Studio pottery
Encyclopedia
Studio pottery is made by modern artists
working alone or in small groups, producing unique items of pottery
in small quantities, typically with all stages of manufacture carried out by one individual. Much studio pottery is tableware
or cookware but an increasing number of studio potters produce non-functional or sculptural items. In Britain
since the 1980s, there has been a distinct trend away from functional pottery, for example, the work of artist Grayson Perry
. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain.
Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London
, International Sculpture Objects & Functional Art Fair (SOFA) Chicago
and International Sculpture Objects & Functional Art Fair (SOFA) New York
which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams
and Sothebys.
, Martin Brothers
and Sir Edmund Harry Elton
.
and William Moorcroft
); the Arts and Crafts movement
, the Bauhaus
; a rediscovery of traditional artisan pottery and the excavation of large quantities of Song pottery in China.
Leading trends in British studio pottery in the 20th century are represented by Bernard Leach
, William Staite Murray
, Dora Billington
, Lucie Rie
and Hans Coper
.
Originally trained as a fine artist, Bernard Leach
(1887–1979) established a style of pottery, the ethical pot
, strongly influenced by Chinese, Korean, Japanese and medieval English forms. After briefly experimenting with earthenware
, he turned to stoneware
fired to high temperatures in large oil- or wood-burning kilns. This style dominated British studio pottery in the mid-20th century. Leach's influence was disseminated by his writings, in particular A Potter's Book and the apprentice system he ran at his pottery in St Ives, Cornwall, through which many notable studio potters passed. A Potter's Book espoused an anti-industrial, Arts and Crafts ethos, which persists in British studio pottery. Leach taught intermittently at Dartington Hall
, Devon
from the 1930s.
Other ceramic artists exerted an influence through their positions in art schools. William Staite Murray, who was head of the ceramics department of the Royal College of Art
, treated his pots as works of art, exhibiting them with titles in galleries. Dora Billington
(1890–1968) studied at Hanley School of Art, worked in the pottery industry and was latterly head of pottery at the Central School of Arts and Crafts. She worked in media that Leach did not, e.g. tin-glazed earthenware, and influenced potters such as William Newland
, Margaret Hine, Nicholas Vergette and Alan Caiger-Smith
.
Lucie Rie
(1902–1995) came to London in 1938 as a refugee from Austria. She had studied at the Vienna Kunstgewerbeschule
and has been regarded as essentially a modernist. Rie experimented and produced new glaze effects. She was a friend of Leach and was greatly impressed by his approach, especially about the "completeness" of a pot. The bowls and bottles which she specialised in are finely potted and sometimes brightly coloured. She taught at Camberwell College of Arts
from 1960 until 1972.
Hans Coper
(1920–1981), also a refugee, worked with Rie before moving to a studio in Hertfordshire. His work is non-functional, sculptural and unglazed. He was commissioned to produce large ceramic candlesticks for Coventry Cathedral
in the early 1960s. He taught at Camberwell College of Arts
from 1960 to 1969, where he influenced Ewen Henderson
. He taught at the Royal College of Art
from 1966 to 1975, where his students included Elizabeth Fritsch
, Alison Britton, Jacqui Poncelet, Carol McNicoll, Geoffrey Swindell, Jill Crowley and Glenys Barton, all of whom produce non-functional work.
After the Second World War, studio pottery in Britain was encouraged by two forces: the wartime ban on decorating manufactured pottery and the modernist spirit of the Festival of Britain
. Studio potters provided consumers with an alternative to plain industrial ceramics. Their simple, functional designs chimed in with the modernist ethos. Cranks restaurant
, which opened in 1961, used Winchombe pottery throughout, which Tanya Harrod describes as "handsome, functional with pastoral but up to date air". Cranks represented the look of the period. Elizabeth David
's food revolution of the post-war years was associated with a similar kitchen look and added to the demand for hand-made tableware.
Harrod notes that several potteries were formed in response to this fifties boom. There was in turn a demand for potters trained in workshop practice and able to throw quickly. As this training was not offered by the art schools of the period, the Harrow Art School
studio pottery diploma was created to fill the gap. According to Harrod, "the production potter of the Harrow type had a good innings well into the seventies", by which time the market for this style of pottery was falling away.
and Gordon Baldwin
, began to experiment with surfaces, glazes and abstract ceramic objects, to critical acclaim. The number of studio potters has continued to increase in recent decades. More galleries and auction houses sell studio pottery, raising prices and providing some potters with higher incomes. The number of potters has increased: in the mid 1970s the Craft Potters Association had 147 members; by the mid 1990s it had 306. Elizabeth Fritsch
has work represented in major collections and museums world wide and in Britain, she is one of the most highly valued contemporary ceramic artists working today.
