Jean Rosenthal
Encyclopedia
Jean Rosenthal is considered a pioneer in the field of theatrical lighting design. She was born in New York City
to Romania
n-Jewish immigrants.
In the early part of the 20th century, the lighting designer was not a formalized position. Rather the set designer or electrician handled the lighting of a production. Rosenthal helped make the lighting designer an integral member of the design team. She also said that lighting "was a career in itself". As well as particular lighting innovations, she created an atmosphere specific to the production, and she was in demand as a Broadway lighting designer.
In 1929, she was introduced to Martha Graham
at the Neighborhood Playhouse
School of the Theatre. She became Graham's technical assistant, which led to a life-long collaboration with Graham. She worked with Graham on 36 productions. Rosenthal studied lighting design at the Yale School of Drama
from 1931 to 1934 with Stanley McCandless
.
She returned to New York City, where she joined the Federal Theatre Project
in 1935. This led to collaborations with Orson Welles
and John Houseman
. She would later follow Welles to the Mercury Theatre
, where she was credited as a member of the board in addition to production and lighting manager, although not as lighting designer.
Some of her major contributions were the elimination of shadows by using floods of upstage lighting and controlling angles and mass of illumination to create contrasts without shadows. "Some of the signature lighting she did for Balanchine and the diagonal shaft of light she created for Graham (lovingly referred to by her as "Martha's Finger of God"), are now in such widespread use by dance companies of every style that they have become standards of the lighting repertoire."
She was light designer for hundreds of productions, including Broadway
, Martha Graham
's dances, the New York City Ballet
, and the Metropolitan Opera
. On Broadway she lit musicals such as West Side Story (1957), The Sound of Music
(1959), Take Me Along
(1959), A Funny Thing Happened on the Way to the Forum
(1962), Fiddler on the Roof
(1964), Hello, Dolly!
(1964), Cabaret
(1966), and The Happy Time
(1968).
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
to Romania
Romania
Romania is a country located at the crossroads of Central and Southeastern Europe, on the Lower Danube, within and outside the Carpathian arch, bordering on the Black Sea...
n-Jewish immigrants.
In the early part of the 20th century, the lighting designer was not a formalized position. Rather the set designer or electrician handled the lighting of a production. Rosenthal helped make the lighting designer an integral member of the design team. She also said that lighting "was a career in itself". As well as particular lighting innovations, she created an atmosphere specific to the production, and she was in demand as a Broadway lighting designer.
In 1929, she was introduced to Martha Graham
Martha Graham
Martha Graham was an American modern dancer and choreographer whose influence on dance has been compared with the influence Picasso had on modern visual arts, Stravinsky had on music, or Frank Lloyd Wright had on architecture.She danced and choreographed for over seventy years...
at the Neighborhood Playhouse
Neighborhood Playhouse
The Neighborhood Playhouse School of the Theatre is an actor training school at 340 East 54th Street in New York City, generally associated with the Meisner technique of Sanford Meisner.-History:...
School of the Theatre. She became Graham's technical assistant, which led to a life-long collaboration with Graham. She worked with Graham on 36 productions. Rosenthal studied lighting design at the Yale School of Drama
Yale School of Drama
The Yale School of Drama is a graduate professional school of Yale University providing training in every discipline of the theatre: acting, design , directing, dramaturgy and dramatic criticism, playwriting, stage management, sound design, technical design and production, and theater...
from 1931 to 1934 with Stanley McCandless
Stanley McCandless
Stanley McCandless is considered to be the father of modern lighting design. He paved the way for future lighting designers by playing a role in all aspects of theatrical lighting, from the engineering of lighting instruments to consultant work, and of course designing realized theatrical...
.
She returned to New York City, where she joined the Federal Theatre Project
Federal Theatre Project
The Federal Theatre Project was a New Deal project to fund theatre and other live artistic performances in the United States during the Great Depression. It was one of five Federal One projects sponsored by the Works Progress Administration...
in 1935. This led to collaborations with Orson Welles
Orson Welles
George Orson Welles , best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio...
and John Houseman
John Houseman
John Houseman was a Romanian-born British-American actor and film producer who became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane...
. She would later follow Welles to the Mercury Theatre
Mercury Theatre
The Mercury Theatre was a theatre company founded in New York City in 1937 by Orson Welles and John Houseman. After a string of live theatrical productions, in 1938 the Mercury Theatre progressed into their best-known period as The Mercury Theatre on the Air, a radio series that included one of the...
, where she was credited as a member of the board in addition to production and lighting manager, although not as lighting designer.
Some of her major contributions were the elimination of shadows by using floods of upstage lighting and controlling angles and mass of illumination to create contrasts without shadows. "Some of the signature lighting she did for Balanchine and the diagonal shaft of light she created for Graham (lovingly referred to by her as "Martha's Finger of God"), are now in such widespread use by dance companies of every style that they have become standards of the lighting repertoire."
She was light designer for hundreds of productions, including Broadway
Broadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
, Martha Graham
Martha Graham
Martha Graham was an American modern dancer and choreographer whose influence on dance has been compared with the influence Picasso had on modern visual arts, Stravinsky had on music, or Frank Lloyd Wright had on architecture.She danced and choreographed for over seventy years...
's dances, the New York City Ballet
New York City Ballet
New York City Ballet is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Leon Barzin was the company's first music director. Balanchine and Jerome Robbins are considered the founding choreographers of the company...
, and the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
. On Broadway she lit musicals such as West Side Story (1957), The Sound of Music
The Sound of Music
The Sound of Music is a musical by Richard Rodgers, lyrics by Oscar Hammerstein II and a book by Howard Lindsay and Russel Crouse. It is based on the memoir of Maria von Trapp, The Story of the Trapp Family Singers...
(1959), Take Me Along
Take Me Along
Take Me Along is a musical based on the Eugene O'Neill play Ah, Wilderness, with music and lyrics by Bob Merrill and book by Joseph Stein and Robert Russell.-Background:...
(1959), A Funny Thing Happened on the Way to the Forum
A Funny Thing Happened on the Way to the Forum
A Funny Thing Happened on the Way to the Forum is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart....
(1962), Fiddler on the Roof
Fiddler on the Roof
Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in Tsarist Russia in 1905. It is based on Tevye and his Daughters by Sholem Aleichem...
(1964), Hello, Dolly!
Hello, Dolly! (musical)
Hello, Dolly! is a musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955....
(1964), Cabaret
Cabaret (musical)
Cabaret is a musical based on a book written by Christopher Isherwood, music by John Kander and lyrics by Fred Ebb. The 1966 Broadway production became a hit and spawned a 1972 film as well as numerous subsequent productions....
(1966), and The Happy Time
The Happy Time (musical)
The Happy Time is a musical with music by John Kander, lyrics by Fred Ebb, and a book by N. Richard Nash loosely based on a 1950 hit Broadway play, The Happy Time by Samuel A. Taylor, which was in turn based on stories by Robert Fontaine...
(1968).