Die Himmel erzählen die Ehre Gottes, BWV 76
Encyclopedia
Die Himmel erzählen die Ehre Gottes (En: The heavens are telling the glory of God), BWV 76, is a church cantata
by Johann Sebastian Bach
. It was composed in Leipzig
for the second Sunday after Trinity
and first performed by the composer on 6 June 1723. It is the second of his first annual cycle of cantatas, similar to the first, Die Elenden sollen essen, BWV 75
, in its unusual layout of 14 movements in two symmetrical parts.
. The cantata is similar in many respects to the earlier work, but may have been composed in Leipzig, according to a manuscript with many corrections. Bach had started to compose one cantata for each Sunday and holiday of the liturgical year, a project described by Christoph Wolff
as "an artistic undertaking on the largest scale".
The prescribed readings for the Sunday were from the First Epistle of John
, , "Whoever doesn't love, remains in Death", and from the Gospel of Luke
, , the parable of the great banquet. The unknown poet was likely the same as for the first cantata for Leipzig, also in 14 movements, also arranged in two symmetrical parts to be performed before and after the sermon. Again the cantata begins with words from a Psalm
, (verses 2 and 4 in the Luther Bible), "The heavens declare the glory of God, and the firmament shows His handiwork. There is no speech or language, where their voice is not heard", connecting the gospel to the Old Testament
. The poet first expands in movements 2 and 3 the thought of the Universe praising God's creation. In the following two movements he deplores, following the Gospel, that nonetheless people did not follow the invitation of God, therefore he had to invite "von allen Straßen" (from all streets) and bless those, as movement 6 says. Part I closes with the first stanza of Martin Luther's chorale
Es woll uns Gott genädig sein, a paraphrase
of Psalm 67. Part I was to be performed before the sermon, Part II after the sermon and during communion. Part II talks about the duties of those who follow God's invitation, to pass the love of Christ in order to achieve heaven on earth, a thought also expressed in the Epistle reading. The third stanza of Luther's chorale closes the work.
, alto
, tenor
and bass
, a four-part choir, trumpet
, two oboe
s, oboe d'amore
, two violin
s, viola
, viola da gamba and basso continuo.
The two parts are composed as the same arrangement of alternating recitative
s and aria
s with a concluding chorale, only Part II is opened by a sinfonia
instead of a chorus.
sees the cantata in the context of the previous one:
Similar to the opening chorus of BWV 75, Bach sets the psalm in two sections, comparable to prelude and fugue on a large scale. An instrumental concerto unites the complete "prelude", the trumpet "calls" to tell the glory of God. The fugue is a permutation fugue, which develops the subject twice, starting with the voices, up to a triumphal entrance of the trumpet, similar to the first chorus of Wir danken dir, Gott, wir danken dir, BWV 29, composed much later and used twice in the Mass in B minor.
In the first recitative
the strings accompany the voice, most keenly in motif
s in the middle section, in the words of one critic "evoking the spirit of God moving upon the face of the waters". Trumpet and bass voice are used to convey the call "to banish the tribe of idolaters", while the strings possibly illustrate "the hordes of infidels". The last recitative leads in an arioso
to the chorale. In the chorale, Bach has the violin play an obbligato part to the four-part setting of the voices and separates the lines by interludes, with the trumpet anticipating the line to follow. The continuo plays ostinato
a motif which is derived from the first line of the chorale.
Whereas Part I begins with a trumpet announcing ("erzählen") God's glory, Part II starts on an intimate chamber music scale with oboe d'amore and viola da gamba, concentrating on "brotherly devotion" (brüderliche Treue). A Sinfonia for the two instruments is reminiscent both of Bach's compositions for the court in Köthen and a French overture
, marked "adagio", then "vivace". Bach used this movement later in his organ trio, BWV 528. Gardiner calls the movement: "in effect a sonata da chiesa
. The tenor aria illustrates the "masochistic" "Hate me, then, hate me with all your might, o hostile race!" by a first dissonant entry on a ostinato bass line full of chromatic, leaps and interrupting rests. Oboe d'amore and viola da gamba return to accompany the last aria, and "the sombre qualities of both voice and instruments create a feeling of peace and introspection". The music of the closing chorale is identical to that of Part I.
