Abbott Handerson Thayer
Encyclopedia
Abbott Handerson Thayer was an American artist, naturalist
and teacher. As a painter
of portrait
s, figures, animals and landscapes
, he enjoyed a certain prominence during his lifetime, as indicated by the fact that his paintings are part of the most important U.S. art collections. During the last third of his life, he worked together with his son, Gerald Handerson Thayer, on a major book about protective coloration in nature, titled Concealing Coloration in the Animal Kingdom: An Exposition of the Laws of Disguise Through Color and Pattern; Being a Summary of Abbott H. Thayer’s Disclosures. First published by Macmillan in 1909, then reissued in 1918, it had an effect on the use of military camouflage
during World War I
. He also influenced American art by his efforts as a teacher who trained apprentices in his New Hampshire
studio.
, at the foot of Mount Monadnock
. In that rural setting, he became an amateur naturalist (in his own words, he was “bird crazy”), a hunter and a trapper. He studied Audubon
's Birds of America
on an almost daily basis, experimented with taxidermy
, and made his first artworks: watercolor paintings of animals.
At age 18, he relocated to Brooklyn
, New York
, to study painting at the Brooklyn Art School and the National Academy of Design
. In 1875, having married Kate Bloede, he moved to Paris
, where he studied for four years at the École des Beaux-Arts
, with Henri Lehmann
and Jean-Léon Gérôme
, and where his closest friend became the American artist George de Forest Brush
. Returning to New York, he established his own portrait studio (which he shared with Daniel Chester French
), became active in the Society of American Painters, and began to take in apprentices.
and Henry James
, but the subjects of many of his paintings were the three remaining Thayer children, Mary, Gerald and Gladys.
In 1898, Thayer visited St Ives, Cornwall
and, with an introductory letter from C. Hart Merrian, the Chief of the US Biological Survey in Washington, D.C.
, applied to the lord of the Manor of St Ives and Treloyhan, Henry Arthur Mornington Wellesley, the 3rd Earl Cowley
, for permission to collect specimens of birds from the cliffs at St Ives. In 1901, he and his wife settled permanently in Dublin, New Hampshire
, where they had often vacationed and where Thayer had grown up. Soon after, when her father died, Thayer’s wife lapsed into an irreversible melancholia, which led to her confinement in an asylum, the decline of her health, and her eventual death on May 3, 1891.
Soon after, Thayer married their long-time friend, Emma Beach, whose father owned The New York Sun. He and his second wife spent their remaining years in rural New Hampshire, living simply and working productively. Eccentric and opinionated, Thayer grew more so as he aged, and his family's manner of living reflected his strong beliefs: the Thayers typically slept outdoors year-round in order to enjoy the benefits of fresh air, and the three children were never enrolled in a school. The younger two, Gerald and Gladys, shared their father's enthusiasms, and became painters. During this latter part of his life, among Thayer’s neighbors was George de Forest Brush, with whom (when they were not quarreling) he collaborated on matters pertaining to camouflage.
It is difficult to categorize Thayer simply and conclusively as an artist. He was often described in first person accounts as eccentric and mercurial, and there is a parallel contradictory mixture of academic tradition, spontaneity and improvisation in his artistic methods. For example, he is largely known as a painter of “ideal figures,” in which he portrayed women as embodiments of virtue, adorned in flowing white tunics and equipped with feathered angel’s wings. At the same time, he did this using methods that were surprisingly unorthodox, such as purposely mixing dirt into the paint, or (in one instance at least) using a broom instead of a brush to lessen the sense of rigidity in a newly finished, still-wet painting. He survived with the help of his patrons, among them the industrialist Charles Lang Freer
. Some of his finest works are in the collections of the Freer Gallery of Art
, Metropolitan Museum of Art
, National Academy of Design
, National Museum of American Art, and Art Institute of Chicago
.
, Louis Agassiz Fuertes
, Richard Meryman, Barry Faulkner
(Thayer's cousin), Alexander and William James (the sons of Harvard philosopher William James
), and Thayer's own son and daughter, Gerald and Gladys.
