Luiz Bonfá
Encyclopedia
Luiz Floriano Bonfá (October 17, 1922January 12, 2001) was a Brazil
ian guitarist
and composer
best known for the compositions he penned for the film Black Orpheus
.
. He began teaching himself to play guitar as a child; he studied in Rio with Uruguay
an classical guitar
ist Isaías Sávio from the age of twelve. These weekly lessons entailed a long, harsh commute by rail and on foot from his family home in the western rural outskirts of Rio de Janeiro to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons.
Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional
, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his compositions were recorded and performed by Brazilian crooner Dick Farney
in the 1950s. It was through Farney that Bonfá was introduced to Antonio Carlos Jobim
and Vinicius de Moraes
, the leading songwriting team behind the worldwide explosion of Brazilian jazz
/pop music
in the late 1950s and 1960s. Bonfá collaborated with these and with other prominent Brazilian musicians and artists in productions of de Moraes' anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus' legendary film "Black Orpheus" (Orfeu Negro in Portuguese
). In the burgeoning days of Rio de Janeiro's thriving jazz scene, it was commonplace for musicians, artists, and dramatists to collaborate in such theatrical presentations. Bonfá wrote some of the original music featured in the film, including the numbers "Samba de Orfeu" and his most famous composition, "Manhã de Carnaval" (of which Carl Sigman
later wrote a different set of English lyrics titled "A Day in the Life of a Fool"), which has been among the top ten standards
played worldwide, according to The Guinness Book of World Records.
As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção
style that predated the arrival of João Gilberto
's more refined and subdued bossa nova
style. Jobim, João Donato
, Dorival Caymmi
, and other contemporaries were also essentially samba-canção musicians until the sudden, massive popularity of the young Gilberto's unique style of guitar playing and expressively muted vocals transformed the music of the day into the music of the future. Camus' film and Gilberto's and Jobim's collaborations with American jazzmen such as Stan Getz
and Charlie Byrd
did much to bring Brazilian popular music to the attention of the world, and Bonfá became a highly visible ambassador of Brazilian music in the United States
beginning with the famous November 1962 Bossa Nova concert at New York
's Carnegie Hall
.
Luiz Bonfá worked with American musicians such as Quincy Jones
, George Benson
, Stan Getz
, and Frank Sinatra
, recording several albums while in United States. Elvis Presley
sang a Bonfá composition, "Almost in Love", in the 1968 MGM film "Live a Little, Love a Little".
Bonfá died in Rio de Janeiro on January 12, 2001. He was 78 years old.
Recordings released an album of Bonfá's work, entitled, "Solo in Rio 1959", which included previously unreleased material from the original recording session.
In 2008, Universal Music France released a coffee table book
containing two CDs which included previously unreleased material of "Black Orpheus" soundtrack, and a DVD. Also in 2008, Universal Music released "The Brazilian Scene", "Braziliana" and "Black Orpheus" celebrating the 50th anniversary of the bossa nova.
Bonfá's major legacy continues to be his compositions from the "Black Orpheus" soundtrack, most notably the instantly recognizable bossa nova classic "Manhã de Carnaval." But Bonfá's huge discography also attests to his uniquely inventive mastery of Brazilian jazz guitar. Bonfá's guitar style was brassier and more penetrating than that of his major contemporary, João Gilberto, and Bonfá was a frequent and adept soloist whereas Gilberto plays his own suave, intricate brand of rhythm guitar almost exclusively. Bonfá often played solo guitar in a polyphonic style, harmonizing melody lines in a manner similar to that made famous by Wes Montgomery
in the USA, or playing lead and rhythm parts simultaneously. As a composer and as a guitarist, Bonfá played a pivotal role in bridging the incumbent samba-canção style with the innovations of the bossa nova movement.
In 2011 Australian singer/songwriter Gotye
sampled Bonfá's song "Seville" in his critically acclaimed single "Somebody That I Used to Know
."
