Evoor
Encyclopedia
Evoor is a place near Kayamkulam
in district Alappuzha
of the India
n state of Kerala
. It is 40 Kilometers south of Alappuzha
in the Onattukara
area and next to Cheppad
railway station.
It is famous for the ancient Sri Krishnaswamy temple which originated in the presence of Bhagavan
Sri Krishna
Himself. One of the largest power plants in Kerala, run by the National Thermal Power Corporation
, is located near Evoor. The climate is tropical wet, with heavy rain in the monsoon season.
Evoor Major Srikrishnaswamy temple of Travancore
Devaswom Board, is one of the most important 26 Mahavishnu
shrines. It is linked to ‘Khandava-dahanam’ (burning of Khandava forest), described in Mahabharata
. The remains of burnt trees being widely found here, confirm this. Further evidence are, nearby ‘Mannarasala’ and ‘Pandavarkavu’ temples in this part of Onattukara
.
The great Kanva Maharshi (one of the Saptarshi
s) , had been living in this area. ‘Kannamangalam’ (Kanva-mangalam) is nearby. His ‘ Ashrama ’ (hermitage) later became a temple. Evoor Krishnaswamy’s yearly ‘Araattu’ (ceremonial bath) is held in this temple’s tank.
-deva (Fire God) had been suffering from a severe stomach ailment. As a remedy, Lord Brahma
advised him to consume the herb-rich Khandava forest. However, Takshaka
the Serpent-king and a close friend of Lord Indra
, was residing there. Whenever Agni
tried to consume the forest, Lord Indra
’s thundershowers quickly extinguished the fire.
Once, Krishna
and Arjuna
arrived at this place. Appearing as a Brahmana
, Agni
-deva sought their help and they agreed.To fight Indra and His divine army , Agni-deva presented the divine weapon *Sudarshana Chakra* to Krishna and *Gandheevam* to Arjuna .
Then Kanva Maharshi arrived there to save his ‘Arca Murty
’ (a four armed image of Mahavishnu
). Krishna
granted a boon that the ‘Murty
’ will not be affected by fire.
Soon, Agni
started consuming Khandava forest. Lord [Indra]promptly employed thundershowers . A furious Sri Krishna took up *Sudarsana Chakra* and jumped up to kill Lord Indra . Frightened Indra prostrated at Bhagavan’s feet begging for mercy .
As requested by Lord Indra , Arjuna constructed a *Sarakoodam* (shelter of arrows) to block the rain . It enabled, Agni to complete *Khandava dahanam* successfully . Thus his ailment was cured. An immensely grateful Agni-deva obtained Bhagavan Krishna's consent to consecrate the said *Moorthy* ; as a replica of that divine form of *Chakra wielding Krishna poised to kill Indra * .
As instructed by Krishna, Arjuna fired an arrow to determine the location . A new temple was soon erected where the arrow had landed. (Evoor is the abbreviation of *Eytha ooru* ( place from where the arrows were shot to erect *sarakoodam*).
Bhagavan Krishna Himself breathed life to the *Moorty* . After the *Prana-Pratishta*, Arjuna performed the first pooja .
A sub-deity of ‘Bhoothanathaswamy’ (*Kirata Moorthy* form of Lord Siva) together with *Yakshi Amma* (Devi Parvathy) were also consecrated as Upa-devas. The ancient banyan trees roofing them are that of Khandava-forest .
( Note : The remains of burnt trees being widely found around this locality’s paddy fields , confirm this history. The history of, nearby temples *Mannarasala*, *Pandavarkavu* and Pathiyoor temples too confirm it . )
) was caught fire, so many people tried to remove the Deity
, but failed. At last, an old Brahmana-devotee of the adjacent house , after taking a dip in the temple tank, entered the raging flames and brought out the Deity, safely.
Sri Moolam Thirunal, then king of Travancore
, was in ‘’Kasi’’ at that time. Appearing as a Brahmana
-boy in his dream, Sri Krishna
asked the king to re-construct the Evoor temple. Immediately , the king returned home and constructed a huge temple complex. It contained royal facilities such as security trenches atop the roof all around and underground drainage network to discharge the ‘abhisheka
water’ from ‘Sreekovil’ to adjacent temple tank.
