Catedral da Guarda
Encyclopedia
The mediaeval Catedral da Guarda (also known as Sé da Guarda) is a historical religious building in Guarda
, in Northeastern Portugal
. Its construction took from 1390 until the mid 16th century, combining Gothic
and Manueline
styles.
obtained permission from the Pope to transfer the seat of the bishopric from nearby Egitania (Idanha-a-Velha
) to Guarda. The first cathedral building, in Romanesque
style, was soon substituted by another church built in the site occupied today by the Misericórdia Church in Guarda. This second cathedral, of modest proportions and built in the 13th century, was demolished in the second half of the 14th century when the city walls of Guarda were reinforced by King Ferdinand I
during the wars with Castile
.
The third and definitive Guarda Cathedral started being built in 1390 under bishop Vasco de Lamego, during the reign of King John I
. In the early 15th century the apse
was built and the nave
was begun in Gothic
style. In this first stage the works were influenced by the Monastery of Batalha, which was being built at the same time. Construction on the Cathedral proceeded slowly during the second half of the century.
In the period from 1504 to 1517, under bishop Pedro Gavião, the pace of the works increased and the cathedral was almost completed. The architects of this phase were 'Pedro and Felipe Henriques. The Manueline
style - a Portuguese mix of Gothic and early Renaissance
- was the dominant influence in this second building stage, as attested by the decoration of the windows of the nave
and transept
, the decorated rib vault
ing of the transept, some spiralling columns of the nave as well as the main portal, similar to the Manueline portal of Saint Michael's Chapel of Coimbra University.
Most building activity in Guarda Cathedral was finished around 1540. Around this time, the Renaissance-style Pina Chapel was built as burial site for João de Pina, treasurer of the cathedral. It has a Renaissance portal and a tomb with the recumbent figure of the sponsor of the chapel. Another important addition was the altarpiece of the main chapel, installed in the 1550s. This important Renaissance work was carved in stone by French
sculptor João de Ruão, one of the main sculptors from Coimbra
.
During the following centuries the cathedral was enriched with other elements. Despite the artistic value of some of these additions - like the Baroque
organ - all were removed during a renovation carried out in 1898 by architect Rosendo Carvalheira, which aimed at restoring the cathedral to its primitive, Gothic/Manueline appearance.
Guarda, Portugal
Guarda is a city in Guarda Municipality, Portugal. The city has a population of 32 111Guarda was founded in 1199 by the second king of Portugal, Sancho I....
, in Northeastern Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
. Its construction took from 1390 until the mid 16th century, combining Gothic
Gothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
and Manueline
Manueline
The Manueline, or Portuguese late Gothic, is the sumptuous, composite Portuguese style of architectural ornamentation of the first decades of the 16th century, incorporating maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral...
styles.
History
The History of Guarda Cathedral begins in 1199, when King Sancho ISancho I of Portugal
Sancho I , nicknamed the Populator , second monarch of Portugal, was born on 11 November 1154 in Coimbra and died on 26 March 1212 in the same city. He was the second but only surviving legitimate son and fourth child of Afonso I of Portugal by his wife, Maud of Savoy. Sancho succeeded his father...
obtained permission from the Pope to transfer the seat of the bishopric from nearby Egitania (Idanha-a-Velha
Idanha-a-Velha
Idanha-a-Velha is a parish in the east of Portugal, in the municipality of Idanha-a-Nova, and in the district Castelo Branco. It covers an area of 20.98 km² and had a population of 79 as of 2001.-History:...
) to Guarda. The first cathedral building, in Romanesque
Romanesque architecture
Romanesque architecture is an architectural style of Medieval Europe characterised by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style,...
style, was soon substituted by another church built in the site occupied today by the Misericórdia Church in Guarda. This second cathedral, of modest proportions and built in the 13th century, was demolished in the second half of the 14th century when the city walls of Guarda were reinforced by King Ferdinand I
Ferdinand I of Portugal
Ferdinand I , sometimes referred to as the Handsome or rarely as the Inconstant , was the ninth King of Portugal and the Algarve, the second son of Peter I and his wife, Constance of Castile...
during the wars with Castile
Crown of Castile
The Crown of Castile was a medieval and modern state in the Iberian Peninsula that formed in 1230 as a result of the third and definitive union of the crowns and parliaments of the kingdoms of Castile and León upon the accession of the then King Ferdinand III of Castile to the vacant Leonese throne...
.
The third and definitive Guarda Cathedral started being built in 1390 under bishop Vasco de Lamego, during the reign of King John I
John I of Portugal
John I KG , called the Good or of Happy Memory, more rarely and outside Portugal the Bastard, was the tenth King of Portugal and the Algarve and the first to use the title Lord of Ceuta...
. In the early 15th century the apse
Apse
In architecture, the apse is a semicircular recess covered with a hemispherical vault or semi-dome...
was built and the nave
Nave
In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the central approach to the high altar, the main body of the church. "Nave" was probably suggested by the keel shape of its vaulting...
was begun in Gothic
Gothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
style. In this first stage the works were influenced by the Monastery of Batalha, which was being built at the same time. Construction on the Cathedral proceeded slowly during the second half of the century.
In the period from 1504 to 1517, under bishop Pedro Gavião, the pace of the works increased and the cathedral was almost completed. The architects of this phase were 'Pedro and Felipe Henriques. The Manueline
Manueline
The Manueline, or Portuguese late Gothic, is the sumptuous, composite Portuguese style of architectural ornamentation of the first decades of the 16th century, incorporating maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral...
style - a Portuguese mix of Gothic and early Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
- was the dominant influence in this second building stage, as attested by the decoration of the windows of the nave
Nave
In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the central approach to the high altar, the main body of the church. "Nave" was probably suggested by the keel shape of its vaulting...
and transept
Transept
For the periodical go to The Transept.A transept is a transverse section, of any building, which lies across the main body of the building. In Christian churches, a transept is an area set crosswise to the nave in a cruciform building in Romanesque and Gothic Christian church architecture...
, the decorated rib vault
Rib vault
The intersection of two or three barrel vaults produces a rib vault or ribbed vault when they are edged with an armature of piped masonry often carved in decorative patterns; compare groin vault, an older form of vault construction...
ing of the transept, some spiralling columns of the nave as well as the main portal, similar to the Manueline portal of Saint Michael's Chapel of Coimbra University.
Most building activity in Guarda Cathedral was finished around 1540. Around this time, the Renaissance-style Pina Chapel was built as burial site for João de Pina, treasurer of the cathedral. It has a Renaissance portal and a tomb with the recumbent figure of the sponsor of the chapel. Another important addition was the altarpiece of the main chapel, installed in the 1550s. This important Renaissance work was carved in stone by French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
sculptor João de Ruão, one of the main sculptors from Coimbra
Coimbra
Coimbra is a city in the municipality of Coimbra in Portugal. Although it served as the nation's capital during the High Middle Ages, it is better-known for its university, the University of Coimbra, which is one of the oldest in Europe and the oldest academic institution in the...
.
During the following centuries the cathedral was enriched with other elements. Despite the artistic value of some of these additions - like the Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
organ - all were removed during a renovation carried out in 1898 by architect Rosendo Carvalheira, which aimed at restoring the cathedral to its primitive, Gothic/Manueline appearance.