Operas

• Sapho
  Sapho (Gounod)
  Sapho is a 3-act opera by Charles Gounod to a libretto by Émile Augier which was premiered by the Paris Opéra at the Salle Le Peletier on 16 April 1851. It was presented only 9 times in its initial production, but was a succès d'estime for the young composer, with the critics praising Act 3 in...
  
  (1851, revised 1884)
• La nonne sanglante
  La nonne sanglante
  La nonne sanglante , is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne. Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opéra. It received 11 performances between October and November 1854...
  
  (1854)
• Le médecin malgré lui
  Le médecin malgré lui (opera)
  Le médecin malgré lui is an opéra comique in three acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré after Molière's play, also entitled Le Médecin malgré lui.-Performance history:It premiered at the Théâtre Lyrique, Paris on 15 January 1858...
  
  (1858)
• Faust
  Faust (opera)
  Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
  
  (1859, revised 1869)
• Philémon et Baucis
  Philémon et Baucis
  Philémon et Baucis is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine...
  
  (1860, revised 1876)
• La colombe
  La colombe
  La Colombe is an opéra comique in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based, like Philémon et Baucis, on a poem of Jean de la Fontaine, in this case Le Faucon...
  
  (1860)
• La reine de Saba
  La reine de Saba
  La reine de Saba is a grand opera in four or five acts by Charles Gounod to a libretto by Jules Barbier and Michel Carré inspired by Gérard de Nerval's Le voyage en Orient...
  
  (1862)
• Mireille
  Mireille (opera)
  Mireille is an opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mireio.-Composition history:...
  
  (1864)
• Roméo et Juliette
  Roméo et Juliette
  Roméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
  
  (1867, revised 1888)
• Cinq-Mars
  Cinq-Mars (Gounod)
  Cinq-Mars, subtitled , is an opera in four acts by Charles Gounod to a libretto by Paul Poirson & Louis Gallet loosely adapted from Alfred de Vigny's historical novel.-Performance history:...
  
  (1877)
• Polyeucte
  Polyeucte (opera)
  Polyeucte is an opéra by Charles Gounod based on the play about Saint Polyeuctus by Pierre Corneille. The libretto by Jules Barbier and Michel Carré is more faithful to its source than Les martyrs, Scribe's adaptation for Donizetti, and Gounod hoped to express "the unknown and irresistable...
  
  (1878)
• Le tribut de Zamora
  Le tribut de Zamora
  Le tribut de Zamora is an opera in four acts by Charles Gounod, his last work for the stage. The libretto by Adolphe d'Ennery was offered to Gounod after negotiations with Verdi stalled, and involves a young couple on their wedding day, a forced tribute of twenty virgins, a slave auction at which...
  
  (1881)
• Maître Pierre
  Maître Pierre
  Maître Pierre is an uncompleted project by Charles Gounod, intended as his twelfth opera and planned in the summer of 1877 with the librettist Louis Gallet...
  
  (incomplete, 1877–84)

Oratorios

• Tobie. Words by Lefèvre (1854)
  • Version in English by H. Farnie
• Gallia. For solo soprano, chorus, orchestra, and organ (1871)
  • Versions:

1. For voice and piano. Arranged by Choudens
2. For piano solo. Arranged by Antony
3. For voice, piano, organ, violin or violoncello. With French, Latin, Italian, and German words (1872)
   • Jésus sur le lac de Tibériade (1873)
     • Version for voice and piano arranged by Léon Lemoine
   • La rédemption, trilogy (1882)
     • Versions:
4. For voice and piano arranged by Berthold Tours
5. In English by J. Troutbeck
6. In German by J. Weyl
   • Christus factus est (1842)
   • Mors et vita, trilogy (1884)
     • Versions:
7. For voice and piano. Arranged by Brown (1885)
8. In English by J. Troutbeck

Ballet

• Faust (1868)
• Roméo et Juliette (1888)
• Souvenir d'un bal, air. For vln. and pno. (1896)

Theater

• "Dramatic pieces" (1841)
• "Fragments from Romeo e Giulietta (1842)
• "Sextet from Le cantatrici villane" (1842)
• Ulysee, tragedy by M. Ponsard (1851)
• Le bourgeois gentilhomme, by Lulli (1856)
• Les deux reines, drama by Ernest Legouvé (1865)
• Jeanne d'Arc, drama by Jules Barbier (1873)
• Georges Dandin, comedy by Moliere (1873)
• Les drames sacrés, by Armand Sylvestre and Eugène Morand (1892)

Masses

• "Mass" (1839)
• "Mass" (1840)
• "Requiem mass" (1842)
• "Mass" (1843)
• A son ami Gabriel de Vendeuvre. 4-part. For 2 ten., and 2 bs. (1846) [Plus a "Salut"]
  • Version in German by J. André. With organ ad lib
• A l'association des sociétés chorales de Paris et du departement de la Seine. For 4-part male choir and organ ad lib (1846)
  • Version for 3 voices arranged by A. Lebeau. Messe des orphéonistes. (1870)
• "Mass." For 3-part male choir (1853)
  • Versions:

