Ardhanari
Encyclopedia
Ardhanarishvara is a composite androgynous form of the Hindu
god Shiva
and his consort Parvati
(also known as Devi
, Shakti
and Uma in this icon). Ardhanarishvara is depicted as half male and half female, split down the middle. The right half is usually the male Shiva, illustrating his traditional attributes.
The origin of Ardhanarishvara lies in hermaphrodite
figures in ancient Hindu and Greek
cultures. The earliest Ardhanarishvara images are dated to the Kushan period, starting from the first century CE
. Its iconography evolved and was perfected in the Gupta
era. The Puranas
and various iconographic treatises write about the mythology and iconography of Ardhanarishvara. While Ardhanarishvara remains a popular iconographic form found in most Shiva temples throughout India, very few temples are dedicated to this deity.
Ardhanarishvara represents the synthesis of masculine and feminine energies of the universe (Purusha
and Prakriti) and illustrates how Shakti, the female principle of God, is inseparable from (or the same as, according to some interpretations) Shiva, the male principle of God. The union of these principles is exalted as the root of all creation. Another view is that Ardhanarishvara as a symbol of Shiva's all-pervasive nature.
who is half-woman"),
Parangada, Naranari ("man-woman"), Ammiappan (a Tamil
name meaning "Mother-Father"), and Ardhayuvatishvara (in Assam
, "the Lord whose half is a young woman or girl"). The Gupta
-era writer Pushpadanta in his Mahimnastava refers to this form as dehardhaghatana ("Thou and She art each the half of one body"). Utpala
, commenting on the Brihat Samhita, calls this form Ardha-gaurishvara ("the Lord whose half is the fair one"; the fair one – Gauri – is an attribute of Parvati). The Vishnudharmottara Purana
simply calls this form Gaurishvara ("The Lord/husband of Gauri).
literature's composite figure of Yama
-Yami
, the Vedic descriptions of the primordial Creator Vishvarupa or Prajapati
and the fire-god Agni
as "bull who is also a cow," the Brihadaranyaka Upanishad
's Atman
("soul") in the form of the androgynous cosmic man Purusha
and the androgynous myths of the Greek
Hermaphroditus
and Phrygia
n Agdistis
. The Brihadaranyaka Upanishad says that Purusha splits himself into two parts, male and female, and the two halves copulate, producing all life – a theme concurrent in Ardhanarishvara's tales. The Shvetashvatara Upanishad
sows the seed of the Puranic
Ardhanarishvara. It declares Rudra
– the antecedent of the Puranic Shiva – the maker of all and the root of Purusha (the male principle) and Prakriti (the female principle), adhering to Samkhya
philosophy. It hints at his androgynous nature, describing him both as male and female.
The concept of Ardhanarishvara originated in Kushan and Greek cultures simultaneously; the iconography evolved in the Kushan era (30–375 CE), but was perfected in the Gupta era (320-600 CE). A mid-first century Kushan era stela
in the Mathura Museum
has a half-male, half-female image, along with three other figures identified with Vishnu
, Gaja Lakshmi and Kubera
. The male half is ithyphallic or with an urdhvalinga and makes an abhaya mudra
gesture; the female left half holds a mirror and has a rounded breast. This is the earliest representation of Ardhanarishvara, universally recognized. An early Kushan Ardhanarishvara head discovered at Rajghat is displayed at the Mathura Museum
. The right male half has matted hair with a skull and crescent moon; the left female half has well-combed hair decorated with flowers and wears a patra-kundala (earring). The face has a common third eye
. A terracotta seal discovered in Vaishali
has half-man, half-woman features. Early Kushan images show Ardhanarishvara in a simple two-armed form, but later texts and sculptures depict a more complex iconography.
Ardhanarishvara is referred to by the Greek author Stobaeus
(c. 500 AD) while quoting Bardasanes (c. 154–222 AD), who learnt from an Indian embassy's visit to Syria
during the reign of Elagabalus
(Antoninus of Emesa) (218–22 AD). A terracotta androgynous bust, excavated at Taxila
and dated to the Saka
-Parthian
era, pictures a bearded man with female breasts.
Ardhanarishvara is interpreted as an attempt to syncretise
the two principal Hindu sects, Shaivism
and Shaktism
, dedicated to Shiva and the Great Goddess
. A similar syncretic image is Harihara
, a composite form of Shiva and Vishnu, the Supreme deity of the rival Vaishnava sect.
, the Matsya Purana
and Agamic
texts like Amshumadbhedagama, Kamikagama, Supredagama and Karanagama – most of them of South Indian origin – describe the iconography of Ardhanarishvara. The right superior side of the body usually is the male Shiva and the left is the female Parvati; in rare depictions belonging to the Shaktism school, the feminine holds the dominant right side. The icon usually is prescribed to have four, three or two arms, but rarely is depicted with eight arms. In the case of three arms, the Parvati side has only one arm, suggesting a lesser role in the icon.
Male half
The male half wears a jata-mukuta (a headdress formed of piled, matted hair) on his head, adorned with a crescent moon. Sometimes the jata-mukuta is adorned with serpents and the river goddess Ganga
flowing through the hair. The right ear wears a nakra-kundala, sarpa-kundala ("serpent-earring") or ordinary kundala ("earring"). Sometimes, the male eye is depicted smaller than the female one and a half-moustache is also seen. A half third eye (trinetra) is prescribed on the male side of the forehead in the canons; a full eye may also be depicted in middle of forehead separated by both the sides or a half eye may be shown above or below Parvati's round dot. A common elliptical halo (prabhamandala/prabhavali) may be depicted behind the head; sometimes the shape of the halo may differ on either side.
In the four-armed form, a right hand holds a parashu (axe) and another makes an abhaya mudra (gesture of reassurance), or one of the right arms is slightly bent and rests on the head of Shiva's bull mount, Nandi, while the other is held in the abhaya mudra gesture. Another configuration suggests that a right hand holds a trishula
(trident) and another makes a varada mudra
(gesture of blessing). Another scripture prescribes that a trishula and akshamala
(rosary) are held in the two right hands. In the two-armed form, the right hand holds a kapala
(skull cup) or gestures in a varada mudra. He may also hold a skull. In the Badami
relief, the four-armed Ardhanarishvara plays a veena
(lute), using a left and a right arm, while other male arm holds a parashu and the female one a lotus.
The Shiva half has a flat masculine chest, a straight vertical chest, broader shoulder, wider waist and muscular thigh. He wears a yagnopavita
(sacred thread) across the chest, which is sometimes represented as a naga-yagnopavita (a snake worn as a yagnopavita) or a string of pearls or gems. The yajnopavita may also divide the torso into its male and female halves. He wears ornaments characteristic of Shiva's iconography, including serpent ornaments.
In some North Indian images, the male half may be nude and also be ithyphallic (urdhavlinga or urdhavreta: with an erect phallus), or with a full or half phallus and one testicle. However, such imagery is never found in South Indian images; the loins are usually covered in a garment (sometimes a dhoti
) of silk or cotton, or the skin of a tiger or deer), typically down to the knee, and held in place by a sarpa-mekhala, serpent girdle or jewellery. The right leg may be somewhat bent or straight and often rests on a lotus pedestal (padma-pitha). The whole right half is described as smeared with ashes and as terrible and red-coloured or gold or coral in appearance; however, these features are rarely depicted.
Female half
The female half has karanda-mukuta (a basket-shaped crown) on her head or well-combed knotted hair or both. The left ear wears a valika-kundala (a type of earring). A tilaka
or bindu
(a round red dot) adorns her forehead, matching Shiva's third eye. The left eye is painted with black eyeliner. While the male neck is sometimes adorned with a jewelled hooded serpent, the female neck has a blue lotus matching it.
In the four-armed form, one of the left arms rests on Nandi's head, while the other is bent in kataka pose and holds a nilotpala (blue lotus) or hangs loosely at her side. In the three-armed representation, the left hand holds a flower, a mirror or a parrot. In the case of two-armed icons, the left hand rests on Nandi's head, hangs loose or holds either a flower, a mirror or a parrot. The parrot may be also perched on Parvati's wrist. Her hand(s) is/are adorned with ornaments like a keyura (anklet) or kankana (bangles).
