Culture of Nagorno-Karabakh
Encyclopedia
Culture of Nagorno-Karabakh includes artifacts of tangible and intangible culture that has been historically associated with Nagorno Karabakh and Artsakh
—a historical province in the Southern Caucasus most of which is controlled by the Nagorno-Karabakh Republic
. These include monuments of religious and civil architecture, memorial and defense structures, and various forms of art.
(some of which fell under the Nagorno-Karabakh Republic
’s control in 1992-1994) has been called an open-sky treasure-house of various forms of Armenian architecture. Overall, Nagorno-Karabakh
hosts several thousand architectural artifacts and historical monuments in a larger sense. In addition to ecclesiastical structures, this number includes samples of civil architecture, ancient castles and fortresses as well as numerous khachkars.
The art and architecture created in Nagorno Karabakh has progressed through the same major stages as did Armenian art in a larger sense. They began developing in the pre-Christian times, proceeded through the adoption of Christianity early in the fourth century, and entered the era of modernity after blossoming in the Middle Ages.
The principal expression of Artsakh’s
art in the Middle Ages
was through ecclesiastical architecture: churches, cathedrals, chapels and monasteries. Most other forms of art in that period, including illuminated manuscripts, khachkars (Armenian: խաչքար; unique-to-Armenia stone slabs with engraved crosses) and mural paintings were likewise tied to Artsakh’s religious life and its primary institution—the Armenian Apostolic Church
.
Works of architecture in Nagorno-Karabakh are constructed according to similar principles and with the use of the same techniques as those in the rest of Armenia
. Limestone is the principal building materials that form the nucleus for the walls. They are then covered with facing and/or plated with volcanic tuff rock slabs.
In large buildings in cities or in monasteries the exterior facing can consist of carefully cut blocks of tuff. The monasteries of Gandzasar and Dadivank serve as the primary examples of that style. For more modest structures, such as parish churches in provinces, it was common to use less carefully cut stone, a practice which creates a more rustic appearance.
Names of monasteries in Nagorno Karabakh, like in the rest of historical Artsakh
and Armenia
, customarily include the term “vank” (Armenian: վանք), which means “monastery.” Examples: Dadivank
, Gtichavank, Khunisavank, Khadavank, Khatravank, Yerits Mankants Vank, etc. Monasteries are often located in or near settlements that bear the name Vank (Վանք); the most notable cases include Dadivank Monastery
, Gandzasar Monastery
and Spitak Khach Vank Monastery. Names of castles and fortresses in Nagorno Karabakh like in the rest of historical Artsakh and Armenia, customarily include the term “berd” (Armenian: բերդ) which means “fort.” Examples: Jraberd, Handaberd, Mairaberd, Khokhanaberd, etc.
relate to the pre-Christian
era when polytheism was the most widespread form of religion. The most curious art form from that time period is, perhaps, large anthropomorphic stone idols that are found in the eastern lowlands of the northern counties of Jraberd (Armenian: Ջրաբերդ) and Khachen (Armenian
: Խաչեն). They date from the Iron Age.
In the northeastern outskirts of the Nagorno Karabakh Republic, and further to the east, so-called sahmanakars (Armenian
: սահմանաքար, meaning “border stones”) are found. They originally appeared during the reign of the Artashessian (Artaxiad
) royal dynasty in Armenia
(190 BC-53 AD) who used the stones, with inscriptions, to demarcate the kingdom’s frontiers for travelers. In Artsakh
, the tradition of marking borders with sahmanakars endured throughout the Middle Ages. The largest of such medieval markers stands near the town of Mataghes (Armenian
: Մատաղես) in the Mardakert District. An inscription on the stone declares: “Here [the province of] Syunik
ends.”
, Artsakh
and neighboring provinces of Utik and Paytakaran, known together as The Eastern Prefectures of Armenia
(Armenian: Կողմանք Արևելից Հայոց) became a target of missionary activities of prominent religious leaders from Armenian mainland. The most distinguished of them were St. Gregory the Illuminator (Armenian
: Սբ. Գրիգոր Լուսավորիչ, died circa 337 AD), who baptized Armenia
into the first Christian
state in 301 AD, and St. Mesrob Mashtots
(Armenian
: Սբ. Մեսրոբ Մաշտոց, 361-440 AD), the scholar who created the Armenian alphabet
.
A number of Christian monuments that are identified with that vital period of the Armenian history belong to the world’s oldest places of Christian
worship. Among them is the Amaras Monastery
(Armenian
: Ամարասի Վանք), which, according to ancient authors, such as the forefather of Armenian history Movses Khorenatsi
(approx.410-490), was founded in the 4th century AD by St. Gregory himself. The oldest part of the monastery is the martyrium of St. Grigoris (Armenian: Սբ. Գրիգորիս), St. Gregory’s grandson and Bishop of Aghvank, who was killed by the pagans, around 338 AD, when teaching Gospel in the land of the Mazkuts (present-day Republic of Dagestan, in Russia
). The mausoleum
of St. Grigoris is a vaulted burial chamber equipped with two lateral vestibules that serves as the crypt for a church dating from a later period. Amaras
is an active monastery
of the Armenian Apostolic Church
.
While traveling in Artsakh
and the neighboring provinces of Syunik
and Utik
, in circa 410 AD, St. Mesrob Mashtots
established a school at Amaras
where the Armenian script, invented by him in 405 AD, was first introduced for teaching purposes.
For 35 years until his death in 440, Mashtots recruited teams of monks to translate the religious, scientific and literary masterpieces of the ancient world into this new alphabet. Much of their work was conducted in the monastery at Amaras …”
The description of St. Mesrob Mashtots’
journey to Artsakh
and the neighboring province of Utik
is a focal point of several chapters of the “History of Aghvank” (Armenian
: Պատմություն Աղվանից) written in the 7th century by one of Artsakh's most prominent natives—Armenian historian Movses Kaghankatvatsi
(Armenian
: Մովսես Կաղանկատվացի).
Another temple whose history relates to the mission of St. Mesrob Mashtots
is the Targmanchats Monastery (Armenian
: Սբ. Թարգմանչաց Վանք) near Karhat (Armenian: Քարհատ, present-day Dashkesan in Azerbaijan, to the north of the Nagorno Karabakh Republic). The word Targmanchats (Armenian: Թարգմանչաց) meaning “Saint Translators,” designates both St. Mesrob Mashtots and St. Sahak Partev (Armenian: Սբ. Սահակ Պարթև), head of the Armenian Church
(387-436 AD) who sponsored Mashtots’
scholarly and religious expeditions. Using Mashtots’
alphabet, St. Sahak Partev translated the Bible
from Syriac into Armenian
in 411 AD (as testified by Mashtots’
pupil Koryun
in his biographic work about his teacher). The main church of the monastery, reconstructed in 989, consists of one vaulted room (single nave) with an apse on the east flanked by two small rooms.
The basilica
of St. Gevorg (Սբ. Գևորգ, St. George) at the Tzitzernavank Monastery
(Armenian: Ծիծեռնավանք) in Kashatagh, is not only an important religious site, but is the best-preserved example of an Armenia
n basilica
with three naves
. It is a large and well-preserved structure dating probably from the fifth or sixth centuries. It stands not far from the so-called Lachin Corridor
, a territory that connects Armenia
with the Nagorno Karabakh Republic.The word Tzitzernavank
originates from the root “tzitzern” (Armenian: ծիծեռն) meaning “little finger” in Old Armenian. This points to a period in the history of the monastery when it was believed to contain relics of St. George the Dragon-Slayer. In the past, the monastery belonged to the Tatev
eparchy and is mentioned as a notable religious center by the 13th century historian Stephanos Orbelian
(Armenian
: Սթեփանոս Օրբելյան) and Bishop Tovma Vanandetsi (Armenian: Թովմա Վանանդեցի) in 1655. Beginning from 1992, the Tzitzernavank Monastery
underwent renovation and became a venue of autumn festivals organized annually on St. George’s Day. Tzitzernavank
is an active monastery of the Armenian Apostolic Church
.
Churches with a cupola built on a radiating or cruciform floor plan were numerous in Armenia
during the seventh century, and are well represented in Artsakh
. One example is the chapel at Vankasar (Armenian: Վանքասար) where the cupola and its drum rest on the central square of a cruciform floor plan. The chapel is located on the eastern frontier of the Nagorno Karabakh Republic, and was reputedly founded by Artsakh’s celebrated monarch Vachagan II the Pious (Armenian: Վաչագան Բ Բարեպաշտ) of the early medieval Arranshahik dynasty (Armenian: Առանշահիկ). Another example is the Okhta Trne church at Mokhrenes (Armenian: Օխտը Տռնէ, “The Eight-Door Church”), probably dating from the fifth to seventh centuries. Its walls, roughly cut and bonded, enclose a quatrefoil interior with four small diagonal niches. Less common is the free cross plan with a cupola, found in the Chapel of St. Savior (Armenian: Սբ. Փրկիչ) in the Mardakert District.
Artsakh’s designs at times differed from the course of the architectural evolution of mainland Armenia
. Observations suggest that certain floor plans frequently employed in other regions of Armenia
during the seventh century are not found in Artsakh
. These include the chamber with a cupola supported by wall braces (e.g. the cathedral in Aruj, in the Aragatsotn Province
of Armenia); the cruciform plan with a cupola on four free-standing pillars (e.g. St. Gayaneh Church in the Holy City of Echmiadzin
, Armenia), and the radiating type with four rooms in a rectangle (e.g. St. Hripsimeh Church in the Holy City of Echmiadzin
, Armenia
).
Another peculiarity of the region is that few of Artsakh’s monuments date from the post-Arab period or the rise of Armenian kingdoms (ninth to the eleventh centuries), which was a very productive artistic era in other Armenian provinces. The structures that could be attributed to that period are chapels on the cruciform plan with a cupola, such as the church at Varazgom (Armenian: Վարազգոմ) near Kashatagh, the Khunisavank Monastery (Armenian: Խունիսավանք) in Getabaks (now–Gedabey district of Azerbaijan, north to the Nagorno Karabakh Republic), and churches with a single nave, such as the church in Parissos (Armenian: Փարիսոս).
It was during the post-Seljuk period and the beginning of the Mongol period (late twelfth and thirteenth centuries) when Artsakh’s architecture blossomed. Monasteries in this era served as active centers of art and scholarship. Most of them contained scriptoria where manuscripts were copied and illuminated. They also were fortified and often served as places of refuge for the population in times of trouble.
Several monastic churches from this period adopted the model used most widely throughout Armenia
: a cathedral with a cupola
in the inscribed cross plan with two or four angular chambers. Examples include the largest and most complex monasteries of Artsakh
: Dadivank (Armenian: Դադիվանք, 1214–1237), Gandzasar (Armenian: Գանձասար, 1216–1238) and Gtichavank (Armenian: Գտիչավանք, 1241–1246). In the case of the Gandzasar and Gtichavank monasteries, the cone over the cupola
is umbrella-shaped, a picturesque design that was originally developed by the architects of Armenia’s former capital city of Ani
, in the tenth century, and subsequently spread to other provinces of the country, including Artsakh
.