1. For 3-part male choir and organ (1863)
2. For 4 voices
   • A la mémoire de J. Zimmermann, mon père (1855, revised 1864)
     • Versions:
3. For soli, chorus, orchestra, and organ
4. For soli, chorus, and organ. Orchestra reduction by E. Vast (1861)
5. For soli, chorus, and organ. Plus a second offertory (1873)
6. For soli, 4-part chorus, and organ or piano. Plus a Laudate Dominum (1878)
7. For soli, 2-part chorus, and organ or piano (1887)
8. The Kyrie, Sanctus, Benedictus, and Agnus Dei, for soli or chorus in unison with organ or piano accompaniment (1886)
9. With the organ replacing the wind instruments. To be played with a string quartet. Arranged by H. d'Aubel (1895)
   • Messe brève en ut majeur. 3-part. For soli or male choir and organ or harmonium (1872)
     • Version for 4 voices (male choir) and organ.
   • Messe brève pour les morts (1873)
   • Messe du Sacré-Coeur de Jésus. 4-part. For chorus and orchestra (1876)
     • Versions:
10. For voice and piano. Arranged by A. Lavignac
11. For 2 voices and organ or harmonium. Arranged by Choudens (1877)
12. For piano and organ. Arranged by Leon Lemoine (1878)
13. For 3 voices and organ
14. The office of holy communion. Translated by George F. Tredaway.
    • Messe No. 3. 3-part. With organ ad lib (1882)
      • Versions:
15. In Eb (from G)
16. For piano and voice. Arranged by Berthold Tours (1883)
    • Messe funèbre à quatre voix. For sop. 1, sop. 2, ten., bs., and org. (1883)
    • A la mémoire de Jeanne d'Arc. For soli, chorus, and organ (1887) [Plus a prelude with a fanfare and other pieces]
    • Quatrième messe solennelle. For chorus and organ (1888) [Preceded by a Te Deum]
    • Aux cathédrales. 4-part. For soli, chorus, and organ or piano (1890)
    • Messe brève No. 7. 4-part. For soli, chorus, and organ or piano (1890)
    • Messe dite de Clovis. 4-part. With organ (1890)
    • Messe de Saint-Jean. 4-part. With organ (1890)
    • Requiem. For soli, chorus, and piano (1893)
      • Versions:
17. For soli, chorus, and organ
18. For 2 voices and organ
19. With an accompaniment of string quartet or harp and organ

Motets

• Te deum (1841)
• "Hymne en francais." For soli, chorus, and orchestra (1843)
• A la reine des apôtres. For sop. or bar. (1843, revised in 1846 as Chant pour le départ des missionnaires du séminaire des missions étrangères)
  • Versions:

1. For sop. or ten.
2. For 2 voices
3. For chorus
   • Chantons, chantons de Dieu le pouvoir eternel, by Handel. For chorus. (1843)
   • Domine salvum (1853)
   • Ave verum (1853)
   • 0 salutaris (1854)
   • Dans cette étable, pastorale sur un noël du XVIIIeme siècle (1855–56)
   • Bethléem, noël du XVIIIeme siècle. With piano or organ (1855–56)
     • Version in English by Farnie.
   • The shepherd's nativity hymn (1855–56)
     • Version in English by Farnie.
   • Les sept paroles du Christ sur la croix. For chorus (1855)
   • Regina coeli; Laudate Dominum (1856)
   • O Salutaris and Inviolata. 4-part (1856)
   • Laudate Dominum. 2-part (1856)
   • O salutaris hostia. For solo soprano, chorus, and orchestra (1856)
   • Ave verum de Mozart. 4-part. For chorus (1856)
   • Interlude and prayer for Joseph, by Méhul. For voice (1856)
   • Ave verum. For solo bs. or alt. (1856)
     • Version for solo ten. or sop.
   • Jesus de Nazareth. Words by A. Porte (1856)
     • Versions:
4. With piano or organ in G, C, and Eb (1860–66)
5. With orchestra (1864)
6. In English by Chorley (1862)
7. For orchestra and chorus (1877)
   • O salutaris eternel. For orchestra and organ or solo organ ad lib (1856)
   • Da pacem, antiphon. 3-part.(1856)
   • Pater noster. 4-part (1856)
   • Inviolata. 2-part (1856)
   • Ave Maria
     Ave Maria (Bach/Gounod)
     The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin text Ave Maria.Written by French Romantic composer Charles Gounod in 1859, his Ave Maria consists of a melody superimposed over the Prelude No. 1 in C major, BWV 846, from Book I of The Well-Tempered Clavier, written by...
     