Parvati has a well-developed, round bosom and a narrow feminine waist embellished with various haras (religious bracelets) and other ornaments, made of diamonds and other gems. She has a fuller thigh and a curvier body and hip than the male part of the icon. The torso, hip and pelvis of the female is exaggerated to emphasize the anatomical differences between the halves. Though the male private parts may be depicted, the female genitalia are never depicted and the loins are always draped. She wears a multi-coloured or white silken garment down to her ankle and one or three girdles around her waist. The left half wears an anklet and her foot is painted red with henna
. The left leg may be somewhat bent or straight, resting on a lotus pedestal. In contrast to the Shiva half, the Parvati half – smeared with saffron – is described as calm and gentle, parrot-green or dark in colour. She may be draped in a sari
covering her torso and legs.
Postures and vahana
The posture of Ardhanarishvara may be tribhanga – bent in three parts: head (leaning to the left), torso (to the right) and right leg or in the sthanamudra position (straight), sometimes standing on a lotus pedestal, whereupon it is called samapada. Seated images of Ardhanarishvara are missing in iconographic treatises, but are still found in sculpture and painting. Though the canons often depict the Nandi bull as the common vahana
(mount) of Ardhanarishvara, some depictions have Shiva's bull vahana seated or standing near or behind his foot, while the goddess's lion vahana is near her foot.
Eight-armed form
The Parashurameshvara Temple at Bhubaneswar
has a dancing eight-armed Ardhanarishvara. The upper male arms hold a lute and akshamala (rosary), while the upper female ones hold a mirror and a book; the others are broken. Another non-conventional Ardhanarishvara is found at Darasuram
. The sculpture is three-headed and eight-armed, holding akshamala, khadga (sword), pasha, musala, kapala (skull cup), lotus and other objects.
Other textual descriptions
The Naradiya Purana mentions that Ardhanarishvara is half-black and half-yellow, nude on one side and clothed on other, wearing skulls and a garland of lotuses on the male half and female half respectively. The Linga Purana gives a brief description of Ardhanarishvara as making varada and abhaya mudras and holding a trishula and a lotus. The Vishnudharmottara Purana
prescribes a four-armed form, with right hands holding a rosary and trishula, while the left ones bear a mirror and a lotus. The form is called Gaurishvara in this text.
The mythology of Ardhanarishvara – which mainly originates in the Puranic canons – was developed later to explain existent images of the deity that had emerged in the Kushan era.
The unnamed half-female form of Shiva is also alluded to in the epic Mahabharata
. In Book XIII, Upamanyu praises Shiva rhetorically asking if there is anyone else whose half-body is shared by his spouse, and adds that the universe had risen from the union of sexes, as represented by Shiva's half-female form. In some narratives, Shiva is described as dark and fair-complexioned, half yellow and half white, half woman and half man, and both woman and man. In Book XIII, Shiva preaches to Parvati that half of his body is made up of her body.
In the Skanda Purana
, Parvati requests Shiva to allow her to reside with him, embracing "limb-to-limb", and so Ardhanarishvara is formed. It also tells that when the demon Andhaka
wanted to seize Parvati and make her his wife, Vishnu rescued her and brought her to his abode. When the demon followed her there, Parvati revealed her Ardhanarishvara form to him. Seeing the half-male, half-female form, the demon lost interest in her and left. Vishnu was amazed to see this form and saw himself in the female part of the form.
The Shiva Purana
describes that the creator god Brahma
created all male beings, the Prajapati
s, and told them to regenerate, which they were unable to do. Confronted with the resulting decline in the pace of creation, Brahma was perplexed and contemplated on Shiva for help. To enlighten Brahma of his folly, Shiva appeared before him as Ardhanarishvara. Brahma prayed to the female half of Shiva to give him a female to continue creation. The goddess agreed and created various female powers from her body, thereby allowing creation to progress. In other Puranas like the Linga Purana
, Vayu Purana
, Vishnu Purana
, Skanda Purana
, Kurma Purana
, and Markandeya Purana
, Rudra (identified with Shiva) appears as Ardhanarishvara, emerging from Brahma's head, forehead, mouth or soul as the embodiment of Brahma's fury and frustration due to the slow pace of creation. Brahma asks Rudra to divide himself, and the latter complies by dividing into male and female. Numerous beings, including the 11 Rudras
and various female shakti
s, are created from both the halves. In some versions, the goddess unites with Shiva again and promises to be born as Sati
on earth to be Shiva's wife. In the Linga Purana, the Ardhanarishvara Rudra is so hot that in the process of appearing from Brahma's forehead, he burns Brahma himself. Ardhanarishvara Shiva then enjoys his own half – the Great Goddess – by "the path of yoga" and creates Brahma and Vishnu from her body. In the repetitive cycle of aeons, Ardhanarishvara is ordained to reappear at the beginning of every creation as in the past.
The Matsya Purana describes how Brahma, pleased with a penance performed by Parvati, rewards her by blessing her with a golden complexion. This renders her more attractive to Shiva, to whom she later merges as one half of his body.
Tamil
temple lore narrates that once the gods and sages (rishi
) had gathered at Shiva's abode, they prayed their respects to Shiva and Parvati. However, the sage Bhringi
had vowed to worship only one deity, Shiva, and ignored Parvati while worshipping and circumambulating
him. Agitated, Parvati cursed Bhringi to lose all his flesh and blood, reducing him to a skeleton. In this form Bhringi could not stand erect, so the compassionate ones who witnessed the scene blessed the sage with a third leg for support. As her attempt to humiliate the sage had failed, Parvati punished herself with austerities that pleased Shiva and led him to grant her the boon of uniting with him, thereby compelling Bhringi to worship her as well as himself in the form of Ardhanarishvara. However, the sage assumed the form of a beetle and circumambulating only the male half, drilling a hole in the deity. Amazed by his devotion, Parvati reconciled with the sage and blessed him. The seventh-century Shaiva Nayanar
saint Appar mentions that after marrying Parvati, Shiva incorporated her into half of his body.
In the Kalika Purana, Parvati (called Gauri here) is described as having suspected Shiva of infidelity when she saw her own reflection in the crystal-like breast of Shiva. A conjugal dispute erupted but was quickly resolved, after which Parvati wished to stay eternally with Shiva in his body. The divine couple was thereafter fused as Ardhanarishvara. Another tale from North India also talks about Parvati's jealousy. Another woman, the river Ganga – often depicted flowing out of Shiva's locks – sat on his head, while Parvati (as Gauri) sat on his lap. To pacify Gauri, Shiva united with her as Ardhanarishvara.
Only in tales associated with the cult of Shakta (in which the Goddess is considered the Supreme Being) is the Goddess venerated as the Maker of All. In these tales, it is her body (not Shiva's) which splits into male and female halves.
(coniunctio oppositorum) in the universe. The male half of Ardhanarishvara stands for Purusha
and female half is Prakriti. Purusha is the male principle and passive force of the universe, while Prakriti is the female active force; both are "constantly drawn to embrace and fuse with each other, though... separated by the intervening axis". The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni
of Devi creating the cosmos. The Mahabharata lauds this form as the source of creation. Ardhanarishvara also suggests the element of Kama
or Lust, which leads to creation.
Ardhanarishvara signifies "totality that lies beyond duality", "bi-unity of male and female in God" and "the bisexuality and therefore the non-duality" of the Supreme Being. It conveys that God is both Shiva and Parvati, "both male and female, both father and mother, both aloof and active, both fearsome and gentle, both destructive and constructive" and unifies all other dichotomies of the universe. While Shiva's rosary in the Ardhanarishvara iconography associates him with asceticism and spirituality, Parvati's mirror associates her to the material illusory world. Ardhanarishvara reconciles and harmonizes the two conflicting ways of life: the spiritual way of the ascetic as represented by Shiva, and the materialistic way of the householder as symbolized by Parvati, whose raison d’être in Hindu mythology is to lure the ascetic Shiva into marriage and the wider circle of worldly affairs. The interdependence of Shiva on his power (Shakti) as embodied in Parvati is also manifested in this form. Ardhanarishvara conveys that Shiva and Shakti are one and the same, an interpretation also declared in inscriptions found along with Ardhanarishvara images in Java
and the eastern Malay Archipelago
. The Vishnudharmottara Purana also emphasizes the identity and sameness of the male Purusha and female Prakriti, manifested in the image of Ardhanarishvara. According to Shaiva guru Sivaya Subramuniyaswami (1927–2001), Ardhanarishvara signifies that the great Shiva is "All, inseparable from His energy" (i.e. his Shakti) and is beyond gender.