Current contemporary potters of note include include Edmund de Waal
, Rupert Spira
and Julian Stair
and Richard Slee
who both teach at Camberwell College of Arts
. In Britain, Grayson Perry
is probably the best known living potter, having won the Turner Prize
in 2003.
is the Craft Potters’ Association
, which has a members’ showroom in Great Russell Street, London WC1, and publishes a journal, Ceramic Review.
Arts and Crafts movement
in the late 19th century and early 20th century. Some ceramic artists in the United States adopted the approach and vision of the emerging studio pottery movement in Britain and Japan. In addition, American folk pottery of the southeastern United States was seen as an American contribution to the studio potter esthetic. University programs at Ohio State University
, under the direction of Arthur Eugene Baggs in 1928 and under Glen Lukens
in 1936 at the University of Southern California
, began training ceramic students in presenting clay ware as art. Baggs had been intimately involved in the Arts and Crafts movement at Marblehead Pottery and, during the 1930s, he revived academic and public interest in the salt glazing
method for studio ceramics.
European artists coming to the United States contributed to the public appreciation of pottery as art, and included Marguerite Wildenhain
, Maija Grotell
, Susi Singer and Gertrude and Otto Natzler
. Significant studio potters in the United States include Otto and Vivika Heino
, Warren MacKenzie
, Paul Soldner
, Peter Voulkos
and Beatrice Wood
.
Danish studio pottery (Denmark
Side by side with the art of ceramics development and in line with the growing awareness of art as a special field of study arose from approx. 1920 a series of workshops where the ceramics are focused heavily on the work based on the solid Scandinavian crafts traditions - in contrast to the artists. The name Saxbo, stoneware company, started in 1929 by Nathalie Krebs and Gunnar Nylund, accounts for some of the craftsmanship and aesthetic terms finest products that are created in the 1900-t. Centre form and glaze technical achievements have influenced the trained practitioners ever since. In the 1930s, as use ceramics generally moving in the functionalist orientation, were names such as Lisbeth Munch-Petersen, Christine Swane, Gertrud Vasegaard and Eva Staehr-Nielsen almost synonymous with precision, strict and classical sense of form. Saxbo and the simultaneous use oriented ceramics workshop from 1930 to 1960 consolidated Danish crafts internationally. The best quality work has since been designated studio ceramics (of the American studio ceramics). The leading contemporary studiokeramikere can generally be divided into two groups: those who weighs a more classical idiom, such as Malene Müllertz, Bente Hansen, Beate Andersen (b. 1942), Richard Manz, Bodil Manz, Gunhild Aaberg (born 1939), Jane Reumert
(b. 1942) and Alev Siesbye and expressive, such as stone Lykke Madsen and the internationally oriented studio ceramics group Clay Today.
Studio Ceramics has in the 1900's evolved into a discipline that moves between artist ceramics and crafts based pottery. Conceptualisation of the relationship between art and ceramics has in the late 1990s started developing rapidly, and the Danish groups are influenced increasingly by international contacts.
United States of America
Artist
An artist is a person engaged in one or more of any of a broad spectrum of activities related to creating art, practicing the arts and/or demonstrating an art. The common usage in both everyday speech and academic discourse is a practitioner in the visual arts only...
working alone or in small groups, producing unique items of pottery
Pottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
in small quantities, typically with all stages of manufacture carried out by one individual. Much studio pottery is tableware
Tableware
Tableware is the dishes or dishware , dinnerware , or china used for setting a table, serving food, and for dining. Tableware can be meant to include flatware and glassware...
or cookware but an increasing number of studio potters produce non-functional or sculptural items. In Britain
United Kingdom
The United Kingdom of Great Britain and Northern IrelandIn the United Kingdom and Dependencies, other languages have been officially recognised as legitimate autochthonous languages under the European Charter for Regional or Minority Languages...
since the 1980s, there has been a distinct trend away from functional pottery, for example, the work of artist Grayson Perry
Grayson Perry
Grayson Perry is an English artist, known mainly for his ceramic vases and cross-dressing. Perry's vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance. There is a strong autobiographical element in his work, in which images of...
. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain.
Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
, International Sculpture Objects & Functional Art Fair (SOFA) Chicago
Chicago
Chicago is the largest city in the US state of Illinois. With nearly 2.7 million residents, it is the most populous city in the Midwestern United States and the third most populous in the US, after New York City and Los Angeles...
and International Sculpture Objects & Functional Art Fair (SOFA) New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams
Bonhams
Bonhams is a privately owned British auction house founded in 1793. It is the third largest auctioneer after Sotheby's and Christie's, and conducts around 700 auctions per year. It has 700 employees....
and Sothebys.
Pre-1900
Notable studios included Castle Hedingham WareCastle Hedingham Ware
Castle Hedingham Pottery was an art pottery studio founded by Edward Bingham at Castle Hedingham in Essex, England. It was in production from 1864 to 1901 and made in a style reminiscent of medieval and Tudor wares. Bingham produced some large items, with 'Essex' jugs up to three feet high being...
, Martin Brothers
Martin Brothers
The Martin Brothers were pottery manufacturers in London who are considered to represent the transition from decorative Victorian ceramics to twentieth century studio pottery in England....
and Sir Edmund Harry Elton
Sir Edmund Elton, 8th Baronet
Sir Edmund Harry Elton, 8th Baronet was an English inventor and studio potter noted for his production of Elton Ware at the Clevedon Elton Sunflower Pottery....
.
1900-1960: Development of contemporary British ceramics
Several influences contributed to the emergence of studio pottery in the early 20th century: art pottery (for example the work of the Martin BrothersMartin Brothers
The Martin Brothers were pottery manufacturers in London who are considered to represent the transition from decorative Victorian ceramics to twentieth century studio pottery in England....
and William Moorcroft
William Moorcroft (potter)
William Moorcroft was an English potter who founded the Moorcroft pottery business.He was born in Burslem, Staffordshire. He studied art at Burslem then in London and Paris. He experimented with his own pottery designs around 1896 while working for James Macintyre & Co Ltd. and produced Aurelian...
); the Arts and Crafts movement
Arts and Crafts movement
Arts and Crafts was an international design philosophy that originated in England and flourished between 1860 and 1910 , continuing its influence until the 1930s...
, the Bauhaus
Bauhaus
', commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term stood for "School of Building".The Bauhaus school was founded by...
; a rediscovery of traditional artisan pottery and the excavation of large quantities of Song pottery in China.
Leading trends in British studio pottery in the 20th century are represented by Bernard Leach
Bernard Leach
Bernard Howell Leach, CBE, CH , was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery"-Biography:...
, William Staite Murray
William Staite Murray
William Staite Murray was an English studio potter.He was born in Deptford, London and attended pottery classes at Camberwell College of Arts from 1909 - 1912. He worked with Cuthbert Hamilton, a member of the Vorticist group, at the Yeoman Pottery in Kensington before joining the army in 1915...
, Dora Billington
Dora Billington
Dora Billington was an English teacher of pottery and a studio potter. She was born into a family of potters in Stoke-on-Trent and studied at Hanley School of Art. She worked as a decorator for Bernard Moore, 1912-1915, and then took a diploma in ceramics at the Royal College of Art 1915-1916...
, Lucie Rie
Lucie Rie
Dame Lucie Rie, DBE was an Austrian-born British studio potter.-Early life:Lucie Rie was born as Lucie Gomperz in Vienna, Lower Austria, Austria-Hungary the youngest child of Benjamin Gomperz, a Jewish medical doctor who was a consultant to Sigmund Freud. She had two brothers, Paul and Teddy...
and Hans Coper
Hans Coper
Hans Coper , was an influential German-born British studio potter. His work is often coupled with that of Lucie Rie due to their close association, even though their best known work differs dramatically, with Rie's being more functional and traditional, while Coper's was much more abstract and...
.
Originally trained as a fine artist, Bernard Leach
Bernard Leach
Bernard Howell Leach, CBE, CH , was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery"-Biography:...
(1887–1979) established a style of pottery, the ethical pot
Ethical pot
The ethical pot is a style of pottery and an associated theory. The name ethical pot was first coined by Oliver Watson in his book Studio Pottery: Twentieth Century British Ceramics in the Victoria and Albert Museum for a 20th century, back-to-basics pottery movement that endorsed plainer...
, strongly influenced by Chinese, Korean, Japanese and medieval English forms. After briefly experimenting with earthenware
Earthenware
Earthenware is a common ceramic material, which is used extensively for pottery tableware and decorative objects.-Types of earthenware:Although body formulations vary between countries and even between individual makers, a generic composition is 25% ball clay, 28% kaolin, 32% quartz, and 15%...
