Friedrich Justin Bertuch
Encyclopedia
Friedrich Johann Justin Bertuch (30 September 1747 - 3 April 1822) was a German publisher and patron of the arts. He co-founded the Fürstliche freie Zeichenschule Weimar with the painter Georg Melchior Kraus
in 1776. He was the father of the writer and journalist Karl Bertuch.
, studied from 1765 to 1769 theology then law at the Landesuniversität in Jena
. His main interest, however, was for literature and natural history.
His acquaintance with Freiherr Ludwig Heinrich Bachoff von Echt allowed the 22-year old Bertuch to break off his studies without taking his final exams, and that same year he began work as tutor to Ludwig's son at the Gut Dobitschen at Altenburg
, holding the post until 1773. From him he learned Spanish (Bachoff von Echt was envoy to Spain), translating Don Quixote into German and self-publishing it in 1774. His translations from English and French literature also promised success.
and his wife, the daughter of the famous Konzertmeister Franz Benda
, as well as with the acting couple Friederike and Abel Seyler, the actor Konrad Ekhof
and the professor at the gymnasium Johann Karl August Musäus
. He funded his living expenses until 1796 as manager of the ducal private finances.
Christoph Martin Wieland
, tutor at the Weimar court and publisher of the "Teutschen Merkur", cooperated with Bertuch from 1782 to 1786 and provided him with his way into the Weimar court. His translation of the tragedy "Ines de Castro" given before duchess Anna Amalia from the French of Antoine Houdar de la Motte
received much attention.
In 1774 he submitted the plan for a Zeichenschule in Weimar, which was finally set up drawing on his ideas by Johann Heinrich Meyer
and from 1788 Goethe
. Bertuch's goal was that any interested persons, whatever their social standing, might have the chance to gain technical crafts skills and training for their talents.
Amalia zu den drei Rosen. He also had many business activities. In 1777 he gained a hereditary lease on the großen Baumgarten in Erbpacht, a Grundstück, now known as the Schwansee-Park. In 1782 he founded a factory for artificial flowers, an artistic and commercial fashion item, with which he had success right across Germany. In 1785 he set up the Allgemeine Literatur-Zeitung (later the Neue Jena’sche Allgemeine Literaturzeitung).
From 1778 he could change the works themselves, into a paper mill and pigment production, in another example of his vision and commercial talent. In 1780 he leased his house to the Weimarer Baumgarten, and also moved his flower production there, where Goethe's later wife Christiane Vulpius
was employed.
The Journal des Luxus und der Moden, published by Bertuch from 1786, not only praised artificial flowers but also the technical innovations and reading matter on maintenance and instruction, and is considered as the first pictorial periodical in Europe. He planned a Landes-Industrie-Comptoirs, to promote national industry, train skilled workers and increase national prosperity, and was given a princely dispensation to set it up in 1791. He temporarily employed 400 to 500 people (around 10% of the Weimar population) and succeeded in combining printers, artists and cartographers under one roof. Pay there was also above the average.
In 1793 Bertuch himself defined this art business in a magazine as being "an infallible means of encouraging German industry and spreading food and prosperity among us". Here again practically applied Enlightenment ideas pointed to a kind of free market economy
Bertuch was just such a private citizen who attained national and European effect above and beyond "local usefulness and effectiveness". Within the Cartoir and the paper and colour mill he set up a cartographical department (which became in 1804 the Geographisches Institut and continued to grow).
With his instruments of printing for the "literary and artistic industry", Bertuch held himself to be a "literary midwife". He underwrote Goethe's first publication with Göschen, and his "Allgemeine Literatur-Zeitung" increased in circulation and receipts.
Between 1790 and 1830 Betruch printed the Bilderbuch für Kinder appeared in 12 volumes. An educational work, it appeared in monthly instalments and aimed to "spread the knowledge of the epochs out before children" with 1185 pages and 6000 illustrations. It is available online: see 'External Links', below.
Translations, medical works - culture in its widest sense - was made accessible for a wide public via Bertuch's work. Goethe's classical work on the Iphigenia works and textual and visual sketches of a "newly-invented English washing machine" were both published by him, and this tension between the ideal and the real, even the trivial, made clear the breadth and variety of culture in Weimar around 1800.
Georg Melchior Kraus
Georg Melchior Kraus was a German painter. A student of Johann Heinrich Tischbein, he was also a teacher himself , as well as an entrepreneur and friend of Goethe...
in 1776. He was the father of the writer and journalist Karl Bertuch.