Like all Armenian monasteries, those in Artsakh
reveal great geometric rigor in the layout of buildings. In this regard, the thirteenth century’s Dadivank, the largest monastic complex in Artsakh
and all of Eastern Armenia, located in the northwestern corner of the Mardakert District, is a remarkable case. Dadivank was sufficiently well preserved to leave no doubt that it was one of the most complete monasteries in the entire Caucasus
. With its Memorial Cathedral of the Holy Virgin in the center, Dadivank has approximately twenty different structures, which are divided into four groups: ecclesiastical, residential, defensive and ancillary. Dadivank is an active monastery of the Armenian Apostolic Church
.
A conspicuous characteristic of Armenian monastic architecture of the thirteenth century is the gavit
(գավիթ, also called zhamatoun; Armenian: ժամանտուն). The gavits are special square halls usually attached to the western entrance of churches. They were very popular in large monastic complexes where they served as narthex
es, assembly rooms and lecture halls, as well as vestibules for receiving pilgrims. Some appear as simple vaulted galleries open to the south (e.g. in the Metz Arrank Monastery; Armenian: Մեծառանից Վանք); others have an asymmetrical vaulted room with pillars (Gtichavank Monastery); or feature a quadrangular room with four central pillars supporting a pyramidal dome (the Dadivank Monastery). In another type of gavit, the vault is supported by a pair of crossed arches – in Horrekavank (Armenian: Հոռեկավանք) and Bri Yeghtze (Armenian: Բռի Եղցէ) monasteries.
The most famous gavit in Nagorno-Karabakh, though, is part of the Gandzasar Monastery. It was built in 1261 and is distinctive for its size and superior quality of workmanship. Its layout corresponds exactly to that of Haghbat (Armenian: Հաղբատ) and Mshakavank (Armenian: Մշակավանք)—two monasteries located in the northern part of today’s Republic of Armenia. At the center of the ceiling, the cupola is illuminated by a central window which is adorned with the same stalactite ornaments as in Geghard
(Armenian: Գեղարդ) and Harichavank (Armenian: Հառիճավանք)—monasteries in the Republic of Armenia dating from the early thirteenth century.
The Gandzasar Monastery
was the spiritual center of Khachen (Armenian: Խաչեն), the largest and most powerful principality in medieval Artsakh
, by virtue of being home to the Katholicosate of Aghvank. Аlso known as the Holy See of Gandzasar, Katholicosate of Aghvank (Armenian: Աղվանից Կաթողիկոսություն) was one of the territorial subdivisions of the Armenian Apostolic Church
.
Gandzasar’s Cathedral of St. Hovhannes Mkrtich (Armenian: Սբ. Հովհաննես Մկրտիչ, designating St. John the Baptist) is one of the most well-known Armenian architectural monuments of all times. No surprise, Gandzasar is number one tourist attraction in the Nagorno Karabakh Republic. In its decor there are elements which relate it to three other monuments, in Armenia
, from the early thirteenth century: the colonnade on the drum resembles that of Harichavank (Armenian: Հառիճավանք; built around 1201), and the great cross with a sculpture of Crucifixion
at the top of the facade is also found at Kecharis (Armenian: Կեչառիսի Վանք, built around 1214) and Hovhannavank (Armenian: Հովհաննավանք, 1216–1250). Gandzasar an active monastery of the Armenian Apostolic Church
.
Gandzasar and Dadivank are also well-known for their bas-reliefs that embellish their domes and walls. After the Cathedral of St. Cross on the Lake Van (also known as Akhtamar-Ախթամար, in Turkey), Gandzasar contains the largest amount of sculpted decor compared to other architectural ensembles of Armenia
. The most famous of Gandzasar’s sculptures are Adam
and Eve
, Jesus Christ, the Lion
(a symbol of the Vakhtangian princes (Armenian: Վախթանգյան իշխաններ) who built both Gandzasar and Dadivank), and the Churchwardens—each holding on his hands a miniature copy of the cathedral. In Dadivank, the most important bas-relief depicts the patrons of the monastery, whose stone images closely resemble those carved on the walls of the Haghbat, Kecharis and Harichavank monasteries, in the Republic of Armenia.
Although in this period the focus in Artsakh
shifted to more complex structures, churches with a single nave continued to be built in large numbers. One example is the monastery of St. Yeghishe Arakyal (Armenian: Սբ. Եղիշե Առաքյալ, also known as the Jrvshtik Monastery (Ջրվշտիկ), which in Armenian means "Longing-for-Water"), in the historical county of Jraberd
, that has eight single-naved chapels aligned from north to south. One of these chapels is a site of high importance for the Armenians
, as it serves as a burial ground for Artsakh’s fifth century monarch King Vachagan II the Pious Arranshahik. Also known as Vachagan the Pious for his devotion to the Christian
faith and support in building a large number of churches throughout the region, King Vachagan is an epic figure whose deeds are immortalized in many of Artsakh’s legends and fairytales. The most famous of those tells how Vachagan fell in love with the beautiful and clever Anahit, who then helped the young king defeat pagan invaders.
After an interruption that lasted from the fourteenth to the sixteenth centuries, architecture flourished again, in the seventeenth century. Many parish churches were built, and the monasteries, serving as bastions of spiritual, cultural and scholarly life, were restored and enlarged. The most notable of those is the Yerits Mankants Monastery (“Monastery of Three Infants,” Armenian: Երից Մանկանց Վանք) that was built around 1691 in the county of Jraberd
. The monastery was established by the feudal family of Melik-Israelians (Armenian: Մելիք-Իսրաելյան), Lords of Jraberd, with an apparent purpose to rival the Holy See of Gandzasar and its hereditary patrons—the Hasan-Jalalians, Lords of Khachen.
Artsakh’s architecture of the nineteenth century is distinguished by a merger of innovation and the tradition of grand national monuments of the past. One example is the Cathedral of the Holy Savior
also known as “Ghazanchetsots”
(Armenian: Ղազանչեցոց Սբ. Ամենափրկիչ, 1868–1888) because it was erected in the historical Ghazanchetsots (Ղազանչեցոց) borough of Shusha. It stands in Shusha
, former capital of Karabakh Khanate
and is among the largest Armenian churches ever erected. The cathedral’s architectural forms were influenced by the designs of the ancient cathedral of St. Echmiadzin
(4th-9th centuries), center of the Armenian Apostolic Church
located to the west of Armenia’s capital of Yerevan. After the Karabakh War, the Cathedral underwent restoration, and currently serves as an active house of worship of the Armenian Apostolic Church.
In addition to the Cathedral of the Holy Savior, Shusha hosted the Hermitage of Holy Virgins (Armenian: Կուսանաց Անապատ, 1816) and three other Armenian churches: Holy Savior “Meghretsots” (Armenian: Մեղրեցոց Սբ. Ամենափրկիչ, 1838), St. Hovhannes “Kanach Zham” (Armenian: Սբ. Հովհաննես, 1847) and Holy Savior “Aguletsots” (Armenian: Ագուլեցոց Սբ. Ամենափրկիչ, 1882).
In the nineteenth century, several Muslim monuments appear as well. They are linked to the emergence of the Karabakh Khanate
, a short-lived, Muslim-ruled principality in Karabakh (1750s-1805). In the city of Shusha, three nineteenth century mosques were built, which, together with two Russian Orthodox chapels, are the only non-Armenian architectural monuments found on the territories comprising the former Nagorno Karabakh Autonomous Region
and today’s Nagorno Karabakh Republic.
Artsakh’s medieval inns (called “idjevanatoun;” Armenian: իջևանատուն) comprise a separate category of civil structures. The best preserved example of those is found near the town of Hadrut.
Before its destruction in 1920 the main repository of the region’s civil architecture was Shusha. In the late 19th century, Shusha became one of the largest cities in Caucasus
. In 1913, it hosted more than 42,000 people.
Shusha’s architecture had its unique style and spirit. That special style synthesized designs used in building grand homes in Artsakh’s rural areas (especially in the southern county of Dizak) and elements of neo-classical European architecture. The quintessential example of Shusha’s residential dwellings is the house of the Avanesantz family (19th century). Shusha’s administrative buildings of note include: Royal College (1875), Eparchial College (1838), Technical School (1881) summer and winter clubs of the City Hall (1896 and 1901), The Zhamharian Hospital (1900), The Khandamirian Theater (1891), The Holy Virgin Women’s College (1864) and Mariam Ghukassian Nobility High School (1894). Of these buildings, only Royal College and the Zhamharian Hospital survived the Turko-Muslim attack on the city in 1920.
The best-preserved examples of Artsakh’s rural civil architecture are found in historical settlements of Banants (Armenian: Բանանց), Getashen (Armenian: Գետաշեն), Hadrut (Armenian: Հադութ) and Togh (Armenian: Տող).
date from the early medieval period. During the Armenian-Persian war of 451-484 AD, the Amaras Monastery
was wrecked by Persian conquerors who sought to bring pagan practices back to Armenia
. In 821, Armenia was overrun by Arabs, and Amaras
was plundered. In the same century, however, the monastery was rebuilt under the patronage of Prince Yesai (Armenian: Եսայի Իշխան Առանշահիկ), Lord of Dizak, who bravely fought against the invaders. In 1223, as testified by the Bishop Stephanos Orbelian (died in 1304), Amaras
was looted again—at this time, by the Mongols—who took with them St. Grigoris’ crosier and a large golden cross decorated with 36 precious stones. According to Orbelian, the wife of the Mongolian leader, Byzantine Princess Despina, proposed to send the cross and the crosier to Constantinople.
In 1387, Amaras
and ten other monasteries of Artsakh
were attacked by Tamerlane’s
hordes from Central Asia
. According to a local Armenian legend, Tamerlane
destroyed Amaras
and ordered his soldiers to make up a miles-long line from the monastery all the way to the River Arax. Tamerlane’s soldiers were passing on the stones of the demolished buildings from one person to another and throwing them into the water to form a bridge. But as soon as the conquerors left the region, the legend says, the region’s inhabitants rushed to the river, brought the stones back and rebuilt the monastery to its original state. It must have been at that time when Amaras’ famous scriptorium
was established.
Events in the Southern Caucasus that followed the 1917 October Revolution
in Russia
have had a devastating effect on the fate of the city of Shusha and on its architectural marvels. After the entry of Turko-Islamic nomads
to Karabakh's highlands, in the 1750s, the city became divided into two parts: Armenian and Muslim. While the Islamic Turkic tribesmen (known since the 1930s as “Azerbaijanis” )constituted a small percentage of the population of Artsakh’s highlands, their largest concentration was in Shusha, where they have maintained difficult relations with the city’s Armenian residents. They city was a venue of sporadic inter-communal violence since 1905, but it was in March 1920 when it received the deadliest blow of all. Aided by expeditionary Ottoman forces, armed Turko-Tartar (“Azerbaijani” ) bands burned and destroyed all Christian quarters of the city, murdering most of its Armenian residents in the process—some 20,000 people in total.
The city’s three out of five Armenian churches were totally destroyed by the Turkic bands: Holy Savior “Meghretzotz” (Armenian: Մեղրեցոց Սբ. Փրկիչ, built in 1838), Holy Savior “Aguletzotz” (Armenian: Ագուլեցոց Սբ. Փրկիչ, built in 1882) and Hermitage of Holy Virgins (Armenian: Կուսանաց Անապատ, built in 1816). The Cathedral of the Holy Savior (1868–1888) was desecrated and severely damaged. With as many as 7,000 buildings demolished, Shusha has never been restored to its former grandeur. Instead, it shrank, becoming a smaller town peopled primarily by Muslims (14 thousand residents in 1987 versus 42 thousand in 1913). It stood in ruins from 1920 up to the mid-1960s, when remnants of the city’s Armenian half were bulldozed by the orders from Baku.