     . Words by Paul Besnard. For solo soprano, organ, piano, and orchestra (1859) [Based on Bach
     Johann Sebastian Bach
     Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
     
     's first prelude]
     • Versions:
8. For solo alto or baritone and piano
9. For solo soprano or tenor and piano
10. For soprano or tenor, violin, organ, and piano
11. For soprano, violin, organ, piano, and orchestra
12. In English by Chorley
    • Fixer ici ton sort (1859)
    • Prière à Marie (1861)
    • Près du fleuve étranger. 4-part. Words by A. Quételard (1861)
      • Versions:
13. In English by Farnie (1866)
14. As Ave verum. For chorus and orchestra
    • Tout l'univers est plein de sa magnificence. Words by Racine (1861)
    • Ave verum. 4-part (1861)
    • Ave verum; O salutaris. With orchestra or organ (1861)
    • Le vendredi-saint. 6-part. Words by Alexis Badou (1866)
    • Noël, chant des religieuses. Words by Jules Barbier. For female soli and chorus, with piano and organ ad lib (1866)
      • Versions:
15. In English by Webb (1869)
16. In English by Metzler (1889)
    • Stabat mater. Words by M. Castaing. For orchestra (1867)
      • Version with piano and organ ad lib
    • Tota pulchra es. 2-part (1868)
    • Sub tuum. 2-part (1868)
    • Prière à la Vierge. Words by M. (1868)
    • Le mois de Marie (1868)
    • Le crucifix (1868)
      • Version in English by Webb (1869)
    • Sicut cervus. 4-part (1868)
    • Cantique pour l'adoration du Saint-Sacrement. Words by A. de Ségur (1868)
    • Le ciel a visité la terre. Words by A. de Ségur (1868)
      • In English by Farnie (1877)
    • Prière pour l'empereur et la famille impériale. Words by Baclen (1869)
    • L'anniversaire des martys, 6 canticles. Words by C. Dallet. With piano or organ (1870)
    • Ave verum (1871)
    • There is a green hill far away. Words by C. F. Alexander (1871)
    • Motet pour la fête de l'exaltation de la Sainte Croix. With piano, organ, and harmonium ad lib (1871)
    • De profundis (1871)
    • O salutaris. 2-part. For mezzo-soprano and tenor (1871)
    • Angeli custodes (1872–73)
    • Prière d'Abraham. Words by Jules Barbier (1872–73)
    • O salutaris. For solo sop. or ten. (1872–73)
      • Version for alt. or bar. (1875)
    • "Two Benedictus: A morning service. An evening service" (1872–73)
    • L'Ave Maria de l'enfant (no date)
    • To God, we choir above. Words by P. Skleton (no date)
    • Que sa volonté soit faite! With piano or organ ad lib (1872)
    • Cantique pour la première communion. Words by R. P. Dulong de Rosnay. With piano or harmonium (1872)
    • Bienheureux le coeur sincère. 2-part. Words by Jules Barbier. For sop. and alt. (1872)
    • La salutation angélique. For voice and piano (1872)
    • D'un coeur qui t'aime. 2-part. Words by Racine and Athalie. For sop. and alt. (1872)
    • Hymn to the holy virgin, canticle (1872)
      • In English by B. P. Wyatt Smith (1883)
    • Le roi d'amour est mon pasteur, melody. Words by Paul Collin (1872)
      • In English by H. W. Baker (1884)
    • Glory to thee my God, this night. Words by Bishop Ken (1872)
    • Hymne à Saint-Augustin. 1-part. Words by M. Ribolet. For chorus and organ (1872)
    • Forever with the Lord. Words by J. Montgomery (1872)
    • Ce qu'il faut à mon âme, canticle. Words by Félix Sédillot (1872)
    • Le nom de Marie, canticle. Words by A. de Ségur. (1872)
      • Version in English by Farnie
    • Requiem (1873)
    • Temple, ouvre-toi. Words by Legouvé (1873)
      • Version in English by Westbrook
    • Vexilla regis (1873)
    • On the sea of Galilea. Words by Weldon. For solo, chorus, and orchestra. Arranged by E. Tinel (1873)
    • Ave verum. For soprano or tenor, violin, organ, piano, harp, and contrabass ad lib (1876) [Hymn to Saint Cecile]
    • "60 sacred songs." With organ or piano (1879)
    • Miserere. 4-part. For soli, chorus, and organ ad lib (1880)
    • De profundis. For soli, chorus, and orchestra (1880)
      • Version for voice and piano
    • L'hymne apostolique (1886)
    • Quam dilecta tabernacula tua. For solo bar. (1886)
    • Hymne de la patrie. Notre-Dame de France. Words by Georges Boyer (1886)
    • Te Deum. For soli or small chorus, chorus, organ, and harp (1886)
    • The holy vision. Words by Frederic E. Wheaterly (1886)
    • "60 sacred songs" (1887)
    • La communion des saints. For soprano and chorus (1889)
    • Ave Maria (1890)
    • La contemplation de Saint François au pied de la croix and La mort de Saint François (1891)
    • Second Ave Maria, meditation (1892) [Based on Bach's second prelude]
    • Je te rends grace, o Dieu d'amour, canticle. 4-part. Words by Paul Collin. For soli ad lib, chorus and piano or organ (1892)
      • Version for voice and piano
    • Toujours a toi, Seigneur, hymn. 4-part. Words by Paul Collin. For chorus (1892)
    • Tantum ergo. With violin, violoncello, and organ (1892)
    • Pater noster. 5-part. For soli, chorus, and organ (1892)
    • Le jour de Noël, epilogue (1892)
    • Christus factus est obediens, canticle (no date)
    • Ave Maria (published 1894)
    • Salve regina (published 1894)
    • Adoro te supplex, hymn (published 1894)
      • Version in English by A. Phillips (published 1895)
    • La prière de Jeanne d'Arc. Words by Jules Barbier (published 1894)
      • Version in Latin by Dourlent
    • Agnus Dei, by Henri Busser. With org. and vln. ad lib (published 1895)
    • Motet à Saint Jean l'evangéliste, epilogue (published 1895)
    • Pater noster, by Henri Busser (published 1895)
    • Sancta Maria, canticle. Words by Eucher (published 1895)
    • Amen (published 1895)
    • O salutaris (published 1897)
    • Hymne à l'eucharistie, canticle. Words by E. Julliotte (published 1900)
    • D'un coeur qui t'aime. Words by Racine. For sop. and alt. (published 1900)
      • Version for org. as "Bethléem" (1891)

