Fanny Salvini-Donatelli
Encyclopedia
Fanny Salvini-Donatelli (c.1815 – 1891) was an Italian
operatic soprano
. She is best known today for creating the role of Violetta in Verdi's opera
, La traviata
, but she was also an admired interpreter of the composer's other works as well as those by Donizetti
.
to a prosperous family. Financial hardship following her father's death led her to a career as an actress. In the early 1830s she became the second wife of the actor, Giuseppe Salvini, (and the stepmother of the much more famous actor Tommaso Salvini
). However, her marriage was an unhappy one, as was her relationship with her stepchildren. Following her desertion of the family in 1842, Giuseppe Salvini obtained a separation on the grounds of infidelity. He died two years later. While married to Salvini, she studied singing and made her operatic debut in 1839 at the Teatro Apollo in Venice
as Rosina in Il barbiere di Siviglia
.
Salvini-Donatelli went on to a major career in Italy singing primarily at La Fenice
and the Teatro Regio di Parma
, where in 1850 a sonnet
in her honour, written by the city's epigram
ist, Artaserse Folli, was distributed to the audience. She also performed at La Scala
, the Teatro Regio di Torino, the Teatro Comunale di Bologna
, the Teatro Grande di Trieste and several other Italian theatres. Outside Italy, she sang in Paris
, Barcelona
, Vienna
(where she made her debut in 1843 as Abigaille in Nabucco
conducted by Verdi himself), and London
(where she made her debut in 1858 at the Theatre Royal, Drury Lane
as Leonora in Il trovatore
). Although she is primarily remembered for creating the role of Violetta in La traviata, she created four other roles in now forgotten operas: Editta in Giovanni Pacini
's Allan Cameron (18 March 1848, La Fenice); Elmina in Salvatore Sarmiento's Elmina (8 February 1851, Teatro Regio di Parma); Clemenza in Gualtiero Sanelli's Il fornaretto (24 March 1851, Teatro Regio di Parma); and Donna Eleonora in Carlo Ercole Bosoni
's La prigioniera (16 January 1853, La Fenice).
She was generally thought to have retired from the stage in 1860. However, she is reported as singing at the Théâtre Royal de la Monnaie
in Brussels
in 1877. Fanny Salvini-Donatelli died in Milan in June 1891.
is often cited as one of the reasons for the opera's initial failure. In the third act when the doctor announced that Violetta's illness had worsened and she had only hours to live, the first-night audience is said to have burst out laughing, with one member of the public shouting: "I see no consumption
, only dropsy
!" Verdi himself had expressed serious doubts about Salvatini-Donatelli's suitability for the role two months before the premiere and sent his librettist, Francesco Piave
, to La Fenice's manager to convey his view that Violetta required a singer "with an elegant figure who is young and sings passionately". His request for a casting change was unsuccessful.
Whatever the audience may have thought of Fanny Salvini-Donatelli's physical appearance, they were appreciative of her singing. Contemporary accounts show that her first act aria, "Sempre libera", received great applause. The critic in La Gazzetta di Venezia wrote the following day: "Salvini-Donatelli sang those coloratura passages, of which the maestro wrote so many, with an indescribable skill and perfection. She captivated the theatre." The "failure" of the opening night performance was only relative. In addition to the applause for Salvatini-Donatelli's aria, the orchestral Prelude
was so well received that the audience began to shout for Verdi, who had to take curtain calls even before the curtain went up on the first act. Things only started derailing in the second act, especially the singing of the baritone
(Felice Varesi
) and the tenor
(Lodovico Graziani
). La traviata also did quite well at the box office. It ran for ten performances at La Fenice that season, with an average evening profit more than double that of Verdi's other two operas in the repertory there, Ernani
and Il Corsaro
. In any case, a year later it was mounted again at the Teatro San Benedetto
in Venice to an indisputably triumphant reception. On that occasion, the role of Violetta was taken by Maria Spezia who was thirteen years younger and considerably slimmer than Salvini-Donatelli. The first night problems do not appear to have dissuaded Salvini-Donatelli from essaying the role again. She sang it at least three more times: in 1856 in Constantinople
, when Luigi Arditi
brought the opera to Turkey
for the first time; in 1857 at the Teatro Comunale di Bologna (the second revised version with the title Violetta); and in 1858, when she sang it in London at the Drury Lane Theatre.
Italian people
The Italian people are an ethnic group that share a common Italian culture, ancestry and speak the Italian language as a mother tongue. Within Italy, Italians are defined by citizenship, regardless of ancestry or country of residence , and are distinguished from people...
operatic soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
. She is best known today for creating the role of Violetta in Verdi's opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
, La traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
, but she was also an admired interpreter of the composer's other works as well as those by Donizetti
Gaetano Donizetti
Domenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
.
