Oleg Minko
Encyclopedia
Oleg Terentiyovych Minko (Ukrainian
: Олéг Терéнтійович Мінькó) (born August 3, 1938 in Makiivka
, Donetsk Oblast, Ukrainian SSR, now Ukraine
) is a Ukrainian painter and teacher, belonging to the Lviv school of artistic expression. He has been awarded the rank of 'Honoured Artist Of Ukraine' by the state and is considered to be one of the most established and rated artists in this country.
In 1959 Oleg Minko entered the Department of artistic weaving at the Lviv State Institute of Applied and Decorative Arts (now Lviv National Academy of Arts
). His professors were the eminent painters and gifted teachers Roman Selskyi and Carlo Zvirynskyi.
After graduating from the Institute in 1965, he worked as a weaving shop foreman in the Lviv Art-Production Enterprise and within five years became the head of that shop. From 1971 to 1982 he worked as a painter of the monumental shop of the Lviv Art-Production Enterprise. Since 1982 Oleg Minko has worked as senior professor of the sub department of artistic textile fabrics at the Lviv State Institute of Applied and Decorative Arts. Currently he is the head of this sub department.
Oleg Minko has been married since 1959. His spouse Olha Minko was in the past a talented weaver. Daughter Iryna Minko-Muraschyk – is a recognized artist (pastels and small format tapestry).
From 1967–1969 he created a series of works entitled "Zhyttia masok" (The Life of Masks). During this period, historical and social subjects became the main focus of the artist's creative research. He experimented with the human figure within the pictorial space of his paintings and through the use of symbolism tried to express his outrage at what he perceived was wrong in, the then, communist society. Through this approach, between 1968–1972, he was to create a new series of philosophically pertinent and metaphorically loaded works: "Nostalhiya" (Nostalgia), "Bil"(The Pain), "Lyudyna z yablukom (Illuzionist)" (The Man with an apple (The Illusionist), "Kryk" (The Scream), "Bezgluzdia"(Nonsense). These paintings – were the frank reaction of the artist to the reinforced pressure of the totalitarian government.
In 1970 Minko became a member of the Painters' Association.
During this period, his work took on a new emphasis in historical subjects. Paintings that praised Cossack times, mourned fallen heroes: "Kosak", "Smert koshovogo" (The Chieftain's Death), "Stepom" (By Step), "Poema pro davniy step" (The Tale of the Old Step). The reading of these pieces clearly shows the artist's preoccupation with things uniquely Ukrainian, national and traditional. The understanding of history and of the glorious Cossack times, pain for Ukraine's fate, prophesies on the future and concern for the present. Later, after his creative crisis that lasted almost eight years, these series of works would get a profound continuation: "Trypillya", "Banduryst", "Kniaz Sviatoslav", "Pamyat dida" (The Grandfather Memory), "Prorok" (The Prophet). Particularly striking is the canvas "Smert koshovogo" (The Chieftain's Death) which is part of the Lviv Art Gallery's collection.
Approximately from 1970 till 1978 the artist lived through a prolonged creative depression which he himself referred to as his "period of silence", triggered by long-lasting psychological stress, in turn aggravated after his friends' arrests, being tracked, being constantly called in for interrogation by the KGB
, secretly prohibited from exhibiting his works and general aggravation of the situation within the totalitarian society.
1978 signalled a new creative period in the painter's life, undergoing a kind of rebirth and unique catharsis. A breakthrough which began a new exhibiting phase in the artist's biography.
In 1981 an exhibition of three famous Lviv painters Oleg Minko, Zenoviy Flinta and Lyubomyr Medvid took place at the Lviv Picture Gallery. "The Exhibition of three" ("Vystavka triokh") – under this name it would enter art history – described as a bright event, "a sip of pure spring water" in the artistic environment.
After the success of this exhibition (not only in Lviv
, but also in Kiev
, Vilnius
and Moscow
) Oleg Minko, Zenoviy Flinta and Lyubomyr Medvid were awarded the rank of "Honoured Artists of Ukraine".
. Oleg Minko himself recons "Compositions" and "Life of the Masks" to be the turning point to his artwork.
Between 1970 - 1978 he underwent the creative crisis which he refers to as the "period of silence".