In a letter to Thomas Wilmer Dewing (c. 1917, in the collection of the Archives of American Art, Smithsonian Institution
), Thayer reveals that his method was to work on a new painting for only three days. If he worked longer on it, he said, he would either accomplish nothing or would ruin it. So on the fourth day, he would instead take a break, getting as far from the work as possible, but meanwhile instruct each student to make an exact copy of that three-day painting. Then, when he did return to his studio, he would (in his words) "pounce on a copy and give it a three-day shove again". As a result, he would end up with alternate versions of the same painting, in substantially different finished states.
In particular, beginning in 1892, he wrote about the function of countershading
in nature, by which forms appear less round and less solid through inverted shading, by which he accounted for the white undersides of animals. This finding is still accepted widely, and is sometimes now called Thayer’s Law.
He first became involved in military camouflage in 1898, during the Spanish-American War
, when he and his friend Brush proposed the use of protective coloration on American ships, using countershading. While the war did not last long enough for anything to be done about this, the two artists did obtain a patent for their idea in 1902, titled “Process of Treating the Outsides of Ships, etc., for Making Them Less Visible” (U.S. Patent No. 715,013), in which their method is described as having been modeled on the coloration of a seagull
.
Thayer and Brush’s experiments with camouflage continued into World War I
, both collaboratively and separately. Early during that war, for example, Brush developed a transparent airplane, while Thayer continued his interest in disruptive or high-difference camouflage, which was not unlike what British ship camouflage designer Norman Wilkinson
would call dazzle camouflage
(a term that may have been inspired by Thayer's writings, which referred to disruptive patterns in nature as “razzle dazzle”.)
Gradually, Thayer and Brush increasingly entrusted their camouflage work to the responsibility of their sons. Concealing Coloration in the Animal Kingdom (1909), which had taken seven years to prepare, was credited to Thayer’s son, Gerald. At about the same time, Thayer once again proposed ship camouflage to the U.S. Navy (and was again unsuccessful), this time working not with Brush, but with Brush's son, Gerome (named in honor of his father's teacher).
A few years later, with the start of World War I, Thayer made proposals to the British War Office, trying unsuccessfully to persuade them to adopt a disruptively patterned field service uniform, in place of monochrome khaki
. Meanwhile, Thayer and Gerome Brush’s proposal for the use of countershading in ship camouflage was approved for use on American ships, and a handful of Thayer enthusiasts (among them Barry Faulkner and other Thayer students) recruited hundreds of artists to join the American Camouflage Corps.
. In his letters, he described it as “the Abbott pendulum,” by which his emotions alternated between the two extremes of (in his words) “all-wellity” and “sick disgust.” This condition apparently worsened as the controversy grew about his camouflage findings, most notably when they were denounced by former U.S. President Theodore Roosevelt
. As he aged, he suffered increasingly from panic attacks (which he termed “fright-fits”), nervous exhaustion, and suicidal thoughts, so much so that he was no longer allowed to go out in his boat alone on Dublin Pond
.
At age 71, Thayer was disabled by a series of stroke
s, and died quietly at home on May 29, 1921.
. Titled Invisible: Abbott Thayer and the Art of Camouflage, it featured a wide selection of his drawings and paintings, archival photographs, historic documents, and interviews with humorist P. J. O'Rourke
, Richard Meryman, Jr. (whose father was Thayer’s student), camouflage scholar Roy R. Behrens, Smithsonian curator Richard Murray
, Thayer’s friends and relatives, and others.
Naturalist
Naturalist may refer to:* Practitioner of natural history* Conservationist* Advocate of naturalism * Naturalist , autobiography-See also:* The American Naturalist, periodical* Naturalism...
and teacher. As a painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
of portrait
Portrait
thumb|250px|right|Portrait of [[Thomas Jefferson]] by [[Rembrandt Peale]], 1805. [[New-York Historical Society]].A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness,...
s, figures, animals and landscapes
Landscape art
Landscape art is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works landscape backgrounds for figures can still...