, he turned to stoneware
Stoneware
Stoneware is a vitreous or semi-vitreous ceramic ware with a fine texture. Stoneware is made from clay that is then fired in a kiln, whether by an artisan to make homeware, or in an industrial kiln for mass-produced or specialty products...
fired to high temperatures in large oil- or wood-burning kilns. This style dominated British studio pottery in the mid-20th century. Leach's influence was disseminated by his writings, in particular A Potter's Book and the apprentice system he ran at his pottery in St Ives, Cornwall, through which many notable studio potters passed. A Potter's Book espoused an anti-industrial, Arts and Crafts ethos, which persists in British studio pottery. Leach taught intermittently at Dartington Hall
Dartington Hall
The Dartington Hall Trust, near Totnes, Devon, United Kingdom is a charity specialising in the arts, social justice and sustainability.The Trust currently runs 16 charitable programmes, including The Dartington International Summer School and Schumacher Environmental College...
, Devon
Devon
Devon is a large county in southwestern England. The county is sometimes referred to as Devonshire, although the term is rarely used inside the county itself as the county has never been officially "shired", it often indicates a traditional or historical context.The county shares borders with...
from the 1930s.
Other ceramic artists exerted an influence through their positions in art schools. William Staite Murray, who was head of the ceramics department of the Royal College of Art
Royal College of Art
The Royal College of Art is an art school located in London, United Kingdom. It is the world’s only wholly postgraduate university of art and design, offering the degrees of Master of Arts , Master of Philosophy and Doctor of Philosophy...
, treated his pots as works of art, exhibiting them with titles in galleries. Dora Billington
Dora Billington
Dora Billington was an English teacher of pottery and a studio potter. She was born into a family of potters in Stoke-on-Trent and studied at Hanley School of Art. She worked as a decorator for Bernard Moore, 1912-1915, and then took a diploma in ceramics at the Royal College of Art 1915-1916...
(1890–1968) studied at Hanley School of Art, worked in the pottery industry and was latterly head of pottery at the Central School of Arts and Crafts. She worked in media that Leach did not, e.g. tin-glazed earthenware, and influenced potters such as William Newland
William R. Newland (potter)
William Rupert Newland was a New Zealand born studio potter who lived in England after the Second World War.From 1945-1947 he studied painting at the Chelsea School of Art. He studied art education at the Institute of Education, 1947-8 where he learned pottery under Beth Wright, who sent him to...
, Margaret Hine, Nicholas Vergette and Alan Caiger-Smith
Alan Caiger-Smith
Alan Caiger-Smith MBE is a British studio potter and writer on pottery.- Life and work :He was born in Buenos Aires, Argentina. He studied at the Camberwell School of Arts and Crafts and read history at King's College, Cambridge...
.
Lucie Rie
Lucie Rie
Dame Lucie Rie, DBE was an Austrian-born British studio potter.-Early life:Lucie Rie was born as Lucie Gomperz in Vienna, Lower Austria, Austria-Hungary the youngest child of Benjamin Gomperz, a Jewish medical doctor who was a consultant to Sigmund Freud. She had two brothers, Paul and Teddy...
(1902–1995) came to London in 1938 as a refugee from Austria. She had studied at the Vienna Kunstgewerbeschule
Kunstgewerbeschule
A Kunstgewerbeschule was the old name for an advanced school of applied arts in German-speaking countries. The first such schools were opened in Kassel in 1867 and Berlin and Munich in 1868 with other German towns following. They are now merged into universities....
and has been regarded as essentially a modernist. Rie experimented and produced new glaze effects. She was a friend of Leach and was greatly impressed by his approach, especially about the "completeness" of a pot. The bowls and bottles which she specialised in are finely potted and sometimes brightly coloured. She taught at Camberwell College of Arts
Camberwell College of Arts
Camberwell College of Arts is a constituent college of the University of the Arts London, and is widely regarded as one of the world's foremost art and design institutions. It is located in Camberwell, South London, England, with two sites situated at Peckham Road and Wilson Road...
from 1960 until 1972.
Hans Coper
Hans Coper
Hans Coper , was an influential German-born British studio potter. His work is often coupled with that of Lucie Rie due to their close association, even though their best known work differs dramatically, with Rie's being more functional and traditional, while Coper's was much more abstract and...