Early life
Bertuch came from a family attested in the Tennstedt area of Thuringia since the 15th century. His family was also strongly connected with the area's scientific and intellectual fields (e.g. Justin Bertuch 1654-1626, director of the Fürstenschule Schulpforta at Naumburg 1601-1616). When Friedrich Johann Justin Bertuch was 5, his father Justinus became garrison doctor in the service of duke Ernst August Konstantin at Blutsturz. He lost his mother aged 15 and grew up in the house of his uncle Gottfried Matthias Ludwig Schrön (a member of the Weimarer Rat der Landschaftskasse). He attended the Weimar GymnasiumGymnasium (school)
A gymnasium is a type of school providing secondary education in some parts of Europe, comparable to English grammar schools or sixth form colleges and U.S. college preparatory high schools. The word γυμνάσιον was used in Ancient Greece, meaning a locality for both physical and intellectual...
, studied from 1765 to 1769 theology then law at the Landesuniversität in Jena
Jena
Jena is a university city in central Germany on the river Saale. It has a population of approx. 103,000 and is the second largest city in the federal state of Thuringia, after Erfurt.-History:Jena was first mentioned in an 1182 document...
. His main interest, however, was for literature and natural history.
His acquaintance with Freiherr Ludwig Heinrich Bachoff von Echt allowed the 22-year old Bertuch to break off his studies without taking his final exams, and that same year he began work as tutor to Ludwig's son at the Gut Dobitschen at Altenburg
Altenburg
Altenburg is a town in the German federal state of Thuringia, 45 km south of Leipzig. It is the capital of the Altenburger Land district.-Geography:...
, holding the post until 1773. From him he learned Spanish (Bachoff von Echt was envoy to Spain), translating Don Quixote into German and self-publishing it in 1774. His translations from English and French literature also promised success.
Weimar
In 1773 he returned to Weimar for health reasons, though he maintained contacts with the court kapellmeister Ernst Wilhelm WolfErnst Wilhelm Wolf
Ernst Wilhelm Wolf was a German composer.-Life:Wolf was born in Grossen Behringen in Thuringia, today part of the Hörselberg-Hainich municipality. His elder brother Ernst Friedrich was a composer and organist who studied under Gottfried Heinrich Stölzel...
and his wife, the daughter of the famous Konzertmeister Franz Benda
Franz Benda
Franz Benda was a Czech violinist and composer. He was the brother of Jiří Antonín Benda, and he worked for much of his life at the court of Frederick the Great....
, as well as with the acting couple Friederike and Abel Seyler, the actor Konrad Ekhof
Konrad Ekhof
Konrad Ekhof was a German actor.In 1739 he became a member of Johann Friedrich Schönemann's company in Lüneburg, and made his first appearance there on the 15th of January 1740 as Xiphares in Racine's Mithridate...
and the professor at the gymnasium Johann Karl August Musäus
Johann Karl August Musaus
Johann Karl August Musäus was a German author from Jena. He studied theology at the university of Jena, and would have become the pastor of a parish but for the resistance of some peasants, who objected that he had been known to dance.From 1760–62 Musäus published in three volumes his first...
. He funded his living expenses until 1796 as manager of the ducal private finances.
Christoph Martin Wieland
Christoph Martin Wieland
Christoph Martin Wieland was a German poet and writer.- Biography :He was born at Oberholzheim , which then belonged to the Free Imperial City of Biberach an der Riss in the south-east of the modern-day state of Baden-Württemberg...
, tutor at the Weimar court and publisher of the "Teutschen Merkur", cooperated with Bertuch from 1782 to 1786 and provided him with his way into the Weimar court. His translation of the tragedy "Ines de Castro" given before duchess Anna Amalia from the French of Antoine Houdar de la Motte
Antoine Houdar de la Motte
Antoine Houdar de la Motte was a French author.He was born and died in Paris. In 1693 his comedy, Les Originaux, was a complete failure, and so depressed the author that he contemplated joining the Trappists. Four years later he began writing texts for operas and ballets, e.g...
received much attention.
In 1774 he submitted the plan for a Zeichenschule in Weimar, which was finally set up drawing on his ideas by Johann Heinrich Meyer
Johann Heinrich Meyer
Johann Heinrich Meyer was a Swiss painter and art writer active in Weimar. A pupil of Henry Fuseli, he went to Rome in 1784, and befriended Goethe in 1787, becoming his right-hand-man in artistic matters...
and from 1788 Goethe
Johann Wolfgang von Goethe
Johann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long...
