelson George
, compared the song to material from Dangerous, notably the critically acclaimed tracks "Jam" and "Dangerous". He described it as a "pile driving" song that "explodes from radio speakers". A long time commentator on Jackson's public life, J. Randy Taraborrelli
, gave a retrospective analysis of the album in the biography, The Magic & the Madness. Taraborrelli thought that "Blood on the Dance Floor" was one of Jackson's best songs, a song that US fans "don't even know exists". In 2005, J T Griffith, of Allmusic, believed that in hindsight, "Blood on the Dance Floor" was actually a good song. He explained, "[it is] a second-rate mixture of 'Beat It
' and 'Thriller
' but Jackson's missteps are better than most pop music out there. This track showcases all the artist's trademarks: the ooohing, the grunts, and funky basslines. It is hard to hear 'Blood on the Dance Floor' and not want to moonwalk
or dance like a ghoul".
. The music video
for "Blood on the Dance Floor" was directed by Jackson and Vincent Paterson
. It premiered on Top of the Pops
in the UK on March 28, 1997, several weeks ahead of its release as a single. The video opens with a thrown switchblade
impaling a spray painted image. The impaled image is that of a blood dripping love heart with "SUSIE + ME" scrawled across it. Jackson and a group of dancers then enter a salsa dance hall and he begins to dance with a woman, "Susie", while shaking a piece of percussion. The singer then appears seated while the woman dances seductively above him on a table top.
Throughout the video, Jackson shows a sexual attraction towards the dancing woman—played by Sybil Azur. Jackson caresses her ankle, calf, knee and thigh, and at one stage looks up her dress. The woman is then seen opening a flick knife as the pair engage in a final courtship dance. The video closes in the same manner it began, with the switchblade impaling the spray painted image. The music video won the Brazilian TVZ Video Award: Best International Music Video of the Year. Interviewed on her experience during the video, Azur noted, "I was called in by Vincent Paterson for 'Blood on the Dance Floor'. It was to have a Latin feel, some sort of mambo. I arrived wearing a little salsa dress, fish nets, heels, and my hair was up in a kind of bun with a flower. I was 'camera ready'. I showed up with the whole outfit. It's not that producers can't see what they like, or the potential in somebody, but what I do helps them to see their vision more".
A "Refugee Camp Mix" of "Blood on the Dance Floor" appeared on Jackson's video collection, HIStory on Film, Volume II
and Michael Jackson's Vision
. The original song would later appear on the Number Ones
DVD, which contained previously unreleased scenes. Furthermore, Paterson recorded an unreleased, alternate version of the music video, shot with an 8 mm camera
. Writer David Noh, described it as, "grainy, overexposed, and sexy as shit". According to Paterson, "Michael loved it, but Sony hated it and refused to release it". The New York Times
described the United States promotional effort for the Blood on the Dance Floor: HIStory in the Mix campaign as "subdued", creating "hardly a sound" and "perplexing to many people in the industry". Jackson's label Epic Records
, refuted allegations they were not promoting the album sufficiently, saying, "We are completely behind the album ... Michael is certainly one of our superstars and is treated as such ... We just went into this one with our global hats on". The New York Times acknowledged that promotion was stronger internationally, where Jackson had more commercial force and popularity.
state. "Blood on the Dance Floor" peaked at number one in the UK, Spain and New Zealand, charting for 11 weeks in the latter two nations. In the UK it sold 85,000 copies in its first week, enough to take the number one spot from "I Believe I Can Fly
" by friend and collaborator R. Kelly
. The song was Jackson's seventh UK chart topper as a solo artist, although it fell to number eight in its second week of release. The European country where "Blood on the Dance Floor" had the most longevity was Switzerland, where it spent 18 weeks in the chart. By contrast, the song appeared in the Italian chart for only one week.
The single peaked at number 42 on the US Billboard Hot 100
. This relatively lower peak position has been attributed to the lack of US promotion and—according J. Randy Taraborrelli and Allmusic writer William Ruhlman—the ongoing US public interest in the singer's private life over his music. "Blood on the Dance Floor" was the 20th and last of Jackson's reissued singles from the Visionary
campaign. Issued in June 2006, it charted at number 19 in the UK.
Michael Jackson
Michael Joseph Jackson was an American recording artist, entertainer, and businessman. Referred to as the King of Pop, or by his initials MJ, Jackson is recognized as the most successful entertainer of all time by Guinness World Records...
