Martin Mailman
Encyclopedia
Martin Mailman was an American
composer
noted for his music for orchestra
, chorus
, multimedia, and winds.
at the University of Rochester
earning a bachelor's degree
in music composition in 1954, a master's degree
in music composition in 1955, and a PhD
in music composition in 1960. His teachers at Eastman included Louis Mennini, Wayne Barlow
, Bernard Rogers
, and Howard Hanson
. He served for two years in the United States Navy
, and he was among the first group of young contemporary American composers chosen in 1959 to participate in The Young Composers Project sponsored by the Ford Foundation
and the National Music Council. As a result, he spent two years teaching in the schools of Jacksonville, Florida
. From 1961 to 1966, he served as the first Composer in Residence at East Carolina University
in Greenville, North Carolina
. From 1966 until 2000, he was Composer in Residence, Coordinator of Composition, and later, Regents Professor at the University of North Texas College of Music
in Denton, Texas. In November 2000, the University of North Texas Board of Regents
awarded Emeritus
status to Dr. Mailman posthumously.
Dr. Mailman received numerous awards, among which include two American Bandmasters Association
/Ostwald Award
s for composition, the National Band Association/Band Mans Company prize for composition, the Edward Benjamin Award, Composer of the Year by the Texas Music Teachers Association, and the 1982 Queen Marie-Jose Prize for composition for his Concerto for Violin and Orchestra (Variations), Op. 68. His works include chamber music, band, choral, and orchestral music, film scores, television music, an opera, and a requiem for chorus, orchestra, and soloist. A frequently sought-after clinician and teacher, Dr. Mailman served as guest conductor-composer at more than ninety colleges and universities across the United States and Europe.
He was a leader in promoting comprehensive musicianship programs through MENC
throughout his career and gave presentations at conventions and schools across the country. Instead of featuring his own music, he always focused on music in general and the impact it has on students and professionals alike. He was particularly intrigued by the compositional process and the concept of music as "organized sound over time with intent."
Dr. Mailman’s musical holdings are now handled by his son, Dr. Matthew Mailman, Professor of Conducting in the Wanda L. Bass School of Music
at Oklahoma City University
.
Martin Mailman’s widow, Mary Nan Mailman, established two endowed scholarships in his name: The Martin Mailman Excellence in Band Endowed Scholarship in the Wanda L. Bass School of Music at Oklahoma City University
and The Martin Mailman Memorial Composition Scholarship Endowment in the College of Music at the University of North Texas.
Dance in Two Moods for Orchestra, Op. 2 (1952)
Promenade for Brass & Percussion, Op. 3 (1953)
Autumn Landscape for Orchestra, Op. 4 (1954)
Jubliate for Orchestra, Op. 5 (1955)
Elegy for Orchestra, Op. 6 (1955)
West Wind for Soprano & Piano, Op. 7 (1956)
Holy, Holy, Holy for Chorus & Organ, Op. 8 (1957)
Cantiones for Orchestra, Op. 9 (1957)
Partita for Band, Op. 10 (1958)
The Hunted: An opera in one act, Op. 11 (1959)
Christmas Music for Chorus & Orchestra, Op. 12 (1959)
Prelude and Fugue No. 1 for Orchestra, Op. 13 (1959)
Commencement March for Band, Op. 14 (1960)
Alleluia for Chorus & Band, Op. 15 (1960)
Three Madrigals for Chorus alone, Op. 16 (1960)
Partita for String Orchestra, Op. 17 (1960)
Gateway City Overture for Orchestra, Op. 18 (1960)