Across cultures, hermaphrodite figures like Ardhanarishvara have traditionally been associated with fertility and abundant growth. In this form, Shiva in his eternal embrace with Prakriti represents the eternal reproductive power of Nature, whom he regenerates after she loses her fertility. "It is a duality in unity, the underlying principle being a sexual dualism". Art historian Sivaramamurti
calls it "a unique connection of the closely knit ideal of man and woman rising above the craving of the flesh and serving as a symbol of hospitality and parenthood". The dual unity of Ardhanarishvara is considered "a model of conjugal inseparability". Padma Upadhyaya comments, "The idea of ... Ardhanārīśvara is to locate the man in the woman as also the woman in the man and to create perfect homogeneity in domestic affairs".
Often, the right half of Ardhanarishvara is male and the left is female. The wife traditionally sits to the left of the husband and is often called vamangi – "the left-sided one". The left side is the location of the heart and is associated with feminine characteristics like intuition and creativity, while the right is associated with the brain and masculine traits – logic, valour and systematic thought. The left side is also the inferior side, reserved for the dependent one in a relationship. Shiva, the master of spirituality and restraint, is considered superior to the indulgence (bhoga) and materialism celebrated in the female form. The female is often not equal in the Ardhanarishvara, the male god who is half female; she remains a dependent entity. Ardhanarishvara is often described as a form of Shiva, and rarely as that of the goddess, as in her Shakta sects. Ardhanarishvara "is in essence Shiva, not Parvati". This is also reflected in mythology, where Parvati becomes a part of Shiva. It is likewise reflected in iconography: Shiva often has two supernatural arms and Parvati has just one earthly arm, and his bull vahana – not her lion vahana – typically accompanies them.
Ardhanarishvara is one of the most popular iconographic forms of Shiva. It is found in more or less all temples and shrines dedicated to Shiva all over India and South-east Asia. There is ample evidence from texts and the multiple depictions of the Ardhanarishvara in stone to suggest that a cult centred around the deity may have existed. The cult may have had occasional followers, but was never aligned to any sect. This cult focussing on the joint worship of Shiva and the Goddess may even have had a high position in Hinduism, but when and how it faded away remains a mystery. Though a popular iconographic form, temples dedicated to the deity are few. A popular one is located in Tiruchengode
, while five others are located in Kallakkurichi taluk
, all of them in the Indian state of Tamil Nadu
.
The Linga Purana advocates the worship of Ardhanarishvara by devotees to attain union with Shiva upon dissolution of the world and thus attain salvation
. The Ardhanarinateshvara Stotra is a popular hymn dedicated to the deity. The Nayanar
saints of Tamil Nadu exault the deity in hymns. While the 8th-century Nayanar saint Cuntarar says that Shiva is always inseparable from the Mother Goddess, another 7th-century Nayanar saint Campantar
describes how the "eternal feminine" is not only her consort, but she is also part of him. The renowned Sanskrit writer Kalidasa
(c. 4th–5th century) alludes Ardhanarishvara in invocations of his Raghuvamsa
and Malavikagnimitram
, and says that Shiva and Shakti are as inseparable as word and meaning. The 9th-century Nayanar saint Manikkavacakar casts Parvati in the role of the supreme devotee of Shiva in his hymns. He alludes to Ardhanarishvara several times and regards it the ultimate goal of a devotee to be united with Shiva as Parvati is in the Ardhanarishvara form.
Daniélou notes that the hermaphrodite, the homosexual and the transvestite have a symbolic value in Tantra
and are considered sacred beings as "images" of the Ardhanarishvara. Ardhanarishvara is worshipped by them as their tutelary deity.
Hinduism
Hinduism is the predominant and indigenous religious tradition of the Indian Subcontinent. Hinduism is known to its followers as , amongst many other expressions...
god Shiva
Shiva
Shiva is a major Hindu deity, and is the destroyer god or transformer among the Trimurti, the Hindu Trinity of the primary aspects of the divine. God Shiva is a yogi who has notice of everything that happens in the world and is the main aspect of life. Yet one with great power lives a life of a...
and his consort Parvati
Parvati
Parvati is a Hindu goddess. Parvati is Shakti, the wife of Shiva and the gentle aspect of Mahadevi, the Great Goddess...
(also known as Devi
Devi
Devī is the Sanskrit word for Goddess, used mostly in Hinduism, its related masculine term is deva. Devi is synonymous with Shakti, the female aspect of the divine, as conceptualized by the Shakta tradition of Hinduism. She is the female counterpart without whom the male aspect, which represents...
, Shakti
Shakti
Shakti from Sanskrit shak - "to be able," meaning sacred force or empowerment, is the primordial cosmic energy and represents the dynamic forces that are thought to move through the entire universe in Hinduism. Shakti is the concept, or personification, of divine feminine creative power, sometimes...
and Uma in this icon). Ardhanarishvara is depicted as half male and half female, split down the middle. The right half is usually the male Shiva, illustrating his traditional attributes.
The origin of Ardhanarishvara lies in hermaphrodite
Hermaphrodite
In biology, a hermaphrodite is an organism that has reproductive organs normally associated with both male and female sexes.Many taxonomic groups of animals do not have separate sexes. In these groups, hermaphroditism is a normal condition, enabling a form of sexual reproduction in which both...
figures in ancient Hindu and Greek
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
cultures. The earliest Ardhanarishvara images are dated to the Kushan period, starting from the first century CE
Common Era
Common Era ,abbreviated as CE, is an alternative designation for the calendar era originally introduced by Dionysius Exiguus in the 6th century, traditionally identified with Anno Domini .Dates before the year 1 CE are indicated by the usage of BCE, short for Before the Common Era Common Era...
. Its iconography evolved and was perfected in the Gupta
Gupta Empire
The Gupta Empire was an ancient Indian empire which existed approximately from 320 to 550 CE and covered much of the Indian Subcontinent. Founded by Maharaja Sri-Gupta, the dynasty was the model of a classical civilization. The peace and prosperity created under leadership of Guptas enabled the...
era. The Puranas
Puranas
The Puranas are a genre of important Hindu, Jain and Buddhist religious texts, notably consisting of narratives of the history of the universe from creation to destruction, genealogies of kings, heroes, sages, and demigods, and descriptions of Hindu cosmology, philosophy, and geography.Puranas...
and various iconographic treatises write about the mythology and iconography of Ardhanarishvara. While Ardhanarishvara remains a popular iconographic form found in most Shiva temples throughout India, very few temples are dedicated to this deity.
Ardhanarishvara represents the synthesis of masculine and feminine energies of the universe (Purusha
Purusha
In some lineages of Hinduism, Purusha is the "Self" which pervades the universe. The Vedic divinities are interpretations of the many facets of Purusha...
and Prakriti) and illustrates how Shakti, the female principle of God, is inseparable from (or the same as, according to some interpretations) Shiva, the male principle of God. The union of these principles is exalted as the root of all creation. Another view is that Ardhanarishvara as a symbol of Shiva's all-pervasive nature.
Names
The name Ardhanarishvara means "the Lord who is half woman." Ardhanarishvara is also known by other names like Ardhanaranari ("the half man-woman"), Ardhanarisha ("the Lord who is half woman"), Ardhanarinateshvara ("the Lord of DanceNataraja
Nataraja or Nataraj , The Lord of Dance; Tamil: கூத்தன் ;Telugu:నటరాజ is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation...
who is half-woman"),
Parangada, Naranari ("man-woman"), Ammiappan (a Tamil
Tamil language
Tamil is a Dravidian language spoken predominantly by Tamil people of the Indian subcontinent. It has official status in the Indian state of Tamil Nadu and in the Indian union territory of Pondicherry. Tamil is also an official language of Sri Lanka and Singapore...
name meaning "Mother-Father"), and Ardhayuvatishvara (in Assam
Assam
Assam , also, rarely, Assam Valley and formerly the Assam Province , is a northeastern state of India and is one of the most culturally and geographically distinct regions of the country...