Biography
Fanny Salvini-Donatelli, whose real name was Francesca Lucchi, was born in FlorenceFlorence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
to a prosperous family. Financial hardship following her father's death led her to a career as an actress. In the early 1830s she became the second wife of the actor, Giuseppe Salvini, (and the stepmother of the much more famous actor Tommaso Salvini
Tommaso Salvini
Tommaso Salvini was an Italian actor. His father and mother were both actors, and Tommaso first appeared when he was barely fourteen as Pasquino in Goldoni's Donne curiose. In 1847 he joined the company of Adelaide Ristori, who was then at the beginning of her brilliant career...
). However, her marriage was an unhappy one, as was her relationship with her stepchildren. Following her desertion of the family in 1842, Giuseppe Salvini obtained a separation on the grounds of infidelity. He died two years later. While married to Salvini, she studied singing and made her operatic debut in 1839 at the Teatro Apollo in Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
as Rosina in Il barbiere di Siviglia
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
.
Salvini-Donatelli went on to a major career in Italy singing primarily at La Fenice
La Fenice
Teatro La Fenice is an opera house in Venice, Italy. It is one of the most famous theatres in Europe, the site of many famous operatic premieres. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of two theatres...
and the Teatro Regio di Parma
Teatro Regio di Parma
Teatro Regio di Parma is a famous 19th century opera house and opera company in Parma, Italy. The theatre was originally known as the Teatro Ducale....
, where in 1850 a sonnet
Sonnet
A sonnet is one of several forms of poetry that originate in Europe, mainly Provence and Italy. A sonnet commonly has 14 lines. The term "sonnet" derives from the Occitan word sonet and the Italian word sonetto, both meaning "little song" or "little sound"...
in her honour, written by the city's epigram
Epigram
An epigram is a brief, interesting, usually memorable and sometimes surprising statement. Derived from the epigramma "inscription" from ἐπιγράφειν epigraphein "to write on inscribe", this literary device has been employed for over two millennia....
ist, Artaserse Folli, was distributed to the audience. She also performed at La Scala
La Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...
, the Teatro Regio di Torino, the Teatro Comunale di Bologna
Teatro Comunale di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy, and is one of the most important opera venues in Italy. Typically, it presents eight operas with six performances during its November to April season....
, the Teatro Grande di Trieste and several other Italian theatres. Outside Italy, she sang in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
, Barcelona
Barcelona
Barcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
, Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
(where she made her debut in 1843 as Abigaille in Nabucco
Nabucco
Nabucco is an opera in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the Biblical story and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue...
conducted by Verdi himself), and London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
(where she made her debut in 1858 at the Theatre Royal, Drury Lane
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
as Leonora in Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
). Although she is primarily remembered for creating the role of Violetta in La traviata, she created four other roles in now forgotten operas: Editta in Giovanni Pacini
Giovanni Pacini
Giovanni Pacini was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas...
's Allan Cameron (18 March 1848, La Fenice); Elmina in Salvatore Sarmiento's Elmina (8 February 1851, Teatro Regio di Parma); Clemenza in Gualtiero Sanelli's Il fornaretto (24 March 1851, Teatro Regio di Parma); and Donna Eleonora in Carlo Ercole Bosoni
Carlo Ercole Bosoni
Carlo Ercole Bosoni was an Italian composer and conductor. He was active as a conductor at La Fenice in Venice during the 1850s and 1870s. Some of his operas premiered there as well.-References:...
's La prigioniera (16 January 1853, La Fenice).
She was generally thought to have retired from the stage in 1860. However, she is reported as singing at the Théâtre Royal de la Monnaie
La Monnaie
Le Théâtre Royal de la Monnaie , or the Koninklijke Muntschouwburg is a theatre in Brussels, Belgium....
in Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...
in 1877. Fanny Salvini-Donatelli died in Milan in June 1891.
The Traviata "fiasco"
Verdi himself described the 1853 premiere of La traviata as a "fiasco". Salvatini-Donatelli was 38 years old at the time and quite stout. Her physical unsuitability for playing a beautiful young woman wasting away from tuberculosisTuberculosis
Tuberculosis, MTB, or TB is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis. Tuberculosis usually attacks the lungs but can also affect other parts of the body...
is often cited as one of the reasons for the opera's initial failure. In the third act when the doctor announced that Violetta's illness had worsened and she had only hours to live, the first-night audience is said to have burst out laughing, with one member of the public shouting: "I see no consumption
Tuberculosis
Tuberculosis, MTB, or TB is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis. Tuberculosis usually attacks the lungs but can also affect other parts of the body...