, he enjoyed a certain prominence during his lifetime, as indicated by the fact that his paintings are part of the most important U.S. art collections. During the last third of his life, he worked together with his son, Gerald Handerson Thayer, on a major book about protective coloration in nature, titled Concealing Coloration in the Animal Kingdom: An Exposition of the Laws of Disguise Through Color and Pattern; Being a Summary of Abbott H. Thayer’s Disclosures. First published by Macmillan in 1909, then reissued in 1918, it had an effect on the use of military camouflage
Military camouflage
Military camouflage is one of many means of deceiving an enemy. In practice, it is the application of colour and materials to battledress and military equipment to conceal them from visual observation. The French slang word camouflage came into common English usage during World War I when the...
during World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
. He also influenced American art by his efforts as a teacher who trained apprentices in his New Hampshire
New Hampshire
New Hampshire is a state in the New England region of the northeastern United States of America. The state was named after the southern English county of Hampshire. It is bordered by Massachusetts to the south, Vermont to the west, Maine and the Atlantic Ocean to the east, and the Canadian...
studio.
Formative years
Thayer was born in Boston, Massachusetts. The son of a country doctor, he spent his childhood in rural New Hampshire, near KeeneKeene, New Hampshire
Keene is a city in Cheshire County, New Hampshire, United States. The population was 23,409 at the 2010 census. It is the county seat of Cheshire County.Keene is home to Keene State College and Antioch University New England, and hosts the annual Pumpkin Fest...
, at the foot of Mount Monadnock
Mount Monadnock
Mount Monadnock, or Grand Monadnock, is the most prominent New England mountain peak south of the White Mountains and east of the Massachusetts Berkshires, and is the highest point in Cheshire County, New Hampshire...
. In that rural setting, he became an amateur naturalist (in his own words, he was “bird crazy”), a hunter and a trapper. He studied Audubon
John James Audubon
John James Audubon was a French-American ornithologist, naturalist, and painter. He was notable for his expansive studies to document all types of American birds and for his detailed illustrations that depicted the birds in their natural habitats...
's Birds of America
Birds of America (book)
The Birds of America is a book by naturalist and painter John James Audubon, containing illustrations of a wide variety of birds of the United States. It was first published as a series of sections between 1827 and 1838, in Edinburgh and London....
on an almost daily basis, experimented with taxidermy
Taxidermy
Taxidermy is the act of mounting or reproducing dead animals for display or for other sources of study. Taxidermy can be done on all vertebrate species of animals, including mammals, birds, fish, reptiles, and amphibians...
, and made his first artworks: watercolor paintings of animals.
At age 18, he relocated to Brooklyn
Brooklyn
Brooklyn is the most populous of New York City's five boroughs, with nearly 2.6 million residents, and the second-largest in area. Since 1896, Brooklyn has had the same boundaries as Kings County, which is now the most populous county in New York State and the second-most densely populated...
, New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
, to study painting at the Brooklyn Art School and the National Academy of Design
National Academy of Design
The National Academy Museum and School of Fine Arts, founded in New York City as the National Academy of Design – known simply as the "National Academy" – is an honorary association of American artists founded in 1825 by Samuel F. B. Morse, Asher B. Durand, Thomas Cole, Martin E...
. In 1875, having married Kate Bloede, he moved to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
, where he studied for four years at the École des Beaux-Arts
École des Beaux-Arts
École des Beaux-Arts refers to a number of influential art schools in France. The most famous is the École nationale supérieure des Beaux-Arts, now located on the left bank in Paris, across the Seine from the Louvre, in the 6th arrondissement. The school has a history spanning more than 350 years,...
, with Henri Lehmann
Henri Lehmann
Henri Lehmann was a German-born French historical painter and portraitist.__NOEDITSECTION__-Life:Born Heinrich Salem Lehmann in Kiel, Schleswig, Germany, he received his first art tuition from his father Leo Lehmann and from other painters in Hamburg...
and Jean-Léon Gérôme
Jean-Léon Gérôme
Jean-Léon Gérôme was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax.-Life:Jean-Léon Gérôme was born...
, and where his closest friend became the American artist George de Forest Brush
George de Forest Brush
George de Forest Brush was an American painter. In collaboration with his friend, the artist Abbott H. Thayer, he made contributions to military camouflage, as did his wife, aviator and artist Mary Taylor Brush, and their son, the sculptor Gerome Brush.-Background:Although Brush was born in...