The renowned ‘Tharananalloor Tantri‘ (whose ancestor had been brought to Kerala by Sri Parashurama
was appointed as the traditional ‘Tantri’. Immense wealth (including lands and other assets) was arranged to ensure self reliance. Also, extensive neighborhood facilities and all necessary infrastructure were put in place for the temple.
is the unique “Prayoga Chakra
Prathishta” :
v ‘Panchjanya
Sankha’ in rear left hand ;
v Live ‘Sudarshana Chakra
’ in rear right hand ;
v Frontal left hand is held on the hip as ‘mani-bandham’ ;
v Butter in the frontal right hand.
Bhagavan
is in a combative mood ready to release ‘ Sudarshana Chakra
’. He is the 72 year old Sri Krishna
at His peak glory and power.
Vedic
experts have confirmed the extremely rare presence of Srichakra on this Deity
. Consequently, “Raktha-pushpanjali” is a special offering here which is unavailable in Vishnu temples elsewhere.
Evoor temple is popularly known as the “Guruvayoor of Onattukara
”.
” (Jeeva Chaithanyam) in and around the Deity
is of prime importance in a vedic
temple. It is natural for the “ aura
” to overflow or radiate when the Deity
is consecrated by great Yogis and Rishis. At Evoor, Bhagavan
Sri Krishna
Himself breathed into life into the Deity
. So, the “living aura
” here overflows and floods all around the entire surroundings. Also, Tantri’s meditation, chanting of Vedas, ‘Pushpaanjali’ and ‘Abhishekam’ with vedam, the Poojari's discipline ; and earnest performance of rites and rituals, special festivals like “Utsavam ” (annual festival), and distribution of food, have further enhanced the power of the deity.
“Utsavam” is for the restoration of divine “Chaithanyam” of Deity, by performing necessary purification and energization rituals. Culturally, it consists of various processions, illumination, fireworks, art-forms, etc.
Evoor “Utsavam” lasts for ten days. Beginning the first day of ‘Makaram’ (January) it ends after the “Aaaraattu” (Holy Bath). All ten days, the place wears a festive look, streets dressed up with arches, festoons, etc. Every building is tastefully decorated with lights, plantain trunks, bunches of coconut and arecanuts. The Gopuram and courtyards are decorated with illuminations. Many lamps, “deepasthambams” and “vilakku” are all lighted.
The "Utsavam" rituals include "Prasaada Sudhhi" (purification of Murthy), " Rakshoghna Vaasthu Homam", "Prasaada Raksha", " Chathassudhhi ", "Dhaara", "Navakam", "Panchakam", "Panchagavya Kalasam", etc. (theses are "Abhishekams"), "Kotiyettu" (Flag hoisting) , "Pallivetta" (Holy Hunting) , "Aaraattu" (Holy bath) , "Kotiyirakku", "Pallikkuruppu" etc., and in between "Sreebhootha Bali" and "Utsava Bali ".
’ on to the Flag bearing ‘Garuda
’ emblem. After further poojas , the consecrated Flag is hoisted on the golden Flagstaff. Amid loud cries of “Narayana
, Narayana
” , the divine Flag plays around a little and then flies up resembling a bird taking off to the sky. A supplementary Flag is hoisted atop the wooden Flagstaff , manually erected in front of “Bhutanathaswamy’ (Upa-deva). A large crowd of Devotees happily witnesses , the auspicious completion of “Kotiyettam”.
After the poojas , tantric rituals and day-time cultural programs such as “Ottanthullal” etc., thousands of oil lamps are lit all around temple in the evening. Upon completion of “ Deeparadhana” , two hour long ‘Seva” starts at 7.15 PM. The Poojari carries atop the male elephant , Bhagavan
’s “Thidambu” (direct manifestation of the Deity
). Renowned musicians play “Nadaswaram’” (a wind instrument) supported by percussion instruments, to sing devotional songs in praise of Bhagavan
. It is a beautiful devotional feast for the eye, ear and heart. And is followed by popular cultural programs like ‘Kathakali
',velakali etc.
“ Kala-kettu “ is a thanksgiving offering to the lord by farmers. Small ‘Kala-effigies’ are hand carried whereas the big ones are mounted on wheels. The colourful “Kala-kali” completes 3 rounds around the temple , wildly swinging in the air amid thunderous cheers of “Arppoooo … Irrooooo”.
