The Myth of Sisyphus
Encyclopedia
The Myth of Sisyphus is a philosophical essay by Albert Camus
. It comprises about 120 pages and was published originally in 1942 in French
as Le Mythe de Sisyphe; the English translation by Justin O'Brien followed in 1955.
In the essay, Camus introduces his philosophy of the absurd
: man's futile search for meaning, unity and clarity in the face of an unintelligible world devoid of God
and eternal truths or values. Does the realization of the absurd require suicide
? Camus answers: "No. It requires revolt." He then outlines several approaches to the absurd life. The final chapter compares the absurdity of man's life with the situation of Sisyphus
, a figure of Greek mythology
who was condemned to repeat forever the same meaningless task of pushing a boulder up a mountain, only to see it roll down again. The essay concludes, "The struggle itself...is enough to fill a man's heart. One must imagine Sisyphus happy."
The work can be seen in relation to other works by Camus: the novel The Stranger
(1942), the play Caligula
(1945), and especially the essay The Rebel (1951).
and is organized in four chapters and one appendix.
that matters: Does the realization of the meaninglessness and absurdity of life necessarily require suicide?
He begins by describing the absurd condition: much of our life is built on the hope for tomorrow yet tomorrow brings us closer to death and is the ultimate enemy; people live as if they didn't know about the certainty of death; once stripped of its common romanticisms, the world is a foreign, strange and inhuman place; true knowledge is impossible and rationality and science cannot explain the world: their stories ultimately end in meaningless abstractions, in metaphors. "From the moment absurdity is recognized, it becomes a passion, the most harrowing of all."
It is not the world that is absurd, nor human thought: the absurd arises when the human need to understand meets the unreasonableness of the world, when "my appetite for the absolute and for unity" meets "the impossibility of reducing this world to a rational and reasonable principle."
He then characterizes a number of philosophies that describe and attempt to deal with this feeling of the absurd, by Heidegger
, Jaspers
, Shestov
, Kierkegaard
, and Husserl
. All of these, he claims, commit "philosophical suicide" by reaching conclusions that contradict the original absurd position, either by abandoning reason and turning to God, as in the case of Kierkegaard and Shestov, or by elevating reason and ultimately arriving at ubiquitous Platonic forms
and an abstract god, as in the case of Husserl.
For Camus, who set out to take the absurd seriously and follow it to its final conclusions, these "leaps" cannot convince. Taking the absurd seriously means acknowledging the contradiction between the desire of human reason and the unreasonable world. Suicide, then, also must be rejected: without man, the absurd cannot exist. The contradiction must be lived; reason and its limits must be acknowledged, without false hope. However, the absurd can never be accepted: it requires constant confrontation, constant revolt.
While the question of human freedom in the metaphysical sense loses interest to the absurd man, he gains freedom in a very concrete sense: no longer bound by hope for a better future or eternity, without a need to pursue life's purpose or to create meaning, "he enjoys a freedom with regard to common rules".
To embrace the absurd implies embracing all that the unreasonable world has to offer. Without a meaning in life, there is no scale of values. "What counts is not the best living but the most living."
Thus, Camus arrives at three consequences from the full acknowledging of the absurd: revolt, freedom and passion.
Camus then goes on to present examples of the absurd life. He begins with Don Juan
, the serial seducer who lives the passionate life to the fullest. "There is no noble love but that which recognizes itself to be both short-lived and exceptional."
The next example is the actor
, who depicts ephemeral lives for ephemeral fame. "He demonstrates to what degree appearing creates being." "In those three hours he travels the whole course of the dead-end path that the man in the audience takes a lifetime to cover."
Camus' third example of the absurd man is the conqueror, the warrior who forgoes all promises of eternity to affect and engage fully in human history. He chooses action over contemplation, aware of the fact that nothing can last and no victory is final.
He then analyzes the work of Dostoyevsky in this light, especially The Diary of a Writer, The Possessed and The Brothers Karamazov
. All these works start from the absurd position, and the first two explore the theme of philosophical suicide. But both The Diary and his last novel, The Brothers Karamazov, ultimately find a path to hope and faith and thus fail as truly absurd creations.