The Karabakh War (1991-1994)
likewise left its deep scars on the architectural face of Nagorno Karabakh. The Azerbaijani Army intentionally targeted Armenian Christian monuments for the purpose of their demolition, using, among a variety of means, heavy artillery and military airplanes. Both Amaras
and Gandzasar monasteries suffered in the process.
Robert Bevan writes: “The Azeri campaign against the Armenian enclave of Nagorno Karabakh which began in 1988 was accompanied by cultural cleansing that destroyed the Egheazar monastery and 21 other churches.”
Two out of the three mosques in the city of Shusha also suffered during the war when Armenian forces captured the town in 1992. The authorities of the Nagorno Karabakh Republic, however, are restoring at least one of the mosques, reportedly with some help from Iranian architects.
When Artsakh’s Principality of Khachen forged ties with the Kingdom of Cilicia (1080–1375), an independent Armenian state on the Mediterranean Sea
that aided the Crusaders
, a small number of Artsakh’s fortifications acquired a certain Cilician look.
The Handaberd Castle, the traditional stronghold of the Vakhtangian-Dopian Princes located in Karvachar (Armenian: Քարվաճառ, Azerbaijan’s former district of Kelbajar), was rebuilt with a grant received from Cilicia’s King Levon I; for that it was also known as “Levonaberd” (Armenian: Լևոնաբերդ).
Karabakh’s most remarkable pieces of fortification art, though, are the Citadel of Shusha and Askeran Fortress. Backed by an intricate system of camps, recruiting centers, watchtowers and fortified beacons, both belonged to the so-called Lesser Syghnakh (Armenian: Փոքր Սղնախ), which was one of Artsakh’s two main historical military districts responsible for defending the southern counties of Varanda and Dizak. When the Citadel of Shusha was founded by Panah Ali Khan
Javanshir, a Turkic founder of the Karabakh Khanate
, its walls and other fortifications were built.
In the first stage of their evolution, this type of monuments already existed in Artsakh
, as attested by one of the earliest dated samples found on the eastern shore of the Lake Sevan
(at Metz Mazra, year 881) which at that time was part of the dominion of Artsakh’s Princes of Tzar. A very large number of khachkars is also found on the territory of today’s Nagorno Karabakh Republic and adjacent regions.
Several thirteenth-century examples look particularly refined, and a few of them deserve a special attention for their superior design. The two khachkars of the Gtichavank Monastery
(Armenian: Գտիչավանք) dating from about 1246 (one of which is preserved at St. Echmiadzin in Armenia), show the two bishops who founded Gtichavank. There are also the two tall khachkar
plaques placed inside the Memorial Bell-Tower at the Dadivank Monastery
(1283), which are veritable laceworks in stone.
Artsakh’s most well-known example of embedded khachkars—where khachkars standing next to each other form some kind of hooded iconostas-in-stone—is the Bri Yeghtze Monastery (Armenian: Բռի Եղծէ Վանք), in the historical country of Varanda (Armenian: Վարանդա, presently in the Martuni District of the Nagorno Karabakh Republic). The use of embedded khachkars in Bri Yeghtze is the same as in the Tzaghatz Kar Monastery (Armenian: Ցաղաղ Քարի Վանք, in the Province of Vayots Dzor
, Republic of Armenia) and in the Horomos Monastery near Kars
(Armenian: Հոռոմոսի Վանք, now in Turkey).
A large khachkar
, brought from Artsakh’s Metz Arants Hermitage (Armenian: Մեծ Առանց Անապատ) to St. Echmiadzin, represents a rare type of the so-called “winged crosses” which resemble Celtic cross
stones from Scotland
and Ireland
. The largest collection of standing khachkars in Artsakh is in the area called Tsera Nahatak, near the village of Badara.
Covering the walls of churches and monasteries with ornamented texts in Armenian developed in Artsakh
, and in many other places in historical Armenia, into a unique form of decor. Compared with other Armenian lands, Artsakh contains a very large number of Armenian lapidary (inscribed in stone) texts per unit of territory, which date from the 5th century. The most notable and extensive of those cover entire walls of the Dadivank and Gandzasar monasteries.
A prominent inscription, for instance, details the foundation of Dadivank’s Memorial Cathedral; it covers a large area of the Cathedral’s southern facade. It begins with the following section:
“By the grace of God Almighty and his only begotten son Jesus Christ, and by the grace of the most Holy Spirit, I, Arzou Hatun, humble servant of the Christ, the daughter of the greatest prince of princes Kurt and the spouse of the Crown Prince Vakhtang, Lord of Haterk and the whole of Upper Khachen, with utmost hope have built this holy cathedral in the place of the last rest of my husband and my two sons … My elder [son] Hasan martyred for his Christian faith in the war against the Turks; and in three months my younger son Grigor died of natural causes and passed to the Christ, leaving his mother in inconsolable mourning. While [my sons] were alive, they vowed to build a church to the glory of God … and I undertook the construction of this expiatory temple with utmost hope and diligence, for the salvation of their souls, and mine and all of my nephews. Thus I plead: while worshipping before the holy altar, remember my prayers inscribed on this church … Completed in the year [modern 1214] of the Armenian Calendar…”
Another historic text inscribed in Armenian is found on the tombstone of St. Grigoris, Bishop of Artsakh, at the Amaras Monastery
. St. Grigoris was St. Gregory the Enlightener’s
grandson who martyred preaching Gospel in the Northern Caucasus:
"The tomb of St. Grigoris, Katholicos of Aghvank, grandson of St. Gregory; born in [322 AD], anointed in the year [340 AD], martyred in the year [348 AD] in Derbend, by King Sanesan of the Mazkuts; his holy remains were brought to Amaras by his pupils, deacons from Artsakh."
. The Memorial Cathedral was built by the orders of Queen Arzou of Haterk. The paintings depict St. Mary, Jesus Christ and St. Nicholas, with a group of angels and worshippers.
The fresco
on the southern wall shows the Holy Virgin in a long robe with a red kerchief tied around her head. She is holding an oration adorned with crosses. Another fresco portrays the Christ, as he is giving the Gospel
to St. Nicholas. The fresco on the northern wall represents the birth of Jesus
: St. Joseph stands at St. Mary’s bedside, and the three magicians kneel in adoration in front; cherubs fly in the sky above them, singing Glory in Highest Heaven. A native of Artsakh and the 12-13th century author Kirakos Gandzaketsi
(Armenian: Կիրակոս Գանձակեցի) hints in his “History of Armenia” that as Queen Arzou (Armenian: Առզու Թագուհի) and her daughters “were gifted with exceptional artistic talent,” they could have also been among those who helped paint the murals. Some other murals are found in the main parish church of the town of Arajadzor in the Mardakert District.
, as well as at Karabakh’s monasteries of Gandzasar, Khoranashat (Armenian: Խորանաշատ), Targmanchatz, Holy Virgin of Tzar (Armenian: Ծառա Սբ. Աստվածածին) and Yerits Mankants (Armenian: Երից Մանկանց Վանք). A group of illuminated works is specific to the regions of Artsakh and Utik; in their linear and unadorned style they resemble miniatures of the Syunik
and Vaspurakan
schools. These compositions are simple and monumental, often with an iconography that is original and distinct from Byzantine
models. Besides depicting biblical stories, several of Artsakh’s manuscripts attempt to convey the images of the rulers of the region who often ordered the rewriting and illumination of the texts. The remarkable collection No. 115, preserved at the Matenadaran
(Institute of Ancient Manuscripts in Yerevan
, Armenia
), contains a miniature portrait of Prince Vakhtang Tangik (Armenian: Վախթանգ Թանգիկ, Vakhtang the Precious) Lord of Haterk.
During the 12th-15th centuries several dozens of well-known scriptoria functioned in Artsakh and neighboring Utik. The best period of Artsakh's miniature painting may be divided into two main stages. The first one includes the second half of the 12th and the beginning of the 13th centuries. The second stage includes the second half of the 13th century to the beginning of the 14th century. Among the most interesting works of the first stage one can mention the Matenadaran
manuscript no. 378, called the Gospel of Prince Vakhtang Khachentsi (produced in 1212), and the Matenadaran
manuscript no. 4829, a Gospel produced in 1224 and associated with the name of Princess Vaneni Jajro.
mention embroideries and altar curtains handmade by his contemporaries Arzou and Khorishah—two princesses of the House of Upper Khachen (Haterk/Հաթերք)—for the Dadivank Monastery
. In the 19th century, local rugs and samples of natural silk production became part of international exhibitions and art fairs in Moscow, Philadelphia and Paris.
The abundance of rugs produced in the modern period is rooted in this solid ancient tradition. Indeed, recent research has begun to highlight the importance of the Armenian region of Artsakh in the history of a broader group of rugs classified as "Caucasian." Woven works by Artsakh’s Armenians come in several types. Rugs in an "eaglebands" (Armenian: արծվագորգ/artzvagorg) or "sunburst" (Armenian: արևագորգ/arevagorg) pattern, a sub-type of Armenian rug featuring dragons, whose manufacturing center from the eighteenth century was Artsakh's county of Jraberd, have characteristically large radiating medallions. Other rugs come with ornaments resembling serpents (“serpentbands;” Armenian: օձագորգ/odzagorg) or clouds with octagonal medallions comprising four pairs of serpents in an “S” shape, and rugs with a series of octagonal, cross-shaped or rhomboid medallions, often bordered by a red band.
Artsakh/Nagorno Karabakh is also the source of some of the oldest rugs bearing Armenian inscriptions: the rug with three niches from the town of Banants (1602), the rug of Catholicos Nerses of Aghvank (1731), and the famous Guhar (Gohar) Rug (1700). It should also be added that most rugs with Armenian inscriptions come from Nagorno Karabakh.
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
—a historical province in the Southern Caucasus most of which is controlled by the Nagorno-Karabakh Republic
Nagorno-Karabakh Republic
The Nagorno-Karabakh Republic , or Artsakh Republic is a de facto independent republic located in the South Caucasus region of Eurasia...
. These include monuments of religious and civil architecture, memorial and defense structures, and various forms of art.
General Information
Nagorno Karabakh and adjacent territories belonging to historical ArtsakhArtsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
(some of which fell under the Nagorno-Karabakh Republic
Nagorno-Karabakh Republic
The Nagorno-Karabakh Republic , or Artsakh Republic is a de facto independent republic located in the South Caucasus region of Eurasia...
’s control in 1992-1994) has been called an open-sky treasure-house of various forms of Armenian architecture. Overall, Nagorno-Karabakh
Nagorno-Karabakh
Nagorno-Karabakh is a landlocked region in the South Caucasus, lying between Lower Karabakh and Zangezur and covering the southeastern range of the Lesser Caucasus mountains...
hosts several thousand architectural artifacts and historical monuments in a larger sense. In addition to ecclesiastical structures, this number includes samples of civil architecture, ancient castles and fortresses as well as numerous khachkars.
