Jupiter and Thetis (Ingres)
Encyclopedia
Jupiter and Thetis is a 1811 painting by the French neoclassical
painter Jean Auguste Dominique Ingres
, in the Musée Granet, Aix-en-Provence
, France. Painted when the artist was yet 31, the work severely and pointedly contrasts the grandeur and might of a cloud-born Olympian
male deity against that of a diminutive and half nude nymph
. Ingres' subject matter is borrowed from an episode in Homer
's Iliad
when the sea nymph Thetis
begs Jupiter
to intervene and guide the fate of her son Achilles
; who was at the time embroiled in the Trojan War
.
The painting is steeped in the traditions of both classical and neoclassical art, most notably in its grand scale of 136⅝ × 101¼ inches. Ingres creates many visual contrasts between the God and the slithering nymph: Jupiter is shown facing the viewer frontally with both his arms and legs spread broadly across the canvas, while the color of his dress and flesh echos that of the marble at his feet. In contrast, Thetis is rendered in sensuous curves and portrayed in supplication to the mercy of a cruel God who holds the fate of her son in his hands. Thetis' right hand falls on Jupiter's hip with a suggestion of erotic caress, while the dark green of her dress accents the dread and foreboding of the bare landscape behind. Her clothing is drawn up against her lower hip, and seems about to fall off. The focal point of the work is Thetis' left hand extended vertically upright as she attempts to stroke the beard of the God.
Jupiter's pose is closely based on that of the famous chryselephantine sculpture, the Statue of Zeus at Olympia
(Zeus
being Jupiter's Greek equivalent), one of the Seven Wonders of the Ancient World
. This was made by the Greek sculptor of the Classical period
, Phidias
, circa 432 BC and destroyed in Antiquity, but its pose is known from coins and small replicas. Here the pose is reversed right to left, and the arm to the viewer's right is higher than in the original, which held out a statue of Nike
.
Jupiter and Thetis was painted to meet the artist's obligations to the French Academy in Rome
, and although its overhand tone correctly reflected the patriarchal bias of Napoleon
's regime in its contrast between male power and female subservience, it is generally regarded as a rejection of such values. Ingres highly regarded the painting, and in a manner it marries the great motifs of his career: the voluptuousness of the female character and the authoritative austerity on the male deity.
Ingres kept Jupiter and Thetis in his studio until 1834, when it was purchased by the state. In 1848, he made a single pencil copy. The painting was first exhibited at the 1911 Paris Salon, at a time when Ingres' attention to line coupled with his disregard for anatomical reality was yet to find favour among critics.
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
painter Jean Auguste Dominique Ingres
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest...
, in the Musée Granet, Aix-en-Provence
Aix-en-Provence
Aix , or Aix-en-Provence to distinguish it from other cities built over hot springs, is a city-commune in southern France, some north of Marseille. It is in the region of Provence-Alpes-Côte d'Azur, in the département of Bouches-du-Rhône, of which it is a subprefecture. The population of Aix is...
, France. Painted when the artist was yet 31, the work severely and pointedly contrasts the grandeur and might of a cloud-born Olympian
Twelve Olympians
The Twelve Olympians, also known as the Dodekatheon , in Greek mythology, were the principal deities of the Greek pantheon, residing atop Mount Olympus. Zeus, Hera, Poseidon, Demeter, Hestia, and Hades were siblings. Ares, Hermes, Hephaestus, Athena, Apollo, and Artemis were children of Zeus...
male deity against that of a diminutive and half nude nymph
Nymph
A nymph in Greek mythology is a female minor nature deity typically associated with a particular location or landform. Different from gods, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing;...
. Ingres' subject matter is borrowed from an episode in Homer
Homer
In the Western classical tradition Homer , is the author of the Iliad and the Odyssey, and is revered as the greatest ancient Greek epic poet. These epics lie at the beginning of the Western canon of literature, and have had an enormous influence on the history of literature.When he lived is...