. Returning to New York, he established his own portrait studio (which he shared with Daniel Chester French
Daniel Chester French
Daniel Chester French was an American sculptor. His best-known work is the sculpture of a seated Abraham Lincoln at the Lincoln Memorial in Washington, D.C.-Life and career:...
), became active in the Society of American Painters, and began to take in apprentices.
Return to New Hampshire
Life became all but unbearable for Thayer and his wife during the early 1880s, when two of their small children died unexpectedly, just one year apart. Emotionally devastated, they spent the next several years relocating from place to place. Although he was not yet secure financially, Thayer's growing reputation resulted in more portrait commissions than he could accept. Among his sitters were Mark TwainMark Twain
Samuel Langhorne Clemens , better known by his pen name Mark Twain, was an American author and humorist...
and Henry James
Henry James
Henry James, OM was an American-born writer, regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr., a clergyman, and the brother of philosopher and psychologist William James and diarist Alice James....
, but the subjects of many of his paintings were the three remaining Thayer children, Mary, Gerald and Gladys.
In 1898, Thayer visited St Ives, Cornwall
St Ives, Cornwall
St Ives is a seaside town, civil parish and port in Cornwall, England, United Kingdom. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial...
and, with an introductory letter from C. Hart Merrian, the Chief of the US Biological Survey in Washington, D.C.
Washington, D.C.
Washington, D.C., formally the District of Columbia and commonly referred to as Washington, "the District", or simply D.C., is the capital of the United States. On July 16, 1790, the United States Congress approved the creation of a permanent national capital as permitted by the U.S. Constitution....
, applied to the lord of the Manor of St Ives and Treloyhan, Henry Arthur Mornington Wellesley, the 3rd Earl Cowley
Earl Cowley
Earl Cowley is a title in the Peerage of the United Kingdom. It was created in 1857 for the diplomat Henry Wellesley, 2nd Baron Cowley. He was Ambassador to France from 1852 to 1867. He was made Viscount Dangan, of Dangan in the County of Meath, at the same time as he was given the earldom. This...
, for permission to collect specimens of birds from the cliffs at St Ives. In 1901, he and his wife settled permanently in Dublin, New Hampshire
Dublin, New Hampshire
Dublin is a town in Cheshire County, New Hampshire, United States. The population was 1,597 at the 2010 census. It is home to both the Dublin School and Yankee Magazine.-History:...
, where they had often vacationed and where Thayer had grown up. Soon after, when her father died, Thayer’s wife lapsed into an irreversible melancholia, which led to her confinement in an asylum, the decline of her health, and her eventual death on May 3, 1891.
Soon after, Thayer married their long-time friend, Emma Beach, whose father owned The New York Sun. He and his second wife spent their remaining years in rural New Hampshire, living simply and working productively. Eccentric and opinionated, Thayer grew more so as he aged, and his family's manner of living reflected his strong beliefs: the Thayers typically slept outdoors year-round in order to enjoy the benefits of fresh air, and the three children were never enrolled in a school. The younger two, Gerald and Gladys, shared their father's enthusiasms, and became painters. During this latter part of his life, among Thayer’s neighbors was George de Forest Brush, with whom (when they were not quarreling) he collaborated on matters pertaining to camouflage.
Artistic achievements
]It is difficult to categorize Thayer simply and conclusively as an artist. He was often described in first person accounts as eccentric and mercurial, and there is a parallel contradictory mixture of academic tradition, spontaneity and improvisation in his artistic methods. For example, he is largely known as a painter of “ideal figures,” in which he portrayed women as embodiments of virtue, adorned in flowing white tunics and equipped with feathered angel’s wings. At the same time, he did this using methods that were surprisingly unorthodox, such as purposely mixing dirt into the paint, or (in one instance at least) using a broom instead of a brush to lessen the sense of rigidity in a newly finished, still-wet painting. He survived with the help of his patrons, among them the industrialist Charles Lang Freer
Charles Lang Freer
Charles Lang Freer was an American railroad-car manufacturer from Detroit, Michigan who gave to the United States his art collections and funds for a building to house them. The Freer Gallery of Art founded by him is part of the Smithsonian Institution in Washington, D.C..-Early life:Freer was...