The art and architecture created in Nagorno Karabakh has progressed through the same major stages as did Armenian art in a larger sense. They began developing in the pre-Christian times, proceeded through the adoption of Christianity early in the fourth century, and entered the era of modernity after blossoming in the Middle Ages.
The principal expression of Artsakh’s
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
art in the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
was through ecclesiastical architecture: churches, cathedrals, chapels and monasteries. Most other forms of art in that period, including illuminated manuscripts, khachkars (Armenian: խաչքար; unique-to-Armenia stone slabs with engraved crosses) and mural paintings were likewise tied to Artsakh’s religious life and its primary institution—the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
.
Works of architecture in Nagorno-Karabakh are constructed according to similar principles and with the use of the same techniques as those in the rest of Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
. Limestone is the principal building materials that form the nucleus for the walls. They are then covered with facing and/or plated with volcanic tuff rock slabs.
In large buildings in cities or in monasteries the exterior facing can consist of carefully cut blocks of tuff. The monasteries of Gandzasar and Dadivank serve as the primary examples of that style. For more modest structures, such as parish churches in provinces, it was common to use less carefully cut stone, a practice which creates a more rustic appearance.
Names of monasteries in Nagorno Karabakh, like in the rest of historical Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
and Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
, customarily include the term “vank” (Armenian: վանք), which means “monastery.” Examples: Dadivank
Dadivank Monastery
Dadivank Monastery also Khutavank is an Armenian Monastery in the Shahumian Region of the Nagorno-Karabakh Republic. It was built between the 9th and 13th century.-History and architecture:...
, Gtichavank, Khunisavank, Khadavank, Khatravank, Yerits Mankants Vank, etc. Monasteries are often located in or near settlements that bear the name Vank (Վանք); the most notable cases include Dadivank Monastery
Dadivank Monastery
Dadivank Monastery also Khutavank is an Armenian Monastery in the Shahumian Region of the Nagorno-Karabakh Republic. It was built between the 9th and 13th century.-History and architecture:...
, Gandzasar Monastery
Gandzasar monastery
Gandzasar monastery is a 10-13th century Armenian monastery situated in the Mardakert region of Nagorno-Karabakh, near the village of Vank. "Gandzasar" means treasure mountain or hilltop treasure in Armenian. The monastery holds relics believed to belong to St. John the Baptist and St Zechariah,...
and Spitak Khach Vank Monastery. Names of castles and fortresses in Nagorno Karabakh like in the rest of historical Artsakh and Armenia, customarily include the term “berd” (Armenian: բերդ) which means “fort.” Examples: Jraberd, Handaberd, Mairaberd, Khokhanaberd, etc.
Historical Monuments of the Pre-Christian Era
The earliest monuments in ArtsakhArtsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
relate to the pre-Christian
Christian
A Christian is a person who adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus of Nazareth as recorded in the Canonical gospels and the letters of the New Testament...
era when polytheism was the most widespread form of religion. The most curious art form from that time period is, perhaps, large anthropomorphic stone idols that are found in the eastern lowlands of the northern counties of Jraberd (Armenian: Ջրաբերդ) and Khachen (Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Խաչեն). They date from the Iron Age.
In the northeastern outskirts of the Nagorno Karabakh Republic, and further to the east, so-called sahmanakars (Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: սահմանաքար, meaning “border stones”) are found. They originally appeared during the reign of the Artashessian (Artaxiad
Artaxiad Dynasty
The Artaxiad Dynasty or Ardaxiad Dynasty ruled the Kingdom of Armenia from 189 BC until their overthrow by the Romans in AD 12. Their realm included Greater Armenia, Sophene and intermittently Lesser Armenia and parts of Mesopotamia...
) royal dynasty in Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
(190 BC-53 AD) who used the stones, with inscriptions, to demarcate the kingdom’s frontiers for travelers. In Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
, the tradition of marking borders with sahmanakars endured throughout the Middle Ages. The largest of such medieval markers stands near the town of Mataghes (Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Մատաղես) in the Mardakert District. An inscription on the stone declares: “Here [the province of] Syunik
Syunik
Syunik is the southernmost province of Armenia. It borders the Vayots Dzor marz to the north, Azerbaijan's Nakhchivan exclave to the west, Karabakh to the east, and Iran to the south. Its capital is Kapan. Other important cities and towns include Goris, Sisian, Meghri, Agarak, and Dastakert...
ends.”
Monasteries, Churches and Chapels in and around Nagorno Karabakh
In the early Middle AgesMiddle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
, Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
and neighboring provinces of Utik and Paytakaran, known together as The Eastern Prefectures of Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
(Armenian: Կողմանք Արևելից Հայոց) became a target of missionary activities of prominent religious leaders from Armenian mainland. The most distinguished of them were St. Gregory the Illuminator (Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Սբ. Գրիգոր Լուսավորիչ, died circa 337 AD), who baptized Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
into the first Christian
Christian
A Christian is a person who adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus of Nazareth as recorded in the Canonical gospels and the letters of the New Testament...
state in 301 AD, and St. Mesrob Mashtots
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
(Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Սբ. Մեսրոբ Մաշտոց, 361-440 AD), the scholar who created the Armenian alphabet
Armenian alphabet
The Armenian alphabet is an alphabet that has been used to write the Armenian language since the year 405 or 406. It was devised by Saint Mesrop Mashtots, an Armenian linguist and ecclesiastical leader, and contained originally 36 letters. Two more letters, օ and ֆ, were added in the Middle Ages...
.
A number of Christian monuments that are identified with that vital period of the Armenian history belong to the world’s oldest places of Christian
Christian
A Christian is a person who adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus of Nazareth as recorded in the Canonical gospels and the letters of the New Testament...
worship. Among them is the Amaras Monastery
Amaras Monastery
Amaras Monastery is one of the oldest Christian sites in the world and in Nagorno-Karabakh, and is an Armenian Apostolic monastery located near the village of Sos in the Martuni county of the Nagorno-Karabakh Republic.- History :...
(Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Ամարասի Վանք), which, according to ancient authors, such as the forefather of Armenian history Movses Khorenatsi
Movses Khorenatsi
Moses of Chorene, also Moses of Khoren, Moses Chorenensis, or Movses Khorenatsi , or a 7th to 9th century date) was an Armenian historian, and author of the History of Armenia....
(approx.410-490), was founded in the 4th century AD by St. Gregory himself. The oldest part of the monastery is the martyrium of St. Grigoris (Armenian: Սբ. Գրիգորիս), St. Gregory’s grandson and Bishop of Aghvank, who was killed by the pagans, around 338 AD, when teaching Gospel in the land of the Mazkuts (present-day Republic of Dagestan, in Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
). The mausoleum
Mausoleum
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or persons. A monument without the interment is a cenotaph. A mausoleum may be considered a type of tomb or the tomb may be considered to be within the...
of St. Grigoris is a vaulted burial chamber equipped with two lateral vestibules that serves as the crypt for a church dating from a later period. Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
is an active monastery
Monastery
Monastery denotes the building, or complex of buildings, that houses a room reserved for prayer as well as the domestic quarters and workplace of monastics, whether monks or nuns, and whether living in community or alone .Monasteries may vary greatly in size – a small dwelling accommodating only...
of the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
.
While traveling in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
and the neighboring provinces of Syunik
Syunik
Syunik is the southernmost province of Armenia. It borders the Vayots Dzor marz to the north, Azerbaijan's Nakhchivan exclave to the west, Karabakh to the east, and Iran to the south. Its capital is Kapan. Other important cities and towns include Goris, Sisian, Meghri, Agarak, and Dastakert...
and Utik
Utik
Utik was a historic province of the Kingdom of Armenia and a region of Caucasian Albania. Most of the region is located within present-day Azerbaijan immediately west of the Kura River while a part of it lies within the Tavush province of present-day northeastern Armenia.-History:According to...
, in circa 410 AD, St. Mesrob Mashtots
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
established a school at Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
where the Armenian script, invented by him in 405 AD, was first introduced for teaching purposes.
For 35 years until his death in 440, Mashtots recruited teams of monks to translate the religious, scientific and literary masterpieces of the ancient world into this new alphabet. Much of their work was conducted in the monastery at Amaras …”
The description of St. Mesrob Mashtots’
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
journey to Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
and the neighboring province of Utik
Utik
Utik was a historic province of the Kingdom of Armenia and a region of Caucasian Albania. Most of the region is located within present-day Azerbaijan immediately west of the Kura River while a part of it lies within the Tavush province of present-day northeastern Armenia.-History:According to...
is a focal point of several chapters of the “History of Aghvank” (Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Պատմություն Աղվանից) written in the 7th century by one of Artsakh's most prominent natives—Armenian historian Movses Kaghankatvatsi
Movses Kaghankatvatsi
Movses Kaghankatvatsi , or Movses Daskhurantsi , is the reputed author of a 10th-century Old Armenian historiographical work on Caucasian Albania, known as The History of the Country of Albania .- Authorship :...
(Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Մովսես Կաղանկատվացի).
Another temple whose history relates to the mission of St. Mesrob Mashtots
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
is the Targmanchats Monastery (Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Սբ. Թարգմանչաց Վանք) near Karhat (Armenian: Քարհատ, present-day Dashkesan in Azerbaijan, to the north of the Nagorno Karabakh Republic). The word Targmanchats (Armenian: Թարգմանչաց) meaning “Saint Translators,” designates both St. Mesrob Mashtots and St. Sahak Partev (Armenian: Սբ. Սահակ Պարթև), head of the Armenian Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
(387-436 AD) who sponsored Mashtots’
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
scholarly and religious expeditions. Using Mashtots’
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
alphabet, St. Sahak Partev translated the Bible
Bible
The Bible refers to any one of the collections of the primary religious texts of Judaism and Christianity. There is no common version of the Bible, as the individual books , their contents and their order vary among denominations...
from Syriac into Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
in 411 AD (as testified by Mashtots’
Saint Mesrob
Saint Mesrop Mashtots was an Armenian monk, theologian and linguist. He is best known for having invented the Armenian alphabet, which was a fundamental step in strengthening the Armenian Church, the government of the Armenian Kingdom, and ultimately the bond between the Armenian Kingdom and...
pupil Koryun
Koryun
Koryun was the earliest Armenian-language historian. Writing in the fifth century, his "Life of Mesrob" contains many details about the evangelization of Armenia and the invention of the Armenian alphabet.Some Armenian and European scholars, such as G.Alishan, O.Torosyan, G.Fintigliyan, A.Sarukhan,...
in his biographic work about his teacher). The main church of the monastery, reconstructed in 989, consists of one vaulted room (single nave) with an apse on the east flanked by two small rooms.
The basilica
Basilica
The Latin word basilica , was originally used to describe a Roman public building, usually located in the forum of a Roman town. Public basilicas began to appear in Hellenistic cities in the 2nd century BC.The term was also applied to buildings used for religious purposes...
of St. Gevorg (Սբ. Գևորգ, St. George) at the Tzitzernavank Monastery
Tzitzernavank Monastery
Tzitzernavank is a 5th-6th century Armenian church and former monastery in the Qashatagh Province of Nagorno-Karabakh Republic...
