Mantegna Tarocchi
Encyclopedia
The Mantegna Tarocchi, also known as the Tarocchi Cards, Tarocchi in the style of Mantegna, Baldini Cards, are two different sets each of fifty 15th century Italian old master print
Old master print
An old master print is a work of art produced by a printing process within the Western tradition . A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques concerned are woodcut, engraving and etching, although there are...

s in engraving
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...

, by two different unknown artists. The sets are known as the E-series Tarocchi Cards and the S-series Tarocchi Cards (or E series, e-series etc.), and their artists are known as the “Master of the E-series Tarocchi” and the “Master of the S-series Tarocchi”. There are also a number of copies and later versions. Despite their name, they are educational visual aids.

Name a misnomer

The name appears to be a mistaken confusion by later writers with the contemporary card-game of Tarocchi, which includes many extra picture-cards. These are neither playing cards nor Tarot
Tarot
The tarot |trionfi]] and later as tarocchi, tarock, and others) is a pack of cards , used from the mid-15th century in various parts of Europe to play a group of card games such as Italian tarocchini and French tarot...

 cards for fortune-telling
Fortune-telling
Fortune-telling is the practice of predicting information about a person's life. The scope of fortune-telling is in principle identical with the practice of divination...

 but were presumably educational tools for upper-class children, although no documentation of their use survives. Some sets bound up in book form at early dates survive (e.g. BNF, Paris, and Pavia), and all examples are printed on single sheets of thin paper. Examples in Cincinnati and New York have traces of hand-colouring in gold, which is very rare in prints.

Art historians no longer believe Andrea Mantegna
Andrea Mantegna
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality...

 was the engraver of any of them, as was thought until the nineteenth century, but the name is still used, mostly as “the so-called Mantegna Tarocchi”. Baccio Baldini
Baccio Baldini
Baccio Baldini was an Italian engraver of the Renaissance, active in his native Florence.-Biography:Little is known of Baldini's life...

 was a Florentine engraver who was also brought into consideration as a possible author in the past, hence the name also used in the past of Baldini Cards or Tarocchi.

E and S series

They remain important examples of Italian engraving
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...

, and are mostly owned by museums as part of their collections of old master print
Old master print
An old master print is a work of art produced by a printing process within the Western tradition . A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques concerned are woodcut, engraving and etching, although there are...

s. The original two sets are called the E-series and the S-series, of which the E-series is generally considered the older (since AM Hind made the case). It is on the whole the better engraved, and usually the better printed of the two. Differences between the two show the E-series Master was more aware of the literary sources for his images. Most images are reversed between the series (i.e. mirror-images).

Their place and dates of creation are still debated, but Ferrara about 1465 (E-series) and 1470-5 (S-series) are considered most likely. Some of the images are copied in a manuscript dated 1467, which is believed to give a terminus ante quem for the E-series.

The titles of some cards are written in a Ferraran or Venetian dialect — “Doxe” for Doge or Duke, and “Artixan” for artisan. Some subjects were copied from playing-cards, and some from other sources in contemporary art. Other designs had to be invented. Two prints on quite different subjects have been generally attributed to the unknown “Master of the E-series Tarocchi”, and one to the “Master of the S-series Tarocchi”.

Contents of the sets

In card terms all are “picture” or “court” cards. There is the name and number of the card in Roman numerals
Roman numerals
The numeral system of ancient Rome, or Roman numerals, uses combinations of letters from the Latin alphabet to signify values. The numbers 1 to 10 can be expressed in Roman numerals as:...

 at the bottom, and the group capital letter and number in arabic numerals
Arabic numerals
Arabic numerals or Hindu numerals or Hindu-Arabic numerals or Indo-Arabic numerals are the ten digits . They are descended from the Hindu-Arabic numeral system developed by Indian mathematicians, in which a sequence of digits such as "975" is read as a numeral...

 in squares in the bottom corners. All have simple decorative borders. The subjects are grouped in five sequences numbered: 1-10, 11-20, 21-30, 31-40 and 41-50, each group consisting of ten engravings:
  • E/S (1-10): Conditions of Man — Hierarchy of persons, from beggar to emperor and pope:
1 Beggar
2 Servant (Fameio)
3 Craftsman (Artixan)
4 Merchant (Merchadante)
5 Gentleman (Zintilomo)
6 Knight (Chavalier)
7 Doge (Doxe)
8 King (Re)
9 Emperor (Imperator)
10 Pope (Papa)

  • D (11-20): The nine Muse
    Muse
    The Muses in Greek mythology, poetry, and literature, are the goddesses who inspire the creation of literature and the arts. They were considered the source of the knowledge, related orally for centuries in the ancient culture, that was contained in poetic lyrics and myths...

    s and Apollo
    Apollo
    Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...