Bach cantata
Bach cantata became a term for a cantata of the German Baroque composer Johann Sebastian Bach who was a prolific writer of the genre. Although many of his works are lost, around 200 cantatas survived....
by Johann Sebastian Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
. It was composed in Leipzig
Leipzig
Leipzig Leipzig has always been a trade city, situated during the time of the Holy Roman Empire at the intersection of the Via Regia and Via Imperii, two important trade routes. At one time, Leipzig was one of the major European centres of learning and culture in fields such as music and publishing...
for the second Sunday after Trinity
Trinity Sunday
Trinity Sunday is the first Sunday after Pentecost in the Western Christian liturgical calendar, and the Sunday of Pentecost in Eastern Christianity...
and first performed by the composer on 6 June 1723. It is the second of his first annual cycle of cantatas, similar to the first, Die Elenden sollen essen, BWV 75
Die Elenden sollen essen, BWV 75
Die Elenden sollen essen , BWV 75, is a church cantata by Johann Sebastian Bach. Bach composed the cantata for the first Sunday after Trinity and first performed it in Leipzig on 30 May 1723...
, in its unusual layout of 14 movements in two symmetrical parts.
History and words
Bach composed the cantata for the Second Sunday after Trinity and first performed it in a service in the Thomaskirche, Leipzig, on 6 June 1723, a week after he took up position as cantor in Leipzig with Die Elenden sollen essen, BWV 75Die Elenden sollen essen, BWV 75
Die Elenden sollen essen , BWV 75, is a church cantata by Johann Sebastian Bach. Bach composed the cantata for the first Sunday after Trinity and first performed it in Leipzig on 30 May 1723...
. The cantata is similar in many respects to the earlier work, but may have been composed in Leipzig, according to a manuscript with many corrections. Bach had started to compose one cantata for each Sunday and holiday of the liturgical year, a project described by Christoph Wolff
Christoph Wolff
Christoph Wolff is a German-born musicologist, presently on the faculty of Harvard University. Born and educated in Germany, Wolff studied organ and historical keyboard instruments, musicology and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a...
as "an artistic undertaking on the largest scale".
The prescribed readings for the Sunday were from the First Epistle of John
First Epistle of John
The First Epistle of John, often referred to as First John and written 1 John, is a book of the New Testament. This fourth catholic or "general" epistle is attributed to John the Evangelist, traditionally thought to be the author of the Gospel of John and the other two Epistles of John. This...
, , "Whoever doesn't love, remains in Death", and from the Gospel of Luke
Gospel of Luke
The Gospel According to Luke , commonly shortened to the Gospel of Luke or simply Luke, is the third and longest of the four canonical Gospels. This synoptic gospel is an account of the life and ministry of Jesus of Nazareth. It details his story from the events of his birth to his Ascension.The...
, , the parable of the great banquet. The unknown poet was likely the same as for the first cantata for Leipzig, also in 14 movements, also arranged in two symmetrical parts to be performed before and after the sermon. Again the cantata begins with words from a Psalm
Psalms
The Book of Psalms , commonly referred to simply as Psalms, is a book of the Hebrew Bible and the Christian Bible...
, (verses 2 and 4 in the Luther Bible), "The heavens declare the glory of God, and the firmament shows His handiwork. There is no speech or language, where their voice is not heard", connecting the gospel to the Old Testament
Old Testament
The Old Testament, of which Christians hold different views, is a Christian term for the religious writings of ancient Israel held sacred and inspired by Christians which overlaps with the 24-book canon of the Masoretic Text of Judaism...
. The poet first expands in movements 2 and 3 the thought of the Universe praising God's creation. In the following two movements he deplores, following the Gospel, that nonetheless people did not follow the invitation of God, therefore he had to invite "von allen Straßen" (from all streets) and bless those, as movement 6 says. Part I closes with the first stanza of Martin Luther's chorale
Chorale
A chorale was originally a hymn sung by a Christian congregation. In certain modern usage, this term may also include classical settings of such hymns and works of a similar character....
