Tandernaken
Encyclopedia
Tandernaken, al op den Rijn (also spelled: T'Andernaken, al op den Rijn) was once a very popular Middle Dutch
Middle Dutch
Middle Dutch is a collective name for a number of closely related West Germanic dialects which were spoken and written between 1150 and 1500...

 song about two girls who in Andernach
Andernach
Andernach is a town in the district of Mayen-Koblenz, in Rhineland-Palatinate, Germany, of currently about 30,000 inhabitants. It is situated towards the end of the Neuwied basin on the left bank of the Rhine between the former tiny fishing village of Fornich in the north and the mouth of the...

, a city in Germany
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...

 on the left Rhine bank
Bank
A bank is a financial institution that serves as a financial intermediary. The term "bank" may refer to one of several related types of entities:...

, were spied on by the lover of one of the girls, who was listening to their conversation on love affairs from a distance.

Middle Dutch text

The complete text of the song is preserved in the Antwerp songbook
Antwerp songbook
The Antwerp songbook The Antwerp songbook The Antwerp songbook (in Dutch the Antwerps liedboek and on the cover Een schoon liedekens. Boeck inden welcken ghy in vinden sult. Veelderhande liedekens (a nice songbook in which you will find several songs) was published in Antwerp in 1544 by printer Jan...

. Other versions are less complete.
Tandernaken, al op den Rijn
1.
Tandernaken, al op den Rijn,
daer vant ic twee maechdekens spelen gaen;
die eene dochte mi, aen haer aenschyn,
haer ooghen waren met tranen ombevaen:
‘nu segt mi, lieve ghespele goet,
hoe sweert u herte, hoe truert uwen moet,
waer om ist, dat woudys mi maken vroet?’
-‘Ic en cans u niet gesagen;
tis die moeder diet mi doet,
si wil mijn boel veriagen, veriagen.’
1.
In Andernach on the Rhine
I saw two girls amusing themselves.
One of them pleased me with her appearance.
Her eyes were full of tears.
“Now tell me, dear girlfriend,
why laments your heart, why is your spirit so pained,
why is that, can you explain it to me?”
“I can’t tell you ...
It is my mother who has done this to me.
She wants to chase off my sweetheart."
2.
-‘Och lieve ghespele, daer en leyt niet an,
den mey die sal noch bloeyen;
so wie zijn liefken niet spreken en can,
die minne mach hem niet vermoeyen.’
-‘Och, lieve ghespeelken, dats quaet sanck,
den mey te verbeyden valt mi te lanc;
het soude mi maken van sinnen also cranc,
ic soude van rouwe sterven.
Ic en weets mijnder moeder geenen danc,
si wil mijn boel verderven, verderven.’
3.
- ‘Och, lieve ghespele, daer en leyt niet an,
nu schict u herteken al in vreden.’
- ‘Mijn moeder plach te spinnen, des en doet si niet,
den tijt en is niet lange gheleden;
nu schelt si mi hier, nu vloect si mi daer,
mijn boelken en dorf niet comen naer,
daer om is mijn herteken dus swaer;
ist wonder dat ic truere?
ende ic en mach niet gaen van haer,
ter veynster, noch ter duere, noch ter duere.’
4.
- ‘Och, lieve ghespele, dat waer wel quaet,
wilt sulker tale begheven,
hadde ic ghedaen mijns moeders raet,
ic waer wel maecht ghebleven.
Nu hebbe ic sinen wille ghedaen,
mijn buycxken is mi opghegaen,
ende nu so is hi mi ontgaen
ende gaet elwaerts spelen.
Des moet ic laten so menighen traen,
ic en cans u niet gehelen, gehelen.’
5.
- ‘Ghespele, wel lieve ghespele goet,
en sidy dan gheen maecht?’
- ‘Och neen ic, lieve ghespele goet,
ende dat si ons heer God gheclaecht.’
- ‘God danck, dat ic noch maghet si;
spiegelt u, lieve gespeelken, aen mi
ende wacht u, oft ghi en zijt niet vrij,
ten sal u niet berouwen;
coemt hem nemmermeer niet na bi
oft ghi wort gheloont met trouwen, met trouwen.’
6.
- ‘Ghespele, hi seyt dat hi mi mint.’
- ‘Dis minne plach mi te lieghen;
en ghelooft die clappaerts niet en twint,
si staen al na bedrieghen.’
Doen loech si nen groten schach;
dat was die maghet die op mi sach.
Ic boot haer minnelic goeden dach,
ic groetese hoghelike.
God gheve dat icse vinden mach
bi mi, in hemelrijcke, in hemelrijcke!