  • C (21-30): The seven Liberal arts
    Liberal arts
    The term liberal arts refers to those subjects which in classical antiquity were considered essential for a free citizen to study. Grammar, Rhetoric and Logic were the core liberal arts. In medieval times these subjects were extended to include mathematics, geometry, music and astronomy...

     and three other basic sciences of the time: Philosophy
    Philosophy
    Philosophy is the study of general and fundamental problems, such as those connected with existence, knowledge, values, reason, mind, and language. Philosophy is distinguished from other ways of addressing such problems by its critical, generally systematic approach and its reliance on rational...

    , Astrology
    Astrology
    Astrology consists of a number of belief systems which hold that there is a relationship between astronomical phenomena and events in the human world...

     and Theology
    Theology
    Theology is the systematic and rational study of religion and its influences and of the nature of religious truths, or the learned profession acquired by completing specialized training in religious studies, usually at a university or school of divinity or seminary.-Definition:Augustine of Hippo...

  • B (31-40): 3 Genia of light: Genius of the Sun (Iliaco), Genius of Time (Chronico) and Genius of the world (Cosmico), and the Seven virtues
    Seven virtues
    In the Catholic catechism, the seven catholic virtues refer to the combination of two lists of virtues, the 4 cardinal virtues of prudence, justice, restraint or temperance, and courage or fortitude, and the 3 theological virtues of faith, hope, and love or charity ; these were adopted by the...

  • A (41-50): The seven Spheres of the Sun
    Sun
    The Sun is the star at the center of the Solar System. It is almost perfectly spherical and consists of hot plasma interwoven with magnetic fields...

    , Moon
    Moon
    The Moon is Earth's only known natural satellite,There are a number of near-Earth asteroids including 3753 Cruithne that are co-orbital with Earth: their orbits bring them close to Earth for periods of time but then alter in the long term . These are quasi-satellites and not true moons. For more...

     and five traditional planets (Mercury, Venus, Mars, Jupiter and Saturn), the eighth sphere (Octava Spera) of the fixed star
    Star
    A star is a massive, luminous sphere of plasma held together by gravity. At the end of its lifetime, a star can also contain a proportion of degenerate matter. The nearest star to Earth is the Sun, which is the source of most of the energy on Earth...

    s, the Primum Mobile
    Primum Mobile
    In medieval and Renaissance astronomy, the Primum Mobile, or "first moved," was the outermost moving sphere in the geocentric model of the universe. The primum mobile was thought to be responsible for the apparent daily movement of the heavens around the Earth, producing the east-to-west rising and...

    and Prima Causa (First Cause
    Primum movens
    Primum movens , usually referred to as the Prime mover or first cause in English, is a term used in the philosophy of Aristotle, in the theological cosmological argument for the existence of God, and in cosmogony, the source of the cosmos or "all-being".-Aristotle's ontology:In book 12 of his...

    , God)


The complete set is a humanistic
Renaissance humanism
Renaissance humanism was an activity of cultural and educational reform engaged by scholars, writers, and civic leaders who are today known as Renaissance humanists. It developed during the fourteenth and the beginning of the fifteenth centuries, and was a response to the challenge of Mediæval...

 model of the Renaissance cosmos. The letter “E” of the first group, for “Estates” (of Man) in Italian was changed to the letter “S” for “Stations” between the E and S series, hence the names for the two series.

Later versions

There were later copied versions, mainly by German artists:
  • Michael Wolgemut
    Michael Wolgemut
    Michael Wolgemut was a German painter and printmaker, born in Nuremberg.-Biography:Little is known of Wolgemut's private life...

     1493-1497 (Dürer’s Master) tried to realise a book-project
  • Albrecht Dürer
    Albrecht Dürer
    Albrecht Dürer was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since...

     drew copies of several during his visits to Italy 1495 and 1505, presumably just for his own reference.
  • Ladenspelder in Cologne produced ca. 1550 a complete copy of the E-series
  • Andrea Ghisi (early 17th century) incorporated the figures inside a game, the Labyrinth game, adding some other new motifs

External links



Pictures:
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