In the last chapter, Camus outlines the legend of Sisyphus who defied the gods and put Death in chains so that no human needed to die. When Death was eventually liberated and it came time for Sisyphus himself to die, he concocted a deceit which let him escape from the underworld. Finally captured, the gods decided on his punishment: for all eternity, he would have to push a rock up a mountain; on the top, the rock rolls down again and Sisyphus has to start over. Camus sees Sisyphus as the absurd hero who lives life to the fullest, hates death and is condemned to a meaningless task.
Camus presents Sisyphus's ceaseless and pointless toil as a metaphor for modern lives spent working at futile jobs in factories and offices. "The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious."
Camus is interested in Sisyphus' thoughts when marching down the mountain, to start anew. This is the truly tragic moment, when the hero becomes conscious of his wretched condition. He does not have hope, but "[t]here is no fate that cannot be surmounted by scorn." Acknowledging the truth will conquer it; Sisyphus, just like the absurd man, keeps pushing. Camus claims that when Sisyphus acknowledges the futility of his task and the certainty of his fate, he is freed to realize the absurdity of his situation and to reach a state of contented acceptance. With a nod to the similarly cursed Greek hero Oedipus
, Camus concludes that "all is well," indeed, that "One must imagine Sisyphus happy."
". While Camus acknowledges that Kafka's work represents an exquisite description of the absurd condition, he maintains that Kafka fails as an absurd writer because his work retains a glimmer of hope.
Albert Camus
Albert Camus was a French author, journalist, and key philosopher of the 20th century. In 1949, Camus founded the Group for International Liaisons within the Revolutionary Union Movement, which was opposed to some tendencies of the Surrealist movement of André Breton.Camus was awarded the 1957...
. It comprises about 120 pages and was published originally in 1942 in French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...
as Le Mythe de Sisyphe; the English translation by Justin O'Brien followed in 1955.
In the essay, Camus introduces his philosophy of the absurd
Absurdism
In philosophy, "The Absurd" refers to the conflict between the human tendency to seek value and meaning in life and the human inability to find any...
: man's futile search for meaning, unity and clarity in the face of an unintelligible world devoid of God
God
God is the English name given to a singular being in theistic and deistic religions who is either the sole deity in monotheism, or a single deity in polytheism....
and eternal truths or values. Does the realization of the absurd require suicide
Suicide
Suicide is the act of intentionally causing one's own death. Suicide is often committed out of despair or attributed to some underlying mental disorder, such as depression, bipolar disorder, schizophrenia, alcoholism, or drug abuse...
? Camus answers: "No. It requires revolt." He then outlines several approaches to the absurd life. The final chapter compares the absurdity of man's life with the situation of Sisyphus
Sisyphus
In Greek mythology Sisyphus was a king punished by being compelled to roll an immense boulder up a hill, only to watch it roll back down, and to repeat this throughout eternity...
, a figure of Greek mythology
Greek mythology
Greek mythology is the body of myths and legends belonging to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They were a part of religion in ancient Greece...
who was condemned to repeat forever the same meaningless task of pushing a boulder up a mountain, only to see it roll down again. The essay concludes, "The struggle itself...is enough to fill a man's heart. One must imagine Sisyphus happy."
The work can be seen in relation to other works by Camus: the novel The Stranger
The Stranger (novel)
The Stranger or The Outsider is a novel by Albert Camus published in 1942. Its theme and outlook are often cited as examples of existentialism, though Camus did not consider himself an existentialist; in fact, its content explores various philosophical schools of thought, including absurdism, as...
(1942), the play Caligula
Caligula (play)
Caligula is a play written by Albert Camus, begun in 1938 and published for the first time in May 1944 by Éditions Gallimard. The play was later the subject of numerous revisions. It was part of what the author called the "Cycle of the Absurd", with the novel The Outsider and the essay The Myth...
(1945), and especially the essay The Rebel (1951).
Summary
The essay is dedicated to Pascal PiaPascal Pia
Pascal Pia, born Pierre Durand , was a French writer, journalist, illustrator and scholar. He also used the pseudonyms Pascal Rose, Pascal Fely and others....
and is organized in four chapters and one appendix.
Chapter 1: An Absurd Reasoning
Camus undertakes to answer what he considers to be the only question of philosophyPhilosophy
Philosophy is the study of general and fundamental problems, such as those connected with existence, knowledge, values, reason, mind, and language. Philosophy is distinguished from other ways of addressing such problems by its critical, generally systematic approach and its reliance on rational...
that matters: Does the realization of the meaninglessness and absurdity of life necessarily require suicide?