(1920–1981), also a refugee, worked with Rie before moving to a studio in Hertfordshire. His work is non-functional, sculptural and unglazed. He was commissioned to produce large ceramic candlesticks for Coventry Cathedral
Coventry Cathedral
Coventry Cathedral, also known as St Michael's Cathedral, is the seat of the Bishop of Coventry and the Diocese of Coventry, in Coventry, West Midlands, England. The current bishop is the Right Revd Christopher Cocksworth....
in the early 1960s. He taught at Camberwell College of Arts
Camberwell College of Arts
Camberwell College of Arts is a constituent college of the University of the Arts London, and is widely regarded as one of the world's foremost art and design institutions. It is located in Camberwell, South London, England, with two sites situated at Peckham Road and Wilson Road...
from 1960 to 1969, where he influenced Ewen Henderson
Ewen Henderson
Ewen Henderson may refer to:*Ewen Henderson , artist*Ewen Henderson , fiddler and bagpiper...
. He taught at the Royal College of Art
Royal College of Art
The Royal College of Art is an art school located in London, United Kingdom. It is the world’s only wholly postgraduate university of art and design, offering the degrees of Master of Arts , Master of Philosophy and Doctor of Philosophy...
from 1966 to 1975, where his students included Elizabeth Fritsch
Elizabeth Fritsch
Elizabeth Fritsch MA CBE is a British studio potter. Her hand built painted pots are often influenced by music, painting, literature and architecture. Fritsch studied harp and then piano at the Royal Academy of Music from 1958 to 1964, but later took up ceramics under Hans Coper and Eduardo...
, Alison Britton, Jacqui Poncelet, Carol McNicoll, Geoffrey Swindell, Jill Crowley and Glenys Barton, all of whom produce non-functional work.
After the Second World War, studio pottery in Britain was encouraged by two forces: the wartime ban on decorating manufactured pottery and the modernist spirit of the Festival of Britain
Festival of Britain
The Festival of Britain was a national exhibition in Britain in the summer of 1951. It was organised by the government to give Britons a feeling of recovery in the aftermath of war and to promote good quality design in the rebuilding of British towns and cities. The Festival's centrepiece was in...
. Studio potters provided consumers with an alternative to plain industrial ceramics. Their simple, functional designs chimed in with the modernist ethos. Cranks restaurant
Cranks restaurant
Cranks was a chain of English wholefood vegetarian restaurants, of which only one now remains at Totnes, Devon. It was founded and owned by David and Kay Canter and Daphne Swann, and its flagship restaurant was at Marshall Street in the West End of London....
, which opened in 1961, used Winchombe pottery throughout, which Tanya Harrod describes as "handsome, functional with pastoral but up to date air". Cranks represented the look of the period. Elizabeth David
Elizabeth David
Elizabeth David CBE was a British cookery writer who, in the mid-20th century, strongly influenced the revitalisation of the art of home cookery with articles and books about European cuisines and traditional British dishes.Born to an upper-class family, David rebelled against social norms of the...
's food revolution of the post-war years was associated with a similar kitchen look and added to the demand for hand-made tableware.
Harrod notes that several potteries were formed in response to this fifties boom. There was in turn a demand for potters trained in workshop practice and able to throw quickly. As this training was not offered by the art schools of the period, the Harrow Art School
University of Westminster
The University of Westminster is a public research university located in London, United Kingdom. Its origins go back to the foundation of the Royal Polytechnic Institution in 1838, and it was awarded university status in 1992.The university's headquarters and original campus are based on Regent...
studio pottery diploma was created to fill the gap. According to Harrod, "the production potter of the Harrow type had a good innings well into the seventies", by which time the market for this style of pottery was falling away.
1960s-present: Modern British potters
From the 1960s onwards, a new generation of potters, influenced by Camberwell School of Art and including Ewan Hendersen, Alison Britton, Elizabeth FritschElizabeth Fritsch
Elizabeth Fritsch MA CBE is a British studio potter. Her hand built painted pots are often influenced by music, painting, literature and architecture. Fritsch studied harp and then piano at the Royal Academy of Music from 1958 to 1964, but later took up ceramics under Hans Coper and Eduardo...
and Gordon Baldwin
Gordon Baldwin
Gordon Baldwin born 1932 in Lincoln, England is an influential British studio potter.He studied at Central School of Art and Design and was teacher of Ceramics and Sculpture at Eton College...
, began to experiment with surfaces, glazes and abstract ceramic objects, to critical acclaim. The number of studio potters has continued to increase in recent decades. More galleries and auction houses sell studio pottery, raising prices and providing some potters with higher incomes. The number of potters has increased: in the mid 1970s the Craft Potters Association had 147 members; by the mid 1990s it had 306. Elizabeth Fritsch
Elizabeth Fritsch
Elizabeth Fritsch MA CBE is a British studio potter. Her hand built painted pots are often influenced by music, painting, literature and architecture. Fritsch studied harp and then piano at the Royal Academy of Music from 1958 to 1964, but later took up ceramics under Hans Coper and Eduardo...
has work represented in major collections and museums world wide and in Britain, she is one of the most highly valued contemporary ceramic artists working today.