Four Miniatures for Band, Op. 19 (1960)
Genesis Resurrected for Narrator, Chorus & Orchestra, Op. 20 (1960)
Petite Partita for Piano, Op. 21 (1961)
Geometrics No. 1 for Band, Op. 22 (1961)
Suite in Three Movements for Orchestra, Op. 23 (1961)
Brevard Fanfare for Brass, Op. 24 (1961)
Hosanna for Chorus, Op. 25 (1961)
String Quartet in one movement, Op. 26 (1962)
Alarums for Band, Op. 27 (1962)
Four Songs for Soprano & Piano, Op. 28 (1962)
Geometrics in Sound (Geometrics No. 2) for Band, Op. 29 (1962)
Prelude and Fugue No. 2 for Orchestra, Op. 30, #1 (1963)
Leaves of Grass for Narrator, Chorus & Band, Op. 30, #2 (1963)
Concertino for Trumpet & Band, Op. 31 (1963)
To Everything There is a Season for Chorus alone, Op. 32 (1963)
Liturgical Music for Band, Op. 33 (1964)
Sinfonietta for Orchestra, Op. 34 (1964)
Moby Dick: Music for the Play, Op. 35 (1965)
Four Variations in Search For a Theme for Narrator & Band, Op. 36 (1965)
Geometrics No. 3 for Band, Op. 37 (1965)
Theme Music for Concepts, Op. 38 (1965)
Variations on a Short Theme for piano, Op. 39 (1966)
Four Divisions for Percussion Ensemble, Op. 40 (1966)
The Rise and Fall: A Choral Fable, Op. 41 (1966)
The Whaleman’s Chapel from Moby Dick, Op. 41A (1966)
Partita No. 4 for nine players, Op. 42 (1967)
Geometrics No. 4 for Band, Op. 43 (1968)
Shakespearean Serenade for Chorus & four instruments, Op. 44 (1968)
Association No. 1 for Band, Op. 45 (1968–69)
Symphony No. 1 for Orchestra, Op. 46 (1969)
Generations 2 for 3 String Orchestras & Percussion, Op. 47 (1969)
Martha’s Vineyard for Piano, Op. 48 (1969)
Two Fanfares for Brass, Op. 49 (1970)
In Memoriam Frankie Newton for Lab Band, Op. 50 (1970)
Requiem, Requiem for Chorus, Orchestra & Soloists, Op. 51 (1970)
Shouts, Hymns, and Praises for Band, Op. 52 (1972)
A Simple Ceremony (In Memoriam John Barnes Chance) for Band & Chorus, Op. 53 (1973)
Decorations (Music for a Celebration) for Band, Op. 54 (1974)
In Memoriam Silvio Scionti, Op. 55 (Piano) (1974)
Let Us Now Praise Famous Men, Op. 56 (Band, Narrators, & Solo Voice) (1975)
Wind Across the Nations, Op. 57 (Solo Voice, Piano, Percussion, Flute, & Guitar) (1975)
Geometrics 5 for Band, Op. 58 (1976)
Generations 3: Messengers, Op. 59 (Children Choirs, Solo Tenor, & Stage Band) (1977)
A Choral Sampler, Op. 60 (1977)
Clastics: Formations for Solo Cello, Op. 61 (1977)
Clastics 2 for Euphonium & Percussion, Op. 62 (1979)
Symphony No. 2 for Orchestra, Op. 63 (1979)
Soft Sounds for a Wordless Night, Op. 64 (Chorus) (1979)
Clastics 3: Music for Two Pianos, Op. 65 (1980)
Night Vigil for Band, Op. 66 (1980)
Exaltations for Band, Op. 67 (1981)
Concerto for Violin and Orchestra (Variations), Op. 68 (1982)
Secular Hours for Chorus, Op. 69 (1982)
Symphony No. 3 (Fantasies) for Orchestra, Op. 70 (1983)
Cantata for Jazz Choir, Soloists, & large Jazz Ensemble, Op. 71 (1984)
Nocturne for Trumpet Choir, Op. 72 (1985)
Trio for Violin, Cello, and Piano, Op. 73 (1985)
Elegy for String Orchestra, Op. 74 (1985)
Liturgy for Four Cities (summer, 1985) for Voice & Piano, Op. 75 (1985)
Mirrors: A Multimedia Theater Piece, Op. 76 (1986)
Mirror Music for Orchestra, Op. 77 (1987)
The Jewel in the Crown (A Ceremonial March) for Band, Op. 78 (1987)
Clastics 4: Music for Solo Viola, Op. 79 (1988)
For precious friends hid in death’s dateless night for Wind Ensemble, Op. 80 (1988)
Six Brief Obituaries for Piano, Op. 81 (1988)
Toward the Second Century for Band/opt. Strings, Op. 82 (1989)
Concertino for Clarinet and Band, Op. 83 (1990)
Three Choral Praises, Op. 84 (1990)
Love Letters from Margaret for Soprano & Orchestra, Op. 85 (1991)
Surfaces for Woodwind Quintet, Op. 86 (1991)