Es woll uns Gott genädig sein, a paraphrase
Paraphrase
Paraphrase is restatement of a text or passages, using other words. The term "paraphrase" derives via the Latin "paraphrasis" from the Greek , meaning "additional manner of expression". The act of paraphrasing is also called "paraphrasis."...
of Psalm 67. Part I was to be performed before the sermon, Part II after the sermon and during communion. Part II talks about the duties of those who follow God's invitation, to pass the love of Christ in order to achieve heaven on earth, a thought also expressed in the Epistle reading. The third stanza of Luther's chorale closes the work.
Scoring and structure
The cantata is scored for four soloists, sopranoSoprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
, alto
Alto
Alto is a musical term, derived from the Latin word altus, meaning "high" in Italian, that has several possible interpretations.When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence,...
, tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
and bass
Bass (voice type)
A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...
, a four-part choir, trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
, two oboe
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
s, oboe d'amore
Oboe d'amore
The oboe d'amore , less commonly oboe d'amour, is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and more tranquil and serene tone, and is considered the mezzo-soprano of the oboe family, between the oboe itself and the cor...
, two violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
s, viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
, viola da gamba and basso continuo.
-
- Part I
- 1. Coro: Die Himmel erzählen die Ehre Gottes
- 2. Recitativo (tenor): So lässt sich Gott nicht unbezeuget!
- 3. Aria (soprano): Hört, ihr Völker, Gottes Stimme
- 4. Recitativo (bass): Wer aber hört, da sich der größte Haufen
- 5. Aria (bass): Fahr hin, abgöttische Zunft!
- 6. Recitativo (alto): Du hast uns, Herr, von allen Straßen
- 7. Chorale: Es woll uns Gott genädig sein
- Part II
- 8. Sinfonia
- 9. Recitativo (bass): Gott segne noch die treue Schar
- 10. Aria (tenor): Hasse nur, hasse mich recht
- 11. Recitativo (alto): Ich fühle schon im Geist
- 12. Aria (alto): Liebt, ihr Christen, in der Tat!
- 13. Recitativo (tenor): So soll die Christenheit
- 14. Chorale: Es danke, Gott, und lobe dich
The two parts are composed as the same arrangement of alternating recitative
Recitative
Recitative , also known by its Italian name "recitativo" , is a style of delivery in which a singer is allowed to adopt the rhythms of ordinary speech...
s and aria
Aria
An aria in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment...
s with a concluding chorale, only Part II is opened by a sinfonia
Sinfonia
Sinfonia is the Italian word for symphony. In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite...
instead of a chorus.
Music
John Eliot GardinerJohn Eliot Gardiner
Sir John Eliot Gardiner CBE FKC is an English conductor. He founded the Monteverdi Choir , the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique...
sees the cantata in the context of the previous one:
This cantata is clearly more than just a sequel to the previous Sunday’s Die Elenden sollen essenDie Elenden sollen essen, BWV 75Die Elenden sollen essen , BWV 75, is a church cantata by Johann Sebastian Bach. Bach composed the cantata for the first Sunday after Trinity and first performed it in Leipzig on 30 May 1723...
: together they form a diptych revealing a thematic continuity extended over two weeks, with plentiful cross-referencing between the two set Gospels and Epistles beyond the obvious parallels between the injunction to give charitably to the hungry (BWV 75) and of brotherly love manifested in action (BWV 76). Unusually for Bach, both works are substantial bipartite cantatas, each comprising fourteen movements divided into two equal parts. After opening with a setting of a psalm verse, each cantata goes on to interpret it by referring to the parable told in the Gospel for the day and pinpointing the way Jesus' presence on earth fulfilled an Old Testament "dictum". In Part II these themes are connected to the believer via a characteristically Lutheran interpretation of the first of John's Epistles – the relationship of faith to love and of love to good deeds. The two Gospel parables (both from St Luke) are full of metaphors of eating and drinking: the rich man's table, from which Lazarus tried to gather fallen crumbs (BWV 75), standing in opposition to the "great supper" and God's invitation through Christ to the banquet of eternal life (BWV 76). Evidently a lot of thought and pre-planning had gone on while Bach was still in Köthen, as well as discussions with his unknown librettist and possibly with representatives of the Leipzig clergy, before he could set the style, tone and narrative shaping of these two impressive works.