Songs

• Marie Stuart and Rizzio, lyric scene (1837)
• La vendetta, lyric scene (1838)
• Fernand, lyric scenes. 3-part (1839)
• Le vallon, meditation. Words by A. de Lamartine (1840–42)
  • Version in English by L. H. F. du Terreaux
• Le soir (1840–42)
• "Un hymne français." For soli, chorus, and orchestra (1843)
• "Bach's 1st prelude." For vln., org., and pno. (1852)
  • Version for voice. Words by A. de Lamartine
• Quatre grands choeurs. For orchestra (1852–58)
• Chant des compagnons; Le vin des Gaulois et la danse de l'Épée (1852–58)
• Les pauvres du bon Dieu (1852–58)
• La chanson de Roland. 4-part. For men's voices (1852–58) ["Choeur de Grétry" from Guillaume Tell]
• Chasse: Où sommes-nous? (1852–58)
• Vive l'Empereur! (1852–58)
• Hymne à la France (1852–58)
• La cigale et la fourmi (1852–58)
• Le corbeau et le renard (1852–58)
• Bonjour, bonsoir. 3-part. Words by Spenner. For chorus (1852–58)
• Le rosier blanc. Words by Spenner (1852–58)
• Patte de velours. Words by Spenner (1852–58)
• La jeune fille et la fauvette, melody. Words by La Chauvinière (1852–58)
• Cantate. Words by Turpin. For women's voices (1852–58)
• Un rève (1852–58)
• La distribution des prix (1852–58)
• Paraissez, roi des rois (1852–58)
• Reine des cieux. Words by Turpin (1852–58)
• La geographie. Words by Turpin (1852–58)
• L'action de grace. Words by Turpin (1852–58)
• Le catéchisme. Words by Turpin (1852–58)
• Le benedicite. Words by Turpin (1852–58)
• Où voulez - vous aller? Words by M. Théophile Gautier. For piano and violin, or violoncello, or flute, or harmonium (1852–58)
  • Versions:

1. In English by W. J. Ryby (1878)
2. In English by O. Meredith (1882)
   • Primavera, melody. Words by M. Théophile Gautier (1852–58)
   • Marguerite, romance. Words by O. Pradere (1854–55)
   • Chant de paix (1854–55)
   • Les vacances. Words by L. Bigorie. (1854–55)
   • Le jour des prix. Words by E. Scribe (1854–55)
   • Le temps qui fuit et s'envole (1854–55)
   • La prière et l'étude: L'emploi de la journée. Words by C. Turpin (1854–55)
   • La récréation; L'ècriture; L'arithmétique. Words by C. Turpin (1854–55)
     • Version for duet for "L'ècriture" and "L'arithmétique"
   • Fêtes des ècoles. 3-part. Words by A. Lefevre. For chorus (1854–55)
     • Version for 4 voices
   • L'hiver, by Lully. For chorus (1854–55)
   • Chantons, chantons de Dieu le pouvoir éternel, by Handel. For chorus (1854–55)
   • En ce doux asile, by Rameau. For chorus (1854–55)
   • L'ange gardien. 4-part. Words by Quételard. For chorus (1854–55)
   • Mon habit, by Béranger (1855)
   • Six mélodies (1855)
   • Deux vieux amis, scene. Words by Pierre Vérod. For ten. and bar. (1855)
   • Sérénade. Words by Victor Hugo. With piano, organ, and harmonium ad lib (1855, revised 1864, 1866, and 1867)
   • Les chateaux en Espagne. Words by Pierre Véron. For ten. and bar. (1855)
   • L'ame de la morte. Words by Théodore de Banville (1860)
   • L'ame d'un ange. Words by Théodore de Banville (1860) [Based on the Italian folk song "La rondinella"]
   • Chanson de printemps. Words by Eugène Tourneux (1860)
   • La jeune fille et la fauvette. Words by Edmond de La Chauviniere (1860)
   • Dans cette étable, pastorale. For chorus and orchestra (1860) [Based on an 18th century "noël"]
   • Le Juif errant. Words by Béranger (1860)
   • Six mélodies enfantines. With pno. (1860)
   • A une jeune Grecque, epitaph. Words by Prosper Yvaren, from the Greek words by Sapho (1860)
   • Medjé, arab song. Words by Jules Barbier (1865)
   • Solitude. Words by A. de Lamartine (1865)
   • Tombez mes ailes, romance. Words by Ernest Legouve (1865)
   • Stances. Words by Louise Bertin (1865)
   • Crépuscule. Words by M. (1865)
   • Un rève. Words by M. Spenner. Arranged with piano by F. Morand (1865)
   • Au printemps. Words by J. Barbier (1865)
   • Le vendred-saint. 6-part. Words by Alexis Bardou. For chorus and piano (1865)
   • A une bourse. Words by Émile Augier (1865)
   • A une jeune fille. Words by Émile Augier (1865)
   • Les pauvres du bon Dieu Words by M. Lebeau. Arranged by F. Morand (1865)
     • Version with words by Baelen [Hommage to countess Herminie de Leautaud's recently born son]
   • Envoi de fleurs. Words by Émile Augier (1865)
   • Donne-moi cette fleur. Words by Léon Gozlan (1865)
   • Départ, scene. Words by Émile Augier (1865)
   • Déesse ou femme, madrigal. Words by Barbier and Carré (1865)
   • Boire à l'ombre. Words by Émile Augier (1865)
     • Version in English by A. Phillips
   • Le temple de l'harmonie, 12 choruses and a cantata. For voice and piano (1865)
   • Les martyrs, scene. For men's chorus (1869)
   • "20 melodies." For voice and piano (1869)
   • Absence. Words by A. de Ségur (1870)
   • Chantez Noël 2-part. Words by Jules Barbier. For sop. and alt. (1870)
   • La cigale et la fourmi. For chorus (1870)
   • Le corbeau et le renard. For chorus (1870)
   • Je ne puis esperer. Words by Albert Delpit (1870)
   • Chantez, voix bénies, hymn. Words by Louis Gallet (1870)
     • Versions:
3. In Italian by Zaffira (1872)
4. In English by C. J. Rowe
   • Par une belle nuit, nocturne. 2-part. Words by A. de Ségur. For sop. and alt. (1870)
   • La paquerette. Words by Alexandre Dumas (1871)
   • Chanter et souffir. Words by Albert Delpit (1871)
   • Mignon. Words by Louis Gallet (1871)
   • Le souvenir. Words by Joseph Collin (1871)
   • Oh! that we two are maying. Words by Charles Kingsley. With harmonium and viola ad lib (1871)
   • The sea hath its pearls. With harmonium and violin ad lib (1871)
   • Beware: I know a maiden. Words by Henry Wadsworth Longfellow
     Henry Wadsworth Longfellow
     Henry Wadsworth Longfellow was an American poet and educator whose works include "Paul Revere's Ride", The Song of Hiawatha, and Evangeline...
     