History

The tune of the song survived in monophonic and in polyphonic sources, but the text of the secular song is only known through textual sources. Tandernaken was an international hit in the period between about 1430 and the 1540's as settings, preserved in Dutch
Netherlands
The Netherlands is a constituent country of the Kingdom of the Netherlands, located mainly in North-West Europe and with several islands in the Caribbean. Mainland Netherlands borders the North Sea to the north and west, Belgium to the south, and Germany to the east, and shares maritime borders...

, Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

, German
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...

 and English
England
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west; the Irish Sea is to the north west, the Celtic Sea to the south west, with the North Sea to the east and the English Channel to the south separating it from continental...

 sources, are listed by Franco-Flemish
Franco-Flemish School
In music, the Franco-Flemish School or more precisely the Netherlandish School refers, somewhat imprecisely, to the style of polyphonic vocal music composition in Europe in the 15th and 16th centuries, and to the composers who wrote it...

 (or Dutch), German and English composers such as Jacob Obrecht
Jacob Obrecht
Jacob Obrecht was a Flemish composer of the Renaissance. He was the most famous composer of masses in Europe in the late 15th century, being eclipsed by only Josquin des Prez after his death.-Life:...

, Antoine Brumel
Antoine Brumel
Antoine Brumel was a French composer. He was one of the first renowned French members of the Franco-Flemish school of the Renaissance, and, after Josquin des Prez, was one of the most influential composers of his generation....

, King Henry VIII
Henry VIII of England
Henry VIII was King of England from 21 April 1509 until his death. He was Lord, and later King, of Ireland, as well as continuing the nominal claim by the English monarchs to the Kingdom of France...

, Alexander Agricola
Alexander Agricola
Alexander Agricola was a Franco-Flemish composer of the Renaissance. A prominent member of the Grande chapelle, the Habsburg musical establishment, he was a renowned composer in the years around 1500, and his music was widely distributed throughout Europe...

, Paul Hofhaimer
Paul Hofhaimer
Paul Hofhaimer was an Austrian organist and composer. He was particularly gifted at improvisation, and was regarded as the finest organist of his age by many writers, including Vadian and Paracelsus; in addition he was one of only two German-speaking composers of the time who had a reputation in...

, Petrus Alamire
Pierre Alamire
Pierre Alamire was a German-Dutch music copyist, composer, instrumentalist, mining engineer, merchant, diplomat and spy of the Renaissance...

, Ludwig Senfl
Ludwig Senfl
Ludwig Senfl was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in...

 and Erasmus Lapicida.

The earliest extant setting of the Tandernaken tune is by Tijling, a composer of whom, besides this composition, nothing else is known. His composition is included in one of the so called Trent Codices
Trent Codices
The Trent Codices are a collection of seven large music manuscripts compiled around the middle of the 15th century, currently kept in the northern Italian city of Trent. They contain mostly sacred vocal music composed between 1400 and 1475...

 (ca. 1433-1445). The tenor voice has the features of the polyphonic tenores of the Dutch and French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

 song settings from the first half of the 15th century. These same features are found in a number of tunes which were notated with lines instead of notes on a stave (which is for instance the case in the Gruuthuse manuscript
Gruuthuse manuscript
The Gruuthuse manuscript is a medieval compilation, the oldest core of which is dated about 1395, while the youngest unfinished contributions date from around 1408...