Similar to the opening chorus of BWV 75, Bach sets the psalm in two sections, comparable to prelude and fugue on a large scale. An instrumental concerto unites the complete "prelude", the trumpet "calls" to tell the glory of God. The fugue is a permutation fugue, which develops the subject twice, starting with the voices, up to a triumphal entrance of the trumpet, similar to the first chorus of Wir danken dir, Gott, wir danken dir, BWV 29, composed much later and used twice in the Mass in B minor.
In the first recitative
Recitative
Recitative , also known by its Italian name "recitativo" , is a style of delivery in which a singer is allowed to adopt the rhythms of ordinary speech...
the strings accompany the voice, most keenly in motif
Motif (music)
In music, a motif or motive is a short musical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition....
s in the middle section, in the words of one critic "evoking the spirit of God moving upon the face of the waters". Trumpet and bass voice are used to convey the call "to banish the tribe of idolaters", while the strings possibly illustrate "the hordes of infidels". The last recitative leads in an arioso
Arioso
In classical music, arioso is a style of solo opera singing between recitative and aria. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato....
to the chorale. In the chorale, Bach has the violin play an obbligato part to the four-part setting of the voices and separates the lines by interludes, with the trumpet anticipating the line to follow. The continuo plays ostinato
Ostinato
In music, an ostinato is a motif or phrase, which is persistently repeated in the same musical voice. An ostinato is always a succession of equal sounds, wherein each note always has the same weight or stress. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in...
a motif which is derived from the first line of the chorale.
Whereas Part I begins with a trumpet announcing ("erzählen") God's glory, Part II starts on an intimate chamber music scale with oboe d'amore and viola da gamba, concentrating on "brotherly devotion" (brüderliche Treue). A Sinfonia for the two instruments is reminiscent both of Bach's compositions for the court in Köthen and a French overture
French overture
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in styles , and the first ends with a half-cadence that requires an answering structure with a...
, marked "adagio", then "vivace". Bach used this movement later in his organ trio, BWV 528. Gardiner calls the movement: "in effect a sonata da chiesa
Sonata da chiesa
Sonata da chiesa is an instrumental composition dating from the Baroque period, generally consisting of four movements. More than one melody was often used, and the movements were ordered slow–fast–slow–fast with respect to tempo...
. The tenor aria illustrates the "masochistic" "Hate me, then, hate me with all your might, o hostile race!" by a first dissonant entry on a ostinato bass line full of chromatic, leaps and interrupting rests. Oboe d'amore and viola da gamba return to accompany the last aria, and "the sombre qualities of both voice and instruments create a feeling of peace and introspection". The music of the closing chorale is identical to that of Part I.
Recordings
- J.S. Bach: Cantata No. 76, Hermann ScherchenHermann ScherchenHermann Scherchen was a German conductor.-Life:Scherchen was originally a violist and played among the violas of the Bluthner Orchestra of Berlin while still in his teens...
, Wiener Akademie Kammerchor, Orchestra of the Vienna State OperaVienna State OperaThe Vienna State Opera is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera . In 1920, with the replacement of the Habsburg Monarchy by the First Austrian...
, Magda LászlóMagda LászlóMagda László was a Hungarian operatic soprano particularly associated with 20th century operas.She studied at the Franz Liszt Academy of Music in Budapest, and made her debut at the Budapest Opera in 1943, as Elisabeth in Tannhäuser, later singing Amelia in Simon Boccanegra.In 1946, she settled in...
, Hilde Rössel-Majdan, Petre Munteanu, Richard Standen, Westminster 1952 - Les Grandes Cantates de J.S. Bach Vol. 1, Fritz WernerFritz WernerFritz Werner was a German choral conductor, church music director, conductor, organist and composer...
, Heinrich-Schütz-Chor Heilbronn, Pforzheim Chamber OrchestraPforzheim Chamber OrchestraPforzheim Chamber Orchestra, full German name: Südwestdeutsches Kammerorchester Pforzheim, full English name South West German Chamber Orchestra Pforzheim, is an internationally known German chamber orchestra based in Pforzheim.- History :...