After “Deeparadhana” and “SEVA” , the “Paliivetta” is performed at midnight.
proceeds to the distant banyan tree (300 m away at the entry point) to hunt down evil forces.
According to the tradition , "Jeevatha Ezunnallathus " of two nearby Bhagavathy temples (Kannamballil and Kalloorath) arrives together. They are Bhagavan’s sisters. When they arrive in front of the ‘Sreekovil ’ (sanctum sanctorum), they are accorded a traditional welcome.
(Note : The word “Jeevatha” connotes that the "jeeva chaithanyam" (living aura) of Bhagavathy has been invoked and She comes out to visit other Deities. “Jeevatha” is constructed in the model of the temple structure itself. This box-like carriage for the Bhagavathy rests on two teakwood poles about two meters long, and is in the form of a palanquin ("Pallakku"). The front resembles "Thidambu" behind which is a kind of small chest ("pettakam") built according to ‘saastras’. Up front is a woollen cloth embroidered with shining, colourful pictures and gold trinkets. Behind that is kept Bhagavathy's holy dress, starched and pleated, and decorated with small mirror pieces. Four Brahmana Poojaris carry “Jeevatha” on their shoulders. They dance to the rhythm of percussion and wind instruments. The rhythms used during “Jeevatha Ezunnallathu” (procession) are quite noteworthy. Several "Thaalams" (beats) such as Lakshmi, Atantha, Chembata, Thriputa, Panchaari and Vishama kundalam are used. Starting with very slow beats, it builds up a crescendo and ends in express beats. The ensemble consists of ‘Veekkan chenda’, ‘Uruttu chenda’ (both drums), ‘Elathaalam’ (cymbals),‘Kombu’ and ‘Kuzhal‘ (both, wind instruments). The "Chuvadu Vechu Kali" (a ritualistic dance with unique steps) is a divine sight).
Evoor Bhagavan
’s “Thidambu “ is ascended atop the gold caparisoned elephant. Accompanied by servants and devotees , He starts for the ‘Pallivetta’. Upon reaching the spot beneath the banyan tree , a bow and arrows are used for ‘Pallivetta’. When the victorious Bhagavan turns around to return , the "Jeevatha Ezunnallathus " of His jubilant Bhagavathy-sisters welcome Him.
The priestly Brahmana
dancers, clad in the traditional style holding the heavy "Jeevatha "on shoulders , perform the divine dance. The dance begins with "Kotti Urayikkal" (drumming to make the dancers possessed). The drumming in different rhythms accompanied by scintillating music coaxes the performers to dance to each rhythm, creating a holy atmosphere. Each circumlocution is regulated by a different “Thaalam” (beat). This is very touching with thousands of devotees watching with tearful joy, Evoor Sri Krishna’s both Bhagavathy-sisters play about wildly in front of Him who lovingly appreciates them by swaying atop His elephant.
The "Jeevathas " dance just in front of Bhagavan , then running back to dance at a distance , holding hands to dance in unison , etc. Each "Ezhunnallathukaaran" (Lead dancer) directs his group according to Bhagavathi’s revelation to him.
(It is a wonder of wonders how such fragile Brahmanas could dance wildly like this bearing weight. No mortal human being can do this. One could see red lumps of flesh building up on the dancers’ shoulders ; but they don’t show any signs of pain or fatigue at all. In reality, it is Bhagavathy who is dancing , in the form of Her Priests).
Upon reaching the temple , Evoor Bhagavan stands on the eastern courtyard facing west. Both His Bhagavathy-sistes dance wildly raising the tempo to supreme ecstasy. Finally , after bidding farewell to brother Sri Krishna , they quickly complete ‘pradakshina’ around temple , bow down once again in front of the ‘Sreekovil’ and run outside.
Being sad at the separation , a silent Bhagavan returns to His Sreekovil.
In the morning , devotees take a dip in the temple tank and perform the traditional ‘urulal’ (“sayana-pradakshinam ” beneath the Flagstaff and entrances).
Some devotees take the traditional fasting to take part in the, “Aaraattu ” to be held at midnight.
In the afternoon, the “Kettukazhcha” procession is held with participation from 3 “ Karas “ around the temple and from several communities. Decorated effigies of bulls, and epic figures complete 3 rounds around the temple. The marvelous as well as magical effect of the combination of numerous percussion and wind instruments is most thunderous, spectacular and dazzling. The enthusiasm and dedication all around reveal supreme Bhakthy to their Ishta-Devan, Evoor Bhagavan.
