Isabella and the Pot of Basil
Encyclopedia
Isabella and the Pot of Basil is a painting completed in 1868 by William Holman Hunt
William Holman Hunt
William Holman Hunt OM was an English painter, and one of the founders of the Pre-Raphaelite Brotherhood.-Biography:...

 depicting a scene from John Keats
John Keats
John Keats was an English Romantic poet. Along with Lord Byron and Percy Bysshe Shelley, he was one of the key figures in the second generation of the Romantic movement, despite the fact that his work had been in publication for only four years before his death.Although his poems were not...

's poem of the same name
Isabella, or the Pot of Basil
Isabella, or the Pot of Basil is a narrative poem by John Keats adapted from a story in Boccaccio's Decameron . It tells the tale of a young woman whose family intend to marry her to "some high noble and his olive trees", but who falls for Lorenzo, one of her brothers' employees. When the brothers...

. It depicts the heroine Isabella caressing the basil
Basil
Basil, or Sweet Basil, is a common name for the culinary herb Ocimum basilicum , of the family Lamiaceae , sometimes known as Saint Joseph's Wort in some English-speaking countries....

 pot in which she had buried her murdered lover Lorenzo's severed head.

Hunt had drawn an illustration to the poem in 1848, shortly after the foundation of the Pre-Raphaelite Brotherhood
Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti...

, but he had not developed it into a completed painting. The drawing portrayed a very different scene, depicting Lorenzo as a clerk at work while Isabella's brothers study their accounts and order around underlings.

Hunt returned to the poem in 1866, shortly after his marriage, when he began to paint several erotically charged subjects. His sensuous painting Il Dolce Far Niente had sold quickly, and he conceived the idea for a new work depicting Isabella. Having travelled with his pregnant wife Fanny to Italy, Hunt began work on the painting. However, after giving birth, Fanny died from fever in December 1866. Hunt turned the painting into a memorial to his wife, using her features for Isabella. He worked on it steadily in the months after her death, returning to England in 1867, and finally completing it in January 1868. The painting was purchased and exhibited by the dealer Ernest Gambart
Ernest Gambart
Jean Joseph Ernest Theodore Gambart was a Belgian-born English art publisher and dealer who dominated the London art world in the middle of the nineteenth century.-Life and career:...

.

The painting portrays Isabella, unable to sleep, dressed in a semi-transparent nightgown, having just left her bed, which is visible with the cover turned over in the background. She drapes herself over an altar she has created to Lorenzo from an elaborately inlaid prie-dieu
Prie-dieu
A prie-dieu is a type of prayer desk primarily intended for private devotional use, but also often found in churches of the European continent. It is a small ornamental wooden desk furnished with a sloping shelf for books, and a cushioned pad on which to kneel. Sometimes, instead of the sloping...

 over which a richly embroidered cloth has been placed. On the cloth is the majolica
Victorian majolica
Victorian Majolica is earthenware pottery made in 19th century Britain, Europe and the USA with molded surfaces and colorful clear lead glazes.-History:...

 pot, decorated with skulls, in which Lorenzo's head is interred. Her abundant hair flows over the pot and around the flourishing plant, reflecting Keats's words that Isabella "hung over her sweet Basil evermore,/And moistened it with tears unto the core."

The emphasis on sensuality, rich colours and elaborate decorative objects reflects the growing Aesthetic movement and similar features in the work of Hunt's Pre-Raphaelite associates John Everett Millais
John Everett Millais
Sir John Everett Millais, 1st Baronet, PRA was an English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood.-Early life:...

 and Dante Gabriel Rossetti
Dante Gabriel Rossetti
Dante Gabriel Rossetti was an English poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, and was later to be the main inspiration for a second generation of artists and writers influenced by the movement,...

, such as Millais's Pot Pourri and Rossetti's Venus Verticordia. The pose of the figure also resembles Thomas Woolner
Thomas Woolner
Thomas Woolner RA was an English sculptor and poet who was one of the founder-members of the Pre-Raphaelite Brotherhood. He was the only sculptor among the original members....

's sculpture Civilization, which was partly modelled by Fanny's sister Alice.

Hunt's work influenced several later artists, who adopted the same subject. Most notable are the paintings by John White Alexander
John White Alexander
John White Alexander was an American portrait, figure, and decorative painter and illustrator.-Biography:thumb|“Isabella and the Pot of Basil”, oil on canvas, 1897, [[Museum of Fine Arts, Boston]]...

 (1897) and John William Waterhouse
John William Waterhouse
John William Waterhouse was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heydey in the mid-nineteenth century, leading him to have gained the moniker of "the modern Pre-Raphaelite"...

 (1907). Alexander and Waterhouse reproduce Hunt's title and develop variations on his composition. Alexander's composition adapts the subject to a Whistlerian
James McNeill Whistler
James Abbott McNeill Whistler was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger...

style. Waterhouse reverses the composition, and places the scene in a garden, but retains the motif of the water-jug and the decorative skull.
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