Romantische Oper
Encyclopedia
Romantische Oper was a genre of early nineteenth-century German
opera
, developed not from the German Singspiel
of the eighteenth-century but from the opéras comiques
of the French Revolution
. It offered opportunities for an increasingly important role for the orchestra
, and greater dramatic possibilities for reminiscence motif
s - phrases that are identified with a place, person or idea and which, when re-used in a work, remind the listener of the place, person or idea in question.
Carl Maria von Weber
's Der Freischütz
(1821) inaugurated the genre, which increasingly became associated with a distinctively German national style, as exemplified by composers such as Heinrich Marschner
(e.g. Der Vampyr
and Hans Heiling
), Albert Lortzing
(e.g. Undine
) and Louis Spohr
. Themes explored included Nature
, the supernatural
, the Middle Ages
and popular culture, specifically folklore
. Musically, German folksong
also served as an inspiration. Spoken dialogue continued to be used between musical numbers.
The genre reached its apogee in the early works of Richard Wagner
, specifically Die Feen
, The Flying Dutchman
and Tannhäuser
, although these differed from their predecessors in not using spoken dialogue. His later operas developed the reminiscence motif into the more protean Leitmotif
and gradually abandoned many of the themes of romantische Oper, while still largely focused on myths, legends and Nature.
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...
opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
, developed not from the German Singspiel
Singspiel
A Singspiel is a form of German-language music drama, now regarded as a genre of opera...
of the eighteenth-century but from the opéras comiques
Opéra comique
Opéra comique is a genre of French opera that contains spoken dialogue and arias. It emerged out of the popular opéra comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent , which combined existing popular tunes with spoken sections...
of the French Revolution
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
. It offered opportunities for an increasingly important role for the orchestra
Orchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...
, and greater dramatic possibilities for reminiscence motif
Motif (music)
In music, a motif or motive is a short musical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition....
s - phrases that are identified with a place, person or idea and which, when re-used in a work, remind the listener of the place, person or idea in question.
Carl Maria von Weber
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school....
's Der Freischütz
Der Freischütz
Der Freischütz is an opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin...
(1821) inaugurated the genre, which increasingly became associated with a distinctively German national style, as exemplified by composers such as Heinrich Marschner
Heinrich Marschner
Heinrich August Marschner , was the most important composer of German Romantic opera between Carl Maria von Weber and Richard Wagner, and is remembered principally for his operas Hans Heiling , Der Vampyr , and Der Templer und die Jüdin...
(e.g. Der Vampyr
Der Vampyr
Der Vampyr is a Romantic opera in two acts by Heinrich Marschner. The German libretto by Wilhelm August Wohlbrück is based on the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter, which itself was based on the short novel The Vampyre by John Polidori...
and Hans Heiling
Hans Heiling
Hans Heiling is a German Romantic opera in 3 acts with prologue by Heinrich Marschner with a libretto by Eduard Devrient, who also sang the title role at the première which occurred at the Königliche Hofoper , Berlin on 24 May 1833, and went on to become his most successful opera...
), Albert Lortzing
Albert Lortzing
Gustav Albert Lortzing was a German composer, actor and singer. He is considered to be the main representative of the German Spieloper, a form similar to the French opéra comique, which grew out of the Singspiel.-Biography:Lortzing was born in Berlin to Johann Gottlieb Lortzing and Charlotte Sophie...
(e.g. Undine
Undine (Lortzing)
Undine is an opera in four acts by Albert Lortzing. The German libretto was by the composer after Friedrich de la Motte Fouqué's story of the same name....
) and Louis Spohr
Louis Spohr
Louis Spohr was a German composer, violinist and conductor. Born Ludewig Spohr, he is usually known by the French form of his name. Described by Dorothy Mayer as "The Forgotten Master", Spohr was once as famous as Beethoven. As a violinist, his virtuoso playing was admired by Queen Victoria...
. Themes explored included Nature
Nature
Nature, in the broadest sense, is equivalent to the natural world, physical world, or material world. "Nature" refers to the phenomena of the physical world, and also to life in general...
, the supernatural
Supernatural
The supernatural or is that which is not subject to the laws of nature, or more figuratively, that which is said to exist above and beyond nature...
, the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
and popular culture, specifically folklore
Folklore
Folklore consists of legends, music, oral history, proverbs, jokes, popular beliefs, fairy tales and customs that are the traditions of a culture, subculture, or group. It is also the set of practices through which those expressive genres are shared. The study of folklore is sometimes called...
. Musically, German folksong
Traditional music
Traditional music is the term increasingly used for folk music that is not contemporary folk music. More on this is at the terminology section of the World music article...
also served as an inspiration. Spoken dialogue continued to be used between musical numbers.
The genre reached its apogee in the early works of Richard Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
, specifically Die Feen
Die Feen
Die Feen is an opera in three acts by Richard Wagner. The German libretto was written by the composer after Carlo Gozzi's La donna serpente.Die Feen was Wagner's first completed opera, but remained unperformed in his lifetime...
, The Flying Dutchman
The Flying Dutchman (opera)
Der fliegende Holländer is an opera, with music and libretto by Richard Wagner.Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write "The Flying Dutchman" following a stormy sea crossing he made from Riga to London in July and August 1839, but in his 1843...
and Tannhäuser
Tannhäuser (opera)
Tannhäuser is an opera in three acts, music and text by Richard Wagner, based on the two German legends of Tannhäuser and the song contest at Wartburg...
, although these differed from their predecessors in not using spoken dialogue. His later operas developed the reminiscence motif into the more protean Leitmotif
Leitmotif
A leitmotif , sometimes written leit-motif, is a musical term , referring to a recurring theme, associated with a particular person, place, or idea. It is closely related to the musical idea of idée fixe...
and gradually abandoned many of the themes of romantische Oper, while still largely focused on myths, legends and Nature.