      (1871)
   • Queen of love. Words by Francis Turner Palgrave (1871)
   • La siesta, duet (1871)
   • The daisy. Words by Henry Dulcken, from the French words by A. Dumas (1871)
   • Boléro. Words by Jules Barbier (1871)
     • Version in English by B. Kett
   • Good night. Words by Shelley (1871)
   • It is not always May. Words by Henry Wadsworth Longfellow (1871)
   • Oh, happy home! Oh, blessed flower! Words by E. Maitland (1871–72)
   • The fountains mingle with the river. Words by Shelley (1871–72)
   • There is dew. Words by Thomas Hood (1871–72)
   • Woes me! Woes me! Words by Campbell (1871–72)
   • The Royal Albert Hall. For chorus (1871–72)
   • Le pays bien heureux: Question d'enfant. (1871–72) [From "The better land" by Felicie Hemans]
   • Perche piangi? cantilena. Words by Corrade Marchese Pavesi (1871–72)
   • Prière du soir. Words by C. Ligny (1871–72)
     • Version in English by Webb (1869)
   • Quanti mai. Words by Jules Barbier, from the Greek words by Metastasio (1871–72)
   • Si vous n'ouvrez votre fenêtre. Words by A. Dumas (1871–72)
   • Biondina, in 12 numbers. Words by Giuseppe Zaffira (1871–72)
   • Heureux sera le jour. Words by Ronsard. H. Lemoine (1871–72)
   • La fauvette. Words by Millevoye (1871–72)
   • La fleur du foyer. Words by Charles Ligny and E. Maitland (1871–72)
   • Oh! dille tu! madrigal. Words by Giuseppe Zaffira (1871–72)
   • Chanson d'avril, serenade by Passant and François Coppée (1872)
   • Chanson de la brise, duo. Words by C. Ligny (1872)
   • Maid of Athens. Virgine d'Atene. Words by Lord Byron (1872)
     • Versions:
5. In French by J. Ruelle
6. In Italian by A. Zanardini
   • The message of the breeze, duet (1872)
   • Ma belle amie est morte, lamento. Words by Théophile Gautier (1872)
   • Little Celandine. Words by C. Ligny. For sop. and alt. (1872)
   • Barcarola Words by Giuseppe Zaffira. For sop. and bar. (1872–73)
     • Version in French by Jules Barbier
   • Blessed is the man (1872–73)
   • Chidiock Tichborne (1872–73)
   • Ella è malaia (1872–73)
   • E le campane hanno suonato (1872–73)
   • Entreat me not to leave thee (1872–73)
   • E stati, alquanto (1872–73)
   • Ha qualche tempo (1872–73)
   • L'ho accompagnata (1872–73)
   • There is dew. Words by Thomas Hood (1872–73)
   • Ho messo nuove corde al mandolino (1872–73)
   • Ier fu mandata (1872–73)
   • If thou art sleeping, maiden, awake. Words by Henry Wadsworth Longfellow (1872–73)
   • Invocation. Words by O. Pradère (1872–73)
   • Le labbra ella compose (1872–73)
   • Loin du pays (1873)
   • Roy's wife of Aldivalloch (1873)
   • My beloved spake (1873)
   • The Worker. Words by Frederick Weatherley (1873)
   • L'ouvrier, lyric scene. Words by Charles Ligny and Frederick Weatherley (1873)
   • Peacefully slumber (1873)
   • Prière du soir. Words by Eugène Manucl (1873)
   • Comeio son poeta (1873)
   • Siam iti l'altro giorno (1873)
   • Sotto un cappello rosa (1873)
   • Welcome to skye (1873)
   • Stances à la mémoire de Livingstone. Words by Lord Houghton (1873)
   • Sur la montagne. Words by Jules Barbier (1874)
   • A la Madone. Words by Jules Barbier (1874)
   • Aimons-nous. Words by Jules Barbier (1874)
   • A la brise, madrigal. Words by Jules Barbier (1875)
   • Clos ta paupière, berceuse. Words by Jules Barbier (1875)
   • En avant, military song. Words by Paul Déroulède. For solo, chorus, and piano 4 hands (1875)
   • Mon amour a mon coeur. Words by Jules Barbier (1875)
   • Viens, les gazons sont verts. Words by Jules Barbier (1875)
   • Cantate, in 5 movements. 4-part. With organ (1875)
   • Prend garde. Words by Jules Barbier (1876)
   • Prière. Words by Sully-Prudhomme (1876)
   • Compliment. Words by A. Dumas (1876)
   • Les lilas blancs, waltz. Words by Paul Bourguignat (1876)
   • Ma fille, souviens-toi. Words by Louise-Marie B. (1876)
   • A toi, mon coeur! Words by Jules Barbier (1876)