Brazil
Brazil , officially the Federative Republic of Brazil , is the largest country in South America. It is the world's fifth largest country, both by geographical area and by population with over 192 million people...
ian guitarist
Guitarist
A guitarist is a musician who plays the guitar. Guitarists may play a variety of instruments such as classical guitars, acoustic guitars, electric guitars, and bass guitars. Some guitarists accompany themselves on the guitar while singing.- Versatility :The guitarist controls an extremely...
and composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
best known for the compositions he penned for the film Black Orpheus
Black Orpheus
Black Orpheus is a 1959 film made in Brazil by French director Marcel Camus. It is based on the play Orfeu da Conceição by Vinicius de Moraes, which is an adaptation of the Greek legend of Orpheus and Eurydice, setting it in the modern context of a favela in Rio de Janeiro during the Carnaval...
.
Biography
Bonfá was born on October 17, 1922 in Rio de JaneiroRio de Janeiro
Rio de Janeiro , commonly referred to simply as Rio, is the capital city of the State of Rio de Janeiro, the second largest city of Brazil, and the third largest metropolitan area and agglomeration in South America, boasting approximately 6.3 million people within the city proper, making it the 6th...
. He began teaching himself to play guitar as a child; he studied in Rio with Uruguay
Uruguay
Uruguay ,officially the Oriental Republic of Uruguay,sometimes the Eastern Republic of Uruguay; ) is a country in the southeastern part of South America. It is home to some 3.5 million people, of whom 1.8 million live in the capital Montevideo and its metropolitan area...
an classical guitar
Classical guitar
The classical guitar is a 6-stringed plucked string instrument from the family of instruments called chordophones...
ist Isaías Sávio from the age of twelve. These weekly lessons entailed a long, harsh commute by rail and on foot from his family home in the western rural outskirts of Rio de Janeiro to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons.
Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional
Rádio Nacional
-Rádio Nacional broadcasters:*Rádio Nacional Brasília - Brasília - 980 kHz*Rádio Nacional FM Brasília - Brasília - 96.1 MHz*Rádio Nacional Rio de Janeiro - Rio de Janeiro - 1130 kHz*Rádio MEC AM Rio de Janeiro - Rio de Janeiro - 800Kz...
, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his compositions were recorded and performed by Brazilian crooner Dick Farney
Dick Farney
Dick Farney was a Brazilian pianist, pop-composer, and "crooner" popular in the 1950s.- Discography :...
in the 1950s. It was through Farney that Bonfá was introduced to Antonio Carlos Jobim
Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim , also known as Tom Jobim , was a Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within...
and Vinicius de Moraes
Vinicius de Moraes
Marcus Vinicius de Moraes , known as Vinicius de Moraes and nicknamed O Poetinho , was born in Rio de Janeiro, Brazil. Son of Lydia Cruz de Moraes and Clodoaldo Pereira da Silva Moraes, he was a seminal figure in contemporary Brazilian music...
, the leading songwriting team behind the worldwide explosion of Brazilian jazz
Jazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...
/pop music
Pop music
Pop music is usually understood to be commercially recorded music, often oriented toward a youth market, usually consisting of relatively short, simple songs utilizing technological innovations to produce new variations on existing themes.- Definitions :David Hatch and Stephen Millward define pop...
in the late 1950s and 1960s. Bonfá collaborated with these and with other prominent Brazilian musicians and artists in productions of de Moraes' anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus' legendary film "Black Orpheus" (Orfeu Negro in Portuguese
Portuguese language
Portuguese is a Romance language that arose in the medieval Kingdom of Galicia, nowadays Galicia and Northern Portugal. The southern part of the Kingdom of Galicia became independent as the County of Portugal in 1095...