, Ingeborg ReicheltIngeborg ReicheltIngeborg Reichelt is a German soprano singer. She is known for singing works of Johann Sebastian Bach.- Biography :...
, Hertha TöpperHertha TöpperHertha Töpper is an Austrian contralto opera singer.Töpper, the daughter of a music teacher, began her singing studies at the Graz Conservatorium while still at high school. In 1954, she began her career at the Graz Opera in the role of Ulrica in Un ballo in maschera...
, Helmut KrebsHelmut KrebsHelmut Krebs was a distinguished German tenor in opera and concert, who sang a wide range of roles from Baroque to contemporary works.-Professional career:...
, Franz KelchFranz KelchFranz Kelch is a German bass-baritone lied and oratorio singer. His discography includes works of Johann Sebastian Bach, Dietrich Buxtehude, George Frederick Handel and Claudio Monteverdi.- Biography :...
, EratoErato RecordsErato Records is a record label founded in 1953 to promote French classical music. In 1992 it became part of Warner Bros. Records. In 1999 Erato launched a subsidiary Detour Records....
1959 - Bach Cantatas Vol. 3 - Ascension Day, Whitsun, Trinity, Karl Richter, Münchener Bach-ChorMünchener Bach-ChorMünchener Bach-Chor is a mixed choir for concert and oratorio in Munich. Performances, international tours and recordings with Karl Richter and the Münchener Bach-Orchester made the choir internationally known.- Heinrich-Schütz-Kreis :...
, Münchener Bach-Orchester. Edith MathisEdith MathisEdith Mathis is a renowned Swiss soprano and a leading exponent of the works of Mozart. She studied in Lucerne and debuted there in 1956 in The Magic Flute...
, Anna ReynoldsAnna Reynolds (singer)Anna Reynolds is an English classical mezzo-soprano and contralto singer in opera and concert.- Professional career :Ann Reynolds first studied piano, then voice at the Royal Academy of Music...
, Peter SchreierPeter SchreierPeter Schreier is a German tenor and conductor.-Early life:Schreier was born in Meissen, Saxony, and spent his first years in the small village of Gauernitz, near Meissen, where his father was a teacher, cantor and organist...
, Kurt MollKurt MollKurt Moll is a German operatic bass, now retired.-Biography:Moll was born in Buir, near Cologne, Germany. As a child, he played the cello and hoped to become a great cellist. He also sang in the school choir, and the conductor encouraged him to concentrate on singing...
, Archiv ProduktionArchiv ProduktionArchiv Produktion is a subsidiary label of Deutsche Grammophon founded in 1948.The first head of Archiv from 1948–1957, was Fred Hamel, a musicologist who set out the early Archiv releases according to 12 research periods from 1. Gregorian Chant to 12. Mannheim and Vienna...
1975 - Die Bach Kantate Vol. 18, Helmuth RillingHelmuth RillingHelmuth Rilling is an internationally known German choral conductor, founder of the Gächinger Kantorei , the Bach-Collegium Stuttgart , the Oregon Bach Festival , the Internationale Bachakademie Stuttgart and other Bach Academies worldwide, and the "Festival Ensemble Stuttgart"...
, Gächinger KantoreiGächinger KantoreiGächinger Kantorei is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen and still conducted by him. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore...
, Bach-Collegium StuttgartBach-Collegium StuttgartBach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra...
, Arleen AugérArleen AugerJoyce Arleen Auger was an American soprano singer, admired for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Gluck, and Mozart.-Biography:...
, Helen WattsHelen WattsHelen Watts CBE was a Welsh contralto. She was born at Wales in Milford Haven and educated at the School of S. Mary and S. Anne, Abbots Bromley and the Royal Academy of Music. She began her career with the Glyndebourne Festival Chorus, and was a regular broadcaster on the Welsh Home Service...
, Adalbert KrausAdalbert KrausAdalbert Kraus is a German tenor in opera and concert, known for singing the works of Johann Sebastian Bach.- Biography :...