. The song was released as the first single from the remix album
Remix album
A remix album is an album consisting mostly of remixes or re-recorded versions of a music artists' earlier released material.One of the earliest remix albums was 1971's Aerial Pandemonium Ballet by Harry Nilsson, which was released by Nilsson after the successes of Everybody's Talkin and The Point!...
, Blood on the Dance Floor: HIStory in the Mix. Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous. However, it did not appear on that record and was minimally altered before commercial release in 1997. The song is about a predatory woman by the name of Susie, who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from rock
Rock music
Rock music is a genre of popular music that developed during and after the 1960s, particularly in the United Kingdom and the United States. It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by rhythm and blues and country music...
to funk
Funk
Funk is a music genre that originated in the mid-late 1960s when African American musicians blended soul music, jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground...
and Hi-NRG
Hi-NRG
Hi-NRG describes a form of high-tempo disco music as well as a genre of electronic dance music originating in the United States during the late 1970s...
.
Commentators compared "Blood on the Dance Floor" to music from Dangerous. Others commented on the song's perceived aggressive tone and the vocal style, the broad genres heard and possible lyrical interpretations of the song. Reviews at the time of release were largely mixed, but contemporary reviews have been favorable. The song was promoted with a music video
Music video
A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings...
that premiered on Top of the Pops
Top of the Pops
Top of the Pops, also known as TOTP, is a British music chart television programme, made by the BBC and originally broadcast weekly from 1 January 1964 to 30 July 2006. After 25 December 2006 it became a radio program, now hosted by Tony Blackburn...
. It centered around Susie seducing Jackson in a courtship dance, before opening a switchblade
Switchblade
A switchblade is a type of knife with a folding or sliding blade contained in the handle which is opened automatically by a spring when a button, lever, or switch on the handle or bolster is activated A switchblade (also known as an automatic knife, pushbutton knife, switch, Sprenger, Springer,...
. "Blood on the Dance Floor" was the only track from the remix album performed on the HIStory World Tour
HIStory World Tour
The HIStory World Tour was the third and final worldwide solo concert tour by American megasuperstar Michael Jackson, covering Europe, Africa, Asia, Oceania and North America. The tour included a total of 82 concerts and was attended by approximately 4.5 million fans, beating his previous Bad Tour...
. The lead single peaked at number one in several countries, including the UK.
Production and music
Teddy Riley came up with the song's title while Michael recorded the piece for his Dangerous album in 1991—it failed to make the final track listing. Teddy was reportedly upset that Jackson did not call him to "vacuum clean this old master" upon realizing it would be included on Blood on the Dance Floor: HIStory in the Mix. Riley wanted to update the musical composition before it appeared on the remix album.Instruments played in the song include a guitar and piano, the latter of which has an F2-Eb5 range in scientific pitch notation
Scientific pitch notation
Scientific pitch notation is one of several methods that name the notes of the standard Western chromatic scale by combining a letter-name, accidentals, and a number identifying the pitch's octave...
. Jackson's vocal range on the track is C3-Bb5 and aspects of the song are performed in the key A-flat major. Genres that have been attributed to the song are rock
Rock music
Rock music is a genre of popular music that developed during and after the 1960s, particularly in the United Kingdom and the United States. It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by rhythm and blues and country music...
, pop
Pop music
Pop music is usually understood to be commercially recorded music, often oriented toward a youth market, usually consisting of relatively short, simple songs utilizing technological innovations to produce new variations on existing themes.- Definitions :David Hatch and Stephen Millward define pop...
, house
House music
House music is a genre of electronic dance music that originated in Chicago, Illinois, United States in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago circa 1984, then in other...
, dance
Electronic dance music
Electronic dance music is electronic music produced primarily for the purposes of use within a nightclub setting, or in an environment that is centered upon dance-based entertainment...
, RnB
Rhythm and blues
Rhythm and blues, often abbreviated to R&B, is a genre of popular African American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a...
, funk
Funk
Funk is a music genre that originated in the mid-late 1960s when African American musicians blended soul music, jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground...
and New Jack Swing
New jack swing
New jack swing or swingbeat is a fusion genre spearheaded by Teddy Riley and Bernard Belle which became extremely popular from the late-1980s into the mid-1990s. Its influence, along with hip-hop, seeped into pop culture and was the definitive sound of the inventive Black New York club scene...