). In the burgeoning days of Rio de Janeiro's thriving jazz scene, it was commonplace for musicians, artists, and dramatists to collaborate in such theatrical presentations. Bonfá wrote some of the original music featured in the film, including the numbers "Samba de Orfeu" and his most famous composition, "Manhã de Carnaval" (of which Carl Sigman
Carl Sigman
Carl Sigman was an American songwriter.-Biography:Born in Crown Heights, Brooklyn, New York, Sigman graduated from law school and passed his Bar exams to practice in the state of New York...
later wrote a different set of English lyrics titled "A Day in the Life of a Fool"), which has been among the top ten standards
Jazz standard
Jazz standards are musical compositions which are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be...
played worldwide, according to The Guinness Book of World Records.
As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção
Samba-canção
Samba-canção is a kind of slow samba music from Brazil. It appeared in the late 1940s. During the 1950s several stars used to sing it including Dalva de Oliveira, Nora Ney, The Batista Sisters, Jamelão, Maysa, Dorival Caymmi and many others...
style that predated the arrival of João Gilberto
João Gilberto
João Gilberto Prado Pereira de Oliveira, known as João Gilberto , is a Brazilian singer and guitarist. His seminal recordings, including many songs by Antônio Carlos Jobim and Vinicius de Moraes, established the new musical genre of Bossa nova in the late 1950s.-Biography:From an early age, music...
's more refined and subdued bossa nova
Bossa nova
Bossa nova is a style of Brazilian music. Bossa nova acquired a large following in the 1960s, initially consisting of young musicians and college students...
style. Jobim, João Donato
João Donato
João Donato de Oliveira Neto is a Brazilian jazz and bossa nova pianist from Brazil, probably best known for his numerous albums as bandleader in the idiom...
, Dorival Caymmi
Dorival Caymmi
Dorival Caymmi was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933...
, and other contemporaries were also essentially samba-canção musicians until the sudden, massive popularity of the young Gilberto's unique style of guitar playing and expressively muted vocals transformed the music of the day into the music of the future. Camus' film and Gilberto's and Jobim's collaborations with American jazzmen such as Stan Getz
Stan Getz
Stanley Getz was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott...
and Charlie Byrd
Charlie Byrd
Charlie Lee Byrd was a famous and versatile American guitarist born in Suffolk, Virginia. His earliest and strongest musical influence was Django Reinhardt, the famous gypsy guitarist. Byrd became the American guitarist who best understood and played Brazilian music, especially the Bossa Nova genre...
did much to bring Brazilian popular music to the attention of the world, and Bonfá became a highly visible ambassador of Brazilian music in the United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
beginning with the famous November 1962 Bossa Nova concert at New York
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
's Carnegie Hall
Carnegie Hall
Carnegie Hall is a concert venue in Midtown Manhattan in New York City, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park....
.
Luiz Bonfá worked with American musicians such as Quincy Jones
Quincy Jones
Quincy Delightt Jones, Jr. is an American record producer and musician. A conductor, musical arranger, film composer, television producer, and trumpeter. His career spans five decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend...
, George Benson
George Benson
George Benson is a ten Grammy Award winning American musician, whose production career began at the age of twenty-one as a jazz guitarist....
, Stan Getz
Stan Getz
Stanley Getz was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott...
, and Frank Sinatra
Frank Sinatra
Francis Albert "Frank" Sinatra was an American singer and actor.Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became an unprecedentedly successful solo artist in the early to mid-1940s, after being signed to Columbia Records in 1943. Being the idol of the...
, recording several albums while in United States. Elvis Presley
Elvis Presley
Elvis Aaron Presley was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King"....
sang a Bonfá composition, "Almost in Love", in the 1968 MGM film "Live a Little, Love a Little".
Bonfá died in Rio de Janeiro on January 12, 2001. He was 78 years old.
Legacy
In 2005, Smithsonian FolkwaysSmithsonian Folkways
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways...
Recordings released an album of Bonfá's work, entitled, "Solo in Rio 1959", which included previously unreleased material from the original recording session.