Bouquets for Band, Op. 87 (1991)
This Fragile Day for Chorus, Op. 88 (1992)
Concerto for Wind Orchestra (Variations), Op. 89 (1993)
Secular Litanies for Band, Op. 90 (1993)
Agnus Dei for Choir & Organ, Op. 91 (1994)
Two Fanfares for Brass Choir, Op. 92 (1997)
Fanfare Folio for Brass, Op. 92 (1994/1997)
String Quartet No. 2: 1995, Op. 93 (1995)
Colleagues Remembered for Chorus, Op. 94 (1995)
Work incomplete (Opus 95) (1995)
Dance Imageries for Orchestra, Op. 96 (1998)
Choral Greetings, Op. 97 (1998)
Pledges for Band, Op. 98 (1998)
Vocalise for Solo Soprano (or solo tenor voice or alto saxophone) & Piano, Op. 99 (1999)
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
noted for his music for orchestra
Orchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...
, chorus
Choir
A choir, chorale or chorus is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform.A body of singers who perform together as a group is called a choir or chorus...
, multimedia, and winds.
Biography
Dr. Martin Mailman was born in New York City on June 30, 1932. He studied composition at the Eastman School of MusicEastman School of Music
The Eastman School of Music is a music conservatory located in Rochester, New York. The Eastman School is a professional school within the University of Rochester...
at the University of Rochester
University of Rochester
The University of Rochester is a private, nonsectarian, research university in Rochester, New York, United States. The university grants undergraduate and graduate degrees, including doctoral and professional degrees. The university has six schools and various interdisciplinary programs.The...
earning a bachelor's degree
Bachelor's degree
A bachelor's degree is usually an academic degree awarded for an undergraduate course or major that generally lasts for three or four years, but can range anywhere from two to six years depending on the region of the world...
in music composition in 1954, a master's degree
Master's degree
A master's is an academic degree granted to individuals who have undergone study demonstrating a mastery or high-order overview of a specific field of study or area of professional practice...
in music composition in 1955, and a PhD
PHD
PHD may refer to:*Ph.D., a doctorate of philosophy*Ph.D. , a 1980s British group*PHD finger, a protein sequence*PHD Mountain Software, an outdoor clothing and equipment company*PhD Docbook renderer, an XML renderer...
in music composition in 1960. His teachers at Eastman included Louis Mennini, Wayne Barlow
Wayne Barlow
Wayne B. Barlow was an American composer of contemporary classical music...
, Bernard Rogers
Bernard Rogers
Bernard Rogers was an American composer.Rogers was born in New York City. He studied with Arthur Farwell, Ernest Bloch, Percy Goetschius, and Nadia Boulanger. He taught at the Cleveland Institute of Music, The Hartt School, and the Eastman School of Music...
, and Howard Hanson
Howard Hanson
Howard Harold Hanson was an American composer, conductor, educator, music theorist, and champion of American classical music. As director for 40 years of the Eastman School of Music, he built a high-quality school and provided opportunities for commissioning and performing American music...
. He served for two years in the United States Navy
United States Navy
The United States Navy is the naval warfare service branch of the United States Armed Forces and one of the seven uniformed services of the United States. The U.S. Navy is the largest in the world; its battle fleet tonnage is greater than that of the next 13 largest navies combined. The U.S...