. Jackson incorporates many of the vocal traits associated with his work, such as hiccups and gasps. Neil Strauss
Neil Strauss
Neil Darrow Strauss , also known by the pen names Style and Chris Powles, is an American and Kittitian author, journalist and ghostwriter...
of The New York Times
The New York Times
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization...
suggests that the predatory woman in the title track, "Susie", is a metaphor for AIDS
AIDS
Acquired immune deficiency syndrome or acquired immunodeficiency syndrome is a disease of the human immune system caused by the human immunodeficiency virus...
.
Commentary
The Dallas Morning NewsThe Dallas Morning News
The Dallas Morning News is the major daily newspaper serving the Dallas, Texas area, with a circulation of 264,459 subscribers, the Audit Bureau of Circulations reported in September 2010...
described "Blood on the Dance Floor" as an angry tale of a back-stabbing woman and Michael Saunders of The Boston Globe
The Boston Globe
The Boston Globe is an American daily newspaper based in Boston, Massachusetts. The Boston Globe has been owned by The New York Times Company since 1993...
described it as "a middling dance-funk cut". Anthony Violenti of The Buffalo News
The Buffalo News
The Buffalo News is the primary newspaper of the Buffalo – Niagara Falls metropolitan area, and the area's only daily newspaper. It is the only newspaper owned by Berkshire Hathaway.-History:...
said of the single, "[it is] laced with Teddy Riley's new jack swing sound and a pounding techno beat", whereas The Cincinnati Post
The Cincinnati Post
The Cincinnati Post is a discontinued afternoon daily newspaper that was published in Cincinnati, Ohio. Distributed in Northern Kentucky as The Kentucky Post, it was owned by the E. W. Scripps Company. Since the 1980s, its editorial stance was usually conservative. The Post published its final...
characterized the song as a "lackluster first release ... dated, played-out dance track", but gave the album an overall favorable review. Jim Farber of New York Daily News
New York Daily News
The Daily News of New York City is the fourth most widely circulated daily newspaper in the United States with a daily circulation of 605,677, as of November 1, 2011....
, noted of the vocals and musical style, "[Jackson] coughs up a series of strangulated mutters and munchkin hiccups in lieu of a vocal, while its chilly, faux-industrial music proves as appealing as a migraine".
William Ruhlman of Allmusic observed, "'Blood on the Dance Floor' is an uptempo Jackson song in the increasingly hysterical tradition of 'Billie Jean
Billie Jean
"Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written, composed, and co-produced by Jackson, and produced by Quincy Jones from the singer's sixth album, Thriller . Originally disliked by Jones, the track was almost removed from the album after he and...
' and 'Smooth Criminal
Smooth Criminal
"Smooth Criminal" is the seventh single from Michael Jackson's 1987 Bad album. The song contains a fast-paced beat intertwined with Jackson's lyrics about a woman named Annie, who has been attacked in her apartment by a "smooth" assailant. It was released as a single on October 24, 1988 and peaked...
' with Jackson huffing, puffing, and yelping through some nonsense about a stabbing ... over a fairly generic electronic dance track". He was not complimentary of the B-sides that accompanied it. Stephen Thomas Erlewine
Stephen Thomas Erlewine
Stephen Thomas Erlewine is a senior editor for Allmusic. He is the author of many artist biographies and record reviews for Allmusic, as well as a freelance writer, occasionally contributing liner notes. He is also frontman and guitarist for the Ann Arbor-based band Who Dat?Erlewine is the nephew...
, also of Allmusic, had a negative reaction to the record. He described "Blood on the Dance Floor" as a "bleak reworking of 'Jam' and 'Scream
Scream/Childhood
"Scream"/"Childhood" is the lead single from Michael Jackson's ninth studio album, HIStory: Past, Present and Future, Book I where "Scream" is the first song and "Childhood" is the tenth song on the second disc of the album HIStory Continues. The A-side, "Scream", is a duet with his younger sister...
'".
Music commentator Nelson George
Nelson George
Nelson George is an African American author, columnist, music and culture critic, journalist, and filmmaker. He has been nominated twice for the National Book Critics Circle Award....
, compared the song to material from Dangerous, notably the critically acclaimed tracks "Jam" and "Dangerous". He described it as a "pile driving" song that "explodes from radio speakers". A long time commentator on Jackson's public life, J. Randy Taraborrelli
J. Randy Taraborrelli
John Randall Taraborrelli is an American journalist and biographer.Taraborrelli is an author known for biographies of contemporary entertainers and political figures. He is a featured writer in several entertainment magazines in Canada, England, and Australia...