In 2008, Universal Music France released a coffee table book
Coffee table book
A coffee table book is a hardcover book that is intended to sit on a coffee table or similar surface in an area where guests sit and are entertained, thus inspiring conversation or alleviating boredom. They tend to be oversized and of heavy construction, since there is no pressing need for...
containing two CDs which included previously unreleased material of "Black Orpheus" soundtrack, and a DVD. Also in 2008, Universal Music released "The Brazilian Scene", "Braziliana" and "Black Orpheus" celebrating the 50th anniversary of the bossa nova.
Bonfá's major legacy continues to be his compositions from the "Black Orpheus" soundtrack, most notably the instantly recognizable bossa nova classic "Manhã de Carnaval." But Bonfá's huge discography also attests to his uniquely inventive mastery of Brazilian jazz guitar. Bonfá's guitar style was brassier and more penetrating than that of his major contemporary, João Gilberto, and Bonfá was a frequent and adept soloist whereas Gilberto plays his own suave, intricate brand of rhythm guitar almost exclusively. Bonfá often played solo guitar in a polyphonic style, harmonizing melody lines in a manner similar to that made famous by Wes Montgomery
Wes Montgomery
John Leslie "Wes" Montgomery was an American jazz guitarist. He is widely considered one of the major jazz guitarists, emerging after such seminal figures as Django Reinhardt and Charlie Christian and influencing countless others, including Pat Martino, George Benson, Russell Malone, Emily...
in the USA, or playing lead and rhythm parts simultaneously. As a composer and as a guitarist, Bonfá played a pivotal role in bridging the incumbent samba-canção style with the innovations of the bossa nova movement.
In 2011 Australian singer/songwriter Gotye
Gotye
Wouter "Wally" De Backer , also known professionally by his stage name Gotye , is a Belgian-Australian multi-instrumental musician and singer-songwriter. He has released three studio albums independently and one remix album featuring remixes of tracks from his first two albums...
sampled Bonfá's song "Seville" in his critically acclaimed single "Somebody That I Used to Know
Somebody That I Used to Know
"Somebody That I Used to Know" is a song by Australian-Belgian singer and songwriter Gotye from his third studio album Making Mirrors, and features New Zealand singer Kimbra. The song was written by Gotye himself, lyrically about his experiences he had in broken relationships...
."
External links
- Luiz Bonfá The Brazilian Wizard by Brian Hodel
- http://www.scribd.com/doc/14740047/Bossa-Nova-Carnegie-Hall-1962Nos Bastidores do Concerto de Bossa NovaBossa NovaBossa Nova may refer to:*Bossa nova, a style of music*Bossa Nova , a dance form associated with the music*Bossa Nova , a 2000 film*Bossa Nova - album by John Pizzarelli...
no Carnegie HallCarnegie HallCarnegie Hall is a concert venue in Midtown Manhattan in New York City, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park....
1962] - Solo in Rio 1959 Album Details at Smithsonian FolkwaysSmithsonian FolkwaysSmithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways...
- Luiz Bonfá on IMDb
- Luiz Bonfá obituary article (2001) by Francesco Neves
- Luiz Bonfá discography with album art and descriptions by Koichi and Motoko Yasuoka
- http://www.youtube.com/watch?v=Xevuv4HLrbALuiz Bonfá on the Kraft Music Hall hosted by Perry ComoPerry ComoPierino Ronald "Perry" Como was an American singer and television personality. During a career spanning more than half a century he recorded exclusively for the RCA Victor label after signing with them in 1943. "Mr...
in 1963] - http://www.youtube.com/watch?v=qwlx7IC0oWgLuiz Bonfá on the Julie Andrews Hour with Steve LawrenceSteve LawrenceSteve Lawrence is an American singer and actor, perhaps best known as a member of a duo with his wife Eydie Gormé, billed as "Steve and Eydie"...
in 1973]