Current contemporary potters of note include include Edmund de Waal
Edmund de Waal
Edmund Arthur Lowndes de Waal OBE is a British ceramic artist, and author of The Hare with Amber Eyes . He has worked as a curator, lecturer, art critic and art historian and is a Professor of Ceramics at the University of Westminster. He has received several awards and honours for his...
, Rupert Spira
Rupert Spira
Rupert Spira is an English studio potter. Born in 1960 he first studied pottery with Henry Hammond and later with Michael Cardew at Wenford Bridge Pottery from 1980 to 1982. His early work was reminiscent of these early influences being in a very traditional Bernard Leach style...
and Julian Stair
Julian Stair
Julian Stair is an English studio potter and studied at Camberwell College of Arts and the Royal College of Art, in London....
and Richard Slee
Richard Slee
Richard Slee may refer to:*Richard Thilthorpe Slee*Richard Slee...
who both teach at Camberwell College of Arts
Camberwell College of Arts
Camberwell College of Arts is a constituent college of the University of the Arts London, and is widely regarded as one of the world's foremost art and design institutions. It is located in Camberwell, South London, England, with two sites situated at Peckham Road and Wilson Road...
. In Britain, Grayson Perry
Grayson Perry
Grayson Perry is an English artist, known mainly for his ceramic vases and cross-dressing. Perry's vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance. There is a strong autobiographical element in his work, in which images of...
is probably the best known living potter, having won the Turner Prize
Turner Prize
The Turner Prize, named after the painter J. M. W. Turner, is an annual prize presented to a British visual artist under the age of 50. Awarding the prize is organised by the Tate gallery and staged at Tate Britain. Since its beginnings in 1984 it has become the United Kingdom's most publicised...
in 2003.
British organizations
A representative body for studio pottery in the United KingdomUnited Kingdom
The United Kingdom of Great Britain and Northern IrelandIn the United Kingdom and Dependencies, other languages have been officially recognised as legitimate autochthonous languages under the European Charter for Regional or Minority Languages...
is the Craft Potters’ Association
Craft Potters’ Association
The Craft Potters Association was formed in 1958 to promote the work of its members and to increase public awareness of contemporary studio pottery...
, which has a members’ showroom in Great Russell Street, London WC1, and publishes a journal, Ceramic Review.
Notable British studio potters
American studio pottery (United States)
Pottery had been an integral part of the United StatesUnited States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
Arts and Crafts movement
Arts and Crafts movement
Arts and Crafts was an international design philosophy that originated in England and flourished between 1860 and 1910 , continuing its influence until the 1930s...
in the late 19th century and early 20th century. Some ceramic artists in the United States adopted the approach and vision of the emerging studio pottery movement in Britain and Japan. In addition, American folk pottery of the southeastern United States was seen as an American contribution to the studio potter esthetic. University programs at Ohio State University
Ohio State University
The Ohio State University, commonly referred to as Ohio State, is a public research university located in Columbus, Ohio. It was originally founded in 1870 as a land-grant university and is currently the third largest university campus in the United States...
, under the direction of Arthur Eugene Baggs in 1928 and under Glen Lukens
Glen Lukens Award
The Glen Lukens Award is an annual cash scholarship given to the "Outstanding Studio Artist" at the University of Southern California School of Fine Arts....
in 1936 at the University of Southern California
University of Southern California
The University of Southern California is a private, not-for-profit, nonsectarian, research university located in Los Angeles, California, United States. USC was founded in 1880, making it California's oldest private research university...
, began training ceramic students in presenting clay ware as art. Baggs had been intimately involved in the Arts and Crafts movement at Marblehead Pottery and, during the 1930s, he revived academic and public interest in the salt glazing
Salt glaze pottery
Salt glaze pottery is stoneware with a glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy...
method for studio ceramics.
European artists coming to the United States contributed to the public appreciation of pottery as art, and included Marguerite Wildenhain
Marguerite Wildenhain
Marguerite Wildenhain , born Marguerite Friedlaender, was a French-born American ceramic artist, educator and author. In the second half of her life, having emigrated to the U.S...