He begins by describing the absurd condition: much of our life is built on the hope for tomorrow yet tomorrow brings us closer to death and is the ultimate enemy; people live as if they didn't know about the certainty of death; once stripped of its common romanticisms, the world is a foreign, strange and inhuman place; true knowledge is impossible and rationality and science cannot explain the world: their stories ultimately end in meaningless abstractions, in metaphors. "From the moment absurdity is recognized, it becomes a passion, the most harrowing of all."
It is not the world that is absurd, nor human thought: the absurd arises when the human need to understand meets the unreasonableness of the world, when "my appetite for the absolute and for unity" meets "the impossibility of reducing this world to a rational and reasonable principle."
He then characterizes a number of philosophies that describe and attempt to deal with this feeling of the absurd, by Heidegger
Martin Heidegger
Martin Heidegger was a German philosopher known for his existential and phenomenological explorations of the "question of Being."...
, Jaspers
Karl Jaspers
Karl Theodor Jaspers was a German psychiatrist and philosopher who had a strong influence on modern theology, psychiatry and philosophy. After being trained in and practicing psychiatry, Jaspers turned to philosophical inquiry and attempted to discover an innovative philosophical system...
, Shestov
Lev Shestov
Lev Isaakovich Shestov , born Yehuda Leyb Schwarzmann , was a Ukrainian/Russian existentialist philosopher. Born in Kiev on , he emigrated to France in 1921, fleeing from the aftermath of the October Revolution. He lived in Paris until his death on November 19, 1938.- Life :Shestov was born Lev...
, Kierkegaard
Søren Kierkegaard
Søren Aabye Kierkegaard was a Danish Christian philosopher, theologian and religious author. He was a critic of idealist intellectuals and philosophers of his time, such as Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling and Karl Wilhelm Friedrich Schlegel...
, and Husserl
Edmund Husserl
Edmund Gustav Albrecht Husserl was a philosopher and mathematician and the founder of the 20th century philosophical school of phenomenology. He broke with the positivist orientation of the science and philosophy of his day, yet he elaborated critiques of historicism and of psychologism in logic...
. All of these, he claims, commit "philosophical suicide" by reaching conclusions that contradict the original absurd position, either by abandoning reason and turning to God, as in the case of Kierkegaard and Shestov, or by elevating reason and ultimately arriving at ubiquitous Platonic forms
Theory of Forms
Plato's theory of Forms or theory of Ideas asserts that non-material abstract forms , and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality. When used in this sense, the word form is often capitalized...
and an abstract god, as in the case of Husserl.
For Camus, who set out to take the absurd seriously and follow it to its final conclusions, these "leaps" cannot convince. Taking the absurd seriously means acknowledging the contradiction between the desire of human reason and the unreasonable world. Suicide, then, also must be rejected: without man, the absurd cannot exist. The contradiction must be lived; reason and its limits must be acknowledged, without false hope. However, the absurd can never be accepted: it requires constant confrontation, constant revolt.
While the question of human freedom in the metaphysical sense loses interest to the absurd man, he gains freedom in a very concrete sense: no longer bound by hope for a better future or eternity, without a need to pursue life's purpose or to create meaning, "he enjoys a freedom with regard to common rules".
To embrace the absurd implies embracing all that the unreasonable world has to offer. Without a meaning in life, there is no scale of values. "What counts is not the best living but the most living."
Thus, Camus arrives at three consequences from the full acknowledging of the absurd: revolt, freedom and passion.
Chapter 2: The Absurd Man
How should the absurd man live? Clearly, no ethical rules apply, as they are all based on higher powers or on justification. "Integrity has no need of rules." 'Everything is permitted' "is not an outburst of relief or of joy, but rather a bitter acknowledgment of a fact."Camus then goes on to present examples of the absurd life. He begins with Don Juan
Don Juan
Don Juan is a legendary, fictional libertine whose story has been told many times by many authors. El burlador de Sevilla y convidado de piedra by Tirso de Molina is a play set in the fourteenth century that was published in Spain around 1630...
, the serial seducer who lives the passionate life to the fullest. "There is no noble love but that which recognizes itself to be both short-lived and exceptional."
The next example is the actor
Actor
An actor is a person who acts in a dramatic production and who works in film, television, theatre, or radio in that capacity...