, and he was among the first group of young contemporary American composers chosen in 1959 to participate in The Young Composers Project sponsored by the Ford Foundation
Ford Foundation
The Ford Foundation is a private foundation incorporated in Michigan and based in New York City created to fund programs that were chartered in 1936 by Edsel Ford and Henry Ford....
and the National Music Council. As a result, he spent two years teaching in the schools of Jacksonville, Florida
Jacksonville, Florida
Jacksonville is the largest city in the U.S. state of Florida in terms of both population and land area, and the largest city by area in the contiguous United States. It is the county seat of Duval County, with which the city government consolidated in 1968...
. From 1961 to 1966, he served as the first Composer in Residence at East Carolina University
East Carolina University
East Carolina University is a public, coeducational, engaged doctoral/research university located in Greenville, North Carolina, United States. Named East Carolina University by statute and commonly known as ECU or East Carolina, the university is the largest institution of higher learning in...
in Greenville, North Carolina
Greenville, North Carolina
Greenville is the county seat of Pitt County and principal city of the Greenville, North Carolina metropolitan area. Greenville is the health, entertainment, and educational hub of North Carolina's Tidewater and Coastal Plain and in 2008 was listed as the Tenth Largest City in North Carolina...
. From 1966 until 2000, he was Composer in Residence, Coordinator of Composition, and later, Regents Professor at the University of North Texas College of Music
University of North Texas College of Music
The University of North Texas College of Music, based in Denton, is a comprehensive music school with the largest enrollment of any music institution accredited by the National Association of Schools of Music, and the oldest in the world offering a degree in jazz studies...
in Denton, Texas. In November 2000, the University of North Texas Board of Regents
Board of Regents
In the United States, a board often governs public institutions of higher education, which include both state universities and community colleges. In each US state, such boards may govern either the state university system, individual colleges and universities, or both. In general they operate as...
awarded Emeritus
Emeritus
Emeritus is a post-positive adjective that is used to designate a retired professor, bishop, or other professional or as a title. The female equivalent emerita is also sometimes used.-History:...
status to Dr. Mailman posthumously.
Dr. Mailman received numerous awards, among which include two American Bandmasters Association
American Bandmasters Association
The American Bandmasters Association was formed in 1929 by Edwin Franko Goldman to promote concert band music. Goldman sought to raise esteem for concert bands among musicians and audiences...
/Ostwald Award
Ostwald Award
The Sousa/Ostwald Award is an annual award given by the American Bandmasters Association for a composition for concert band. It was first awarded in 1956, after band uniform suppliers Ernest and Adolph Ostwald established the ABA/Ostwald Award for the best band composition written in the previous...
s for composition, the National Band Association/Band Mans Company prize for composition, the Edward Benjamin Award, Composer of the Year by the Texas Music Teachers Association, and the 1982 Queen Marie-Jose Prize for composition for his Concerto for Violin and Orchestra (Variations), Op. 68. His works include chamber music, band, choral, and orchestral music, film scores, television music, an opera, and a requiem for chorus, orchestra, and soloist. A frequently sought-after clinician and teacher, Dr. Mailman served as guest conductor-composer at more than ninety colleges and universities across the United States and Europe.
He was a leader in promoting comprehensive musicianship programs through MENC
MENC: The National Association for Music Education
MENC: The National Association for Music Education is an organization of American music educators dedicated to advancing and preserving music education and as part of the core curriculum of schools in the United States...
throughout his career and gave presentations at conventions and schools across the country. Instead of featuring his own music, he always focused on music in general and the impact it has on students and professionals alike. He was particularly intrigued by the compositional process and the concept of music as "organized sound over time with intent."