, Maija Grotell
Maija Grotell
Maija Grotell was a ceramist and teacher sometimes described today as the “mother of American ceramics”. Grotell was born in Helsinki, Finland, and emigrated to New York in 1927. After arriving in New York she studied at the New York State College of Ceramics at Alfred University...
, Susi Singer and Gertrude and Otto Natzler
Otto Natzler
Otto Natzler was an Austrian–born ceramicist. With his wife Gertrud Natzler, he produced what were considered some of the most admired ceramic pieces of the 20th century.- Personal life :The son of Dr...
. Significant studio potters in the United States include Otto and Vivika Heino
Otto and Vivika Heino
'Otto Heino and Vivika Heino were artists working in ceramics. They collaborated as a husband-and-wife team for thirty-five years, signing their pots Vivika + Otto, regardless of who actually made them.- Otto Heino :One of twelve children born of Finnish immigrants, Lena and August Heino, in East...
, Warren MacKenzie
Warren MacKenzie
Warren MacKenzie is a North American craft potter. He grew up in Evanston, Illinois the second oldest of five children including his brothers, Fred and Gordon and sisters, Marge and Marilyn. His high school days were spent at New Trier High School in Winnetka, Illinois.MacKenzie studied with...
, Paul Soldner
Paul Soldner
Paul Soldner was an American ceramic artist.- Biography :...
, Peter Voulkos
Peter Voulkos
Peter Voulkos popular name of Panagiotis Voulkos, was an American artist of Greek descent. He is known for his Abstract Expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art....
and Beatrice Wood
Beatrice Wood
Beatrice Wood was an American artist and studio potter, who late in life was dubbed the "Mama of Dada," and served as a partial inspiration for the character of Rose DeWitt Bukater in James Cameron's 1997 film, Titanic...
.
American (US) organizations
- National Council on Education for the Ceramic Arts (NCECA)National Council on Education for the Ceramic ArtsFounded in 1966, the National Council on Education for the Ceramic Arts is an organization in the United States promoting ceramics as an art form for several decades...
- American Ceramic Society (ACerS)American Ceramic SocietyThe American Ceramic Society is a non-profit professional organization for the ceramics community, with a focus on scientific research, emerging technologies, and applications in which ceramic materials are an element...
Notable American (US) studio potters
Danish studio pottery (DenmarkDenmarkDenmark is a Scandinavian country in Northern Europe. The countries of Denmark and Greenland, as well as the Faroe Islands, constitute the Kingdom of Denmark . It is the southernmost of the Nordic countries, southwest of Sweden and south of Norway, and bordered to the south by Germany. Denmark...
)
Side by side with the art of ceramics development and in line with the growing awareness of art as a special field of study arose from approx. 1920 a series of workshops where the ceramics are focused heavily on the work based on the solid Scandinavian crafts traditions - in contrast to the artists. The name Saxbo, stoneware company, started in 1929 by Nathalie Krebs and Gunnar Nylund, accounts for some of the craftsmanship and aesthetic terms finest products that are created in the 1900-t. Centre form and glaze technical achievements have influenced the trained practitioners ever since. In the 1930s, as use ceramics generally moving in the functionalist orientation, were names such as Lisbeth Munch-Petersen, Christine Swane, Gertrud Vasegaard and Eva Staehr-Nielsen almost synonymous with precision, strict and classical sense of form. Saxbo and the simultaneous use oriented ceramics workshop from 1930 to 1960 consolidated Danish crafts internationally. The best quality work has since been designated studio ceramics (of the American studio ceramics). The leading contemporary studiokeramikere can generally be divided into two groups: those who weighs a more classical idiom, such as Malene Müllertz, Bente Hansen, Beate Andersen (b. 1942), Richard Manz, Bodil Manz, Gunhild Aaberg (born 1939), Jane ReumertJane Reumert
Jane Reumert was born in Denmark in 1942. Married to :da:Bo Bonfils. Reumert has spent more than 40 years as a professional studio ceramic artist. She is one of Denmark’s most respected artists, and has gained much international recognition. Reumert’s work has many influences, but nature and...
(b. 1942) and Alev Siesbye and expressive, such as stone Lykke Madsen and the internationally oriented studio ceramics group Clay Today.
Studio Ceramics has in the 1900's evolved into a discipline that moves between artist ceramics and crafts based pottery. Conceptualisation of the relationship between art and ceramics has in the late 1990s started developing rapidly, and the Danish groups are influenced increasingly by international contacts.