, Siegmund NimsgernSiegmund NimsgernSiegmund Nimsgern is a German bass-baritone, born in Sankt Wendel, Saarland, Germany.After leaving school in 1960 he studied singing and musical education at the Hochschule für Musik Saar with Sibylle Fuchs, Jakob Stämpfli and Paul Lohmann.He made his debut at the Saarländisches Staatstheater in...
, HänsslerHänssler ClassicHänssler Classic is a German classical record label based in Holzgerlingen.Friedrich Hänssler Senior founded Musikverlag Hänssler in 1919 to publish church music. Since 1972 Hänssler Classic has also published contemporary and jazz music...
1978 - J.S. Bach: Das Kantatenwerk - Sacred Cantatas Vol. 20, Nikolaus HarnoncourtNikolaus HarnoncourtNikolaus Harnoncourt is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble in the 1950s, and became a pioneer of the Early Music movement...
, Tölzer KnabenchorTölzer KnabenchorThe Tölzer Knabenchor is a boys' choir with roots in the Bavarian town of Bad Tölz.The choir group is still led by director and singing master Gerhard Schmidt-Gaden, who founded the choir in 1956 when he was only nineteen years old. The founder was once a student of Carl Orff's and worked with him...
, Concentus Musicus WienConcentus Musicus WienConcentus Musicus Wien is a baroque music ensemble founded by Nikolaus and Alice Harnoncourt in 1953. It generated the now well-established movement in performance and recordings to play early music on period instruments....
, soloist of the Tölzer KnabenchorTölzer KnabenchorThe Tölzer Knabenchor is a boys' choir with roots in the Bavarian town of Bad Tölz.The choir group is still led by director and singing master Gerhard Schmidt-Gaden, who founded the choir in 1956 when he was only nineteen years old. The founder was once a student of Carl Orff's and worked with him...
, Paul EsswoodPaul EsswoodPaul Esswood is an English countertenor. He is best known for his singing in Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman, he led the revival of countertenor singing in modern times.Esswood was born in West Bridgford, England. He...
, Kurt EquiluzKurt EquiluzKurt Equiluz is an Austrian classical tenor in opera and concert, known for recording works of Johann Sebastian Bach with Nikolaus Harnoncourt and Helmuth Rilling, a member of the Vienna State Opera as a tenor buffo from 1957 until 1983.- Professional career :Kurt Equiluz was an alto soloist of...
, Ruud van der Meer, TeldecTeldecThe Teldec is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group.-History:...
1976 - J.S. Bach: Complete Cantatas Vol. 6, Ton KoopmanTon KoopmanTon Koopman is a conductor, organist and harpsichordist.Koopman had a "classical education" and then studied the organ , harpsichord and musicology in Amsterdam...
, Amsterdam Baroque Orchestra & ChoirAmsterdam Baroque Orchestra & ChoirThe Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam.The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in...
, Ruth ZiesakRuth Ziesak- Biography :Ruth Ziesak studied voice at the Frankfurt University of Music and Performing Arts with Elsa Cavelti and Christoph Prégardien. She has been a member of the Municipal Theatre Heidelberg since 1988 and the Deutsche Oper am Rhein in 1990....
, Elisabeth von MagnusElisabeth von MagnusElisabeth von Magnus is an Austrian classical mezzo-soprano.- Family :...
, Paul AgnewPaul AgnewPaul Agnew is a Scottish operatic tenor.Agnew read music as a Choral Scholar at Magdalen College, Oxford. He became associated with the Consort of Musicke, the Tallis Scholars, the Sixteen and the Gothic Voices, before embarking on a solo career in the early 1990s.Closely associated with William...
, Klaus MertensKlaus MertensKlaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach.-Professional career:Klaus Mertens took singing lessons while attending school...
, Antoine Marchand 1997 - J.S. Bach: Cantatas Vol. 9 (Cantatas from Leipzig 1725), Masaaki SuzukiMasaaki Suzukiis a Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan.He was born in Kobe to parents who were both Christians and amateur musicians...
, Bach Collegium JapanBach Collegium JapanBach Collegium Japan is composed of an orchestra and a chorus specialising in Baroque music, playing with period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music. Suzuki still remains its music director...