(Armenian: Ծիծեռնավանք) in Kashatagh, is not only an important religious site, but is the best-preserved example of an Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
n basilica
Basilica
The Latin word basilica , was originally used to describe a Roman public building, usually located in the forum of a Roman town. Public basilicas began to appear in Hellenistic cities in the 2nd century BC.The term was also applied to buildings used for religious purposes...
with three naves
Navès
Navès is a commune in the Tarn department in southern France.-Geography:The Thoré forms most of the commune's north-eastern border, then flows into the Agout, which forms part of its northern border.-References:*...
. It is a large and well-preserved structure dating probably from the fifth or sixth centuries. It stands not far from the so-called Lachin Corridor
Lachin corridor
The Lachin corridor is a mountain pass within de-jure borders of Azerbaijan, it is the shortest route which connects Armenia with Nagorno-Karabakh Republic...
, a territory that connects Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
with the Nagorno Karabakh Republic.The word Tzitzernavank
Tzitzernavank Monastery
Tzitzernavank is a 5th-6th century Armenian church and former monastery in the Qashatagh Province of Nagorno-Karabakh Republic...
originates from the root “tzitzern” (Armenian: ծիծեռն) meaning “little finger” in Old Armenian. This points to a period in the history of the monastery when it was believed to contain relics of St. George the Dragon-Slayer. In the past, the monastery belonged to the Tatev
Tatev
The Monastery of Tatev is a 9th century Armenian monastery located in the Tatev village in Syunik Province in southern Armenia. The term "Tatev" usually refers to the monastery. It stands on a plateau on the edge of the deep gorge of the Orotan River...
eparchy and is mentioned as a notable religious center by the 13th century historian Stephanos Orbelian
Orbelian Dynasty
The Orbelian lords of Syunik were a noble family, documented in inscriptions throughout Vayots Dzor and Syunik, and recorded by the family bishop Stepanos in his 1297 History of Syunik....
(Armenian
Armenian language
The Armenian language is an Indo-European language spoken by the Armenian people. It is the official language of the Republic of Armenia as well as in the region of Nagorno-Karabakh. The language is also widely spoken by Armenian communities in the Armenian diaspora...
: Սթեփանոս Օրբելյան) and Bishop Tovma Vanandetsi (Armenian: Թովմա Վանանդեցի) in 1655. Beginning from 1992, the Tzitzernavank Monastery
Tzitzernavank Monastery
Tzitzernavank is a 5th-6th century Armenian church and former monastery in the Qashatagh Province of Nagorno-Karabakh Republic...
underwent renovation and became a venue of autumn festivals organized annually on St. George’s Day. Tzitzernavank
Tzitzernavank Monastery
Tzitzernavank is a 5th-6th century Armenian church and former monastery in the Qashatagh Province of Nagorno-Karabakh Republic...
is an active monastery of the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
.
Churches with a cupola built on a radiating or cruciform floor plan were numerous in Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
during the seventh century, and are well represented in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
. One example is the chapel at Vankasar (Armenian: Վանքասար) where the cupola and its drum rest on the central square of a cruciform floor plan. The chapel is located on the eastern frontier of the Nagorno Karabakh Republic, and was reputedly founded by Artsakh’s celebrated monarch Vachagan II the Pious (Armenian: Վաչագան Բ Բարեպաշտ) of the early medieval Arranshahik dynasty (Armenian: Առանշահիկ). Another example is the Okhta Trne church at Mokhrenes (Armenian: Օխտը Տռնէ, “The Eight-Door Church”), probably dating from the fifth to seventh centuries. Its walls, roughly cut and bonded, enclose a quatrefoil interior with four small diagonal niches. Less common is the free cross plan with a cupola, found in the Chapel of St. Savior (Armenian: Սբ. Փրկիչ) in the Mardakert District.
Artsakh’s designs at times differed from the course of the architectural evolution of mainland Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
. Observations suggest that certain floor plans frequently employed in other regions of Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
during the seventh century are not found in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
. These include the chamber with a cupola supported by wall braces (e.g. the cathedral in Aruj, in the Aragatsotn Province
Aragatsotn
Aragatsotn is a province of Armenia. It is in the west of the country, and its capital is Ashtarak. The name means "a foot of Aragats" . During the Arsacid Dynasty of the Kingdom of Armenia, the region was part of the Ayrarat province...
of Armenia); the cruciform plan with a cupola on four free-standing pillars (e.g. St. Gayaneh Church in the Holy City of Echmiadzin
Echmiadzin
Mother Cathedral of Holy Etchmiadzin is a 4th century Armenian church in the town of Ejmiatsin, Armenia. It is also the central cathedral of the Mother See of Holy Etchmiadzin of the Armenian Apostolic Church....
, Armenia), and the radiating type with four rooms in a rectangle (e.g. St. Hripsimeh Church in the Holy City of Echmiadzin
Echmiadzin
Mother Cathedral of Holy Etchmiadzin is a 4th century Armenian church in the town of Ejmiatsin, Armenia. It is also the central cathedral of the Mother See of Holy Etchmiadzin of the Armenian Apostolic Church....
, Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
).
Another peculiarity of the region is that few of Artsakh’s monuments date from the post-Arab period or the rise of Armenian kingdoms (ninth to the eleventh centuries), which was a very productive artistic era in other Armenian provinces. The structures that could be attributed to that period are chapels on the cruciform plan with a cupola, such as the church at Varazgom (Armenian: Վարազգոմ) near Kashatagh, the Khunisavank Monastery (Armenian: Խունիսավանք) in Getabaks (now–Gedabey district of Azerbaijan, north to the Nagorno Karabakh Republic), and churches with a single nave, such as the church in Parissos (Armenian: Փարիսոս).
It was during the post-Seljuk period and the beginning of the Mongol period (late twelfth and thirteenth centuries) when Artsakh’s architecture blossomed. Monasteries in this era served as active centers of art and scholarship. Most of them contained scriptoria where manuscripts were copied and illuminated. They also were fortified and often served as places of refuge for the population in times of trouble.
Several monastic churches from this period adopted the model used most widely throughout Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
: a cathedral with a cupola
Cupola
In architecture, a cupola is a small, most-often dome-like, structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome....
in the inscribed cross plan with two or four angular chambers. Examples include the largest and most complex monasteries of Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
: Dadivank (Armenian: Դադիվանք, 1214–1237), Gandzasar (Armenian: Գանձասար, 1216–1238) and Gtichavank (Armenian: Գտիչավանք, 1241–1246). In the case of the Gandzasar and Gtichavank monasteries, the cone over the cupola
Cupola
In architecture, a cupola is a small, most-often dome-like, structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome....
is umbrella-shaped, a picturesque design that was originally developed by the architects of Armenia’s former capital city of Ani
Ani
Ani is a ruined and uninhabited medieval Armenian city-site situated in the Turkish province of Kars, near the border with Armenia. It was once the capital of a medieval Armenian kingdom that covered much of present day Armenia and eastern Turkey...
, in the tenth century, and subsequently spread to other provinces of the country, including Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
.
Like all Armenian monasteries, those in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
reveal great geometric rigor in the layout of buildings. In this regard, the thirteenth century’s Dadivank, the largest monastic complex in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
and all of Eastern Armenia, located in the northwestern corner of the Mardakert District, is a remarkable case. Dadivank was sufficiently well preserved to leave no doubt that it was one of the most complete monasteries in the entire Caucasus
Caucasus
The Caucasus, also Caucas or Caucasia , is a geopolitical region at the border of Europe and Asia, and situated between the Black and the Caspian sea...
. With its Memorial Cathedral of the Holy Virgin in the center, Dadivank has approximately twenty different structures, which are divided into four groups: ecclesiastical, residential, defensive and ancillary. Dadivank is an active monastery of the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
.
A conspicuous characteristic of Armenian monastic architecture of the thirteenth century is the gavit
Gavit
A gavit or zhamatun is often contiguous to the west of a church in a Medieval Armenian monastery. It served as narthex , mausoleum and assembly room.-History:...
(գավիթ, also called zhamatoun; Armenian: ժամանտուն). The gavits are special square halls usually attached to the western entrance of churches. They were very popular in large monastic complexes where they served as narthex
Narthex
The narthex of a church is the entrance or lobby area, located at the end of the nave, at the far end from the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper...
es, assembly rooms and lecture halls, as well as vestibules for receiving pilgrims. Some appear as simple vaulted galleries open to the south (e.g. in the Metz Arrank Monastery; Armenian: Մեծառանից Վանք); others have an asymmetrical vaulted room with pillars (Gtichavank Monastery); or feature a quadrangular room with four central pillars supporting a pyramidal dome (the Dadivank Monastery). In another type of gavit, the vault is supported by a pair of crossed arches – in Horrekavank (Armenian: Հոռեկավանք) and Bri Yeghtze (Armenian: Բռի Եղցէ) monasteries.
The most famous gavit in Nagorno-Karabakh, though, is part of the Gandzasar Monastery. It was built in 1261 and is distinctive for its size and superior quality of workmanship. Its layout corresponds exactly to that of Haghbat (Armenian: Հաղբատ) and Mshakavank (Armenian: Մշակավանք)—two monasteries located in the northern part of today’s Republic of Armenia. At the center of the ceiling, the cupola is illuminated by a central window which is adorned with the same stalactite ornaments as in Geghard
Geghard
For the town, see Geghard, Armenia.The monastery of Geghard is a unique architectural construction in the Kotayk province of Armenia, being partially carved out of the adjacent mountain, surrounded by cliffs...
(Armenian: Գեղարդ) and Harichavank (Armenian: Հառիճավանք)—monasteries in the Republic of Armenia dating from the early thirteenth century.
The Gandzasar Monastery
Gandzasar monastery
Gandzasar monastery is a 10-13th century Armenian monastery situated in the Mardakert region of Nagorno-Karabakh, near the village of Vank. "Gandzasar" means treasure mountain or hilltop treasure in Armenian. The monastery holds relics believed to belong to St. John the Baptist and St Zechariah,...
was the spiritual center of Khachen (Armenian: Խաչեն), the largest and most powerful principality in medieval Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
, by virtue of being home to the Katholicosate of Aghvank. Аlso known as the Holy See of Gandzasar, Katholicosate of Aghvank (Armenian: Աղվանից Կաթողիկոսություն) was one of the territorial subdivisions of the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
.
Gandzasar’s Cathedral of St. Hovhannes Mkrtich (Armenian: Սբ. Հովհաննես Մկրտիչ, designating St. John the Baptist) is one of the most well-known Armenian architectural monuments of all times. No surprise, Gandzasar is number one tourist attraction in the Nagorno Karabakh Republic. In its decor there are elements which relate it to three other monuments, in Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
, from the early thirteenth century: the colonnade on the drum resembles that of Harichavank (Armenian: Հառիճավանք; built around 1201), and the great cross with a sculpture of Crucifixion
Crucifixion
Crucifixion is an ancient method of painful execution in which the condemned person is tied or nailed to a large wooden cross and left to hang until dead...
at the top of the facade is also found at Kecharis (Armenian: Կեչառիսի Վանք, built around 1214) and Hovhannavank (Armenian: Հովհաննավանք, 1216–1250). Gandzasar an active monastery of the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
.