Dr. Mailman’s musical holdings are now handled by his son, Dr. Matthew Mailman, Professor of Conducting in the Wanda L. Bass School of Music
Wanda L. Bass School of Music
The Wanda L Bass School of Music is a College at Oklahoma City University. It offers several degrees including; a BM, MM, and a BA in several areas of Music...
at Oklahoma City University
Oklahoma City University
Oklahoma City University, often referred to as OCU, is a coeducational, urban, private university historically affiliated with the United Methodist Church...
.
Martin Mailman’s widow, Mary Nan Mailman, established two endowed scholarships in his name: The Martin Mailman Excellence in Band Endowed Scholarship in the Wanda L. Bass School of Music at Oklahoma City University
Oklahoma City University
Oklahoma City University, often referred to as OCU, is a coeducational, urban, private university historically affiliated with the United Methodist Church...
and The Martin Mailman Memorial Composition Scholarship Endowment in the College of Music at the University of North Texas.
List of works
Burlesque for Trumpet & Piano, Op. 1 (1951)Dance in Two Moods for Orchestra, Op. 2 (1952)
Promenade for Brass & Percussion, Op. 3 (1953)
Autumn Landscape for Orchestra, Op. 4 (1954)
Jubliate for Orchestra, Op. 5 (1955)
Elegy for Orchestra, Op. 6 (1955)
West Wind for Soprano & Piano, Op. 7 (1956)
Holy, Holy, Holy for Chorus & Organ, Op. 8 (1957)
Cantiones for Orchestra, Op. 9 (1957)
Partita for Band, Op. 10 (1958)
The Hunted: An opera in one act, Op. 11 (1959)
Christmas Music for Chorus & Orchestra, Op. 12 (1959)
Prelude and Fugue No. 1 for Orchestra, Op. 13 (1959)
Commencement March for Band, Op. 14 (1960)
Alleluia for Chorus & Band, Op. 15 (1960)
Three Madrigals for Chorus alone, Op. 16 (1960)
Partita for String Orchestra, Op. 17 (1960)
Gateway City Overture for Orchestra, Op. 18 (1960)
Four Miniatures for Band, Op. 19 (1960)
Genesis Resurrected for Narrator, Chorus & Orchestra, Op. 20 (1960)
Petite Partita for Piano, Op. 21 (1961)
Geometrics No. 1 for Band, Op. 22 (1961)
Suite in Three Movements for Orchestra, Op. 23 (1961)
Brevard Fanfare for Brass, Op. 24 (1961)
Hosanna for Chorus, Op. 25 (1961)
String Quartet in one movement, Op. 26 (1962)
Alarums for Band, Op. 27 (1962)
Four Songs for Soprano & Piano, Op. 28 (1962)
Geometrics in Sound (Geometrics No. 2) for Band, Op. 29 (1962)
Prelude and Fugue No. 2 for Orchestra, Op. 30, #1 (1963)
Leaves of Grass for Narrator, Chorus & Band, Op. 30, #2 (1963)
Concertino for Trumpet & Band, Op. 31 (1963)
To Everything There is a Season for Chorus alone, Op. 32 (1963)
Liturgical Music for Band, Op. 33 (1964)
Sinfonietta for Orchestra, Op. 34 (1964)
Moby Dick: Music for the Play, Op. 35 (1965)
Four Variations in Search For a Theme for Narrator & Band, Op. 36 (1965)
Geometrics No. 3 for Band, Op. 37 (1965)
Theme Music for Concepts, Op. 38 (1965)
Variations on a Short Theme for piano, Op. 39 (1966)
Four Divisions for Percussion Ensemble, Op. 40 (1966)
The Rise and Fall: A Choral Fable, Op. 41 (1966)
The Whaleman’s Chapel from Moby Dick, Op. 41A (1966)