, Midori Suzuki, Robin BlazeRobin Blaze- Childhood and education :The son of a professional golfer Peter, Robin Blaze grew up in Shadwell, near Leeds and was educated at Leeds Grammar School, Uppingham School, and Magdalen College, Oxford....
, Gerd TürkGerd Türk- Biography :Gerd Türk received his first musical training as a choir boy at the cathedral of Limburg. He studied in Frankfurt and then at the Schola Cantorum Basiliensis with Richard Levitt and René Jacobs, continuing in master classes with Ernst Haefliger and Kurt Equiluz.In the field of...
, Chiyuki Urano, BISBIS RecordsBIS Records is a record label founded in 1973 by Robert von Bahr. It is located in Åkersberga, Sweden.BIS focuses on classical music, both contemporary and early, especially works that are not already well represented by existing recordings....
1998 - Bach Edition Vol. 20 - Cantatas Vol. 11, Pieter Jan LeusinkPieter Jan LeusinkPieter Jan Leusink is a Dutch conductor of classical music.He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst...
, Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk, Sytse BuwaldaSytse BuwaldaSytse Buwalda is a Dutch counter-tenor.Buwalda studied at the Sweelinck School of Music in Amsterdam and has worked with conductors such as Frans Brüggen, Gustav Leonhardt, Sigiswald Kuijken and Sir David Willcocks...
, Knut Schoch, Bas Ramselaar, Brilliant Classics 2000 - Bach Cantatas Vol. 2: Paris/Zürich / For the 2nd Sunday after Trinity / For the 3rd Sunday after Trinity, John Eliot GardinerJohn Eliot GardinerSir John Eliot Gardiner CBE FKC is an English conductor. He founded the Monteverdi Choir , the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique...
, Monteverdi ChoirMonteverdi ChoirThe Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the Monteverdi Vespers in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the early...
, English Baroque SoloistsEnglish Baroque SoloistsThe English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque period to the Classical period...
, Lisa LarssonLisa Larsson- Biography :Larsson studied in Basel and since 1993 appeared in the Internationales Opernstudio of the Zurich Opera House under conductors such as Franz Welser-Möst, Nikolaus Harnoncourt and Christoph von Dohnányi....
, Daniel TaylorDaniel Taylor (countertenor)Daniel Taylor is a Canadian countertenor and early music specialist. He completed his undergraduate studies in English, philosophy, and music at the the Faculty of Music of McGill University and his graduate work in religion and music at the Université de Montréal...
, James GilchristJames Gilchrist (tenor)James Gilchrist is a British tenor specialising in recital and oratoria singing. He began his working life as a doctor, turning to a full-time music career in 1996...
, Stephen VarcoeStephen VarcoeStephen Varcoe is an English classical bass-baritone singer, appearing internationally in opera and concert, known for Baroque and contemporary music and a notable singer of Lieder.- Professional career :...
, Soli Deo GloriaSoli Deo Gloria (label)Founded in 2004 in order to release the recordings made during the Bach Cantata pilgrimage that took place in the year 2000. Following its launch in 2005, Soli Deo Gloria has established itself as one of the leading independent record labels....
2000
External links
- Cantata BWV 76 Die Himmel erzählen die Ehre Gottes on the bach cantatas website
- German text and English translation, Emmanuel MusicEmmanuel MusicEmmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J.S. Bach in the liturgical setting for which they were intended, an endeavor twice completed...
- Die Himmel erzählen die Ehre Gottes on the Bach website
- BWV 76 Die Himmel erzählen die Ehre Gottes text, structure, instrumentation, University of AlbertaUniversity of AlbertaThe University of Alberta is a public research university located in Edmonton, Alberta, Canada. Founded in 1908 by Alexander Cameron Rutherford, the first premier of Alberta and Henry Marshall Tory, its first president, it is widely recognized as one of the best universities in Canada...
- BWV 76 Die Himmel erzählen die Ehre Gottes English text, University of VermontUniversity of VermontThe University of Vermont comprises seven undergraduate schools, an honors college, a graduate college, and a college of medicine. The Honors College does not offer its own degrees; students in the Honors College concurrently enroll in one of the university's seven undergraduate colleges or...
- Cantata No. 76, "Die Himmel erzählen die Ehre Gottes," BWV 76 Allmusic