Keeping to his individual painting tradition, in the late 1980s – beginning 1990's he brought new elements and unique formal solutions to his works, creating an original world where his characters exist in the past, present and future simultaneously or – in parallel dimensions.
The key element in Oleg Minko's art work through the years is the image of Man and his fate. He raises the philosophical questions of birth, the meaning of life, our role in the universe. "Bil" (The Pain), "Nostalgiya" (The Nostalgy), "Muky" (The Passion), "Pokayannya" (The Confession), "Dvi postati" (Two Figures), "Zemnni muky" (The Earth Passions), "Bila postat" (The White Figure), "Odkrovennya" (The Afflatus), "Liudyna I yahnia" (The Human and the Sheep), "Khymery" (The Chimeras), "Divchyna z ptakhom" (The Girl with a Bird), "Vershnyk" (The Rider), "Cholovik u krisli" (The Man in a Chair) – in these and other works we find not so much the joy of life but more its drama and tragedy, emphasized by his use of a darker palette of colours and shades.
Frequently on his canvases one comes across a mysterious white figure. This figure is typical of his expressionist explorations: "Postat i bili kaly" (The Figure and White Calla Lilies), "Ogolena v lisi" (The Naked in the Forest), "Bila postat" (The White Figure), "Snig u lisi" (The Snow in the Forest)… These deformed female or sometimes androgynous figures can symbolize women, fate, Ukraine and even death.
In 1995 he painted a series of works. The wonderful "Kit i piven" (The Cat and the Rooster) as well as, "Synia golova" (The Blue Head), "Naliakanyy kin" (The Scared Hoarse), the more expressionist "Zhinochyi portret z babkoyu" (The Female Portrait with a Damselfly), "Ptashynyi spiv" (The Bird Singing), "Portret iz zelenym lystkom" (Portrait with a Green Leave), "Tryvoga" (The Anxiety), "Zhinka, yaka yde po ozeru" (The Woman Walking the Lake), "Rozmova" (The Talk), "Mandruyuchi" (The Wandering), "Velyki hmary nad ozerom" (The Big Clouds over the Lake), "Metelyk na pliazhi" (The Butterfly on the Beach), "Piven" (The Rooster), "Divchyna z ptahom" (The Girl with a Bird) – these paintings speak of reality and mysticism, the attempts to sink into the mystery of the ulterior world, bizarre life situations – a Ukrainian metaphysical world created by him.
In 2000, in the textbook for high school students "Osnovy estetyky" (The Essentials of Aesthetics) published in Kiev, the name of this Ukrainian postmodernist artist took it's deserving place next to expressionists such as the Norwegian Edward Munch, French artist Georges Rouault
, Austrian expressionist Arnulf Rainer
and the surrealists – the French Jules Breton, the Spanish Salvador Dali
and the Belgium Rene Magritte
. "It's worthwhile mentioning that an expressionist world outlook has always been an inherent quality of the Ukrainian national consciousness. In particular, works of the Lviv artist Oleg Minko "Vidchay" (The Despair), "Movchannia" (The Silence), "Perestoroga" (The Warning) – are a new step in the development of the "Slavic branch of European expressionism" – the authors L. Levchuk and O. Onyshenko state in their book.
2009 – 50 years worth of artworks – for Oleg Minko this year was one of retrospection on the work accomplished, even though the artist continued to efficiently work as a painter and a professor. He recently started working on a new series "Znykli tsyvilizazii" (The Lost Civilizations), in which one can sense the motifs behind the artist's existential emotions towards the future of humanity.
Ukrainian language
Ukrainian is a language of the East Slavic subgroup of the Slavic languages. It is the official state language of Ukraine. Written Ukrainian uses a variant of the Cyrillic alphabet....
: Олéг Терéнтійович Мінькó) (born August 3, 1938 in Makiivka
Makiivka
Makiivka, also spelled Makiyivka is an industrial city located in eastern Ukraine within the Donetsk Oblast , from the capital Donetsk. As of the 2001 Ukrainian Census, the city's population is 389,589 inhabitants, of these 178,475 are men and 211,114 are women. It is an important steel...
, Donetsk Oblast, Ukrainian SSR, now Ukraine
Ukraine
Ukraine is a country in Eastern Europe. It has an area of 603,628 km², making it the second largest contiguous country on the European continent, after Russia...