Partita No. 4 for nine players, Op. 42 (1967)
Geometrics No. 4 for Band, Op. 43 (1968)
Shakespearean Serenade for Chorus & four instruments, Op. 44 (1968)
Association No. 1 for Band, Op. 45 (1968–69)
Symphony No. 1 for Orchestra, Op. 46 (1969)
Generations 2 for 3 String Orchestras & Percussion, Op. 47 (1969)
Martha’s Vineyard for Piano, Op. 48 (1969)
Two Fanfares for Brass, Op. 49 (1970)
In Memoriam Frankie Newton for Lab Band, Op. 50 (1970)
Requiem, Requiem for Chorus, Orchestra & Soloists, Op. 51 (1970)
Shouts, Hymns, and Praises for Band, Op. 52 (1972)
A Simple Ceremony (In Memoriam John Barnes Chance) for Band & Chorus, Op. 53 (1973)
Decorations (Music for a Celebration) for Band, Op. 54 (1974)
In Memoriam Silvio Scionti, Op. 55 (Piano) (1974)
Let Us Now Praise Famous Men, Op. 56 (Band, Narrators, & Solo Voice) (1975)
Wind Across the Nations, Op. 57 (Solo Voice, Piano, Percussion, Flute, & Guitar) (1975)
Geometrics 5 for Band, Op. 58 (1976)
Generations 3: Messengers, Op. 59 (Children Choirs, Solo Tenor, & Stage Band) (1977)
A Choral Sampler, Op. 60 (1977)
Clastics: Formations for Solo Cello, Op. 61 (1977)
Clastics 2 for Euphonium & Percussion, Op. 62 (1979)
Symphony No. 2 for Orchestra, Op. 63 (1979)
Soft Sounds for a Wordless Night, Op. 64 (Chorus) (1979)
Clastics 3: Music for Two Pianos, Op. 65 (1980)
Night Vigil for Band, Op. 66 (1980)
Exaltations for Band, Op. 67 (1981)
Concerto for Violin and Orchestra (Variations), Op. 68 (1982)
Secular Hours for Chorus, Op. 69 (1982)
Symphony No. 3 (Fantasies) for Orchestra, Op. 70 (1983)
Cantata for Jazz Choir, Soloists, & large Jazz Ensemble, Op. 71 (1984)
Nocturne for Trumpet Choir, Op. 72 (1985)
Trio for Violin, Cello, and Piano, Op. 73 (1985)
Elegy for String Orchestra, Op. 74 (1985)
Liturgy for Four Cities (summer, 1985) for Voice & Piano, Op. 75 (1985)
Mirrors: A Multimedia Theater Piece, Op. 76 (1986)
Mirror Music for Orchestra, Op. 77 (1987)
The Jewel in the Crown (A Ceremonial March) for Band, Op. 78 (1987)
Clastics 4: Music for Solo Viola, Op. 79 (1988)
For precious friends hid in death’s dateless night for Wind Ensemble, Op. 80 (1988)
Six Brief Obituaries for Piano, Op. 81 (1988)
Toward the Second Century for Band/opt. Strings, Op. 82 (1989)
Concertino for Clarinet and Band, Op. 83 (1990)
Three Choral Praises, Op. 84 (1990)
Love Letters from Margaret for Soprano & Orchestra, Op. 85 (1991)
Surfaces for Woodwind Quintet, Op. 86 (1991)
Bouquets for Band, Op. 87 (1991)
This Fragile Day for Chorus, Op. 88 (1992)
Concerto for Wind Orchestra (Variations), Op. 89 (1993)
Secular Litanies for Band, Op. 90 (1993)
Agnus Dei for Choir & Organ, Op. 91 (1994)
Two Fanfares for Brass Choir, Op. 92 (1997)
Fanfare Folio for Brass, Op. 92 (1994/1997)
String Quartet No. 2: 1995, Op. 93 (1995)
Colleagues Remembered for Chorus, Op. 94 (1995)
Work incomplete (Opus 95) (1995)
Dance Imageries for Orchestra, Op. 96 (1998)
Choral Greetings, Op. 97 (1998)
Pledges for Band, Op. 98 (1998)
Vocalise for Solo Soprano (or solo tenor voice or alto saxophone) & Piano, Op. 99 (1999)