After the “Kettukazhacha” procession , thousands of oil lamps are lit all around the temple. Devotees wait in anticipation for Bhagavan’s arrival. The Tantri ritually transfers the“living aura” from principal Deity to the “Utsava Deity” to be boarded on the “Thidambu “.
Among ecstatic cheers “ Arppooo…. Irroooo “ from thousands of Bhakthas , Melsanti (lead Pujari) comes out carrying the “Thidambu ”. The huge mail elephant bows low for the Melsanti and other three brahmanas to sit on his top. When the majestic elephant stands up , it is a sight for Gods to behold! Bhagavan Sri Krishnaswamy in all His glory !!! Many “Theevettis” (oil lit multi-fires) being held aloft by men on the floor illuminate Him ; “Muthukkuta” (ornamental silk umbrella) covers Him ; “Alavattam” (couple of circular hand-fans made of peacock feathers) and “Venchamaram” (couple of white feather-sticks) fanning from His back !
Amid huge cheers from devotees, Bhagavan’s elephant escorted by two other elephants (Poojaris carrying “Muthukkutas” atop them) , proceeds to the main gate and stands there facing thousands of devotees on the east.
Then comes the magnificent display of thunderous fireworks. It is indeed grand and extremely colourful.
Bhagavan’s elephant starts moving gracefully for “Aaraattu” procession. Then comes the traditional “Kuchelavruthm-Vanchippattu” in front of Bhagavan. Fragile elders sing the “vanchippattu ” melodiously and youngsters repeat loudly. Beautiful “Vanchippattu” and ecstatic dancing to its tune together with the music of percussion and wind instruments enliven the procession. Bhagavan
’s Deity
atop the elephant gently sways in appreciation ; and this divine sight motivate the singers infinitely. Bhaktas welcome the “Aaarattu procession” at various points by dazzling fireworks and other offerings.
When the procession reaches the paddy field ahead of the “Aaarattu palace”, Bhagavan is ceremoniously welcomed by the “twin-Bull” effigies and associated rituals belonging to His traditional labourers.
Upon reaching the “Aaarattu palace” , the “Thidambu “ is seated at the designated place. Singers complete the last lines of “Kuchela-vrutham” and then seek Bhagavan’s permission to leave , singing “ Adiyangal vidakollan Bhagavan anuvadikkane… !!” (Please permit us to leave , O Bhagavan !!).
After conducting the poojas by 1 AM, the Tantri and Melsanti bring the “Utsava Deity
” to the tank platform and perform further poojas. Finally, carrying the Deity in their hands, they take three dips in the water and complete the ritualistic “Aaraattu”. Afterwards, the “Utsava Deity
” is seated at the palace for Darshan.
Immediately , all Bhakthas jump into the tank and after taking (3) dips , performed “Urulal” (Sayana-pradakshinam) around the palace to submit themselves entirely to Bhagavan.
The Tantri performs tantric-rituals to restore “aura” from Flag to the “Utsava Deity”. After this , he lowers the Flag to complete “Kotiyirakkam”. Later, the “Utsava Deity” is shifted to the “Ardhamandap” inside temple for “Pallikkuruppu” (sleep).
sleeps nicely on the “Ardhamandap” in front of Sanctum Sanctorum. A small calf (young cow) is tied to the pillar and the main temple is closed. Bhagavan would wake up only after hearing the cry of the calf. Tantri, Poojaris, staff and devotees wait outside in anticipation.
When the calf cries , Tantri and Melsanti entered the temple to transfer Bhagavan’s ‘living aura’ (chaithanyam) from the “Utsava Deity” to the principal “ Deity”. Then the temple door is opened , to allow ‘darshan’ to the devotees.
Railway station ( Between Kayamkulam
and Harippad . It is the coastal railway route. It is more easy to reach there by bus . Cheppad
is about 7 km north of Kayamkulam
Bus stand . From both Harippad and Mavelikara Bus stands Evoor is about 5 km south . You can get down at Cheppad
Junction and go by an auto-rikshaw to Evoor temple . Alternatively , you can get down at the bus stop ( south of Cheppad
and north of Ramapuram Devi temple ) on NH-47 and walk up to the temple which is about 1 km east of NH-47 .