Museum studio pottery collections
United Kingdom- Birmingham Museum & Art GalleryBirmingham Museum & Art GalleryBirmingham Museum and Art Gallery is a museum and art gallery in Birmingham, England.Entrance to the Museum and Art Gallery is free, but some major exhibitions in the Gas Hall incur an entrance fee...
in Birmingham, England. - Sainsbury Centre for Visual ArtsSainsbury Centre for Visual ArtsThe Sainsbury Centre for Visual Arts is an art gallery and museum located on the campus of the University of East Anglia, Norwich in the United Kingdom...
at the University of East AngliaUniversity of East AngliaThe University of East Anglia is a public research university based in Norwich, United Kingdom. It was established in 1963, and is a founder-member of the 1994 Group of research-intensive universities.-History:...
in Norwich, EnglandNorwichNorwich is a city in England. It is the regional administrative centre and county town of Norfolk. During the 11th century, Norwich was the largest city in England after London, and one of the most important places in the kingdom...
. - Stoke on Trent Museum in Staffordshire, England
- Victoria and Albert MuseumVictoria and Albert MuseumThe Victoria and Albert Museum , set in the Brompton district of The Royal Borough of Kensington and Chelsea, London, England, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects...
in London, England.
United States of America
- Scripps College, Ruth Chandler Williamson Gallery The Marer Collection of Contemporary Ceramics in Claremont, CaliforniaClaremont, CaliforniaClaremont is a small affluent college town in eastern Los Angeles County, California, United States, about east of downtown Los Angeles at the base of the San Gabriel Mountains. The population as of the 2010 census is 34,926. Claremont is known for its seven higher-education institutions, its...
. - University of Michigan Museum of ArtUniversity of Michigan Museum of ArtThe University of Michigan Museum of Art, or UMMA in Ann Arbor, Michigan with is one of the largest university art museums in the USA. Built as a war memorial in 1909 for the university's fallen alumni from the Civil War, Alumni Memorial Hall originally housed U-M's Alumni office along with the...
in Ann Arbor, MichiganAnn Arbor, MichiganAnn Arbor is a city in the U.S. state of Michigan and the county seat of Washtenaw County. The 2010 census places the population at 113,934, making it the sixth largest city in Michigan. The Ann Arbor Metropolitan Statistical Area had a population of 344,791 as of 2010...
.
Further reading
- Cooper, Emmanuel. (2000) Ten thousand years of pottery. London: British Museum Press. ISBN 0812221400
- Evans, Paul. (1987) Art pottery of the United States: An encyclopedia of producers and their marks, together with a directory of studio potters working in the United States through 1960. New York, N.Y: Feingold & Lewis Pub. Corp. ISBN 0961957700
- Greenberg, Clement et al., Garth Clark Ed. (2006) Ceramic millennium: Critical writings on ceramic history, theory and art. Halifax, N.S: Press of the Nova Scotia College of Art and Design. ISBN 0919616453
- Jones, Jeffrey. Studio pottery in Britain: 1900–2005. London: A & C Black, 2007. ISBN 0713670134
- Lauria, Jo. (2000) Color and fire: defining moments in studio ceramics, 1950-2000: Selections from the Smits collection and related works at the Los Angeles County Museum of Art. Los Angeles, Calif.: LACMALos Angeles County Museum of ArtThe Los Angeles County Museum of Art is an art museum in Los Angeles, California. It is located on Wilshire Boulevard along Museum Row in the Miracle Mile vicinity of Los Angeles, adjacent to the George C. Page Museum and La Brea Tar Pits....
in association with Rizzoli International Publications. ISBN 0847822540 - Levin, Elaine. (1988) The history of American ceramics, 1607 to the present: From pipkins and bean pots to contemporary forms. New York: H.N. Abrams. ISBN 0810911728
- Macnaughton, Mary Davis. (1994) Revolution in clay: The Marer collection of contemporary ceramics. Claremont, Calif. Seattle, Wash.: Ruth Chandler Williamson Gallery, Scripps College University of Washington Press. ISBN 0295974052
- Perry, Barbara Ed. (1989) American ceramics: The collection of Everson Museum of Art. New York Syracuse: Rizzoli The Museum. ISBN 0847810259
- Watson, Oliver. (1993) Studio pottery. London: PhaidonPhaidonPhaidon is an ancient Greek name that may refer to:*Phaedo of Elis, a philosopher*Phaedo, one of Plato's dialogues named after Phaedo of Elis who appears in it*Phaidon Press, a publisher...
Victoria and Albert MuseumVictoria and Albert MuseumThe Victoria and Albert Museum , set in the Brompton district of The Royal Borough of Kensington and Chelsea, London, England, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects...
. ISBN 071482948X