Picture This (novel)
Encyclopedia
Picture This is a 1988 novel from Joseph Heller
, the satiric author of the acclaimed Catch-22
.
The novel is an eclectic historical journey across three periods of history, all connected by a single painting: Rembrandt van Rijn's Aristotle Contemplating a Bust of Homer
. With constant reflections between the different time levels, we jump back and forth between the time of Aristotle, Rembrandt and Heller: the Golden Age of Athens, the brief 17th century golden age of Holland, and the golden age of the USA.
, his main unspoken theme is of course parallels between the onetime Hellenic overlord respective the onetime ruler of the Seas, and his home country.
This is most apparent in his treatment of the peak and downfall of Athens, when after the victory over Persia, Athens formed the Delian League
, and got embroiled in the Peloponnesian War
. Heller describes a beacon of democracy that destroys its own greatest advances or transforms them into tools of abuse, turns on its own allies just to demonstrate its power, and loses to weaker enemies due to self-deception.
Joseph Heller
Joseph Heller was a US satirical novelist, short story writer, and playwright. His best known work is Catch-22, a novel about US servicemen during World War II...
, the satiric author of the acclaimed Catch-22
Catch-22
Catch-22 is a satirical, historical novel by the American author Joseph Heller. He began writing it in 1953, and the novel was first published in 1961. It is set during World War II in 1943 and is frequently cited as one of the great literary works of the twentieth century...
.
The novel is an eclectic historical journey across three periods of history, all connected by a single painting: Rembrandt van Rijn's Aristotle Contemplating a Bust of Homer
Aristotle Contemplating a Bust of Homer
Aristotle Contemplating a Bust of Homer is an oil-on-canvas painting by Rembrandt van Rijn. It was painted in 1653, as a commission from Don Antonio Ruffo, from Messina in Sicily, who did not request a particular subject....
. With constant reflections between the different time levels, we jump back and forth between the time of Aristotle, Rembrandt and Heller: the Golden Age of Athens, the brief 17th century golden age of Holland, and the golden age of the USA.
Plot introduction
Like in Heller's version of King David's story, God Knows, the author changes little in the storyline of the original – he execrates narrative, and denies historical counterpoints, both explicit, some implicit. Incomprehension may have contributed to a critical redemption of this book, along with less weight for humour and a sobering conclusion.Major themes
Heller concludes that we don't learn from history (and in fact so much of history may be nonfactual that learning may be impossible). Being a pessimist chronicler of the American CenturyAmerican Century
American Century is a term used to describe the United States' dominance of much of the 20th century, in political, economic and cultural terms. The United States' influence grew throughout the 20th century, but became especially dominant after the end of World War II, when only two superpowers...
, his main unspoken theme is of course parallels between the onetime Hellenic overlord respective the onetime ruler of the Seas, and his home country.
This is most apparent in his treatment of the peak and downfall of Athens, when after the victory over Persia, Athens formed the Delian League
Delian League
The Delian League, founded in circa 477 BC, was an association of Greek city-states, members numbering between 150 to 173, under the leadership of Athens, whose purpose was to continue fighting the Persian Empire after the Greek victory in the Battle of Plataea at the end of the Greco–Persian Wars...
, and got embroiled in the Peloponnesian War
Peloponnesian War
The Peloponnesian War, 431 to 404 BC, was an ancient Greek war fought by Athens and its empire against the Peloponnesian League led by Sparta. Historians have traditionally divided the war into three phases...
. Heller describes a beacon of democracy that destroys its own greatest advances or transforms them into tools of abuse, turns on its own allies just to demonstrate its power, and loses to weaker enemies due to self-deception.