Kayamkulam
Kayamkulam is a town and a municipality in Alappuzha district of the Indian state of Kerala. It is an ancient maritime trading centre. One of the largest power plants in Kerala, run by the NTPC, is located in Kayamkulam. Krishnapuram Palace is located nearby and an old cashew factory.Kayamkulam is...
in district Alappuzha
Alappuzha
Alappuzha , also known as Alleppey, is a town in Alappuzha District of Kerala state of southern India. As per 2001 census Alleppey is the sixth largest city in Kerala with an urban population of 177,029. Alleppey is situated to the south of Kochi and north of Trivandrum...
of the India
India
India , officially the Republic of India , is a country in South Asia. It is the seventh-largest country by geographical area, the second-most populous country with over 1.2 billion people, and the most populous democracy in the world...
n state of Kerala
Kerala
or Keralam is an Indian state located on the Malabar coast of south-west India. It was created on 1 November 1956 by the States Reorganisation Act by combining various Malayalam speaking regions....
. It is 40 Kilometers south of Alappuzha
Alappuzha
Alappuzha , also known as Alleppey, is a town in Alappuzha District of Kerala state of southern India. As per 2001 census Alleppey is the sixth largest city in Kerala with an urban population of 177,029. Alleppey is situated to the south of Kochi and north of Trivandrum...
in the Onattukara
Onattukara
Onattukara was a principality of ancient Kerala. Also known as Odanadu , Onattukara was at times part of the kingdom of Venad and was composed of the present day Taluks of [Mavelikara], Karthikapally, Chenganur taluks in Alappuzha district and Karunagapally Taluk in Kollam...
area and next to Cheppad
Cheppad
Cheppad is a scenic village in Karthikapally Taluk of Alleppy District in Kerala State, India. It is about halfway between Kochi and Thiruvananthapuram on the National Highway 47....
railway station.
It is famous for the ancient Sri Krishnaswamy temple which originated in the presence of Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
Sri Krishna
Krishna
Krishna is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is the supreme Being and considered in some monotheistic traditions as an Avatar of Vishnu...
Himself. One of the largest power plants in Kerala, run by the National Thermal Power Corporation
National Thermal Power Corporation
NTPC Limited is the largest Indian state-owned energy service provider based in New Delhi, India. It is listed in Forbes Global 2000 for 2010 ranked it 341st in the world...
, is located near Evoor. The climate is tropical wet, with heavy rain in the monsoon season.
Evoor Major Srikrishnaswamy temple of Travancore
Travancore
Kingdom of Travancore was a former Hindu feudal kingdom and Indian Princely State with its capital at Padmanabhapuram or Trivandrum ruled by the Travancore Royal Family. The Kingdom of Travancore comprised most of modern day southern Kerala, Kanyakumari district, and the southernmost parts of...
Devaswom Board, is one of the most important 26 Mahavishnu
Mahavishnu
Image:Hinducosm Map1.svg|thumb|Click an area to go there. This is one of many material universes which expand from Mahavishnu when He breathes.|300px|alt=One Brahmanda, with Garbhodakashayi-Vishnurect 216 61 277 80 Brahma...
shrines. It is linked to ‘Khandava-dahanam’ (burning of Khandava forest), described in Mahabharata
Mahabharata
The Mahabharata is one of the two major Sanskrit epics of ancient India and Nepal, the other being the Ramayana. The epic is part of itihasa....
. The remains of burnt trees being widely found here, confirm this. Further evidence are, nearby ‘Mannarasala’ and ‘Pandavarkavu’ temples in this part of Onattukara
Onattukara
Onattukara was a principality of ancient Kerala. Also known as Odanadu , Onattukara was at times part of the kingdom of Venad and was composed of the present day Taluks of [Mavelikara], Karthikapally, Chenganur taluks in Alappuzha district and Karunagapally Taluk in Kollam...
.
The great Kanva Maharshi (one of the Saptarshi
Saptarshi
The Saptarishi are the seven rishis who are extolled at many places in the Vedas and Hindu literature. The Vedic Samhitas never actually enumerate these rishis by name, though later Vedic texts such as the Brahmanas and Upanisads do so. They are regarded in the Vedas as the patriarchs of the...
s) , had been living in this area. ‘Kannamangalam’ (Kanva-mangalam) is nearby. His ‘ Ashrama ’ (hermitage) later became a temple. Evoor Krishnaswamy’s yearly ‘Araattu’ (ceremonial bath) is held in this temple’s tank.