, gave a retrospective analysis of the album in the biography, The Magic & the Madness. Taraborrelli thought that "Blood on the Dance Floor" was one of Jackson's best songs, a song that US fans "don't even know exists". In 2005, J T Griffith, of Allmusic, believed that in hindsight, "Blood on the Dance Floor" was actually a good song. He explained, "[it is] a second-rate mixture of 'Beat It
Beat It
"Beat It" is a song written and performed by American recording artist Michael Jackson, and produced by Quincy Jones . It is the third single from the singer's sixth solo album, Thriller . Eddie Van Halen was hired to add the song's distinctive overdriven guitar solo, but was prevented by his...
' and 'Thriller
Thriller (song)
"Thriller" is a song recorded by American recording artist Michael Jackson, composed by Rod Temperton, and produced by Quincy Jones. It is the seventh and final single from his sixth studio album Thriller. It was released on January 23, 1984 by Epic Records...
' but Jackson's missteps are better than most pop music out there. This track showcases all the artist's trademarks: the ooohing, the grunts, and funky basslines. It is hard to hear 'Blood on the Dance Floor' and not want to moonwalk
Moonwalk (dance)
The moonwalk or backslide is a dance technique that presents the illusion of the dancer being pulled backwards while attempting to walk forward. A popping move, it became most popular around the world after Michael Jackson executed the dance move during a performance of "Billie Jean" on Motown 25:...
or dance like a ghoul".
Promotion
"Blood on the Dance Floor" was the only track from Blood on the Dance Floor: History in the Mix to appear on the set list of the HIStory World TourHIStory World Tour
The HIStory World Tour was the third and final worldwide solo concert tour by American megasuperstar Michael Jackson, covering Europe, Africa, Asia, Oceania and North America. The tour included a total of 82 concerts and was attended by approximately 4.5 million fans, beating his previous Bad Tour...
. The music video
Music video
A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings...
for "Blood on the Dance Floor" was directed by Jackson and Vincent Paterson
Vincent Paterson
Vincent Paterson is a director and choreographer who has had an expansive career in many parts of the entertainment industry including film, theater, Broadway, concert tours, opera, music videos, television and commercials...
. It premiered on Top of the Pops
Top of the Pops
Top of the Pops, also known as TOTP, is a British music chart television programme, made by the BBC and originally broadcast weekly from 1 January 1964 to 30 July 2006. After 25 December 2006 it became a radio program, now hosted by Tony Blackburn...
in the UK on March 28, 1997, several weeks ahead of its release as a single. The video opens with a thrown switchblade
Switchblade
A switchblade is a type of knife with a folding or sliding blade contained in the handle which is opened automatically by a spring when a button, lever, or switch on the handle or bolster is activated A switchblade (also known as an automatic knife, pushbutton knife, switch, Sprenger, Springer,...
impaling a spray painted image. The impaled image is that of a blood dripping love heart with "SUSIE + ME" scrawled across it. Jackson and a group of dancers then enter a salsa dance hall and he begins to dance with a woman, "Susie", while shaking a piece of percussion. The singer then appears seated while the woman dances seductively above him on a table top.
Throughout the video, Jackson shows a sexual attraction towards the dancing woman—played by Sybil Azur. Jackson caresses her ankle, calf, knee and thigh, and at one stage looks up her dress. The woman is then seen opening a flick knife as the pair engage in a final courtship dance. The video closes in the same manner it began, with the switchblade impaling the spray painted image. The music video won the Brazilian TVZ Video Award: Best International Music Video of the Year. Interviewed on her experience during the video, Azur noted, "I was called in by Vincent Paterson for 'Blood on the Dance Floor'. It was to have a Latin feel, some sort of mambo. I arrived wearing a little salsa dress, fish nets, heels, and my hair was up in a kind of bun with a flower. I was 'camera ready'. I showed up with the whole outfit. It's not that producers can't see what they like, or the potential in somebody, but what I do helps them to see their vision more".
A "Refugee Camp Mix" of "Blood on the Dance Floor" appeared on Jackson's video collection, HIStory on Film, Volume II
HIStory on Film, Volume II
HIStory on Film, Volume II is a collection of music videos released by Michael Jackson in 1997 released by Sony Music Video Enterprises.-Side one:# Programme Start# HIStory Teaser Trailer - 3:58# "Billie Jean" - 5:05# "Beat It" - 4:56...
and Michael Jackson's Vision
Michael Jackson's Vision
Michael Jackson's Vision is a deluxe DVD box set released on November 22, 2010. It includes three DVDs, featuring 4.5 hours of content of 42 music videos by Michael Jackson, with newly restored color and remastered audio. Michael referred to each of these productions as a "short film" and not a...