, "the Lord whose half is a young woman or girl"). The Gupta
Gupta Empire
The Gupta Empire was an ancient Indian empire which existed approximately from 320 to 550 CE and covered much of the Indian Subcontinent. Founded by Maharaja Sri-Gupta, the dynasty was the model of a classical civilization. The peace and prosperity created under leadership of Guptas enabled the...
-era writer Pushpadanta in his Mahimnastava refers to this form as dehardhaghatana ("Thou and She art each the half of one body"). Utpala
Utpala
Utpala or ' is the name of a 10th century Indian commentator of Vārāha Mihira's Brihat Samhitā. Brihat Samhitā is a Samhitā text of . Samhitā is one of three branches of Utpala or ' is the name of a 10th century Indian commentator of Vārāha Mihira's Brihat Samhitā. Brihat Samhitā is a...
, commenting on the Brihat Samhita, calls this form Ardha-gaurishvara ("the Lord whose half is the fair one"; the fair one – Gauri – is an attribute of Parvati). The Vishnudharmottara Purana
Vishnudharmottara Purana
The Vishnudharmottara Purana is a Hindu text, encyclopedic in nature. Along with the narratives, it also deals with cosmology, cosmogony, geography, astronomy, astrology, division of time, pacification of unfavourbale planets and stars, genealogies , manners and customs, penances, duties of...
simply calls this form Gaurishvara ("The Lord/husband of Gauri).
Origins and early images
The conception of Ardhanarishvara may have been inspired by VedicVedic
Vedic may refer to:* the Vedas, the oldest preserved Indic texts** Vedic Sanskrit, the language of these texts** Vedic period, during which these texts were produced** Vedic pantheon of gods mentioned in Vedas/vedic period...
literature's composite figure of Yama
Yama (Hinduism)
Yama is the lord of death in Hinduism, first recorded in the Vedas. Yama belongs to an early stratum of Indo-Iranian theology. In Vedic tradition Yama was considered to have been the first mortal who died and espied the way to the celestial abodes, thus in virtue of precedence he became the ruler...
-Yami
Yami
In Vedic beliefs, Yamī is the first woman, along with her twin brother, Yama. The Rig Veda, in the tenth Mandala, contains a hymn in which they sing to each other. They were children of Surya, the Sun god, in his form as Vivasvat, and his wife Saranya. She is also known as Yamuna. Another name for...
, the Vedic descriptions of the primordial Creator Vishvarupa or Prajapati
Prajapati
In Hinduism, Prajapati "lord of creatures" is a Hindu deity presiding over procreation, and protector of life. He appears as a creator deity or supreme God Viswakarma Vedic deities in RV 10 and in Brahmana literature...
and the fire-god Agni
Agni
Agni is a Hindu deity, one of the most important of the Vedic gods. He is the god of fire and the acceptor of sacrifices. The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods...
as "bull who is also a cow," the Brihadaranyaka Upanishad
Brihadaranyaka Upanishad
The Upanishad is one of the older, "primary" Upanishads. It is contained within the Shatapatha Brahmana, and its status as an independent Upanishad may be considered a secondary extraction of a portion of the Brahmana text. This makes it one of the oldest texts of the Upanishad corpus...
's Atman
Ātman (Hinduism)
Ātman is a Sanskrit word that means 'self'. In Hindu philosophy, especially in the Vedanta school of Hinduism it refers to one's true self beyond identification with phenomena...
("soul") in the form of the androgynous cosmic man Purusha
Purusha
In some lineages of Hinduism, Purusha is the "Self" which pervades the universe. The Vedic divinities are interpretations of the many facets of Purusha...
and the androgynous myths of the Greek
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
Hermaphroditus
Hermaphroditus
In Greek mythology, Hermaphroditus or Hermaphroditos was the child of Aphrodite and Hermes. He was a minor deity of bisexuality and effeminacy. According to Ovid, born a remarkably handsome boy, he was transformed into an androgynous being by union with the water nymph Salmacis...
and Phrygia
Phrygia
In antiquity, Phrygia was a kingdom in the west central part of Anatolia, in what is now modern-day Turkey. The Phrygians initially lived in the southern Balkans; according to Herodotus, under the name of Bryges , changing it to Phruges after their final migration to Anatolia, via the...
n Agdistis
Agdistis
Agdistis was a deity of Greek, Roman and Anatolian mythology, possessing both male and female sexual organs, connected with the Phrygian worship of Attis and Cybele...
. The Brihadaranyaka Upanishad says that Purusha splits himself into two parts, male and female, and the two halves copulate, producing all life – a theme concurrent in Ardhanarishvara's tales. The Shvetashvatara Upanishad
Shvetashvatara Upanishad
The Shvetashvatara Upanishad is one of the older, "primary" Upanishads. It is associated with the Krishna Yajurveda. It figures as number 14 in the Muktika canon of 108 Upanishads...
sows the seed of the Puranic
Puranas
The Puranas are a genre of important Hindu, Jain and Buddhist religious texts, notably consisting of narratives of the history of the universe from creation to destruction, genealogies of kings, heroes, sages, and demigods, and descriptions of Hindu cosmology, philosophy, and geography.Puranas...
Ardhanarishvara. It declares Rudra
Rudra
' is a Rigvedic God, associated with wind or storm, and the hunt. The name has been translated as "The Roarer", or "The Howler"....
– the antecedent of the Puranic Shiva – the maker of all and the root of Purusha (the male principle) and Prakriti (the female principle), adhering to Samkhya
Samkhya
Samkhya, also Sankhya, Sāṃkhya, or Sāṅkhya is one of the six schools of Hindu philosophy and classical Indian philosophy. Sage Kapila is traditionally considered as the founder of the Samkhya school, although no historical verification is possible...
philosophy. It hints at his androgynous nature, describing him both as male and female.
The concept of Ardhanarishvara originated in Kushan and Greek cultures simultaneously; the iconography evolved in the Kushan era (30–375 CE), but was perfected in the Gupta era (320-600 CE). A mid-first century Kushan era stela
Stele
A stele , also stela , is a stone or wooden slab, generally taller than it is wide, erected for funerals or commemorative purposes, most usually decorated with the names and titles of the deceased or living — inscribed, carved in relief , or painted onto the slab...
in the Mathura Museum
Mathura Museum
Mathura museum is an archaeological museum in Mathura city of Uttar Pradesh state in India. The museum was founded by then collector of the Mathura district, Sir F.S Growse in 1874...
has a half-male, half-female image, along with three other figures identified with Vishnu
Vishnu
Vishnu is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God....
, Gaja Lakshmi and Kubera
Kubera
Kubera , also spelt Kuber, is the Lord of wealth and the god-king of the semi-divine Yakshas in Hindu mythology. He is regarded as the regent of the North , and a protector of the world His many epithets extol him as the overlord of numerous semi-divine species and the owner of the treasures of...
. The male half is ithyphallic or with an urdhvalinga and makes an abhaya mudra
Abhayamudra
In the context of Hinduism, Abhayamudra, that is, the gesture of reassurance and safety, is a hand pose, which dispels fear and accords divine protection and bliss to the devotee. In Abhayamudra, the right hand is held upright, and the palm is facing outwards...
gesture; the female left half holds a mirror and has a rounded breast. This is the earliest representation of Ardhanarishvara, universally recognized. An early Kushan Ardhanarishvara head discovered at Rajghat is displayed at the Mathura Museum
Mathura Museum
Mathura museum is an archaeological museum in Mathura city of Uttar Pradesh state in India. The museum was founded by then collector of the Mathura district, Sir F.S Growse in 1874...
. The right male half has matted hair with a skull and crescent moon; the left female half has well-combed hair decorated with flowers and wears a patra-kundala (earring). The face has a common third eye
Third eye
The third eye is a mystical and esoteric concept referring in part to the ajna chakra in certain spiritual traditions. It is also spoken of as the gate that leads within to inner realms and spaces of higher consciousness...