's Iliad
Iliad
The Iliad is an epic poem in dactylic hexameters, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles...
when the sea nymph Thetis
Thetis
Silver-footed Thetis , disposer or "placer" , is encountered in Greek mythology mostly as a sea nymph or known as the goddess of water, one of the fifty Nereids, daughters of the ancient one of the seas with shape-shifting abilities who survives in the historical vestiges of most later Greek myths...
begs Jupiter
Jupiter (mythology)
In ancient Roman religion and myth, Jupiter or Jove is the king of the gods, and the god of the sky and thunder. He is the equivalent of Zeus in the Greek pantheon....
to intervene and guide the fate of her son Achilles
Achilles
In Greek mythology, Achilles was a Greek hero of the Trojan War, the central character and the greatest warrior of Homer's Iliad.Plato named Achilles the handsomest of the heroes assembled against Troy....
; who was at the time embroiled in the Trojan War
Trojan War
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including the Iliad...
.
The painting is steeped in the traditions of both classical and neoclassical art, most notably in its grand scale of 136⅝ × 101¼ inches. Ingres creates many visual contrasts between the God and the slithering nymph: Jupiter is shown facing the viewer frontally with both his arms and legs spread broadly across the canvas, while the color of his dress and flesh echos that of the marble at his feet. In contrast, Thetis is rendered in sensuous curves and portrayed in supplication to the mercy of a cruel God who holds the fate of her son in his hands. Thetis' right hand falls on Jupiter's hip with a suggestion of erotic caress, while the dark green of her dress accents the dread and foreboding of the bare landscape behind. Her clothing is drawn up against her lower hip, and seems about to fall off. The focal point of the work is Thetis' left hand extended vertically upright as she attempts to stroke the beard of the God.
Jupiter's pose is closely based on that of the famous chryselephantine sculpture, the Statue of Zeus at Olympia
Statue of Zeus at Olympia
The Statue of Zeus at Olympia was made by the Greek sculptor Phidias, circa 432 BC on the site where it was erected in the Temple of Zeus, Olympia, Greece. It was one of the Seven Wonders of the Ancient World.-Description:...
(Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
being Jupiter's Greek equivalent), one of the Seven Wonders of the Ancient World
Seven Wonders of the Ancient World
The Seven Wonders of the World refers to remarkable constructions of classical antiquity listed by various authors in guidebooks popular among the ancient Hellenic tourists, particularly in the 1st and 2nd centuries BC...
. This was made by the Greek sculptor of the Classical period
Classical Greece
Classical Greece was a 200 year period in Greek culture lasting from the 5th through 4th centuries BC. This classical period had a powerful influence on the Roman Empire and greatly influenced the foundation of Western civilizations. Much of modern Western politics, artistic thought, such as...
, Phidias
Phidias
Phidias or the great Pheidias , was a Greek sculptor, painter and architect, who lived in the 5th century BC, and is commonly regarded as one of the greatest of all sculptors of Classical Greece: Phidias' Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World...
, circa 432 BC and destroyed in Antiquity, but its pose is known from coins and small replicas. Here the pose is reversed right to left, and the arm to the viewer's right is higher than in the original, which held out a statue of Nike
Nike (mythology)
In Greek mythology, Nike was a goddess who personified victory, also known as the Winged Goddess of Victory. The Roman equivalent was Victoria. Depending upon the time of various myths, she was described as the daughter of Pallas and Styx and the sister of Kratos , Bia , and Zelus...
.
Jupiter and Thetis was painted to meet the artist's obligations to the French Academy in Rome
French Academy in Rome
The French Academy in Rome is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio in Rome, Italy.-History:...
, and although its overhand tone correctly reflected the patriarchal bias of Napoleon
Napoleon I of France
Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...
's regime in its contrast between male power and female subservience, it is generally regarded as a rejection of such values. Ingres highly regarded the painting, and in a manner it marries the great motifs of his career: the voluptuousness of the female character and the authoritative austerity on the male deity.
Ingres kept Jupiter and Thetis in his studio until 1834, when it was purchased by the state. In 1848, he made a single pencil copy. The painting was first exhibited at the 1911 Paris Salon, at a time when Ingres' attention to line coupled with his disregard for anatomical reality was yet to find favour among critics.