. The original song would later appear on the Number Ones
Number Ones (DVD)
Number Ones is a video album by American songwriter and recording artist Michael Jackson. It was released on DVD on November 13, 2003 under the Epic Records record label, in conjunction with the promotion for Jackson's greatest hits album, of the same name...
DVD, which contained previously unreleased scenes. Furthermore, Paterson recorded an unreleased, alternate version of the music video, shot with an 8 mm camera
8 mm video format
The 8mm video format refers informally to three related videocassette formats for the NTSC and PAL/SECAM television systems. These are the original Video8 format and its improved successor Hi8 , as well as a more recent digital recording format known as Digital8.Their user base...
. Writer David Noh, described it as, "grainy, overexposed, and sexy as shit". According to Paterson, "Michael loved it, but Sony hated it and refused to release it". The New York Times
The New York Times
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization...
described the United States promotional effort for the Blood on the Dance Floor: HIStory in the Mix campaign as "subdued", creating "hardly a sound" and "perplexing to many people in the industry". Jackson's label Epic Records
Epic Records
Epic Records is an American record label, owned by Sony Music Entertainment. Though it was originally conceived as a jazz imprint, it has since expanded to represent various genres. L.A...
, refuted allegations they were not promoting the album sufficiently, saying, "We are completely behind the album ... Michael is certainly one of our superstars and is treated as such ... We just went into this one with our global hats on". The New York Times acknowledged that promotion was stronger internationally, where Jackson had more commercial force and popularity.
Chart performance
The song became a top ten hit in almost every European UnionEuropean Union
The European Union is an economic and political union of 27 independent member states which are located primarily in Europe. The EU traces its origins from the European Coal and Steel Community and the European Economic Community , formed by six countries in 1958...
state. "Blood on the Dance Floor" peaked at number one in the UK, Spain and New Zealand, charting for 11 weeks in the latter two nations. In the UK it sold 85,000 copies in its first week, enough to take the number one spot from "I Believe I Can Fly
I Believe I Can Fly
"I Believe I Can Fly" is a 1996 song by R&B singer R. Kelly. The song was written, produced and performed by Kelly and was featured on the soundtrack to the 1996 film Space Jam. The song later appeared on Kelly's 1998 album R.....
" by friend and collaborator R. Kelly
R. Kelly
Robert Sylvester Kelly , better known by his stage name R. Kelly, is an American singer-songwriter and record producer. A native of Chicago, Kelly began performing during the late 1980s and debuted in 1992 with the group Public Announcement. In 1993, Kelly went solo with the album 12 Play...
. The song was Jackson's seventh UK chart topper as a solo artist, although it fell to number eight in its second week of release. The European country where "Blood on the Dance Floor" had the most longevity was Switzerland, where it spent 18 weeks in the chart. By contrast, the song appeared in the Italian chart for only one week.
The single peaked at number 42 on the US Billboard Hot 100
Billboard Hot 100
The Billboard Hot 100 is the United States music industry standard singles popularity chart issued weekly by Billboard magazine. Chart rankings are based on radio play and sales; the tracking-week for sales begins on Monday and ends on Sunday, while the radio play tracking-week runs from Wednesday...
. This relatively lower peak position has been attributed to the lack of US promotion and—according J. Randy Taraborrelli and Allmusic writer William Ruhlman—the ongoing US public interest in the singer's private life over his music. "Blood on the Dance Floor" was the 20th and last of Jackson's reissued singles from the Visionary
Visionary: The Video Singles
-Remix EP:Released February 21, 2006, Visionary Remixes - EP is only available in the UK iTunes store.-CD Promo:# Thriller - 4:09# Don't Stop Till You Get Enough - 3:59...
campaign. Issued in June 2006, it charted at number 19 in the UK.
Track listing
Visionary single- CD side
- "Blood on the Dance Floor" – 4:14
- "Blood on the Dance Floor" (Fire Island Vocal Mix) – 8:55
- DVD side
- "Blood on the Dance Floor" (video) – 4:15
- Photo gallery
- Enhanced with the "Blood on the Dance Floor" original and Refugee Camp remix versions' videos.