. Some of his finest works are in the collections of the Freer Gallery of Art
Freer Gallery of Art
The Freer Gallery of Art joins the Arthur M. Sackler Gallery to form the Smithsonian Institution's national museums of Asian art. The Freer contains art from East Asia, South Asia, Southeast Asia, the Islamic world, the ancient Near East, and ancient Egypt, as well as a significant collection of...
, Metropolitan Museum of Art
Metropolitan Museum of Art
The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...
, National Academy of Design
National Academy of Design
The National Academy Museum and School of Fine Arts, founded in New York City as the National Academy of Design – known simply as the "National Academy" – is an honorary association of American artists founded in 1825 by Samuel F. B. Morse, Asher B. Durand, Thomas Cole, Martin E...
, National Museum of American Art, and Art Institute of Chicago
Art Institute of Chicago
The School of the Art Institute of Chicago is one of America's largest accredited independent schools of art and design, located in the Loop in Chicago, Illinois. It is associated with the museum of the same name, and "The Art Institute of Chicago" or "Chicago Art Institute" often refers to either...
.
Teaching
Thayer was also resourceful in his teaching, which he saw as a useful, inseparable part of his own studio work. Among his devoted apprentices were Rockwell KentRockwell Kent
Rockwell Kent was an American painter, printmaker, illustrator, and writer.- Biography :Rockwell Kent was born in Tarrytown, New York, the same year as fellow American artists George Bellows and Edward Hopper...
, Louis Agassiz Fuertes
Louis Agassiz Fuertes
Louis Agassiz Fuertes was an American ornithologist, illustrator and artist.-Biography:Fuertes was the son of Estevan and Mary Stone Perry Fuertes....
, Richard Meryman, Barry Faulkner
Barry Faulkner
Barry Faulkner was an American artist who was primarily known for his murals. During World War I, he and sculptor Sherry Edmundson Fry organized artists for training as camouflage specialists , an effort that contributed to the founding of the American Camouflage Corps in 1917.-Background:Faulkner...
(Thayer's cousin), Alexander and William James (the sons of Harvard philosopher William James
William James
William James was a pioneering American psychologist and philosopher who was trained as a physician. He wrote influential books on the young science of psychology, educational psychology, psychology of religious experience and mysticism, and on the philosophy of pragmatism...
), and Thayer's own son and daughter, Gerald and Gladys.
In a letter to Thomas Wilmer Dewing (c. 1917, in the collection of the Archives of American Art, Smithsonian Institution
Smithsonian Institution
The Smithsonian Institution is an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its retail operations, concessions, licensing activities, and magazines...
), Thayer reveals that his method was to work on a new painting for only three days. If he worked longer on it, he said, he would either accomplish nothing or would ruin it. So on the fourth day, he would instead take a break, getting as far from the work as possible, but meanwhile instruct each student to make an exact copy of that three-day painting. Then, when he did return to his studio, he would (in his words) "pounce on a copy and give it a three-day shove again". As a result, he would end up with alternate versions of the same painting, in substantially different finished states.
Camouflage contributions
Thayer is sometimes referred to as the “father of camouflage.” This is not entirely unreasonable, because, while he did not invent camouflage, he was undoubtedly one of the first to conduct extensive research on and to write about certain aspects of protective coloration in nature.In particular, beginning in 1892, he wrote about the function of countershading
Countershading
Countershading, or Thayer's Law, is a form of camouflage. Countershading, in which an animal’s pigmentation is darker dorsally, is often thought to have an adaptive effect of reducing conspicuous shadows cast on the ventral region of an animal’s body...
in nature, by which forms appear less round and less solid through inverted shading, by which he accounted for the white undersides of animals. This finding is still accepted widely, and is sometimes now called Thayer’s Law.
He first became involved in military camouflage in 1898, during the Spanish-American War
Spanish-American War
The Spanish–American War was a conflict in 1898 between Spain and the United States, effectively the result of American intervention in the ongoing Cuban War of Independence...