, only dropsy
Edema
Edema or oedema ; both words from the Greek , oídēma "swelling"), formerly known as dropsy or hydropsy, is an abnormal accumulation of fluid beneath the skin or in one or more cavities of the body that produces swelling...
!" Verdi himself had expressed serious doubts about Salvatini-Donatelli's suitability for the role two months before the premiere and sent his librettist, Francesco Piave
Francesco Maria Piave
Francesco Maria Piave was an Italian opera librettist who was born in Murano in the lagoon of Venice, during the brief Napoleonic Kingdom of Italy. His career spanned over twenty years working with many of the significant composers of his day...
, to La Fenice's manager to convey his view that Violetta required a singer "with an elegant figure who is young and sings passionately". His request for a casting change was unsuccessful.
Whatever the audience may have thought of Fanny Salvini-Donatelli's physical appearance, they were appreciative of her singing. Contemporary accounts show that her first act aria, "Sempre libera", received great applause. The critic in La Gazzetta di Venezia wrote the following day: "Salvini-Donatelli sang those coloratura passages, of which the maestro wrote so many, with an indescribable skill and perfection. She captivated the theatre." The "failure" of the opening night performance was only relative. In addition to the applause for Salvatini-Donatelli's aria, the orchestral Prelude
Prelude (music)
A prelude is a short piece of music, the form of which may vary from piece to piece. The prelude can be thought of as a preface. It may stand on its own or introduce another work...
was so well received that the audience began to shout for Verdi, who had to take curtain calls even before the curtain went up on the first act. Things only started derailing in the second act, especially the singing of the baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
(Felice Varesi
Felice Varesi
Felice Varesi was a French-born Italian baritone with an illustrious singing career that began in the 1830s and extended into the 1860s...
) and the tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
(Lodovico Graziani
Lodovico Graziani
Lodovico Graziani was an Italian operatic tenor. According to John Warrack and Ewan West, writing in The Oxford Dictionary of Opera: "His voice was clear and vibrant, but he lacked dramatic gifts." He is now mainly remembered for having created the role of Alfredo Germont in the world premiere of...
). La traviata also did quite well at the box office. It ran for ten performances at La Fenice that season, with an average evening profit more than double that of Verdi's other two operas in the repertory there, Ernani
Ernani
Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. The first production took place at La Fenice Theatre, Venice on 9 March 1844...
and Il Corsaro
Il corsaro
Il corsaro is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's poem The Corsair...
. In any case, a year later it was mounted again at the Teatro San Benedetto
Teatro San Benedetto
The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's L'italiana in Algeri, and was the theatre of choice for the presentation of opera seria until...
in Venice to an indisputably triumphant reception. On that occasion, the role of Violetta was taken by Maria Spezia who was thirteen years younger and considerably slimmer than Salvini-Donatelli. The first night problems do not appear to have dissuaded Salvini-Donatelli from essaying the role again. She sang it at least three more times: in 1856 in Constantinople
Constantinople
Constantinople was the capital of the Roman, Eastern Roman, Byzantine, Latin, and Ottoman Empires. Throughout most of the Middle Ages, Constantinople was Europe's largest and wealthiest city.-Names:...
, when Luigi Arditi
Luigi Arditi
Luigi Arditi was an Italian violinist, composer and conductor.Arditi was born in Crescentino, Piemonte . He began his musical career as a violinist, and studied music at the Conservatory of Milan. He made his debut in 1843 as a director at Vercelli, and it was there that he was made an honorary...
brought the opera to Turkey
Turkey
Turkey , known officially as the Republic of Turkey , is a Eurasian country located in Western Asia and in East Thrace in Southeastern Europe...
for the first time; in 1857 at the Teatro Comunale di Bologna (the second revised version with the title Violetta); and in 1858, when she sang it in London at the Drury Lane Theatre.
Operatic roles
Fanny Salvini-Donatelli is known to have sung the following roles:- VerdiGiuseppe VerdiGiuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
- Mina, AroldoAroldoAroldo is an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on and adapted from their earlier 1850 collaboration, Stiffelio...
- Gulnara, Il corsaroIl corsaroIl corsaro is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's poem The Corsair...
- Lucrezia, I due FoscariI due FoscariI due Foscari is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on a historical play, The Two Foscari by Lord Byron....
- Elvira, ErnaniErnaniErnani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. The first production took place at La Fenice Theatre, Venice on 9 March 1844...
- Giovanna, Giovanna d'ArcoGiovanna d'ArcoGiovanna d'Arco is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera....
- Giselda, I Lombardi alla prima crociataI Lombardi alla prima crociataI Lombardi alla prima crociata is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epic poem by Tommaso Grossi. Its first performance was given at the Teatro alla Scala in Milan on 11 February 1843...