. A terracotta seal discovered in Vaishali
Vaishali (ancient city)
Vaiśālī was the capital city of the Licchavi, one of world's first republics, in the Vajjian Confederacy mahajanapada, around the 6th century BC. It was here in 599 BCE the 24th Jain Tirthankara, Bhagwan Mahavira was born and brought up in Kundalagrama in Vaiśālī republic, which make pious &...
has half-man, half-woman features. Early Kushan images show Ardhanarishvara in a simple two-armed form, but later texts and sculptures depict a more complex iconography.
Ardhanarishvara is referred to by the Greek author Stobaeus
Stobaeus
Joannes Stobaeus , from Stobi in Macedonia, was the compiler of a valuable series of extracts from Greek authors. The work was originally divided into two volumes containing two books each...
(c. 500 AD) while quoting Bardasanes (c. 154–222 AD), who learnt from an Indian embassy's visit to Syria
Syria
Syria , officially the Syrian Arab Republic , is a country in Western Asia, bordering Lebanon and the Mediterranean Sea to the West, Turkey to the north, Iraq to the east, Jordan to the south, and Israel to the southwest....
during the reign of Elagabalus
Elagabalus
Elagabalus , also known as Heliogabalus, was Roman Emperor from 218 to 222. A member of the Severan Dynasty, he was Syrian on his mother's side, the son of Julia Soaemias and Sextus Varius Marcellus. Early in his youth he served as a priest of the god El-Gabal at his hometown, Emesa...
(Antoninus of Emesa) (218–22 AD). A terracotta androgynous bust, excavated at Taxila
Taxila
Taxila is a Tehsil in the Rawalpindi District of Punjab province of Pakistan. It is an important archaeological site.Taxila is situated about northwest of Islamabad Capital Territory and Rawalpindi in Panjab; just off the Grand Trunk Road...
and dated to the Saka
Saka
The Saka were a Scythian tribe or group of tribes....
-Parthian
Parthian Empire
The Parthian Empire , also known as the Arsacid Empire , was a major Iranian political and cultural power in ancient Persia...
era, pictures a bearded man with female breasts.
Ardhanarishvara is interpreted as an attempt to syncretise
Syncretism
Syncretism is the combining of different beliefs, often while melding practices of various schools of thought. The term means "combining", but see below for the origin of the word...
the two principal Hindu sects, Shaivism
Shaivism
Shaivism is one of the four major sects of Hinduism, the others being Vaishnavism, Shaktism and Smartism. Followers of Shaivism, called "Shaivas," and also "Saivas" or "Saivites," revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer,...
and Shaktism
Shaktism
Shaktism is a denomination of Hinduism that focuses worship upon Shakti or Devi – the Hindu Divine Mother – as the absolute, ultimate Godhead...
, dedicated to Shiva and the Great Goddess
Mahadevi
In Hinduism, Mahadevi or "Great Goddess" is a term used to denote the Goddess or Devi that is the sum of all other Devis - an all encompassing Female Deity as the consort or complement to an all encompassing Male Deity or the Ultimate Reality in Shaktism.She is often identified with a specific...
. A similar syncretic image is Harihara
Harihara
Harihara is the name of a combined deity form of both Vishnu and Shiva from the Hindu tradition. Also known as Shankaranarayana , Harihara is thus worshipped by both Vaishnavites and Shaivities as a form of the Supreme God, as well as being a figure of worship for other Hindu traditions in general...
, a composite form of Shiva and Vishnu, the Supreme deity of the rival Vaishnava sect.
Iconography
The iconographic 16th century work ShilparatnaShilparatna
Shilparatna is a classical text on traditional South Indian representational-performing arts. It is particularly influential in painting and theatrical performance. It was authored by Srikumara in 16th century AD...
, the Matsya Purana
Matsya Purana
Matsya Purana is the sixteenth purana of the Hindu scriptures. During the period of mahapralaya, Lord Vishnu had taken Matsya Avatar to save the seeds of all lives and Manu...
and Agamic
Agama (Hinduism)
Agama means, in the Hindu context, "a traditional doctrine, or system which commands faith".In Hinduism, the Agamas are a collection of Sanskrit scriptures which are revered and followed by millions of Hindus.-Significance:...
texts like Amshumadbhedagama, Kamikagama, Supredagama and Karanagama – most of them of South Indian origin – describe the iconography of Ardhanarishvara. The right superior side of the body usually is the male Shiva and the left is the female Parvati; in rare depictions belonging to the Shaktism school, the feminine holds the dominant right side. The icon usually is prescribed to have four, three or two arms, but rarely is depicted with eight arms. In the case of three arms, the Parvati side has only one arm, suggesting a lesser role in the icon.
Male half
The male half wears a jata-mukuta (a headdress formed of piled, matted hair) on his head, adorned with a crescent moon. Sometimes the jata-mukuta is adorned with serpents and the river goddess Ganga
Ganga in Hinduism
In Hinduism, the river Ganges - referred to as Gaṅgā in the Hindu context and India - is considered sacred. The river, personified as a goddess, is worshipped by Hindus, who believe that bathing in the river causes the remission of sins and facilitates liberation from the cycle of life and death...
flowing through the hair. The right ear wears a nakra-kundala, sarpa-kundala ("serpent-earring") or ordinary kundala ("earring"). Sometimes, the male eye is depicted smaller than the female one and a half-moustache is also seen. A half third eye (trinetra) is prescribed on the male side of the forehead in the canons; a full eye may also be depicted in middle of forehead separated by both the sides or a half eye may be shown above or below Parvati's round dot. A common elliptical halo (prabhamandala/prabhavali) may be depicted behind the head; sometimes the shape of the halo may differ on either side.
In the four-armed form, a right hand holds a parashu (axe) and another makes an abhaya mudra (gesture of reassurance), or one of the right arms is slightly bent and rests on the head of Shiva's bull mount, Nandi, while the other is held in the abhaya mudra gesture. Another configuration suggests that a right hand holds a trishula
Trishula
A trishula is a type of Indian trident but also found in Southeast Asia. It is commonly used as a Hindu-Buddhist religious symbol. The word means "three spear" in Sanskrit and Pali....
(trident) and another makes a varada mudra
Varadamudra
Varadamudra is a mudra, and it indicates a gesture by the hand and symbolizes dispensing of boons. For varadamudra, left hand is used. It is held out, with palm uppermost and the fingers pointing downwards...
(gesture of blessing). Another scripture prescribes that a trishula and akshamala
Akshamala
Akshamala, is a garland of beads, made of pearls, bones, shalagram shila, dried seeds, berries, or sometimes of skulls. It is the attribute of many gods and deities in Hinduism. In general, an Akshamala is composed of fifty beads, corresponding to the characters of Sanskrit alphabet, the 'garland...
(rosary) are held in the two right hands. In the two-armed form, the right hand holds a kapala
Kapala
A kapala or skullcup is a cup made from a human skull used as a ritual implement in both Hindu Tantra and Buddhist Tantra...
(skull cup) or gestures in a varada mudra. He may also hold a skull. In the Badami
Badami
Badami , formerly known as Vatapi, is a town and headquarters of a taluk by the same name, in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from 540 to 757 AD. It is famous for rock cut and other structural temples...
relief, the four-armed Ardhanarishvara plays a veena
Veena
Veena may refer to one of several Indian plucked instruments:With frets*Rudra veena, plucked string instrument used in Hindustani music*Saraswati veena, plucked string instrument used in Carnatic musicFretless...
(lute), using a left and a right arm, while other male arm holds a parashu and the female one a lotus.
The Shiva half has a flat masculine chest, a straight vertical chest, broader shoulder, wider waist and muscular thigh. He wears a yagnopavita
Upanayana
Upanayana is the initiation ritual by which initiates are invested with a sacred thread, to symbolize the transference of spiritual knowledge .- Significance of the sacred thread :...
(sacred thread) across the chest, which is sometimes represented as a naga-yagnopavita (a snake worn as a yagnopavita) or a string of pearls or gems. The yajnopavita may also divide the torso into its male and female halves. He wears ornaments characteristic of Shiva's iconography, including serpent ornaments.
