Kui (instrumental musical composition)
Encyclopedia
Kui -is an instrumental musical composition with 1,5–4 minutes length. This type of composition is met in musical culture of almost all Kipchak peoples, including Kazakh
s and Kyrgyzs. Kui is performed with different national plucked, bow and wind instruments such as Dombyra, Qobyz, Syrnai, etc. Mostly Kuis are performed with plucked instruments: Dombyra of Kazakhs and Komuz
of Kyrgyzs. In 20-ies centuries Kazakh soviet musicians experimented with chorus performance of Kuis.
KUI IN KAZAKH CULTURE PERFORMED WITH DOMBYRA
In Kazakh culture Kuis were learned by heart and passed from generation to generation without written fixation. For example Kazakh folk Kui “aqsaq qulan”(lame onager) is dated 13 century. Authors of many famous Kazakh Kuis lived in Middle Ages
. But the pick of the culture comes to 19 and 20 centuries. Kui tradition included also verbal part that explained in detail the story for the Kui composition, personalities, reasons and legends of it. So before performing the Kui the performer used to give a story about the composition to play, so the auditory could get proper feelings from that. But by the time the verbal tradition for Kuis was finally separated from instrumental performances and only few Kuishi (performer of Kui) still keep this verbal part of Kazakh instrumental Kui tradition.
Ancient composers of Kuis
Dombyra Kuis were formed in the result of centuries-old folk
instrumental performance tradition. There are many outstanding middle age musicians in Kazakh history:
1. Sypyra-Zhyrau (14 century)
2. Qaztugan or Abulqadir (15 century)
3. Asanqaigy (14-15 centuries)
4. Baizhigit (15-16 centuries).
But the peak of the culture was achieved by the middle of 19 century. Then very many famous composer
s lived that created famous Kuis:
1. Qurmangazy Sagyrbai (1823–1889)
2. Mahambet Otemisuly (Utemisov, 1803–1846)
3. Dauletkerei Shygauly (Shygaev, 1821–1875 )
4. Tattimbet Qazangapuly (Kazangapov, 1817–1862)
5. Abyl Taraquly, (Taraqov, 1820–1892)
6. Esbai (1810–1901)
7. Qazangap (1854–1921)
8. Toqa Shonmanuly (Shonmanov, 1830–1904) and others.
The famous composer woman Dina Nurpeisqyzy, or Dina Nurpisova (1861–1955) also began then her career. We can’t miss from the list Sugir Aliuly, or Sugur Aliev (1882–1961) and many others.
Types of Kui
There are folks Kuis and Kuis composed by Authors. It said that folks Kui may take their beginning from ritual worship acts of nomad
tribes. Ever famous Kuishy (Performer of Kui) had his own unique techniques and features.
The themes of Kuis are very fifferent: from philosophic thoughts to the wildness of nature. For example Dauletkerei’s Kui, «Zhiger» that means “energy to live” or Qazangap’s Kui “Kokil” that means “melody of my soul”; Osen Tore’s Kui, “ottin dunie, kettin dunie” that means “my days have past”. Other Kuis represent detailed psychological portraits of individuals (Qurmangazy’s Kui “Toremurat”-the name of a male person; Mamen’s Kui “Aqsholpan” which is the name of a woman; Dina’s “Asem qonyr”). Other Kuis are about mother land-vast fields of Steppe: Qurmangazy’s Kui «Sary Arqa» that means “Golden Steppe”; Tattimbet’s Kui “Sarzhailau”-Golden Plateau; Bogda’s Kui “Zhem Suynyn tasqyny” means “flood of the Zhem River”.
The other part of Kuis is dedicated to some events in the lives of Kuishis or composers. (Qurmangazy’s Kui “Aman bol sheshem, aman bol” means Take care, Mama, Take care; Tattimbet’s Kui “Kokei kesti” internal disturbance; Dina’s “Qaraqasqa at” means a dark horse with white spot on its head.
Another group of Kuis is formed with Kuis dedicated to the birds and animals: folks’ “Bozingen” means white female camel, Telkqonyr-which is the name of a horse; Ashimtai’s “Qonyr qaz” means “brown goose”; Sugir’s Kui “Aqqu” means “white swan”. So we can say that nomads expressed very thoroughly the environment of their daily life through Kuis.
Kui tradition
There are two musical types of Kuis; tokpe kuis (prevail in Western Kazakhstan) and shertpe kuis (Eastern, Southern and Central Kazakhstan
). Shertpe kui differs from Tokpe kui in the sense of the theme, forms, and performance. Western tokpe Kuis reflect dramatic events, give very strong aggressive associations. These Kuis are composed according to its rules –certain sequence of tone sets on the Dombyra neck.
Shertpe Kuis do not have such rules for composing. They are very melodic and seem to be a sound truck for songs. They are free in the style. They give very deep, gentle and soft associations.
Most prominent composers of Tokpe Kuis are Qurmangazy, Dauletkerey, Qazangap, Abyl, Esir, Esbay, Dina, Seitek, etc. The biggest figure in Kui tradition is undoughtly Qurmangazy from western school of Kui tradition. He created the biggest hits among Kui compositions. Shertpe tradition is represented by Baizhigit, Tattimbet, Toqa, Dairabai, Sugur, Ryzdyq, Abiken, Tolegen and many others.