- Lady Macbeth, MacbethMacbeth (opera)Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on Shakespeare's play of the same name...
- Amalia, I masnadieriI masnadieriI masnadieri is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on Die Räuber by Friedrich von Schiller....
- Desdemona, OtelloOtelloOtello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....
- Gilda, RigolettoRigolettoRigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
(under the title of Viscardello) - Violetta, La traviataLa traviataLa traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
- Leonora, Il trovatoreIl trovatoreIl trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
- Mina, Aroldo
- DonizettiGaetano DonizettiDomenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
- Norina, Don PasqualeDon PasqualeDon Pasquale is an opera buffa, or comic opera, in three acts by Gaetano Donizetti. The librettist Giovanni Ruffini wrote the Italian language libretto after Angelo Anelli's libretto for Stefano Pavesi's Ser Marcantonio ....
- Linda, Linda di ChamounixLinda di ChamounixLinda di Chamounix is an operatic melodramma semiserio in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on May 19, 1842.-Performance history:...
- Lucia, Lucia di LammermoorLucia di LammermoorLucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor....
- Lucrezia, Lucrezia BorgiaLucrezia Borgia (opera)Lucrezia Borgia is a melodramma, or opera, in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play by Victor Hugo, in its turn after the legend of Lucrezia Borgia. Lucrezia Borgia was first performed on 26 December 1833 at La Scala, Milan with...
- Maria, Maria di RohanMaria di RohanMaria di Rohan is a melodramma tragico, or tragic opera, in three acts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, after Lockroy and Edmond Badon's Un duel sous le cardinal de Richelieu, which had played in Paris in 1832.- Roles :- Synopsis :The comte de...
- Paolina, PoliutoPoliutoPoliuto is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Pierre Corneille's play Polyeucte . It was composed in 1838 and first performed on 30 November 1848 at the Teatro San Carlo, Naples...
- Norina, Don Pasquale
- PaciniGiovanni PaciniGiovanni Pacini was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas...
- Editta, Allan Cameron
- Beatrice, Buondelmonte
- Lena, Il saltimbanco
- BelliniVincenzo BelliniVincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...
- Elvira, I puritaniI puritaniI puritani is an opera in three acts by Vincenzo Bellini. It was his last opera. Its libretto is by Count Carlo Pepoli, based on Têtes rondes et Cavaliers by Jacques-François Ancelot and Joseph Xavier Saintine, which is in turn based on Walter Scott's novel Old Mortality. It was first produced at...
- Beatrice, Beatrice di TendaBeatrice di TendaBeatrice di Tenda is a tragic opera in two acts by Vincenzo Bellini, from a libretto by Felice Romani, after the play of the same name by Carlo Tedaldi-Fores...
- Elvira, I puritani
- Rossini
- Rosina, Il barbiere di SivigliaThe Barber of SevilleThe Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
- Rosina, Il barbiere di Siviglia
- MercadanteSaverio MercadanteGiuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works as either; and his development of...
- Elaisa, Il giuramentoIl giuramentoIl giuramento is an opera in three acts by the Italian composer Saverio Mercadante. The libretto, by Gaetano Rossi, is based on Victor Hugo's play Angélo, tyran de Padoue...
- Elaisa, Il giuramento
- PetrellaErrico PetrellaErrico Petrella was an Italian opera composer.Petrella was born at Palermo. A conservative of the Neapolitan school, he was the most successful Italian composer, second only to Verdi, during the 1850s and 1860s. He also earned the latter's scorn for his compositional and dramatic crudities,...
- Bice, Marco Visconti
- BalfeMichael William BalfeMichael William Balfe was an Irish composer, best-remembered for his opera The Bohemian Girl.After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed 38 operas, almost 250 songs and other works...
- Olivia Campana, Pittore e duca
- PoniatowskiJozef Michal PoniatowskiJozef Michal Poniatowski was a Polish szlachcic, a composer and an operatic tenor. He was the nephew of the Polish general Prince Józef Antoni Poniatowski...
- Angiolina, Don Desiderio
- Sarmiento
- Elmina, Elmina
- Sanelli
- Clemenza, Il fornaretto
- Bosoni
- Donna Eleonora, La prigioniera
- PedrottiCarlo PedrottiCarlo Pedrotti was an Italian conductor, administrator and composer, principally of opera. An associate of Giuseppe Verdi's, he also taught two internationally renowned Italian operatic tenors, Francesco Tamagno and Alessandro Bonci.-Early life:Pedrotti was born in Verona, where he studied music...
- Gelmina, Gelmina
- Platania
- Matilde, Matilde Bentivoglio
- Peri
- Tancreda, Tancreda