In some North Indian images, the male half may be nude and also be ithyphallic (urdhavlinga or urdhavreta: with an erect phallus), or with a full or half phallus and one testicle. However, such imagery is never found in South Indian images; the loins are usually covered in a garment (sometimes a dhoti
Dhoti
The dhoti or pancha is the traditional men's garment in the in India, Bangladesh and Sri Lanka. A similar garment is worn in some rural areas of Punjab province in Pakistan, but the use is fast declining...
) of silk or cotton, or the skin of a tiger or deer), typically down to the knee, and held in place by a sarpa-mekhala, serpent girdle or jewellery. The right leg may be somewhat bent or straight and often rests on a lotus pedestal (padma-pitha). The whole right half is described as smeared with ashes and as terrible and red-coloured or gold or coral in appearance; however, these features are rarely depicted.
Female half
The female half has karanda-mukuta (a basket-shaped crown) on her head or well-combed knotted hair or both. The left ear wears a valika-kundala (a type of earring). A tilaka
Tilaka
200px|thumb|right|Indian woman with tilaka and [[Bindi |bindi]]In Hinduism, the tilaka or tika or tilak is a mark worn on the forehead and other parts of the body...
or bindu
Bindi (decoration)
A bindi is a forehead decoration worn in South Asia . and Southeast Asia...
(a round red dot) adorns her forehead, matching Shiva's third eye. The left eye is painted with black eyeliner. While the male neck is sometimes adorned with a jewelled hooded serpent, the female neck has a blue lotus matching it.
In the four-armed form, one of the left arms rests on Nandi's head, while the other is bent in kataka pose and holds a nilotpala (blue lotus) or hangs loosely at her side. In the three-armed representation, the left hand holds a flower, a mirror or a parrot. In the case of two-armed icons, the left hand rests on Nandi's head, hangs loose or holds either a flower, a mirror or a parrot. The parrot may be also perched on Parvati's wrist. Her hand(s) is/are adorned with ornaments like a keyura (anklet) or kankana (bangles).
Parvati has a well-developed, round bosom and a narrow feminine waist embellished with various haras (religious bracelets) and other ornaments, made of diamonds and other gems. She has a fuller thigh and a curvier body and hip than the male part of the icon. The torso, hip and pelvis of the female is exaggerated to emphasize the anatomical differences between the halves. Though the male private parts may be depicted, the female genitalia are never depicted and the loins are always draped. She wears a multi-coloured or white silken garment down to her ankle and one or three girdles around her waist. The left half wears an anklet and her foot is painted red with henna
Henna
Henna is a flowering plant used since antiquity to dye skin, hair, fingernails, leather and wool. The name is also used for dye preparations derived from the plant, and for the art of temporary tattooing based on those dyes...
. The left leg may be somewhat bent or straight, resting on a lotus pedestal. In contrast to the Shiva half, the Parvati half – smeared with saffron – is described as calm and gentle, parrot-green or dark in colour. She may be draped in a sari
Sari
A sari or sareeThe name of the garment in various regional languages include: , , , , , , , , , , , , , is a strip of unstitched cloth, worn by females, ranging from four to nine metres in length that is draped over the body in various styles. It is popular in India, Bangladesh, Nepal,...
covering her torso and legs.
Postures and vahana
The posture of Ardhanarishvara may be tribhanga – bent in three parts: head (leaning to the left), torso (to the right) and right leg or in the sthanamudra position (straight), sometimes standing on a lotus pedestal, whereupon it is called samapada. Seated images of Ardhanarishvara are missing in iconographic treatises, but are still found in sculpture and painting. Though the canons often depict the Nandi bull as the common vahana
Vahana
Vāhana denotes the being, typically an animal or mythical entity, a particular deva is said to use as a vehicle. In this capacity, the vāhana is often called the deity's mount. Upon the partnership between the deva and his vāhana is woven much iconography and mythology...
(mount) of Ardhanarishvara, some depictions have Shiva's bull vahana seated or standing near or behind his foot, while the goddess's lion vahana is near her foot.
Eight-armed form
The Parashurameshvara Temple at Bhubaneswar
Bhubaneswar
Bhubaneswar is the capital of the Indian state of Orissa, officially Odisha. The city has a long history of over 2000 years starting with Chedi dynasty who had Sisupalgarh near present-day Bhubaneswar as their capital...
has a dancing eight-armed Ardhanarishvara. The upper male arms hold a lute and akshamala (rosary), while the upper female ones hold a mirror and a book; the others are broken. Another non-conventional Ardhanarishvara is found at Darasuram
Darasuram
Darasuram or Dharasuram is a panchayat town located 3 kilometres from Kumbakonam in Thanjavur district, Tamil Nadu, India. According to the 2001 census, the town had a population of 13,027. The town is known for the Airavateswara temple constructed by the Rajaraja Chola II in the 12th century AD...
. The sculpture is three-headed and eight-armed, holding akshamala, khadga (sword), pasha, musala, kapala (skull cup), lotus and other objects.
Other textual descriptions
The Naradiya Purana mentions that Ardhanarishvara is half-black and half-yellow, nude on one side and clothed on other, wearing skulls and a garland of lotuses on the male half and female half respectively. The Linga Purana gives a brief description of Ardhanarishvara as making varada and abhaya mudras and holding a trishula and a lotus. The Vishnudharmottara Purana
Vishnudharmottara Purana
The Vishnudharmottara Purana is a Hindu text, encyclopedic in nature. Along with the narratives, it also deals with cosmology, cosmogony, geography, astronomy, astrology, division of time, pacification of unfavourbale planets and stars, genealogies , manners and customs, penances, duties of...
prescribes a four-armed form, with right hands holding a rosary and trishula, while the left ones bear a mirror and a lotus. The form is called Gaurishvara in this text.
Legends
The unnamed half-female form of Shiva is also alluded to in the epic Mahabharata
Mahabharata
The Mahabharata is one of the two major Sanskrit epics of ancient India and Nepal, the other being the Ramayana. The epic is part of itihasa....
. In Book XIII, Upamanyu praises Shiva rhetorically asking if there is anyone else whose half-body is shared by his spouse, and adds that the universe had risen from the union of sexes, as represented by Shiva's half-female form. In some narratives, Shiva is described as dark and fair-complexioned, half yellow and half white, half woman and half man, and both woman and man. In Book XIII, Shiva preaches to Parvati that half of his body is made up of her body.
In the Skanda Purana
Skanda Purana
The Skanda Purana is the largest Mahapurana, a genre of eighteen Hindu religious texts. The text is devoted mainly to the lilas of Kartikeya , a son of Shiva and Parvati. It also contains a number of legends about Shiva, and the holy places associated with him...
, Parvati requests Shiva to allow her to reside with him, embracing "limb-to-limb", and so Ardhanarishvara is formed. It also tells that when the demon Andhaka
Andhaka
In Hinduism, Andhaka often refers to a malevolent demon.-Story:After birth, Andhaka was given to the demon Hiranyaksha to be raised, as Hiranyaksha had no sons. Later, Andhaka became the king of Hiranyaksha's kingdom....
wanted to seize Parvati and make her his wife, Vishnu rescued her and brought her to his abode. When the demon followed her there, Parvati revealed her Ardhanarishvara form to him. Seeing the half-male, half-female form, the demon lost interest in her and left. Vishnu was amazed to see this form and saw himself in the female part of the form.
The Shiva Purana
Shiva Purana
The Shiva Purana is one of the s, a genre of Hindu religious texts dedicated to Shiva. According to a tradition which is stated in the of this text, the original text was known as the ....
describes that the creator god Brahma
Brahma
Brahma is the Hindu god of creation and one of the Trimurti, the others being Vishnu and Shiva. According to the Brahma Purana, he is the father of Mānu, and from Mānu all human beings are descended. In the Ramayana and the...
created all male beings, the Prajapati
Prajapati
In Hinduism, Prajapati "lord of creatures" is a Hindu deity presiding over procreation, and protector of life. He appears as a creator deity or supreme God Viswakarma Vedic deities in RV 10 and in Brahmana literature...
s, and told them to regenerate, which they were unable to do. Confronted with the resulting decline in the pace of creation, Brahma was perplexed and contemplated on Shiva for help. To enlighten Brahma of his folly, Shiva appeared before him as Ardhanarishvara. Brahma prayed to the female half of Shiva to give him a female to continue creation. The goddess agreed and created various female powers from her body, thereby allowing creation to progress. In other Puranas like the Linga Purana
Linga Purana
The Linga Purana is one of the major eighteen Puranas, a Hindu religious text. The extant text is divided into two parts, comprising 108 and 55 chapters respectively. These parts contain the description regarding the origin of universe, origin of the linga, and emergence of Brahma and Vishnu, and...