Origin of Evoor Temple
AgniAgni
Agni is a Hindu deity, one of the most important of the Vedic gods. He is the god of fire and the acceptor of sacrifices. The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods...
-deva (Fire God) had been suffering from a severe stomach ailment. As a remedy, Lord Brahma
Brahma
Brahma is the Hindu god of creation and one of the Trimurti, the others being Vishnu and Shiva. According to the Brahma Purana, he is the father of Mānu, and from Mānu all human beings are descended. In the Ramayana and the...
advised him to consume the herb-rich Khandava forest. However, Takshaka
Takshaka
Takshaka was one of the Nagas mentioned in the epic Mahābhārata. He lived in a city named Takshasila, which was the new territory of Takshaka after his race was banished by Pandavas lead by Arjuna from the Khandava Forest and Kurukshetra, where they built their new kingdom.- The king of...
the Serpent-king and a close friend of Lord Indra
Indra
' or is the King of the demi-gods or Devas and Lord of Heaven or Svargaloka in Hindu mythology. He is also the God of War, Storms, and Rainfall.Indra is one of the chief deities in the Rigveda...
, was residing there. Whenever Agni
Agni
Agni is a Hindu deity, one of the most important of the Vedic gods. He is the god of fire and the acceptor of sacrifices. The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods...
tried to consume the forest, Lord Indra
Indra
' or is the King of the demi-gods or Devas and Lord of Heaven or Svargaloka in Hindu mythology. He is also the God of War, Storms, and Rainfall.Indra is one of the chief deities in the Rigveda...
’s thundershowers quickly extinguished the fire.
Once, Krishna
Krishna
Krishna is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is the supreme Being and considered in some monotheistic traditions as an Avatar of Vishnu...
and Arjuna
Arjuna
Arjuna in Indian mythology is the greatest warrior on earth and is one of the Pandavas, the heroes of the Hindu epic Mahābhārata. Arjuna, whose name means 'bright', 'shining', 'white' or 'silver' Arjuna (Devanagari: अर्जुन, Thai: อรชุน, Orachun, Tamil: Arjunan, Indonesian and Javanese: Harjuna,...
arrived at this place. Appearing as a Brahmana
Brahmana
The Brāhmaṇas are part of the Hindu śruti literature. They are commentaries on the four Vedas, detailing the proper performance of rituals....
, Agni
Agni
Agni is a Hindu deity, one of the most important of the Vedic gods. He is the god of fire and the acceptor of sacrifices. The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods...
-deva sought their help and they agreed.To fight Indra and His divine army , Agni-deva presented the divine weapon *Sudarshana Chakra* to Krishna and *Gandheevam* to Arjuna .
Then Kanva Maharshi arrived there to save his ‘Arca Murty
Murty
Murty may refer to:places*Mırtı , places in Azerbaijanpeople*Murty Bvns*Govindini Murty*Graeme Murty*Madhunapantula Suryanarayana Murty*M. Ram Murty*Sadguru Sivananda Murty*Sudha Murthy*Tad MurtySee also*Murti...
’ (a four armed image of Mahavishnu
Mahavishnu
Image:Hinducosm Map1.svg|thumb|Click an area to go there. This is one of many material universes which expand from Mahavishnu when He breathes.|300px|alt=One Brahmanda, with Garbhodakashayi-Vishnurect 216 61 277 80 Brahma...
). Krishna
Krishna
Krishna is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is the supreme Being and considered in some monotheistic traditions as an Avatar of Vishnu...
granted a boon that the ‘Murty
Murty
Murty may refer to:places*Mırtı , places in Azerbaijanpeople*Murty Bvns*Govindini Murty*Graeme Murty*Madhunapantula Suryanarayana Murty*M. Ram Murty*Sadguru Sivananda Murty*Sudha Murthy*Tad MurtySee also*Murti...
’ will not be affected by fire.
Soon, Agni
Agni
Agni is a Hindu deity, one of the most important of the Vedic gods. He is the god of fire and the acceptor of sacrifices. The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods...
started consuming Khandava forest. Lord [Indra]promptly employed thundershowers . A furious Sri Krishna took up *Sudarsana Chakra* and jumped up to kill Lord Indra . Frightened Indra prostrated at Bhagavan’s feet begging for mercy .