Kazakhs
The Kazakhs are a Turkic people of the northern parts of Central Asia ....
s and Kyrgyzs. Kui is performed with different national plucked, bow and wind instruments such as Dombyra, Qobyz, Syrnai, etc. Mostly Kuis are performed with plucked instruments: Dombyra of Kazakhs and Komuz
Komuz
The komuz or qomuz , Azeri Gopuz, Turkish Kopuz, is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments and the lute....
of Kyrgyzs. In 20-ies centuries Kazakh soviet musicians experimented with chorus performance of Kuis.
KUI IN KAZAKH CULTURE PERFORMED WITH DOMBYRA
In Kazakh culture Kuis were learned by heart and passed from generation to generation without written fixation. For example Kazakh folk Kui “aqsaq qulan”(lame onager) is dated 13 century. Authors of many famous Kazakh Kuis lived in Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
. But the pick of the culture comes to 19 and 20 centuries. Kui tradition included also verbal part that explained in detail the story for the Kui composition, personalities, reasons and legends of it. So before performing the Kui the performer used to give a story about the composition to play, so the auditory could get proper feelings from that. But by the time the verbal tradition for Kuis was finally separated from instrumental performances and only few Kuishi (performer of Kui) still keep this verbal part of Kazakh instrumental Kui tradition.
Ancient composers of Kuis
Dombyra Kuis were formed in the result of centuries-old folk
Folk music
Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers....
instrumental performance tradition. There are many outstanding middle age musicians in Kazakh history:
1. Sypyra-Zhyrau (14 century)
2. Qaztugan or Abulqadir (15 century)
3. Asanqaigy (14-15 centuries)
4. Baizhigit (15-16 centuries).
But the peak of the culture was achieved by the middle of 19 century. Then very many famous composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
s lived that created famous Kuis:
1. Qurmangazy Sagyrbai (1823–1889)
2. Mahambet Otemisuly (Utemisov, 1803–1846)
3. Dauletkerei Shygauly (Shygaev, 1821–1875 )
4. Tattimbet Qazangapuly (Kazangapov, 1817–1862)
5. Abyl Taraquly, (Taraqov, 1820–1892)
6. Esbai (1810–1901)
7. Qazangap (1854–1921)
8. Toqa Shonmanuly (Shonmanov, 1830–1904) and others.
The famous composer woman Dina Nurpeisqyzy, or Dina Nurpisova (1861–1955) also began then her career. We can’t miss from the list Sugir Aliuly, or Sugur Aliev (1882–1961) and many others.
Types of Kui
There are folks Kuis and Kuis composed by Authors. It said that folks Kui may take their beginning from ritual worship acts of nomad
Nomad
Nomadic people , commonly known as itinerants in modern-day contexts, are communities of people who move from one place to another, rather than settling permanently in one location. There are an estimated 30-40 million nomads in the world. Many cultures have traditionally been nomadic, but...
tribes. Ever famous Kuishy (Performer of Kui) had his own unique techniques and features.
The themes of Kuis are very fifferent: from philosophic thoughts to the wildness of nature. For example Dauletkerei’s Kui, «Zhiger» that means “energy to live” or Qazangap’s Kui “Kokil” that means “melody of my soul”; Osen Tore’s Kui, “ottin dunie, kettin dunie” that means “my days have past”. Other Kuis represent detailed psychological portraits of individuals (Qurmangazy’s Kui “Toremurat”-the name of a male person; Mamen’s Kui “Aqsholpan” which is the name of a woman; Dina’s “Asem qonyr”). Other Kuis are about mother land-vast fields of Steppe: Qurmangazy’s Kui «Sary Arqa» that means “Golden Steppe”; Tattimbet’s Kui “Sarzhailau”-Golden Plateau; Bogda’s Kui “Zhem Suynyn tasqyny” means “flood of the Zhem River”.
The other part of Kuis is dedicated to some events in the lives of Kuishis or composers. (Qurmangazy’s Kui “Aman bol sheshem, aman bol” means Take care, Mama, Take care; Tattimbet’s Kui “Kokei kesti” internal disturbance; Dina’s “Qaraqasqa at” means a dark horse with white spot on its head.
Another group of Kuis is formed with Kuis dedicated to the birds and animals: folks’ “Bozingen” means white female camel, Telkqonyr-which is the name of a horse; Ashimtai’s “Qonyr qaz” means “brown goose”; Sugir’s Kui “Aqqu” means “white swan”. So we can say that nomads expressed very thoroughly the environment of their daily life through Kuis.
Kui tradition
There are two musical types of Kuis; tokpe kuis (prevail in Western Kazakhstan) and shertpe kuis (Eastern, Southern and Central Kazakhstan
Kazakhstan
Kazakhstan , officially the Republic of Kazakhstan, is a transcontinental country in Central Asia and Eastern Europe. Ranked as the ninth largest country in the world, it is also the world's largest landlocked country; its territory of is greater than Western Europe...
). Shertpe kui differs from Tokpe kui in the sense of the theme, forms, and performance. Western tokpe Kuis reflect dramatic events, give very strong aggressive associations. These Kuis are composed according to its rules –certain sequence of tone sets on the Dombyra neck.
Shertpe Kuis do not have such rules for composing. They are very melodic and seem to be a sound truck for songs. They are free in the style. They give very deep, gentle and soft associations.
Most prominent composers of Tokpe Kuis are Qurmangazy, Dauletkerey, Qazangap, Abyl, Esir, Esbay, Dina, Seitek, etc. The biggest figure in Kui tradition is undoughtly Qurmangazy from western school of Kui tradition. He created the biggest hits among Kui compositions. Shertpe tradition is represented by Baizhigit, Tattimbet, Toqa, Dairabai, Sugur, Ryzdyq, Abiken, Tolegen and many others.