Gandzasar and Dadivank are also well-known for their bas-reliefs that embellish their domes and walls. After the Cathedral of St. Cross on the Lake Van (also known as Akhtamar-Ախթամար, in Turkey), Gandzasar contains the largest amount of sculpted decor compared to other architectural ensembles of Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
. The most famous of Gandzasar’s sculptures are Adam
Adam
Adam is a figure in the Book of Genesis. According to the creation myth of Abrahamic religions, he is the first human. In the Genesis creation narratives, he was created by Yahweh-Elohim , and the first woman, Eve was formed from his rib...
and Eve
Eve
Eve is the first woman created by God in the Book of Genesis.Eve may also refer to:-People:*Eve , a common given name and surname*Eve , American recording artist and actress-Places:...
, Jesus Christ, the Lion
Lion
The lion is one of the four big cats in the genus Panthera, and a member of the family Felidae. With some males exceeding 250 kg in weight, it is the second-largest living cat after the tiger...
(a symbol of the Vakhtangian princes (Armenian: Վախթանգյան իշխաններ) who built both Gandzasar and Dadivank), and the Churchwardens—each holding on his hands a miniature copy of the cathedral. In Dadivank, the most important bas-relief depicts the patrons of the monastery, whose stone images closely resemble those carved on the walls of the Haghbat, Kecharis and Harichavank monasteries, in the Republic of Armenia.
Although in this period the focus in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
shifted to more complex structures, churches with a single nave continued to be built in large numbers. One example is the monastery of St. Yeghishe Arakyal (Armenian: Սբ. Եղիշե Առաքյալ, also known as the Jrvshtik Monastery (Ջրվշտիկ), which in Armenian means "Longing-for-Water"), in the historical county of Jraberd
Jraberd
Jraberd is a village in the Tartar Rayon of Azerbaijan. The village is on the cease-fire line between the armed forces of the self-proclaimed Nagorno-Karabakh Republic and those of Azerbaijan. There have been allegations of cease fire violations in the village's vicinity....
, that has eight single-naved chapels aligned from north to south. One of these chapels is a site of high importance for the Armenians
Armenians
Armenian people or Armenians are a nation and ethnic group native to the Armenian Highland.The largest concentration is in Armenia having a nearly-homogeneous population with 97.9% or 3,145,354 being ethnic Armenian....
, as it serves as a burial ground for Artsakh’s fifth century monarch King Vachagan II the Pious Arranshahik. Also known as Vachagan the Pious for his devotion to the Christian
Christian
A Christian is a person who adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus of Nazareth as recorded in the Canonical gospels and the letters of the New Testament...
faith and support in building a large number of churches throughout the region, King Vachagan is an epic figure whose deeds are immortalized in many of Artsakh’s legends and fairytales. The most famous of those tells how Vachagan fell in love with the beautiful and clever Anahit, who then helped the young king defeat pagan invaders.
After an interruption that lasted from the fourteenth to the sixteenth centuries, architecture flourished again, in the seventeenth century. Many parish churches were built, and the monasteries, serving as bastions of spiritual, cultural and scholarly life, were restored and enlarged. The most notable of those is the Yerits Mankants Monastery (“Monastery of Three Infants,” Armenian: Երից Մանկանց Վանք) that was built around 1691 in the county of Jraberd
Jraberd
Jraberd is a village in the Tartar Rayon of Azerbaijan. The village is on the cease-fire line between the armed forces of the self-proclaimed Nagorno-Karabakh Republic and those of Azerbaijan. There have been allegations of cease fire violations in the village's vicinity....
. The monastery was established by the feudal family of Melik-Israelians (Armenian: Մելիք-Իսրաելյան), Lords of Jraberd, with an apparent purpose to rival the Holy See of Gandzasar and its hereditary patrons—the Hasan-Jalalians, Lords of Khachen.
Artsakh’s architecture of the nineteenth century is distinguished by a merger of innovation and the tradition of grand national monuments of the past. One example is the Cathedral of the Holy Savior
Ghazanchetsots Cathedral
Ghazanchetsots Cathedral , also known as the Cathedral of Christ the Holy Savior and the Shushi Cathedral , is an Armenian church located in Shusha, Nagorno-Karabakh.-History:...
also known as “Ghazanchetsots”
Ghazanchetsots Cathedral
Ghazanchetsots Cathedral , also known as the Cathedral of Christ the Holy Savior and the Shushi Cathedral , is an Armenian church located in Shusha, Nagorno-Karabakh.-History:...
(Armenian: Ղազանչեցոց Սբ. Ամենափրկիչ, 1868–1888) because it was erected in the historical Ghazanchetsots (Ղազանչեցոց) borough of Shusha. It stands in Shusha
Shusha
Shusha , also known as Shushi is a town in the disputed region of Nagorno-Karabakh in the South Caucasus. It has been under the control of the self-proclaimed Nagorno-Karabakh Republic since its capture in 1992 during the Nagorno-Karabakh War...
, former capital of Karabakh Khanate
Karabakh khanate
The Karabakh khanate was a semi-independent khanate on the territories of modern Azerbaijan and Armenia established in about 1750 under Persian suzerainty in Karabakh and adjacent areas. The Karabakh khanate existed until 1805, when the Russian Empire gained control over it from Persia...
and is among the largest Armenian churches ever erected. The cathedral’s architectural forms were influenced by the designs of the ancient cathedral of St. Echmiadzin
Echmiadzin
Mother Cathedral of Holy Etchmiadzin is a 4th century Armenian church in the town of Ejmiatsin, Armenia. It is also the central cathedral of the Mother See of Holy Etchmiadzin of the Armenian Apostolic Church....
(4th-9th centuries), center of the Armenian Apostolic Church
Armenian Apostolic Church
The Armenian Apostolic Church is the world's oldest National Church, is part of Oriental Orthodoxy, and is one of the most ancient Christian communities. Armenia was the first country to adopt Christianity as its official religion in 301 AD, in establishing this church...
located to the west of Armenia’s capital of Yerevan. After the Karabakh War, the Cathedral underwent restoration, and currently serves as an active house of worship of the Armenian Apostolic Church.
In addition to the Cathedral of the Holy Savior, Shusha hosted the Hermitage of Holy Virgins (Armenian: Կուսանաց Անապատ, 1816) and three other Armenian churches: Holy Savior “Meghretsots” (Armenian: Մեղրեցոց Սբ. Ամենափրկիչ, 1838), St. Hovhannes “Kanach Zham” (Armenian: Սբ. Հովհաննես, 1847) and Holy Savior “Aguletsots” (Armenian: Ագուլեցոց Սբ. Ամենափրկիչ, 1882).
In the nineteenth century, several Muslim monuments appear as well. They are linked to the emergence of the Karabakh Khanate
Karabakh khanate
The Karabakh khanate was a semi-independent khanate on the territories of modern Azerbaijan and Armenia established in about 1750 under Persian suzerainty in Karabakh and adjacent areas. The Karabakh khanate existed until 1805, when the Russian Empire gained control over it from Persia...
, a short-lived, Muslim-ruled principality in Karabakh (1750s-1805). In the city of Shusha, three nineteenth century mosques were built, which, together with two Russian Orthodox chapels, are the only non-Armenian architectural monuments found on the territories comprising the former Nagorno Karabakh Autonomous Region
Nagorno-Karabakh Autonomous Oblast
The Nagorno-Karabakh Autonomous Oblast was an autonomous oblast within the borders of the Azerbaijan SSR, mostly inhabited by ethnic Armenians and created on July 7, 1923. According to Karl R. DeRouen it was created as an enclave so that a narrow strip of land would separate it from Armenia proper....
and today’s Nagorno Karabakh Republic.
Monuments of Civil Architecture
From the 17th and 18th centuries, several palaces of Armenian meliks (Armenian: մելիք, duke) should be noted, especially the Palace of the Melik-Beglarian (Armenian: Մելք-Բեգլարյան) family in Giulistan (in the Shahumian District), Palace of the Melik-Avanian (Armenian: Մելք-Ավանյան) family in Togh (in the Hadrut District), Palace of the Melik-Mnatzakanian (Armenian: Մելք-Մնացականյան) family in Getashen, Palace of the Melik-Haikazian (Armenian: Մելիք-Հայկազյան) family in Kashatagh (in the Kashatagh-Lachin District), Palace of the Melik-Dolukhanian (Armenian: Մելք-Դոլուխանյան) family in Tukhnakal (near Stepanakert) and, finally, Palace of the Khan of Karabakh in the city of Shusha. Princely palaces from earlier epochs, while badly damaged by time, are equally if not more impressive. Among those preserved is the Palace of the Dopian Princes, Lords of Tzar, near Aknaberd (in the Mardakert District).Artsakh’s medieval inns (called “idjevanatoun;” Armenian: իջևանատուն) comprise a separate category of civil structures. The best preserved example of those is found near the town of Hadrut.
Before its destruction in 1920 the main repository of the region’s civil architecture was Shusha. In the late 19th century, Shusha became one of the largest cities in Caucasus
Caucasus
The Caucasus, also Caucas or Caucasia , is a geopolitical region at the border of Europe and Asia, and situated between the Black and the Caspian sea...
. In 1913, it hosted more than 42,000 people.
Shusha’s architecture had its unique style and spirit. That special style synthesized designs used in building grand homes in Artsakh’s rural areas (especially in the southern county of Dizak) and elements of neo-classical European architecture. The quintessential example of Shusha’s residential dwellings is the house of the Avanesantz family (19th century). Shusha’s administrative buildings of note include: Royal College (1875), Eparchial College (1838), Technical School (1881) summer and winter clubs of the City Hall (1896 and 1901), The Zhamharian Hospital (1900), The Khandamirian Theater (1891), The Holy Virgin Women’s College (1864) and Mariam Ghukassian Nobility High School (1894). Of these buildings, only Royal College and the Zhamharian Hospital survived the Turko-Muslim attack on the city in 1920.
The best-preserved examples of Artsakh’s rural civil architecture are found in historical settlements of Banants (Armenian: Բանանց), Getashen (Armenian: Գետաշեն), Hadrut (Armenian: Հադութ) and Togh (Armenian: Տող).
History of Vandalism and Destruction
First record of war and destruction during which monuments of faith in present-day Nagorno Karabakh sufferedCultural genocide
Cultural genocide is a term that lawyer Raphael Lemkin proposed in 1933 as a component to genocide. The term was considered in the 1948 United Nations Declaration on the Rights of Indigenous Peoples juxtaposed next to the term ethnocide, but it was removed in the final document, replaced with...
date from the early medieval period. During the Armenian-Persian war of 451-484 AD, the Amaras Monastery
Amaras Monastery
Amaras Monastery is one of the oldest Christian sites in the world and in Nagorno-Karabakh, and is an Armenian Apostolic monastery located near the village of Sos in the Martuni county of the Nagorno-Karabakh Republic.- History :...
was wrecked by Persian conquerors who sought to bring pagan practices back to Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
. In 821, Armenia was overrun by Arabs, and Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
was plundered. In the same century, however, the monastery was rebuilt under the patronage of Prince Yesai (Armenian: Եսայի Իշխան Առանշահիկ), Lord of Dizak, who bravely fought against the invaders. In 1223, as testified by the Bishop Stephanos Orbelian (died in 1304), Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
was looted again—at this time, by the Mongols—who took with them St. Grigoris’ crosier and a large golden cross decorated with 36 precious stones. According to Orbelian, the wife of the Mongolian leader, Byzantine Princess Despina, proposed to send the cross and the crosier to Constantinople.