, when he and his friend Brush proposed the use of protective coloration on American ships, using countershading. While the war did not last long enough for anything to be done about this, the two artists did obtain a patent for their idea in 1902, titled “Process of Treating the Outsides of Ships, etc., for Making Them Less Visible” (U.S. Patent No. 715,013), in which their method is described as having been modeled on the coloration of a seagull
Gull
Gulls are birds in the family Laridae. They are most closely related to the terns and only distantly related to auks, skimmers, and more distantly to the waders...
.
Thayer and Brush’s experiments with camouflage continued into World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
, both collaboratively and separately. Early during that war, for example, Brush developed a transparent airplane, while Thayer continued his interest in disruptive or high-difference camouflage, which was not unlike what British ship camouflage designer Norman Wilkinson
Norman Wilkinson (artist)
Norman Wilkinson CBE aka Norman L. Wilkinson was a British artist who usually worked in oils, watercolors and drypoint. He was primarily a marine painter, but he was also an illustrator, poster artist, and wartime camoufleur...
would call dazzle camouflage
Dazzle camouflage
Dazzle camouflage, also known as Razzle Dazzle or Dazzle painting, was a camouflage paint scheme used on ships, extensively during World War I and to a lesser extent in World War II...
(a term that may have been inspired by Thayer's writings, which referred to disruptive patterns in nature as “razzle dazzle”.)
Gradually, Thayer and Brush increasingly entrusted their camouflage work to the responsibility of their sons. Concealing Coloration in the Animal Kingdom (1909), which had taken seven years to prepare, was credited to Thayer’s son, Gerald. At about the same time, Thayer once again proposed ship camouflage to the U.S. Navy (and was again unsuccessful), this time working not with Brush, but with Brush's son, Gerome (named in honor of his father's teacher).
A few years later, with the start of World War I, Thayer made proposals to the British War Office, trying unsuccessfully to persuade them to adopt a disruptively patterned field service uniform, in place of monochrome khaki
Khaki
This article is about the fabric. For the color, see Khaki . Kaki, another name for the persimmon, is often misspelled "Khaki".Khaki is a type of fabric or the color of such fabric...
. Meanwhile, Thayer and Gerome Brush’s proposal for the use of countershading in ship camouflage was approved for use on American ships, and a handful of Thayer enthusiasts (among them Barry Faulkner and other Thayer students) recruited hundreds of artists to join the American Camouflage Corps.
Later years
By his own admission, Thayer often suffered from a condition that is now known as bipolar disorderBipolar disorder
Bipolar disorder or bipolar affective disorder, historically known as manic–depressive disorder, is a psychiatric diagnosis that describes a category of mood disorders defined by the presence of one or more episodes of abnormally elevated energy levels, cognition, and mood with or without one or...
. In his letters, he described it as “the Abbott pendulum,” by which his emotions alternated between the two extremes of (in his words) “all-wellity” and “sick disgust.” This condition apparently worsened as the controversy grew about his camouflage findings, most notably when they were denounced by former U.S. President Theodore Roosevelt
Theodore Roosevelt
Theodore "Teddy" Roosevelt was the 26th President of the United States . He is noted for his exuberant personality, range of interests and achievements, and his leadership of the Progressive Movement, as well as his "cowboy" persona and robust masculinity...
. As he aged, he suffered increasingly from panic attacks (which he termed “fright-fits”), nervous exhaustion, and suicidal thoughts, so much so that he was no longer allowed to go out in his boat alone on Dublin Pond
Dublin Pond
Dublin Pond or Dublin Lake is a water body located in Cheshire County in southwestern New Hampshire, United States, in the town of Dublin. The pond lies at an elevation of 1,480 feet above sea level, near the height of land between the Connecticut River/Long Island Sound watershed to the west...
.
At age 71, Thayer was disabled by a series of stroke
Stroke
A stroke, previously known medically as a cerebrovascular accident , is the rapidly developing loss of brain function due to disturbance in the blood supply to the brain. This can be due to ischemia caused by blockage , or a hemorrhage...
s, and died quietly at home on May 29, 1921.