   • Les jeunes Francaises, duet. Words by E. Iegollvé (1876)
   • L'absent (1876)
   • "20 Melodies." For sop. or ten. and pno. (1877)
     • Version for alt. or bs. and pno.
   • Vive la France! Words by P. Déroulède. Orchestrated by A. Wormser (1877)
     • Version for solo and chorus
   • La chanson du patre (1878)
   • Le départ du mousse, barcarolle. Words by Pierre Barbier (1878)
   • La reine du matin. Words by Jules Barbier and M. Carré (1878)
   • Rêverie. Words by Jules Barbier (1878)
   • Jesus a la crèche, "noël" (1878)
   • "15 children's melodies." With pno. (1878)
   • Melancolie, rêverie. Words by François Coppée (1879–80)
   • Les chateaux en Espagne. Words by Pierre Véron. For ten. and bar. (1881)
   • Marche funèbre d'une marionnette. Words by G. Price and J. Ker Mary (1882)
   • Tu m'aimes: Réponse de Medjé. Words by Marie Barbier (1882)
   • Elle sait. Words by Georges Boyer (1882)
   • Ce que je suis sans toi. Words by M. de Peyre (1882)
   • Chant des sauveteurs bretons. Words by Anais Ségalas (1882)
   • Pauvre Braga, charmant garçon! Words by G. Nadaud (1882)
   • La chanson de la glu, by J. Richepin (1883)
   • Déjà l'aube matinale, duo (1883)
   • Dernières volontés. Words by Louis Veuillot (1883)
   • Les deux pigeons. Words by La Fontaine (1883)
   • Memorare. For sop. and alt. (1883)
   • Voguons sur les flots, barcarolle (1883)
   • "14 big choruses." 4-part. With pno. (1883)
   • A Cécile. Words by G. Dubufe (1883)
   • Quand l'enfant prie. Words by Georges Boyer (1883)
   • La couronne des reines. Words by D'ennery and Brésil (1885)
   • Les adieux à la maison (1885)
   • Blessures. Words by Henri Turpin (1885)
   • Voix d'Alsace-Lorraine. Words by R. Rousseil (1885)
   • Le temps des roses. Words by Camille Roy (1885)
     • Versions:
7. In Italian by A. Zanardini
8. In English by Germaine Mellor (1888)
   • Aria di catnera, pastoral by Joseph-Adolphe Hasse (1886)
     • Versions:
9. In French by E. Vergin [Also: E. Colonne]. With pno.
10. With orchestra
    • Dieu partout. 2-part. Words by E. Plouvier (1886)
    • Le travail béni. 2-part. Words by E. Plouvier (1886)
    • La fête des couronnes. 2-part. Words by E. Plouvier (1886)
    • "Six choruses" (1886)
    • Le temps qui fuit (1887)
    • Ce qu'il faut à mon ame, canticle. Words by Félix Sédillot (1887)
    • Vincenette. Words by Pierre Barbier (1887)
    • Gliding, down the river, boat song. Words by H. B. Farnie (1887)
    • Passiflora. Words by Jeanne de Chambrun (1888)
    • Hymne à la nuit. Words by Jules Barbier (1889)
    • Aubade à la fiancee. Words by A. Dennery and J. Brésil (1890)
    • "20 melodies." For voice and piano (1890)
    • A la nuit (1891)
    • L'absent (1892)
    • Tout l'univers obéit a l'amour. Words by La Fontaine (1893)
    • Blanche Colombe; A la Madone; A ma soeur; Parlez pour moi, romances (no date) [From the collection L'age d'or]
    • Au rossignol. Words by A. de Lamartine (no date)
    • La liberté éclairant le monde. 3-part. Words by E. Guiard (published 1894)
    • L'aveu. Words by Jean Rameau (published 1894)
    • "3 songs." (published 1895)
11. "Tranquil night" ["Night resplendent" from Cinq-Mars]
12. "Love in Arcadia"
13. "Image so dear"
    • Repentir, songs. For mezzo-soprano (published 1894)
    • When the children pray. Words by O. Thospe. With violin and harmonium by H. Kingswill (published 1894)
    • Célèbre sérénade, berceuse. 2-part. Words by V. du Fresnel. For 2 voices or chorus (published 1895)
    • Le beau. Words by Jules Barbier (published 1895)
    • La chanson du pecheur. Words by Théophile Gautier (published 1895)
    • Souvenir d'un bal (published 1895)
    • Soir d'automne (published 1896)
    • Easter eve. Words by C. Armstrong (published 1897)
    • Óyeme. Words by Sully-Prudhomme, from Spanish words by El Marqués de Alta Villa (published 1898)