In 1387, Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
and ten other monasteries of Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
were attacked by Tamerlane’s
Timur
Timur , historically known as Tamerlane in English , was a 14th-century conqueror of West, South and Central Asia, and the founder of the Timurid dynasty in Central Asia, and great-great-grandfather of Babur, the founder of the Mughal Dynasty, which survived as the Mughal Empire in India until...
hordes from Central Asia
Central Asia
Central Asia is a core region of the Asian continent from the Caspian Sea in the west, China in the east, Afghanistan in the south, and Russia in the north...
. According to a local Armenian legend, Tamerlane
Timur
Timur , historically known as Tamerlane in English , was a 14th-century conqueror of West, South and Central Asia, and the founder of the Timurid dynasty in Central Asia, and great-great-grandfather of Babur, the founder of the Mughal Dynasty, which survived as the Mughal Empire in India until...
destroyed Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
and ordered his soldiers to make up a miles-long line from the monastery all the way to the River Arax. Tamerlane’s soldiers were passing on the stones of the demolished buildings from one person to another and throwing them into the water to form a bridge. But as soon as the conquerors left the region, the legend says, the region’s inhabitants rushed to the river, brought the stones back and rebuilt the monastery to its original state. It must have been at that time when Amaras’ famous scriptorium
Scriptorium
Scriptorium, literally "a place for writing", is commonly used to refer to a room in medieval European monasteries devoted to the copying of manuscripts by monastic scribes...
was established.
Events in the Southern Caucasus that followed the 1917 October Revolution
October Revolution
The October Revolution , also known as the Great October Socialist Revolution , Red October, the October Uprising or the Bolshevik Revolution, was a political revolution and a part of the Russian Revolution of 1917...
in Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
have had a devastating effect on the fate of the city of Shusha and on its architectural marvels. After the entry of Turko-Islamic nomads
Turkic peoples
The Turkic peoples are peoples residing in northern, central and western Asia, southern Siberia and northwestern China and parts of eastern Europe. They speak languages belonging to the Turkic language family. They share, to varying degrees, certain cultural traits and historical backgrounds...
to Karabakh's highlands, in the 1750s, the city became divided into two parts: Armenian and Muslim. While the Islamic Turkic tribesmen (known since the 1930s as “Azerbaijanis” )constituted a small percentage of the population of Artsakh’s highlands, their largest concentration was in Shusha, where they have maintained difficult relations with the city’s Armenian residents. They city was a venue of sporadic inter-communal violence since 1905, but it was in March 1920 when it received the deadliest blow of all. Aided by expeditionary Ottoman forces, armed Turko-Tartar (“Azerbaijani” ) bands burned and destroyed all Christian quarters of the city, murdering most of its Armenian residents in the process—some 20,000 people in total.
The city’s three out of five Armenian churches were totally destroyed by the Turkic bands: Holy Savior “Meghretzotz” (Armenian: Մեղրեցոց Սբ. Փրկիչ, built in 1838), Holy Savior “Aguletzotz” (Armenian: Ագուլեցոց Սբ. Փրկիչ, built in 1882) and Hermitage of Holy Virgins (Armenian: Կուսանաց Անապատ, built in 1816). The Cathedral of the Holy Savior (1868–1888) was desecrated and severely damaged. With as many as 7,000 buildings demolished, Shusha has never been restored to its former grandeur. Instead, it shrank, becoming a smaller town peopled primarily by Muslims (14 thousand residents in 1987 versus 42 thousand in 1913). It stood in ruins from 1920 up to the mid-1960s, when remnants of the city’s Armenian half were bulldozed by the orders from Baku.
The Karabakh War (1991-1994)
Nagorno-Karabakh War
The Nagorno-Karabakh War was an armed conflict that took place from February 1988 to May 1994, in the small enclave of Nagorno-Karabakh in southwestern Azerbaijan, between the majority ethnic Armenians of Nagorno-Karabakh backed by the Republic of Armenia, and the Republic of Azerbaijan...
likewise left its deep scars on the architectural face of Nagorno Karabakh. The Azerbaijani Army intentionally targeted Armenian Christian monuments for the purpose of their demolition, using, among a variety of means, heavy artillery and military airplanes. Both Amaras
Amaras
Amaras is a village in the Hadrut Province of the Nagorno-Karabakh Republic, de facto, and a village in the Khojavend Rayon of Azerbaijan de jure. Amaras is the site of the Amaras Monastery, one of the oldest in Nagorno Karabakh....
and Gandzasar monasteries suffered in the process.
Robert Bevan writes: “The Azeri campaign against the Armenian enclave of Nagorno Karabakh which began in 1988 was accompanied by cultural cleansing that destroyed the Egheazar monastery and 21 other churches.”
Two out of the three mosques in the city of Shusha also suffered during the war when Armenian forces captured the town in 1992. The authorities of the Nagorno Karabakh Republic, however, are restoring at least one of the mosques, reportedly with some help from Iranian architects.
Fortresses, Castles and Princely Palaces
The fortresses of the region (called “berd” in Armenian; բերդ), as in the rest of historical Armenia, were usually built on hard-to-reach rocks or on the tips of mountains, profitably using the features of Artsakh’s rugged and heavily forested terrain. Jraberd (Armenian: Ջրաբերդ), Handaberd (Armenian: Հանդաբերդ), Kachaghakaberd (Armenian: Կաչաղակաբերդ), Shikakar (Armenian: Շիկաքար), Giulistan (Armenian: Գյուլիստան), Mairaberd (Armenian: Մայրաբերդ), Toghaberd (Armenian: Տողաբերդ), Aknaberd (Armenian: Ակնաբերդ), Aghjkaberd (Armenian: Աղջկաբերդ) and other forts, fortresses and castles belonged to Artsakh’s aristocratic families, safeguarding their domains against foreign invaders that traditionally came from the eastern steppes. The forts were established very early in the history of the region, and each successive generation of their custodians contributed to their improvement.When Artsakh’s Principality of Khachen forged ties with the Kingdom of Cilicia (1080–1375), an independent Armenian state on the Mediterranean Sea
Mediterranean Sea
The Mediterranean Sea is a sea connected to the Atlantic Ocean surrounded by the Mediterranean region and almost completely enclosed by land: on the north by Anatolia and Europe, on the south by North Africa, and on the east by the Levant...
that aided the Crusaders
Crusaders
The Crusaders are a New Zealand professional rugby union team based in Christchurch that competes in the Super Rugby competition. They are the most successful team in Super Rugby history with seven titles...
, a small number of Artsakh’s fortifications acquired a certain Cilician look.
The Handaberd Castle, the traditional stronghold of the Vakhtangian-Dopian Princes located in Karvachar (Armenian: Քարվաճառ, Azerbaijan’s former district of Kelbajar), was rebuilt with a grant received from Cilicia’s King Levon I; for that it was also known as “Levonaberd” (Armenian: Լևոնաբերդ).
Karabakh’s most remarkable pieces of fortification art, though, are the Citadel of Shusha and Askeran Fortress. Backed by an intricate system of camps, recruiting centers, watchtowers and fortified beacons, both belonged to the so-called Lesser Syghnakh (Armenian: Փոքր Սղնախ), which was one of Artsakh’s two main historical military districts responsible for defending the southern counties of Varanda and Dizak. When the Citadel of Shusha was founded by Panah Ali Khan
Panah Ali Khan
Panah-Ali khan Javanshir was the founder and first ruler of Karabakh khanate, initially under nominal Persian suzerainty and by 1748 an independent feudal state that existed in 1747–1822 in Karabakh and adjacent areas..-Origins and early life:Panah Ali Khan was from the Sarijali branch of the...
Javanshir, a Turkic founder of the Karabakh Khanate
Karabakh khanate
The Karabakh khanate was a semi-independent khanate on the territories of modern Azerbaijan and Armenia established in about 1750 under Persian suzerainty in Karabakh and adjacent areas. The Karabakh khanate existed until 1805, when the Russian Empire gained control over it from Persia...
, its walls and other fortifications were built.
Khachkars in Nagorno Karabakh and Historical Artsakh
Khachkars (Armenian: խաչքար), stone slab monuments decorated with a cross, represent a special chapter in the history of sculpture, and are unique to historical Armenia.In the first stage of their evolution, this type of monuments already existed in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
, as attested by one of the earliest dated samples found on the eastern shore of the Lake Sevan
Lake Sevan
Lake Sevan is the largest lake in Armenia and the Caucasus region. It is one of the largest high-altitude lakes in the world.Lake Sevan is situated in the central part of the Republic of Armenia, inside the Gegharkunik Province, at the altitude of 1,900m above sea level...
(at Metz Mazra, year 881) which at that time was part of the dominion of Artsakh’s Princes of Tzar. A very large number of khachkars is also found on the territory of today’s Nagorno Karabakh Republic and adjacent regions.
Several thirteenth-century examples look particularly refined, and a few of them deserve a special attention for their superior design. The two khachkars of the Gtichavank Monastery
Gtichavank Monastery
Gtichavank Monastery is a 13th-century Armenian Apostolic Church monastery located in the district of Hadrut of the Nagorno-Karabakh Republic, part of the historical Armenian province of Artsakh.- External links :*...
(Armenian: Գտիչավանք) dating from about 1246 (one of which is preserved at St. Echmiadzin in Armenia), show the two bishops who founded Gtichavank. There are also the two tall khachkar
Khachkar
A khachkar or khatchkar is a carved, cross-bearing, memorial stele covered with rosettes and other botanical motifs. Khachkars are characteristic of Medieval Christian Armenian art found in Armenia.-Description:...
plaques placed inside the Memorial Bell-Tower at the Dadivank Monastery
Dadivank Monastery
Dadivank Monastery also Khutavank is an Armenian Monastery in the Shahumian Region of the Nagorno-Karabakh Republic. It was built between the 9th and 13th century.-History and architecture:...
(1283), which are veritable laceworks in stone.
Artsakh’s most well-known example of embedded khachkars—where khachkars standing next to each other form some kind of hooded iconostas-in-stone—is the Bri Yeghtze Monastery (Armenian: Բռի Եղծէ Վանք), in the historical country of Varanda (Armenian: Վարանդա, presently in the Martuni District of the Nagorno Karabakh Republic). The use of embedded khachkars in Bri Yeghtze is the same as in the Tzaghatz Kar Monastery (Armenian: Ցաղաղ Քարի Վանք, in the Province of Vayots Dzor
Vayots Dzor
Vayots Dzor is a province of Armenia. It lies in the south-east of the country, bordering the Nakhichevan exclave of Azerbaijan in the west and the Azerbaijan in the east. It covers an area of 2,308 km². With a population of only 53,230 , it is the most sparsely populated province in the country...
, Republic of Armenia) and in the Horomos Monastery near Kars
Kars
Kars is a city in northeast Turkey and the capital of Kars Province. The population of the city is 73,826 as of 2010.-Etymology:As Chorzene, the town appears in Roman historiography as part of ancient Armenia...
(Armenian: Հոռոմոսի Վանք, now in Turkey).
A large khachkar
Khachkar
A khachkar or khatchkar is a carved, cross-bearing, memorial stele covered with rosettes and other botanical motifs. Khachkars are characteristic of Medieval Christian Armenian art found in Armenia.-Description:...