) is a Ukrainian painter and teacher, belonging to the Lviv school of artistic expression. He has been awarded the rank of 'Honoured Artist Of Ukraine' by the state and is considered to be one of the most established and rated artists in this country.
Biography
During World War II Minko's family moved to the Nosachi village in Cherkassy Oblast, where Minko's father originated from. In 1944 they returned to Makiivka. His mother Antonina Andriivna worked as an accountant in the "Makiivbud" trust. His father Terentiy Ivanovych was an economist in the machine shop at the Makiivka Metallurgical Plant. After school Oleg graduated from the Makiivka metallurgical technical training school. From early childhood Oleg loved to draw and dreamed of becoming a painter. According to the family history, Oleg's great grandfather was an icon painter.In 1959 Oleg Minko entered the Department of artistic weaving at the Lviv State Institute of Applied and Decorative Arts (now Lviv National Academy of Arts
The Lviv National Academy of Arts
Lviv National Academy of Arts represents one of the most interesting trends of higher education of Ukraine-namely professional and creative training of personalities in the field of fine art, decorative and applied arts, design, restoration, science of culture, art criticism and social and cultural...
). His professors were the eminent painters and gifted teachers Roman Selskyi and Carlo Zvirynskyi.
After graduating from the Institute in 1965, he worked as a weaving shop foreman in the Lviv Art-Production Enterprise and within five years became the head of that shop. From 1971 to 1982 he worked as a painter of the monumental shop of the Lviv Art-Production Enterprise. Since 1982 Oleg Minko has worked as senior professor of the sub department of artistic textile fabrics at the Lviv State Institute of Applied and Decorative Arts. Currently he is the head of this sub department.
Oleg Minko has been married since 1959. His spouse Olha Minko was in the past a talented weaver. Daughter Iryna Minko-Muraschyk – is a recognized artist (pastels and small format tapestry).
Artwork
Minko's early works took the form of abstract painting, expressing his internal experiences with minimum means. One of the first abstract compositions "Gra v karty" (The Card Play) was painted in 1961. Abstraction (1963–1965) gave Minko complete freedom in his searches for the unknown. Works "Zamkova sparynka" (The Keyhole), "Chorna maska" (The Black Mask), "Pechera" (The Cave), "Chorni pryamokutnyky" (The Black Rectangles), "Misiachne siayvo" (The Moonlight), "Kompozytsia z priamokutnykiv" (The Composition Of Rectangles) - are precisely measured works with a severe and ascetic feel to them. The colour range in these works consists of dark, noble colours: blacks, greys, browns, deep blues and bronzes. Minko's abstract painting stage continued until 1965. He then started looking for a new way of expressing his emotions leading him down the path to a new style of painting which the artist out of convenience calls figurative painting.From 1967–1969 he created a series of works entitled "Zhyttia masok" (The Life of Masks). During this period, historical and social subjects became the main focus of the artist's creative research. He experimented with the human figure within the pictorial space of his paintings and through the use of symbolism tried to express his outrage at what he perceived was wrong in, the then, communist society. Through this approach, between 1968–1972, he was to create a new series of philosophically pertinent and metaphorically loaded works: "Nostalhiya" (Nostalgia), "Bil"(The Pain), "Lyudyna z yablukom (Illuzionist)" (The Man with an apple (The Illusionist), "Kryk" (The Scream), "Bezgluzdia"(Nonsense). These paintings – were the frank reaction of the artist to the reinforced pressure of the totalitarian government.
In 1970 Minko became a member of the Painters' Association.
During this period, his work took on a new emphasis in historical subjects. Paintings that praised Cossack times, mourned fallen heroes: "Kosak", "Smert koshovogo" (The Chieftain's Death), "Stepom" (By Step), "Poema pro davniy step" (The Tale of the Old Step). The reading of these pieces clearly shows the artist's preoccupation with things uniquely Ukrainian, national and traditional. The understanding of history and of the glorious Cossack times, pain for Ukraine's fate, prophesies on the future and concern for the present. Later, after his creative crisis that lasted almost eight years, these series of works would get a profound continuation: "Trypillya", "Banduryst", "Kniaz Sviatoslav", "Pamyat dida" (The Grandfather Memory), "Prorok" (The Prophet). Particularly striking is the canvas "Smert koshovogo" (The Chieftain's Death) which is part of the Lviv Art Gallery's collection.