Instrumental

• "Fugues" (1837–39)
• "Scherzo" (1837)
• "Marche militaire suisse" (1840–41)
• "Quintette" (1840–41)
• "Plusieurs petits morceaux" (1840–41)
• "Canon" (1843)
• "Instrumental piece" (1843)
• "Méditation." For vln., pno., and org. (1852) [Based on Bach's first prelude]
  • Version for piano solo
• "Valse" (1854)
• La jeune religieuse, by Schubert. For piano, violin, violoncello ad lib, and Debain harmonicorde (1856)
• "Quintette de Cosi fan tutte," by Mozart. For vln., vlc., org., and pno. (1856)
• Symphonie No. 1. For orchestra (1855)
  • Versions:

1. For piano 4 hands. Arranged by Georges Bizet
2. For piano 2 hands. Arranged by A. Goria (1856)
   • Symphonie No. 2. For orchestra (1855)
     • Version for piano 2 hands. Arranged by Choudens (1866)
   • "Communion." For org. (1858)
   • "Overture from the opera Le medecin malgré lui." For piano 2 hands (1858)
   • L'angelus, menuet. For piano 4 hands (1858)
     • Version for easy piano
   • "Valse caractéristique." For piano 2 hands (1860)
     • Version for piano 4 hands
   • "Meditation on Faust. For pno., vln., vlc., and org. (1862)
   • La pervenche, romance (1861)
   • Le ruisseau, romance (1861)
   • Musette: Les pifferari, impromptu. For piano (1861)
   • Royal-Menuet. For piano (1863)
   • "Rêverie arabe" from La reine de Saba. For pno. or org., vln., and vlc. (1863)
   • "Serenade." For pno., vln., and vlc. (1863)
     • Versions:
3. For pno. and org.
4. For pno.
5. For easy pno.
   • Le bal d'enfants. For easy pno. (1864)
   • "Le berger de la crau" from Mireille. For pno. (1864)
     • Versions:
6. For easy pno.
7. For org.
   • "Choeur des magnanarelles" from Mireille (1864)
   • "Valse-ariette" from Mireille (1864)
   • "Heureux petit berger" from Mireille. For pno. (1864)
   • Hymne a Sainte-Cécile. For vln., org., and pno. (1864)
     • Version for violin, harps, timpani, wind instruments, and contrabasses (1865)
   • Georgina. For pno. (1864)
   • "6 melodies." For pno. (1864)
   • "8 melodies." For pno. (1864)
8. "Les champs"
9. "Chant du guerrier"
10. "Le vallon"
11. "Le Juif errant"
12. "Visions de Faust"
13. ?
14. "L'ame d'un ange"
15. "Le chant d'Euryclée"
    • Aubade; Chant d'automne; Le lever, O ma belle rebelle; Le premier jour de mai; Venise. For easy pno. (1864)
    • "Marche nuptiale" (1864)
    • Le Soir, romance (1864)
    • Le Calme, romance (1864)
    • Chant des compagnons, For orchestra (1865)
    • Valse des fiancés: Souvenances, nocturne. For pno. (1865)
    • La chanson du printemps, romance (1866)
    • Marche pontificale (1869)
    • "Variety of chorales by J. S. Bach." For org. (1869–70)
    • La melodia, romanza. For org. (1871)
    • Ivy: Le lierre, For pno. (1871)
    • Saltarello. For orchestra (1871)
    • "Marche romaine" (1872)
    • Dodelinette. lullaby. For pno. (1873)
    • Funeral march of a marionnette. For pno. (1873)
    • Maid of Athens. For pno. (1873)
    • Peacefully slumber, lullaby. For vln. and pno. (1873)
    • Offertorium. For org. (1873)
    • La veneziana. For pno. (1873)
    • La fête de Jupiter, march. For pno. (1877–85)
    • Sarabande de Cinq-Mars. For pno. (1877–85)
    • Cinq-Mars, march. For org. and hp. (1877–85)
      • Version for pno. 4 hands
    • "Invocation; Prélude." For pno. (1877–85)
    • "Pastorale; Sérénade." For pno. (1877–85)
    • "Marche-fanfare." For pno. (1877–85)
    • "Marche religieuse." For orchestra (1877–85)
    • "Grand waltz" (1877–85)
    • "Meditation." For pno. (1877–85)
    • "Overture from Cinq-Mars" For pno. 4 hands (1877–85)
      • Version for pno. 2 hands
    • "Saltarelle; Marche religieuse." For pno. 2 hands (1877–85)
      • Version for pno. 4 hands
    • Cinq-Mars, fantasy. For pno. and vln. (1877–85)
    • "Marche solennelle." For pno. (1877–85)
      • Version for harmonium and piano
    • "3 small and easy pieces." For pno. 4 hands (1879)
16. "La nacelle"
17. "La rosière"
18. "Le page"
    • "Valse caractéristique." For pno. (1881)
    • "Wedding march No. 1." For pno. (1881)
      • Version for org. and 3 trb. (1882)
    • "Wedding march No. 2." For pno. (1882)
    • "Petite etude-scherzo." For 2 cb. (1877–85)
    • "Meditation on the song The arrow and the song." For pno., vln. or tpt., vlc., and org. (1877–85)
    • Le rendez-vous, valses. For piano and orchestra (1877–85)
    • Passacaille, serenade by Jacques Boscb. For gtr. and vln. ad lib (1877–85)
    • Fantaisie sur l'hymne national russe. For pedal piano and orchestra (1886)
    • "Suite concertante." For pedal piano and orchestra (1888)
      • Versions:
19. No. 3. For 2 pno. Arranged by Camille Saint-Saëns
    Camille Saint-Saëns
    Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
    
     and A. Leduc
20. No. 5. For piano 2 hands. Arranged by G. Pierné (1889)
21. No. 5. For piano 4 hands. Arranged by C. de Bériot (1889)
    • "Petite symphonie." 2 fl., 2 ob., 2 cl., 2 hn., and 2 bsn. (1888)
    • Tempo di marcia (1893) [Incomplete; only 8 measures]
    • "Preparatory preludes and fugues for Bach's The Well-Tempered Clavier
      The Well-Tempered Clavier
      The Well-Tempered Clavier , BWV 846–893, is a collection of solo keyboard music composed by Johann Sebastian Bach...
      
      . (published 1895)
    • "Quartet." For 2 vln., vla., and vlc. (published 1895)
    • "Scherzo." For pno. (published 1896)
    • Album for the pianoforte. Revised, phrased, and fingered by O. Thürner (published 1906)
    • "6 pieces." For pno. (published 1907)
    • "6 string quartets." (published 1993)