). These versions have all in common that the text has been noted separately from the tune or the tenor.

The earliest polyphonic settings of Tandernaken are registered in Dutch or Italian sources and were by Franco-Flemish or Dutch composers. The most recent sources and compositions are found in Germany. Probably, the tune became first popular in Italy before it entering Germany by way of Italian instrumental ensembles.

Most of the polyphonic settings do not give the text to the tune. Where there is a text, the text is a spiritual contrafactum
Contrafactum
In vocal music, contrafactum refers to "the substitution of one text for another without substantial change to the music"....

. These ‘monophonic’ sources which do not provide any musical notation include also secular contrafacta. Although the text extant in the Antwerp songbook
Antwerp songbook
The Antwerp songbook The Antwerp songbook The Antwerp songbook (in Dutch the Antwerps liedboek and on the cover Een schoon liedekens. Boeck inden welcken ghy in vinden sult. Veelderhande liedekens (a nice songbook in which you will find several songs) was published in Antwerp in 1544 by printer Jan...

 can be sung without too much difficulty by the tenor voice in the oldest settings such as these by Tijling and Obrecht, and although the tune of the extant non-polyphonic versions is related to but quite different from the tenor of the polyphonic versions, most of the polyphonic compositions can be regarded as instrumental settings.

An indication of the instruments with which the non-texted polyphonic versions of Tandernaken could be played, is provided by a manuscript made for the players of wind instruments at the court of Albert of Prussia, in which the word Krumbhörner, crumhorn
Crumhorn
The crumhorn is a musical instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, there has been a revival of interest in Early Music, and crumhorns are being played again....

s, is mentioned in the bass voice. A setting by Hofhaimer was notated for three voices in tablature
Tablature
Tablature is a form of musical notation indicating instrument fingering rather than musical pitches....

 for organ
Organ (music)
The organ , is a keyboard instrument of one or more divisions, each played with its own keyboard operated either with the hands or with the feet. The organ is a relatively old musical instrument in the Western musical tradition, dating from the time of Ctesibius of Alexandria who is credited with...

. A si-placet-altus in mensural notation was added to the tablature of Hans Kotter, with the comment von einandern darzu zuschlagen, to be performed by another player separately. .

The first verse of Tandernaken is included in a Dutch quodlibet
Quodlibet
A quodlibet is a piece of music combining several different melodies, usually popular tunes, in counterpoint and often a light-hearted, humorous manner...

(for the text look for Quodlibet on the Dutch Wikipedia).

Discography

  • Discography on the commercial web site amazon.com
  • Discographical search results on medieval.org for T’Andernaken
  • 2005 – Obrecht
    Jacob Obrecht
    Jacob Obrecht was a Flemish composer of the Renaissance. He was the most famous composer of masses in Europe in the late 15th century, being eclipsed by only Josquin des Prez after his death.-Life:...

    . Chansons, Songs, Motets.
    Capilla Flamenca
    Capilla Flamenca
    Capilla Flamenca is a vocal and instrumental early music consort based in Leuven, Belgium. The group specialises in 14th to 16th Century music from Flanders and takes its name from the choir of the court chapel of Emperor Charles V...

     and Piffaro. Eufoda 1361. Contains 3 different recordings of Tandernaken (Antwerp Songbook, Obrecht
    Jacob Obrecht
    Jacob Obrecht was a Flemish composer of the Renaissance. He was the most famous composer of masses in Europe in the late 15th century, being eclipsed by only Josquin des Prez after his death.-Life:...

     and Neusidler
    Hans Neusidler
    Hans Neusidler , was a German composer and lutenist of the Renaissance.-Life:...

    ).

Score


Audio Files



Texts

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