Approximately from 1970 till 1978 the artist lived through a prolonged creative depression which he himself referred to as his "period of silence", triggered by long-lasting psychological stress, in turn aggravated after his friends' arrests, being tracked, being constantly called in for interrogation by the KGB
KGB
The KGB was the commonly used acronym for the . It was the national security agency of the Soviet Union from 1954 until 1991, and was the premier internal security, intelligence, and secret police organization during that time.The State Security Agency of the Republic of Belarus currently uses the...
, secretly prohibited from exhibiting his works and general aggravation of the situation within the totalitarian society.
1978 signalled a new creative period in the painter's life, undergoing a kind of rebirth and unique catharsis. A breakthrough which began a new exhibiting phase in the artist's biography.
In 1981 an exhibition of three famous Lviv painters Oleg Minko, Zenoviy Flinta and Lyubomyr Medvid took place at the Lviv Picture Gallery. "The Exhibition of three" ("Vystavka triokh") – under this name it would enter art history – described as a bright event, "a sip of pure spring water" in the artistic environment.
After the success of this exhibition (not only in Lviv
Lviv
Lviv is a city in western Ukraine. The city is regarded as one of the main cultural centres of today's Ukraine and historically has also been a major Polish and Jewish cultural center, as Poles and Jews were the two main ethnicities of the city until the outbreak of World War II and the following...
, but also in Kiev
Kiev
Kiev or Kyiv is the capital and the largest city of Ukraine, located in the north central part of the country on the Dnieper River. The population as of the 2001 census was 2,611,300. However, higher numbers have been cited in the press....
, Vilnius
Vilnius
Vilnius is the capital of Lithuania, and its largest city, with a population of 560,190 as of 2010. It is the seat of the Vilnius city municipality and of the Vilnius district municipality. It is also the capital of Vilnius County...
and Moscow
Moscow
Moscow is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, scientific, religious, financial, educational, and transportation centre of Russia and the continent...
) Oleg Minko, Zenoviy Flinta and Lyubomyr Medvid were awarded the rank of "Honoured Artists of Ukraine".
First period
Considered the most powerful, it spanned from 1960- 1972. The series of abstract works under the general name "Compositions" and the series "Life of the Masks" were, even back then, an affirmation of the emergence of an original artist who tried to escape the jaws of socialismSocialism
Socialism is an economic system characterized by social ownership of the means of production and cooperative management of the economy; or a political philosophy advocating such a system. "Social ownership" may refer to any one of, or a combination of, the following: cooperative enterprises,...
. Oleg Minko himself recons "Compositions" and "Life of the Masks" to be the turning point to his artwork.
Between 1970 - 1978 he underwent the creative crisis which he refers to as the "period of silence".
Second period
One of "romantic realism", when the artist, according to his own words, was relearning how to paint: he worked on a series of landscapes and portraits. Artistic images were lyrically constructed by his romantically-philosophical outlook. This phase in the artists' work has its genesis with the painting "The Daughter's Portrait" completed in 1980. This work truly ushered in the romantically-realistic period that was to last until the late 1980s.Third period
A "returning to the origins" – started in the late 1980s – early 1990s, when the artist was finally able to speak out in his mature artistic style, drawing on his unique world outlook, internal experiences and visual language. In 1989 he was to create a powerful series in the subjective-figurative style. Such works as: "Perestoroga" (The Warning), "Staryi z palytseiu" (The Old Man with a Cane) and "Vidchay" (The Despair) amongst others.Current artwork
Keeping to his individual painting tradition, in the late 1980s – beginning 1990's he brought new elements and unique formal solutions to his works, creating an original world where his characters exist in the past, present and future simultaneously or – in parallel dimensions.