. Bertuch's goal was that any interested persons, whatever their social standing, might have the chance to gain technical crafts skills and training for their talents.
From 1775
In 1775 he became private secretary to the duke and held that role until 1787, during which time he participated in the Weimar Masonic lodgeMasonic Lodge
This article is about the Masonic term for a membership group. For buildings named Masonic Lodge, see Masonic Lodge A Masonic Lodge, often termed a Private Lodge or Constituent Lodge, is the basic organisation of Freemasonry...
Amalia zu den drei Rosen. He also had many business activities. In 1777 he gained a hereditary lease on the großen Baumgarten in Erbpacht, a Grundstück, now known as the Schwansee-Park. In 1782 he founded a factory for artificial flowers, an artistic and commercial fashion item, with which he had success right across Germany. In 1785 he set up the Allgemeine Literatur-Zeitung (later the Neue Jena’sche Allgemeine Literaturzeitung).
From 1778 he could change the works themselves, into a paper mill and pigment production, in another example of his vision and commercial talent. In 1780 he leased his house to the Weimarer Baumgarten, and also moved his flower production there, where Goethe's later wife Christiane Vulpius
Christiane Vulpius
Johanna Christiana Sophie Vulpius was the mistress and wife of Johann Wolfgang Goethe.-Biography:In 1788, when a young woman of Weimar, Goethe addressed to her the Römische Elegien, an epithalamium...
was employed.
The Journal des Luxus und der Moden, published by Bertuch from 1786, not only praised artificial flowers but also the technical innovations and reading matter on maintenance and instruction, and is considered as the first pictorial periodical in Europe. He planned a Landes-Industrie-Comptoirs, to promote national industry, train skilled workers and increase national prosperity, and was given a princely dispensation to set it up in 1791. He temporarily employed 400 to 500 people (around 10% of the Weimar population) and succeeded in combining printers, artists and cartographers under one roof. Pay there was also above the average.
In 1793 Bertuch himself defined this art business in a magazine as being "an infallible means of encouraging German industry and spreading food and prosperity among us". Here again practically applied Enlightenment ideas pointed to a kind of free market economy
Bertuch was just such a private citizen who attained national and European effect above and beyond "local usefulness and effectiveness". Within the Cartoir and the paper and colour mill he set up a cartographical department (which became in 1804 the Geographisches Institut and continued to grow).
With his instruments of printing for the "literary and artistic industry", Bertuch held himself to be a "literary midwife". He underwrote Goethe's first publication with Göschen, and his "Allgemeine Literatur-Zeitung" increased in circulation and receipts.
Between 1790 and 1830 Betruch printed the Bilderbuch für Kinder appeared in 12 volumes. An educational work, it appeared in monthly instalments and aimed to "spread the knowledge of the epochs out before children" with 1185 pages and 6000 illustrations. It is available online: see 'External Links', below.
Translations, medical works - culture in its widest sense - was made accessible for a wide public via Bertuch's work. Goethe's classical work on the Iphigenia works and textual and visual sketches of a "newly-invented English washing machine" were both published by him, and this tension between the ideal and the real, even the trivial, made clear the breadth and variety of culture in Weimar around 1800.
Napoleonic Wars
The events of 1806, however, ripped into Bertuch's business, plunged into crisis by the political and military situation. From 1814 Bertuch functioned as (among other things) a publisher of political newspapers and pamphlets such as Nemesis and Das Oppositionsblatt. He spent his last years in retirement, dying in Weimar, where he was buried in the family vault. Goethe contributed to the eulogy, given by Friedrich von Müller, chancellor of the duchy of Saxe-WeimarWorks
- Polyxena (1775)
- Bilderbuch für Kinder enthaltend eine angenehme Sammlung von Thieren, Pflanzen, Blumen, Früchten, Mineralien, Trachten und allerhand andern unterrichtenden Gegenständen aus dem Reiche der Natur, der Künste und Wissenschaften; alle nach den besten Originalen gewählt, gestochen, und mit einer kurzen wissenschaftlichen, und den Verstandes-Kräften eines Kindes angemessenen Erklärung begleitet von F. J. Bertuch. 12 Vol. Weimar, im Verlage des Industrie-Comptoirs, 1792-1830.
External links
- A scanned copy of the Bilderbük fur Kinder (Picturebook for Children): from the University of Heidelberg (click) Jutta Heinz: Ueber die Mittel Naturgeschichte gemeinnütziger zu machen (1799) – Bertuchs Entwurf eines populärwissenschaftlichen Forschungs- und Verlagsprogramms