Personnel
- Written, composedComposerA composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
and producedRecord producerA record producer is an individual working within the music industry, whose job is to oversee and manage the recording of an artist's music...
by Michael Jackson and Teddy Riley - Solo and background vocals, vocal arrangement by Michael Jackson
- Teddy Riley and Brad Buxer: Keyboards and synthesizers, drum programming
- Matt Carpenter: Digital Systems programming
- Engineered by Teddy Riley, Dave Way and Mick Guzauski
- Mixed by Mick Guzauski
Charts
Chart (1997) | Peak position |
---|---|
Australian Singles Chart ARIA Charts The ARIA charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling singles and albums in various genres in Australia. ARIA commenced compiling its own charts in-house from the week ending 26 June... |
5 |
Austrian Singles Chart | 9 |
Belgium Ultratop 50 Ultratop 50 singles, often just Ultratop 50, is the weekly chart of fifty best-selling singles in Flanders, Belgium, and is produced and published by the Ultratop organization. The chart has existed since March 31, 1995... (Vl Flanders Flanders is the community of the Flemings but also one of the institutions in Belgium, and a geographical region located in parts of present-day Belgium, France and the Netherlands. "Flanders" can also refer to the northern part of Belgium that contains Brussels, Bruges, Ghent and Antwerp... ) |
11 |
Belgium Ultratop 40 Ultratop 40 singles, often just Ultratop 40, is the weekly chart of best-selling singles in Wallonia and Brussels Capital Region, the french-speaking parts of Belgium. Its equivalent covering the Flanders region is Ultratop 50. Both charts are produced and published by the Ultratop organization... (Wa) |
11 |
Dutch Singles Chart Dutch Top 40 The Dutch Top 40 is a weekly music chart, which started as the "Veronica Top 40", because the offshore radio station Radio Veronica was the first to introduce it. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting... |
4 |
Finnish Singles Chart Mitä hittiä The Official Finnish Charts is a national record chart in Finland composed by Musiikkituottajat – IFPI Finland.The singles chart was started in January 1991 as Radiomafian lista and was broadcast on the radio station Radiomafia of the Finnish Broadcasting Company, YLE. This chart is based on a... |
2 |
French Singles Chart Syndicat National de l'Edition Phonographique The Syndicat national de l'édition phonographique is the inter-professional organization which protects the interests of the French record industry... |
10 |
German Singles Chart Media Control Charts The official music charts in Germany are gathered and published by the company Media Control GfK International on behalf of Bundesverband Musikindustrie... |
5 |
Italian Singles Chart Federation of the Italian Music Industry The Federation of the Italian Music Industry is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy.... |
10 |
New Zealand Singles Chart Recording Industry Association of New Zealand The Recording Industry Association of New Zealand is a non-profit trade association of record producers, distributors and recording artists who sell music in New Zealand... |
1 |
Norwegian Singles Chart VG-lista VG-listen is a Norwegian record chart. It is weekly presented in the newspaper VG and the Norwegian Broadcasting Corporation program Topp 20. It is considered the primary Norwegian record chart, charting albums and singles from countries and continent around the world. The data is collected by... |
2 |
Romanian Singles Chart Romanian Top 100 The Romanian Top 100 is the national airplay-based singles chart of Romania. It is weekly and it started running in 1996. It is recognized as an official chart by the European division of Billboard, Music & Media.... |
4 |
Spanish Singles Chart | 1 |
Swedish Singles Chart Sverigetopplistan Sverigetopplistan, earlier known as Topplistan and Hitlistan and other names, is since October 2007 the Swedish national record chart, based on sales data from Swedish Recording Industry Association .... |
2 |
Swiss Singles Chart Swiss Music Charts The Swiss Music Charts are Switzerland's main music sales charts. The charts are a record of the highest-selling singles and albums in various genres in Switzerland.The Swiss Charts include:* Singles Top 75... |
5 |
UK Singles Chart UK Singles Chart The UK Singles Chart is compiled by The Official Charts Company on behalf of the British record-industry. The full chart contains the top selling 200 singles in the United Kingdom based upon combined record sales and download numbers, though some media outlets only list the Top 40 or the Top 75 ... |
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Billboard Hot 100 Billboard Hot 100 The Billboard Hot 100 is the United States music industry standard singles popularity chart issued weekly by Billboard magazine. Chart rankings are based on radio play and sales; the tracking-week for sales begins on Monday and ends on Sunday, while the radio play tracking-week runs from Wednesday... |
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