The key element in Oleg Minko's art work through the years is the image of Man and his fate. He raises the philosophical questions of birth, the meaning of life, our role in the universe. "Bil" (The Pain), "Nostalgiya" (The Nostalgy), "Muky" (The Passion), "Pokayannya" (The Confession), "Dvi postati" (Two Figures), "Zemnni muky" (The Earth Passions), "Bila postat" (The White Figure), "Odkrovennya" (The Afflatus), "Liudyna I yahnia" (The Human and the Sheep), "Khymery" (The Chimeras), "Divchyna z ptakhom" (The Girl with a Bird), "Vershnyk" (The Rider), "Cholovik u krisli" (The Man in a Chair) – in these and other works we find not so much the joy of life but more its drama and tragedy, emphasized by his use of a darker palette of colours and shades.
Frequently on his canvases one comes across a mysterious white figure. This figure is typical of his expressionist explorations: "Postat i bili kaly" (The Figure and White Calla Lilies), "Ogolena v lisi" (The Naked in the Forest), "Bila postat" (The White Figure), "Snig u lisi" (The Snow in the Forest)… These deformed female or sometimes androgynous figures can symbolize women, fate, Ukraine and even death.
In 1995 he painted a series of works. The wonderful "Kit i piven" (The Cat and the Rooster) as well as, "Synia golova" (The Blue Head), "Naliakanyy kin" (The Scared Hoarse), the more expressionist "Zhinochyi portret z babkoyu" (The Female Portrait with a Damselfly), "Ptashynyi spiv" (The Bird Singing), "Portret iz zelenym lystkom" (Portrait with a Green Leave), "Tryvoga" (The Anxiety), "Zhinka, yaka yde po ozeru" (The Woman Walking the Lake), "Rozmova" (The Talk), "Mandruyuchi" (The Wandering), "Velyki hmary nad ozerom" (The Big Clouds over the Lake), "Metelyk na pliazhi" (The Butterfly on the Beach), "Piven" (The Rooster), "Divchyna z ptahom" (The Girl with a Bird) – these paintings speak of reality and mysticism, the attempts to sink into the mystery of the ulterior world, bizarre life situations – a Ukrainian metaphysical world created by him.
In 2000, in the textbook for high school students "Osnovy estetyky" (The Essentials of Aesthetics) published in Kiev, the name of this Ukrainian postmodernist artist took it's deserving place next to expressionists such as the Norwegian Edward Munch, French artist Georges Rouault
Georges Rouault
Georges Henri Rouault[p] was a French Fauvist and Expressionist painter, and printmaker in lithography and etching.-Childhood and education:Rouault was born in Paris into a poor family...
, Austrian expressionist Arnulf Rainer
Arnulf Rainer
Arnulf Rainer , is an Austrian painter and is internationally renowned for his abstract informal art.In his early years, Rainer was influenced by Surrealism...
and the surrealists – the French Jules Breton, the Spanish Salvador Dali
Salvador Dalí
Salvador Domènec Felip Jacint Dalí i Domènech, Marquis de Púbol , commonly known as Salvador Dalí , was a prominent Spanish Catalan surrealist painter born in Figueres,Spain....
and the Belgium Rene Magritte
René Magritte
René François Ghislain Magritte[p] was a Belgian surrealist artist. He became well known for a number of witty and thought-provoking images...
. "It's worthwhile mentioning that an expressionist world outlook has always been an inherent quality of the Ukrainian national consciousness. In particular, works of the Lviv artist Oleg Minko "Vidchay" (The Despair), "Movchannia" (The Silence), "Perestoroga" (The Warning) – are a new step in the development of the "Slavic branch of European expressionism" – the authors L. Levchuk and O. Onyshenko state in their book.
2009 – 50 years worth of artworks – for Oleg Minko this year was one of retrospection on the work accomplished, even though the artist continued to efficiently work as a painter and a professor. He recently started working on a new series "Znykli tsyvilizazii" (The Lost Civilizations), in which one can sense the motifs behind the artist's existential emotions towards the future of humanity.
External links
- Олег Мінько.Розмова перша. // Галерея "Дзига" Oleg Minko. First talk. Dzyga Gallery, Lviv (ukr).
- Олег Мінько: митець мусить бути зі своїм народом. // Радіо Свобода Oleg Minko: an artist has to be with his people. Radio Liberty (ukr).
- Образ і Контекст.//Іван Андрусяк // Українська літературна газета Image and Context. Ukrainian Literature Gazette (ukr).