, who depicts ephemeral lives for ephemeral fame. "He demonstrates to what degree appearing creates being." "In those three hours he travels the whole course of the dead-end path that the man in the audience takes a lifetime to cover."
Camus' third example of the absurd man is the conqueror, the warrior who forgoes all promises of eternity to affect and engage fully in human history. He chooses action over contemplation, aware of the fact that nothing can last and no victory is final.
Chapter 3: Absurd Creation
Here Camus explores the absurd creator or artist. Since explanation is impossible, absurd art is restricted to a description of the myriad experiences in the world. "If the world were clear, art would not exist." Absurd creation, of course, also must refrain from judging and from alluding to even the slightest shadow of hope.He then analyzes the work of Dostoyevsky in this light, especially The Diary of a Writer, The Possessed and The Brothers Karamazov
The Brothers Karamazov
The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoyevsky. Dostoyevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November 1880...
. All these works start from the absurd position, and the first two explore the theme of philosophical suicide. But both The Diary and his last novel, The Brothers Karamazov, ultimately find a path to hope and faith and thus fail as truly absurd creations.
Chapter 4: The Myth of Sisyphus
Camus presents Sisyphus's ceaseless and pointless toil as a metaphor for modern lives spent working at futile jobs in factories and offices. "The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious."
Camus is interested in Sisyphus' thoughts when marching down the mountain, to start anew. This is the truly tragic moment, when the hero becomes conscious of his wretched condition. He does not have hope, but "[t]here is no fate that cannot be surmounted by scorn." Acknowledging the truth will conquer it; Sisyphus, just like the absurd man, keeps pushing. Camus claims that when Sisyphus acknowledges the futility of his task and the certainty of his fate, he is freed to realize the absurdity of his situation and to reach a state of contented acceptance. With a nod to the similarly cursed Greek hero Oedipus
Oedipus
Oedipus was a mythical Greek king of Thebes. He fulfilled a prophecy that said he would kill his father and marry his mother, and thus brought disaster on his city and family...
, Camus concludes that "all is well," indeed, that "One must imagine Sisyphus happy."
Appendix
The essay contains an appendix titled "Hope and the Absurd in the work of Franz KafkaFranz Kafka
Franz Kafka was a culturally influential German-language author of short stories and novels. Contemporary critics and academics, including Vladimir Nabokov, regard Kafka as one of the best writers of the 20th century...
". While Camus acknowledges that Kafka's work represents an exquisite description of the absurd condition, he maintains that Kafka fails as an absurd writer because his work retains a glimmer of hope.
Sources
- The Plague, The Fall, Exile and the Kingdom, and Selected Essays, Albert Camus, Alfred A. KnopfAlfred A. KnopfAlfred A. Knopf, Inc. is a New York publishing house, founded by Alfred A. Knopf, Sr. in 1915. It was acquired by Random House in 1960 and is now part of the Knopf Doubleday Publishing Group at Random House. The publishing house is known for its borzoi trademark , which was designed by co-founder...
2004, ISBN 1-4000-4255-0
See also
- AbsurdismAbsurdismIn philosophy, "The Absurd" refers to the conflict between the human tendency to seek value and meaning in life and the human inability to find any...
- Eternal returnEternal returnEternal return is a concept which posits that the universe has been recurring, and will continue to recur, in a self-similar form an infinite number of times across infinite time or space. The concept initially inherent in Indian philosophy was later found in ancient Egypt, and was subsequently...
- Theatre of the AbsurdTheatre of the AbsurdThe Theatre of the Absurd is a designation for particular plays of absurdist fiction, written by a number of primarily European playwrights in the late 1940s, 1950s, and 1960s, as well as to the style of theatre which has evolved from their work...
- The Sickness Unto DeathThe Sickness Unto DeathThe Sickness Unto Death is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus...
by Søren KierkegaardSøren KierkegaardSøren Aabye Kierkegaard was a Danish Christian philosopher, theologian and religious author. He was a critic of idealist intellectuals and philosophers of his time, such as Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling and Karl Wilhelm Friedrich Schlegel...
External links
- Chapter 4 of the essay 'The Myth of Sisyphus', by Albert Camus
- SparkNotes on 'The Myth of Sisyphus'
- Suicide and Atheism: Camus and The Myth of Sisyphus by Richard Barnett
- The Absurd Hero by Bob Lane