, Vayu Purana
Vayu Purana
The Vayu Purana is a Shaiva Purana, a Hindu religious text, dedicated to the god Vayu , containing about 24,000 shlokas.-Date:Banabhatta refers to this work in his Kadambari and Harshacharita...
, Vishnu Purana
Vishnu Purana
The Vishnu Purana is a religious Hindu text and one of the eighteen Mahapuranas. It is considered one of the most important Puranas and has been given the name Puranaratna...
, Skanda Purana
Skanda Purana
The Skanda Purana is the largest Mahapurana, a genre of eighteen Hindu religious texts. The text is devoted mainly to the lilas of Kartikeya , a son of Shiva and Parvati. It also contains a number of legends about Shiva, and the holy places associated with him...
, Kurma Purana
Kurma Purana
-Contents:The printed editions of this text are divided into two s , the and the . The has 53 chapters and the has 46 chapters.According to the tradition, the originally consisted of four s : the , the , the and the . The extant text would correspond to the .The gives a brief overview of...
, and Markandeya Purana
Markandeya Purana
The Markandeya Purana is one of the major eighteen Mahapuranas, a genre of Hindu religious texts. It is written in the style of a dialogue between the ancient sage Markandeya and Jaimini, a disciple of Vyasa.-Contents:...
, Rudra (identified with Shiva) appears as Ardhanarishvara, emerging from Brahma's head, forehead, mouth or soul as the embodiment of Brahma's fury and frustration due to the slow pace of creation. Brahma asks Rudra to divide himself, and the latter complies by dividing into male and female. Numerous beings, including the 11 Rudras
Rudras
Rudras are forms and followers of the god Rudra-Shiva and make eleven of the Thirty-three gods in the Hindu pantheon. They are at times identified with the Maruts - sons of Rudra; while at other times, considered distinct from them.-Birth and names:...
and various female shakti
Shakti
Shakti from Sanskrit shak - "to be able," meaning sacred force or empowerment, is the primordial cosmic energy and represents the dynamic forces that are thought to move through the entire universe in Hinduism. Shakti is the concept, or personification, of divine feminine creative power, sometimes...
s, are created from both the halves. In some versions, the goddess unites with Shiva again and promises to be born as Sati
Dakshayani
Dākshāyani or Satī is a Hindu Goddess of marital felicity and longevity. She is worshipped particularly by Hindu women to seek the long life of their husbands...
on earth to be Shiva's wife. In the Linga Purana, the Ardhanarishvara Rudra is so hot that in the process of appearing from Brahma's forehead, he burns Brahma himself. Ardhanarishvara Shiva then enjoys his own half – the Great Goddess – by "the path of yoga" and creates Brahma and Vishnu from her body. In the repetitive cycle of aeons, Ardhanarishvara is ordained to reappear at the beginning of every creation as in the past.
The Matsya Purana describes how Brahma, pleased with a penance performed by Parvati, rewards her by blessing her with a golden complexion. This renders her more attractive to Shiva, to whom she later merges as one half of his body.
Tamil
Tamil Nadu
Tamil Nadu is one of the 28 states of India. Its capital and largest city is Chennai. Tamil Nadu lies in the southernmost part of the Indian Peninsula and is bordered by the union territory of Pondicherry, and the states of Kerala, Karnataka, and Andhra Pradesh...
temple lore narrates that once the gods and sages (rishi
Rishi
Rishi denotes the composers of Vedic hymns. However, according to post-Vedic tradition, the rishi is a "seer" to whom the Vedas were "originally revealed" through states of higher consciousness. The rishis were prominent when Vedic Hinduism took shape, as far back as some three thousand years...
) had gathered at Shiva's abode, they prayed their respects to Shiva and Parvati. However, the sage Bhringi
Bhringi
According to Hindu mythology, Parangi was an ancient sage , and a great devotee of Shiva,the Hindu God of destruction and rejuvenation. The legend states that he had Two legs. According to mythology, all the rishis once paid homage to both Shiva and Parvati, the second consort of Shiva, but...
had vowed to worship only one deity, Shiva, and ignored Parvati while worshipping and circumambulating
Pradakshina
Pradakshina or Pradakshinam , meaning circumambulation, consists of walking around in a 'circle' as a form of worship in Hindu ceremonies in India. The devotees walk around the sanctum sanctorum, the innermost chamber of the shrine housing the temple deity. It is done around sacred fire , trees and...
him. Agitated, Parvati cursed Bhringi to lose all his flesh and blood, reducing him to a skeleton. In this form Bhringi could not stand erect, so the compassionate ones who witnessed the scene blessed the sage with a third leg for support. As her attempt to humiliate the sage had failed, Parvati punished herself with austerities that pleased Shiva and led him to grant her the boon of uniting with him, thereby compelling Bhringi to worship her as well as himself in the form of Ardhanarishvara. However, the sage assumed the form of a beetle and circumambulating only the male half, drilling a hole in the deity. Amazed by his devotion, Parvati reconciled with the sage and blessed him. The seventh-century Shaiva Nayanar
Nayanars
The Nayanars or Nayanmars were Shaivite devotional poets of Tamil Nadu, active between the fifth and the tenth centuries CE...
saint Appar mentions that after marrying Parvati, Shiva incorporated her into half of his body.
In the Kalika Purana, Parvati (called Gauri here) is described as having suspected Shiva of infidelity when she saw her own reflection in the crystal-like breast of Shiva. A conjugal dispute erupted but was quickly resolved, after which Parvati wished to stay eternally with Shiva in his body. The divine couple was thereafter fused as Ardhanarishvara. Another tale from North India also talks about Parvati's jealousy. Another woman, the river Ganga – often depicted flowing out of Shiva's locks – sat on his head, while Parvati (as Gauri) sat on his lap. To pacify Gauri, Shiva united with her as Ardhanarishvara.
Only in tales associated with the cult of Shakta (in which the Goddess is considered the Supreme Being) is the Goddess venerated as the Maker of All. In these tales, it is her body (not Shiva's) which splits into male and female halves.
Symbolism
Ardhanarishvara symbolizes that the male and female principles are inseparable. The composite form conveys the unity of oppositesUnity of opposites
The unity of opposites was first suggested by Heraclitus a pre-Socratic Greek philosopher.Philosophers had for some time been contemplating the notion of opposites. Anaximander posited that every element was an opposite, or connected to an opposite...
(coniunctio oppositorum) in the universe. The male half of Ardhanarishvara stands for Purusha
Purusha
In some lineages of Hinduism, Purusha is the "Self" which pervades the universe. The Vedic divinities are interpretations of the many facets of Purusha...
and female half is Prakriti. Purusha is the male principle and passive force of the universe, while Prakriti is the female active force; both are "constantly drawn to embrace and fuse with each other, though... separated by the intervening axis". The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni
Yoni
Yoni is the Sanskrit word for the vagina. Its counterpart is the lingam as interpreted by some, the phallus.It is also the divine passage, womb or sacred temple...
of Devi creating the cosmos. The Mahabharata lauds this form as the source of creation. Ardhanarishvara also suggests the element of Kama
Kama
Kāma is often translated from Sanskrit as sexual desire, sexual pleasure, sensual gratification, sexual fulfillment, or eros54654564+more broadly mean desire, wish, passion, longing, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, without sexual connotations.-Kama in...
or Lust, which leads to creation.