Legacy
In October 2008, the first, and to date only, documentary film about Thayer’s life and work premiered at the Smithsonian American Art MuseumSmithsonian American Art Museum
The Smithsonian American Art Museum is a museum in Washington, D.C. with an extensive collection of American art.Part of the Smithsonian Institution, the museum has a broad variety of American art that covers all regions and art movements found in the United States...
. Titled Invisible: Abbott Thayer and the Art of Camouflage, it featured a wide selection of his drawings and paintings, archival photographs, historic documents, and interviews with humorist P. J. O'Rourke
P. J. O'Rourke
Patrick Jake "P. J." O'Rourke is an American political satirist, journalist, writer, and author. O'Rourke is the H. L. Mencken Research Fellow at the Cato Institute and is a regular correspondent for The Atlantic Monthly, The American Spectator, and The Weekly Standard, and frequent panelist on...
, Richard Meryman, Jr. (whose father was Thayer’s student), camouflage scholar Roy R. Behrens, Smithsonian curator Richard Murray
Richard Murray
Richard Alan Murray is an English businessman and the former chairman of Charlton Athletic F.C.Murray founded Avesco plc, the specialist services provider to the entertainment & sports industry in 1984, where he was Chairman for almost 20 years; he is the Chairman of Investinmedia plc and has other...
, Thayer’s friends and relatives, and others.
Unpublished sources
- "Abbott Handerson Thayer And Thayer Family Papers", Archives of American ArtArchives of American ArtThe Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 16 million items of original material are housed in the Archives' research centers in Washington, D.C...
Smithsonian InstitutionSmithsonian InstitutionThe Smithsonian Institution is an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its retail operations, concessions, licensing activities, and magazines...
, consisting of Thayer’s correspondence, photographs, and other manuscript material - "Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists", Archives of American ArtArchives of American ArtThe Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 16 million items of original material are housed in the Archives' research centers in Washington, D.C...
, Smithsonian InstitutionSmithsonian InstitutionThe Smithsonian Institution is an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its retail operations, concessions, licensing activities, and magazines... - Letter from Thayer to the land agent of Earl Cowley, dated June 2, 1898, at the Cornwall Record OfficeCornwall Record OfficeCornwall Record Office , part of Cornwall Council, is situated at Old County Hall in Truro and is the main repository for the historical archives of Cornwall....
, Ref. No. GHW/12/3/6/1/91/43.
Published sources
- Roy R. Behrens, “The Theories of Abbott H. Thayer: Father of Camouflage” in Leonardo. Vol 21 No 3 (1988), pp. 291–296.
- Roy R. Behrens, “Abbott H. Thayer’s Anticipation of a Computer-Based Method of Working” in Leonardo. Vol 34 No 1 (2001), pp. 19–20.
- Roy R. Behrens, “The Meaning of the White Undersides of Animals: Abbott H. Thayer and the Laws of Disguise” in False Colors: Art, Design and Modern Camouflage (Bobolink Books, 2002). ISBN 0-9713244-0-9.
- Roy R. Behrens, "Revisiting Abbott Thayer: Non-scientific Reflections About Camouflage in Art, War and Zoology" in Philosophical Transactions of the Royal Society B. Vol 364 (2009), pp. 497–501.
- Nancy Douglas Bowditch, George de Forest Brush (William Bauhan, 1970).
- Barry Faulkner, Sketches from an Artist’s Life (William Bauhan, 1973).
- Richard Meryman, “A Painter of Angels Became the Father of Camouflage” in Smithsonian Magazine (April 1999), pp. 116–128.
- Gerald H. Thayer, Concealing Coloration in the Animal Kingdom (Macmillan, 1909/1918).
- Nelson C. White, Abbott H. Thayer: Painter and Naturalist (Connecticut Printers, 1951).
- Stula, Nancy with Nancy Noble. American Artists Abroad and their Inspiration, New London: Lyman Allyn Art Museum, 2004, 64 pages http://www.lymanallyn.org
External links
- "A Painter of Angels Became the Father of Camouflage" article that first appeared in the Smithsonian Magazine
- "Invisible: Abbott Thayer and the Art of Camouflage," 60 min. documentary film, 2008 PRP Productions.
- "Abbott Thayer's Camouflage Demonstrations: Countershading, Disruption and Background Picturing"