, brought from Artsakh’s Metz Arants Hermitage (Armenian: Մեծ Առանց Անապատ) to St. Echmiadzin, represents a rare type of the so-called “winged crosses” which resemble Celtic cross
Celtic cross
A Celtic cross is a symbol that combines a cross with a ring surrounding the intersection. In the Celtic Christian world it was combined with the Christian cross and this design was often used for high crosses – a free-standing cross made of stone and often richly decorated...
stones from Scotland
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
and Ireland
Ireland
Ireland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...
. The largest collection of standing khachkars in Artsakh is in the area called Tsera Nahatak, near the village of Badara.
Lapidary Inscriptions
In most cases, facades and walls of Artsakh’s churches and monasteries contain engraved texts in Armenian that often provide the precise date of construction, names of patrons and, sometimes, even name of the architect. The number of such texts exceeds several hundred.Covering the walls of churches and monasteries with ornamented texts in Armenian developed in Artsakh
Artsakh
Artsakh was the tenth province of the Kingdom of Armenia from 189 BC until 387 AD and afterwards a region of Caucasian Albania from 387 to the 7th century. From the 7th to 9th centuries, it fell under Arab control...
, and in many other places in historical Armenia, into a unique form of decor. Compared with other Armenian lands, Artsakh contains a very large number of Armenian lapidary (inscribed in stone) texts per unit of territory, which date from the 5th century. The most notable and extensive of those cover entire walls of the Dadivank and Gandzasar monasteries.
A prominent inscription, for instance, details the foundation of Dadivank’s Memorial Cathedral; it covers a large area of the Cathedral’s southern facade. It begins with the following section:
“By the grace of God Almighty and his only begotten son Jesus Christ, and by the grace of the most Holy Spirit, I, Arzou Hatun, humble servant of the Christ, the daughter of the greatest prince of princes Kurt and the spouse of the Crown Prince Vakhtang, Lord of Haterk and the whole of Upper Khachen, with utmost hope have built this holy cathedral in the place of the last rest of my husband and my two sons … My elder [son] Hasan martyred for his Christian faith in the war against the Turks; and in three months my younger son Grigor died of natural causes and passed to the Christ, leaving his mother in inconsolable mourning. While [my sons] were alive, they vowed to build a church to the glory of God … and I undertook the construction of this expiatory temple with utmost hope and diligence, for the salvation of their souls, and mine and all of my nephews. Thus I plead: while worshipping before the holy altar, remember my prayers inscribed on this church … Completed in the year [modern 1214] of the Armenian Calendar…”
Another historic text inscribed in Armenian is found on the tombstone of St. Grigoris, Bishop of Artsakh, at the Amaras Monastery
Amaras Monastery
Amaras Monastery is one of the oldest Christian sites in the world and in Nagorno-Karabakh, and is an Armenian Apostolic monastery located near the village of Sos in the Martuni county of the Nagorno-Karabakh Republic.- History :...
. St. Grigoris was St. Gregory the Enlightener’s
Gregory the Illuminator
Saint Gregory the Illuminator or Saint Gregory the Enlightener is the patron saint and first official head of the Armenian Apostolic Church...
grandson who martyred preaching Gospel in the Northern Caucasus:
"The tomb of St. Grigoris, Katholicos of Aghvank, grandson of St. Gregory; born in [322 AD], anointed in the year [340 AD], martyred in the year [348 AD] in Derbend, by King Sanesan of the Mazkuts; his holy remains were brought to Amaras by his pupils, deacons from Artsakh."
Fresco Art
Few of Artsakh’s mural paintings were preserved, but those which survived are important for the history of Armenian fresco art because of their unique compositional features and color schemes. The largest collection of Artsakh’s frescos is found inside the Memorial Cathedral (1214), at the Dadivank MonasteryDadivank Monastery
Dadivank Monastery also Khutavank is an Armenian Monastery in the Shahumian Region of the Nagorno-Karabakh Republic. It was built between the 9th and 13th century.-History and architecture:...
. The Memorial Cathedral was built by the orders of Queen Arzou of Haterk. The paintings depict St. Mary, Jesus Christ and St. Nicholas, with a group of angels and worshippers.
The fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
on the southern wall shows the Holy Virgin in a long robe with a red kerchief tied around her head. She is holding an oration adorned with crosses. Another fresco portrays the Christ, as he is giving the Gospel
Gospel
A gospel is an account, often written, that describes the life of Jesus of Nazareth. In a more general sense the term "gospel" may refer to the good news message of the New Testament. It is primarily used in reference to the four canonical gospels of Matthew, Mark, Luke, and John...
to St. Nicholas. The fresco on the northern wall represents the birth of Jesus
Jesus
Jesus of Nazareth , commonly referred to as Jesus Christ or simply as Jesus or Christ, is the central figure of Christianity...
: St. Joseph stands at St. Mary’s bedside, and the three magicians kneel in adoration in front; cherubs fly in the sky above them, singing Glory in Highest Heaven. A native of Artsakh and the 12-13th century author Kirakos Gandzaketsi
Kirakos Gandzaketsi
Kirakos of Gandzak was an Armenian historian of the 13th century and author of the History of Armenia, a summary of events from the 4th to the 12th century and a detailed description of the events of his own days. The work concentrates primarily on the history of Medieval Armenia and events...
(Armenian: Կիրակոս Գանձակեցի) hints in his “History of Armenia” that as Queen Arzou (Armenian: Առզու Թագուհի) and her daughters “were gifted with exceptional artistic talent,” they could have also been among those who helped paint the murals. Some other murals are found in the main parish church of the town of Arajadzor in the Mardakert District.
Illuminated Manuscripts
Artsakh’s more than thirty known medieval scriptoria have produced a fair number of illuminated manuscripts, especially in the thirteenth and fourteenth centuries. These scriptoria functioned in Ganja, AzerbaijanGanja, Azerbaijan
Ganja is Azerbaijan's second-largest city with a population of around 313,300. It was named Yelizavetpol in the Russian Empire period. The city regained its original name—Ganja—from 1920–1935 during the first part of its incorporation into the Soviet Union. However, its name was changed again and...
, as well as at Karabakh’s monasteries of Gandzasar, Khoranashat (Armenian: Խորանաշատ), Targmanchatz, Holy Virgin of Tzar (Armenian: Ծառա Սբ. Աստվածածին) and Yerits Mankants (Armenian: Երից Մանկանց Վանք). A group of illuminated works is specific to the regions of Artsakh and Utik; in their linear and unadorned style they resemble miniatures of the Syunik
Syunik
Syunik is the southernmost province of Armenia. It borders the Vayots Dzor marz to the north, Azerbaijan's Nakhchivan exclave to the west, Karabakh to the east, and Iran to the south. Its capital is Kapan. Other important cities and towns include Goris, Sisian, Meghri, Agarak, and Dastakert...
and Vaspurakan
Vaspurakan
Vaspurakan was the first and biggest province of Greater Armenia, which later became an independent kingdom during the Middle Ages, centered around Lake Van...
schools. These compositions are simple and monumental, often with an iconography that is original and distinct from Byzantine
Byzantine
Byzantine usually refers to the Roman Empire during the Middle Ages.Byzantine may also refer to:* A citizen of the Byzantine Empire, or native Greek during the Middle Ages...
models. Besides depicting biblical stories, several of Artsakh’s manuscripts attempt to convey the images of the rulers of the region who often ordered the rewriting and illumination of the texts. The remarkable collection No. 115, preserved at the Matenadaran
Matenadaran
The Mesrop Mashtots Institute of Ancient Manuscripts , commonly referred to as the Matenadaran , is an ancient manuscript repository located in Yerevan, Armenia...
(Institute of Ancient Manuscripts in Yerevan
Yerevan
Yerevan is the capital and largest city of Armenia and one of the world's oldest continuously-inhabited cities. Situated along the Hrazdan River, Yerevan is the administrative, cultural, and industrial center of the country...
, Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
), contains a miniature portrait of Prince Vakhtang Tangik (Armenian: Վախթանգ Թանգիկ, Vakhtang the Precious) Lord of Haterk.
During the 12th-15th centuries several dozens of well-known scriptoria functioned in Artsakh and neighboring Utik. The best period of Artsakh's miniature painting may be divided into two main stages. The first one includes the second half of the 12th and the beginning of the 13th centuries. The second stage includes the second half of the 13th century to the beginning of the 14th century. Among the most interesting works of the first stage one can mention the Matenadaran
Matenadaran
The Mesrop Mashtots Institute of Ancient Manuscripts , commonly referred to as the Matenadaran , is an ancient manuscript repository located in Yerevan, Armenia...
manuscript no. 378, called the Gospel of Prince Vakhtang Khachentsi (produced in 1212), and the Matenadaran
Matenadaran
The Mesrop Mashtots Institute of Ancient Manuscripts , commonly referred to as the Matenadaran , is an ancient manuscript repository located in Yerevan, Armenia...
manuscript no. 4829, a Gospel produced in 1224 and associated with the name of Princess Vaneni Jajro.
Carpets and Rugs
Carpets and rugs are a form of art which is central to the artistic identity of the region. It is known that in the tenth century dyed fabrics and rugs from Artsakh were highly valued in the Arab world. Two accounts by the historian Kirakos GandzaketsiKirakos Gandzaketsi
Kirakos of Gandzak was an Armenian historian of the 13th century and author of the History of Armenia, a summary of events from the 4th to the 12th century and a detailed description of the events of his own days. The work concentrates primarily on the history of Medieval Armenia and events...
mention embroideries and altar curtains handmade by his contemporaries Arzou and Khorishah—two princesses of the House of Upper Khachen (Haterk/Հաթերք)—for the Dadivank Monastery
Dadivank Monastery
Dadivank Monastery also Khutavank is an Armenian Monastery in the Shahumian Region of the Nagorno-Karabakh Republic. It was built between the 9th and 13th century.-History and architecture:...
. In the 19th century, local rugs and samples of natural silk production became part of international exhibitions and art fairs in Moscow, Philadelphia and Paris.
The abundance of rugs produced in the modern period is rooted in this solid ancient tradition. Indeed, recent research has begun to highlight the importance of the Armenian region of Artsakh in the history of a broader group of rugs classified as "Caucasian." Woven works by Artsakh’s Armenians come in several types. Rugs in an "eaglebands" (Armenian: արծվագորգ/artzvagorg) or "sunburst" (Armenian: արևագորգ/arevagorg) pattern, a sub-type of Armenian rug featuring dragons, whose manufacturing center from the eighteenth century was Artsakh's county of Jraberd, have characteristically large radiating medallions. Other rugs come with ornaments resembling serpents (“serpentbands;” Armenian: օձագորգ/odzagorg) or clouds with octagonal medallions comprising four pairs of serpents in an “S” shape, and rugs with a series of octagonal, cross-shaped or rhomboid medallions, often bordered by a red band.
Artsakh/Nagorno Karabakh is also the source of some of the oldest rugs bearing Armenian inscriptions: the rug with three niches from the town of Banants (1602), the rug of Catholicos Nerses of Aghvank (1731), and the famous Guhar (Gohar) Rug (1700). It should also be added that most rugs with Armenian inscriptions come from Nagorno Karabakh.