Ardhanarishvara signifies "totality that lies beyond duality", "bi-unity of male and female in God" and "the bisexuality and therefore the non-duality" of the Supreme Being. It conveys that God is both Shiva and Parvati, "both male and female, both father and mother, both aloof and active, both fearsome and gentle, both destructive and constructive" and unifies all other dichotomies of the universe. While Shiva's rosary in the Ardhanarishvara iconography associates him with asceticism and spirituality, Parvati's mirror associates her to the material illusory world. Ardhanarishvara reconciles and harmonizes the two conflicting ways of life: the spiritual way of the ascetic as represented by Shiva, and the materialistic way of the householder as symbolized by Parvati, whose raison d’être in Hindu mythology is to lure the ascetic Shiva into marriage and the wider circle of worldly affairs. The interdependence of Shiva on his power (Shakti) as embodied in Parvati is also manifested in this form. Ardhanarishvara conveys that Shiva and Shakti are one and the same, an interpretation also declared in inscriptions found along with Ardhanarishvara images in Java
Java
Java is an island of Indonesia. With a population of 135 million , it is the world's most populous island, and one of the most densely populated regions in the world. It is home to 60% of Indonesia's population. The Indonesian capital city, Jakarta, is in west Java...
and the eastern Malay Archipelago
Malay Archipelago
The Malay Archipelago refers to the archipelago between mainland Southeastern Asia and Australia. The name was derived from the anachronistic concept of a Malay race....
. The Vishnudharmottara Purana also emphasizes the identity and sameness of the male Purusha and female Prakriti, manifested in the image of Ardhanarishvara. According to Shaiva guru Sivaya Subramuniyaswami (1927–2001), Ardhanarishvara signifies that the great Shiva is "All, inseparable from His energy" (i.e. his Shakti) and is beyond gender.
Across cultures, hermaphrodite figures like Ardhanarishvara have traditionally been associated with fertility and abundant growth. In this form, Shiva in his eternal embrace with Prakriti represents the eternal reproductive power of Nature, whom he regenerates after she loses her fertility. "It is a duality in unity, the underlying principle being a sexual dualism". Art historian Sivaramamurti
C. Sivarama Murti
C. Sivaramamurti or Calambur Sivaramamurti, was an eminent art historian and Sanskrit scholar. His entire life has been devoted to the study and exposition of various aspects of Indian art. Author of several monographs, he has surveyed the panorama of Indian art as archaeologist, numismatist,...
calls it "a unique connection of the closely knit ideal of man and woman rising above the craving of the flesh and serving as a symbol of hospitality and parenthood". The dual unity of Ardhanarishvara is considered "a model of conjugal inseparability". Padma Upadhyaya comments, "The idea of ... Ardhanārīśvara is to locate the man in the woman as also the woman in the man and to create perfect homogeneity in domestic affairs".
Often, the right half of Ardhanarishvara is male and the left is female. The wife traditionally sits to the left of the husband and is often called vamangi – "the left-sided one". The left side is the location of the heart and is associated with feminine characteristics like intuition and creativity, while the right is associated with the brain and masculine traits – logic, valour and systematic thought. The left side is also the inferior side, reserved for the dependent one in a relationship. Shiva, the master of spirituality and restraint, is considered superior to the indulgence (bhoga) and materialism celebrated in the female form. The female is often not equal in the Ardhanarishvara, the male god who is half female; she remains a dependent entity. Ardhanarishvara is often described as a form of Shiva, and rarely as that of the goddess, as in her Shakta sects. Ardhanarishvara "is in essence Shiva, not Parvati". This is also reflected in mythology, where Parvati becomes a part of Shiva. It is likewise reflected in iconography: Shiva often has two supernatural arms and Parvati has just one earthly arm, and his bull vahana – not her lion vahana – typically accompanies them.
Worship and adoration
Tiruchengode
-Location:Tiruchengode is in south India in the state of Tamil Nadu, approximately 18 km from the City of Erode, 44 km from Salem, and 35 km from Namakkal.-Major Occupations:...
, while five others are located in Kallakkurichi taluk
Kallakkurichi taluk
Kallakkurichi taluk is a taluk of Viluppuram district of the Indian state of Tamil Nadu. The headquarters of the taluk is the town of Kallakurichi.- Population :...
, all of them in the Indian state of Tamil Nadu
Tamil Nadu
Tamil Nadu is one of the 28 states of India. Its capital and largest city is Chennai. Tamil Nadu lies in the southernmost part of the Indian Peninsula and is bordered by the union territory of Pondicherry, and the states of Kerala, Karnataka, and Andhra Pradesh...
.
The Linga Purana advocates the worship of Ardhanarishvara by devotees to attain union with Shiva upon dissolution of the world and thus attain salvation
Moksha
Within Indian religions, moksha or mukti , literally "release" , is the liberation from samsara and the concomitant suffering involved in being subject to the cycle of repeated death and reincarnation or rebirth.-Origins:It is highly probable that the concept of moksha was first developed in...
. The Ardhanarinateshvara Stotra is a popular hymn dedicated to the deity. The Nayanar
Nayanar
Nayanar can refer to:*Nayanars, Shaivite saints from Tamil Nadu, India.*Nayanar , an honorific title used by certain clans of Nair caste from the north Malabar region of Kerala, India.*Nayanar, title used by Isai Vellalar of Tamil Nadu...
saints of Tamil Nadu exault the deity in hymns. While the 8th-century Nayanar saint Cuntarar says that Shiva is always inseparable from the Mother Goddess, another 7th-century Nayanar saint Campantar
Campantar
Tirugnana Sampantar was a young Saiva poet-saint of Tamil Nadu who lived around the 7th century CE....
describes how the "eternal feminine" is not only her consort, but she is also part of him. The renowned Sanskrit writer Kalidasa
Kalidasa
Kālidāsa was a renowned Classical Sanskrit writer, widely regarded as the greatest poet and dramatist in the Sanskrit language...
(c. 4th–5th century) alludes Ardhanarishvara in invocations of his Raghuvamsa
Raghuvamsa
Raghuwamsa or Raghu race is a legendary lineage of warrior kings tracing its ancestry to the Hindu solar deity Surya. Kalidasa's famous work, Raghuvaṃśa depicts the legend of this race. The progenitor of the lineage was Raghu, son of the emperor Dileepa. Raghu was father of Aja, and thus...
and Malavikagnimitram
Malavikagnimitram
Mālavikāgnimitram is a Sanskrit play by Kālidāsa. It is his first play.The play tells the story of the love of King Agnimitra, the Shunga king of Vidisha , for the beautiful hand-maiden of his chief queen. He falls in love with the picture of an exiled servant girl named Mālavikā...
, and says that Shiva and Shakti are as inseparable as word and meaning. The 9th-century Nayanar saint Manikkavacakar casts Parvati in the role of the supreme devotee of Shiva in his hymns. He alludes to Ardhanarishvara several times and regards it the ultimate goal of a devotee to be united with Shiva as Parvati is in the Ardhanarishvara form.
Daniélou notes that the hermaphrodite, the homosexual and the transvestite have a symbolic value in Tantra
Tantra
Tantra , anglicised tantricism or tantrism or tantram, is the name scholars give to an inter-religious spiritual movement that arose in medieval India, expressed in scriptures ....
and are considered sacred beings as "images" of the Ardhanarishvara. Ardhanarishvara is worshipped by them as their tutelary deity.
See also
- HariharaHariharaHarihara is the name of a combined deity form of both Vishnu and Shiva from the Hindu tradition. Also known as Shankaranarayana , Harihara is thus worshipped by both Vaishnavites and Shaivities as a form of the Supreme God, as well as being a figure of worship for other Hindu traditions in general...
: composite form of the gods Shiva and Vishnu - JumadiJumadiJumadi, also known as Dhumavathi, is a deity worshiped particularly in the Tulu Nadu region of Karnataka and Kerala in India. Shrines dedicated to Jumadi can be found all over Tulu Nadu and Kerala.-Legend:...
: a regional composite form of Shiva and Parvati - Vaikuntha KamalajaVaikuntha KamalajaVaikuntha-Kamalaja is a composite androgynous form of the Hindu god Vishnu and his consort Lakshmi. Though inspired by the much more popular Ardhanarishvara form of the god Shiva, Vaikuntha-Kamalaja is a rare form, mostly restricted to Nepal and the Kashmir region of India.Like Ardhanarishvara,...
: composite form of Vishnu and Lakshmi