Adoration of the Magi of 1475 (Botticelli)
Encyclopedia
The Adoration of the Magi is a painting by the Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...

 master Sandro Botticelli
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli was an Italian painter of the Early Renaissance...

, dating from 1475 or 1476. It is housed in the Uffizi
Uffizi
The Uffizi Gallery , is a museum in Florence, Italy. It is one of the oldest and most famous art museums of the Western world.-History:...

 of Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....

.

The Adoration of the Magi theme was popular in the Renaissance Florence. The work was commissioned by Gaspare di Zanobi del Lama, a banker of humble origins and dubious morality connected to the House of Medici, for his chapel in the church of Santa Maria Novella (now destroyed). In the scene are present numerous characters among which are several members of the Medici family: Cosimo de' Medici
Cosimo de' Medici
Còsimo di Giovanni degli Mèdici was the first of the Medici political dynasty, de facto rulers of Florence during much of the Italian Renaissance; also known as "Cosimo 'the Elder'" and "Cosimo Pater Patriae" .-Biography:Born in Florence, Cosimo inherited both his wealth and his expertise in...

 (the Magus kneeling in front of the Virgin
Mary (mother of Jesus)
Mary , commonly referred to as "Saint Mary", "Mother Mary", the "Virgin Mary", the "Blessed Virgin Mary", or "Mary, Mother of God", was a Jewish woman of Nazareth in Galilee...

, described by Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...

 as "the finest of all that are now extant for its life and vigour"), his sons Piero
Piero di Cosimo de' Medici
Piero di Cosimo de' Medici , , was the de facto ruler of Florence from 1464 to 1469, during the Italian Renaissance. He was the father of Lorenzo the Magnificent and Giuliano de' Medici-Biography:Piero was born in Florence, the son of Cosimo de' Medici the Elder and Contessina de' Bardi...

 (the second Magus kneeling in the centre with the red mantle) and Giovanni
Giovanni di Cosimo de' Medici
Giovanni de' Medici was an Italian banker and patron of arts.Born in Florence, he was the son of Cosimo de' Medici the Elder and Contessina de' Bardi, and brother to Piero the Gouty....

 (the third Magus), and his grandsons Giuliano
Giuliano di Piero de' Medici
Giuliano de' Medici was the second son of Piero de' Medici and Lucrezia Tornabuoni. As co-ruler of Florence, with his brother Lorenzo the Magnificent, he complemented his brother's image as the "patron of the arts" with his own image as the handsome, sporting, "golden boy."-Death:As the opening...

 and Lorenzo. The four Medici portrayed as Magi were all dead at the time the picture was painted, and Florence was effectively ruled by Lorenzo.

In his Lives Vasari describes the Adoration in the following way:

The beauty of the heads in this scene is indescribable, their attitudes all different, some full-face, some in profile, some three-quarters, some bent down, and in various other ways, while the expressions of the attendants, both young and old, are greatly varied, displaying the artist's perfect mastery of his profession. Sandro further clearly shows the distinction between the suites of each of the kings. It is a marvellous work in colour, design and composition.


Del Lama is portrayed as the old man on the right with white hair and a light blue robe looking and pointing at the observer. In the picture is also present Botticelli's alleged self-portrait, as the blond man with yellow mantle on the far right.

The attention to details, such as the garments rendering, show the acquisition by the Florentine artist of the influences from the Flemish school
Early Netherlandish painting
Early Netherlandish painting refers to the work of artists active in the Low Countries during the 15th- and early 16th-century Northern renaissance, especially in the flourishing Burgundian cities of Bruges and Ghent...

 at this point of his career.

See also

  • Adoration of the Magi (Filippino Lippi)
    Adoration of the Magi (Filippino Lippi)
    The Adoration of the Magi is a painting by the Italian Renaissance painter Fillipo Lippi. It is signed and dated at 1496. It is housed in the Uffizi of Florence....

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