As requested by Lord Indra , Arjuna constructed a *Sarakoodam* (shelter of arrows) to block the rain . It enabled, Agni to complete *Khandava dahanam* successfully . Thus his ailment was cured. An immensely grateful Agni-deva obtained Bhagavan Krishna's consent to consecrate the said *Moorthy* ; as a replica of that divine form of *Chakra wielding Krishna poised to kill Indra * .
As instructed by Krishna, Arjuna fired an arrow to determine the location . A new temple was soon erected where the arrow had landed. (Evoor is the abbreviation of *Eytha ooru* ( place from where the arrows were shot to erect *sarakoodam*).
Bhagavan Krishna Himself breathed life to the *Moorty* . After the *Prana-Pratishta*, Arjuna performed the first pooja .
A sub-deity of ‘Bhoothanathaswamy’ (*Kirata Moorthy* form of Lord Siva) together with *Yakshi Amma* (Devi Parvathy) were also consecrated as Upa-devas. The ancient banyan trees roofing them are that of Khandava-forest .
( Note : The remains of burnt trees being widely found around this locality’s paddy fields , confirm this history. The history of, nearby temples *Mannarasala*, *Pandavarkavu* and Pathiyoor temples too confirm it . )
Fire and Re-construction
About 125 years back, this temple was destroyed in a fire. When the 'Sreekovil' ( Sanctum sanctorumSanctum sanctorum
The Latin phrase sanctum sanctorum is a Latin translation of the biblical term: "Holy of Holies" which generally refers in Latin texts to the Holiest place of the Tabernacle of Ancient Israel and later the Temples in Jerusalem, but also has some derivative use in application to imitations of the...
) was caught fire, so many people tried to remove the Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
, but failed. At last, an old Brahmana-devotee of the adjacent house , after taking a dip in the temple tank, entered the raging flames and brought out the Deity, safely.
Sri Moolam Thirunal, then king of Travancore
Travancore
Kingdom of Travancore was a former Hindu feudal kingdom and Indian Princely State with its capital at Padmanabhapuram or Trivandrum ruled by the Travancore Royal Family. The Kingdom of Travancore comprised most of modern day southern Kerala, Kanyakumari district, and the southernmost parts of...
, was in ‘’Kasi’’ at that time. Appearing as a Brahmana
Brahmana
The Brāhmaṇas are part of the Hindu śruti literature. They are commentaries on the four Vedas, detailing the proper performance of rituals....
-boy in his dream, Sri Krishna
Krishna
Krishna is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is the supreme Being and considered in some monotheistic traditions as an Avatar of Vishnu...
asked the king to re-construct the Evoor temple. Immediately , the king returned home and constructed a huge temple complex. It contained royal facilities such as security trenches atop the roof all around and underground drainage network to discharge the ‘abhisheka
Abhisheka
Abhisheka is a Sanskrit term comparable to puja, yagya and arati that denotes: a devotional activity; an enacted prayer, rite of passage and/or religious rite or ritual...
water’ from ‘Sreekovil’ to adjacent temple tank.
The renowned ‘Tharananalloor Tantri‘ (whose ancestor had been brought to Kerala by Sri Parashurama
Parashurama
Parashurama , is the sixth avatar of Vishnu and belongs to the treta yuga, and is the son of a Brahmin father Jamadagni and mother Renuka. He is considered one of the seven immortal human. He received an axe after undertaking a terrible penance to please Shiva, from whom he learned the methods of...
was appointed as the traditional ‘Tantri’. Immense wealth (including lands and other assets) was arranged to ensure self reliance. Also, extensive neighborhood facilities and all necessary infrastructure were put in place for the temple.
“Prayoga Chakra Prathishta”
Evoor Bhagavan’s DeityDeity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
is the unique “Prayoga Chakra
Chakra
Chakra is a concept originating in Hindu texts, featured in tantric and yogic traditions of Hinduism and Buddhism. Its name derives from the Sanskrit word for "wheel" or "turning" .Chakra is a concept referring to wheel-like vortices...
Prathishta” :
v ‘Panchjanya
Panchjanya
Panchjanya, , is the common name given to five most ancient vedic kshatriya tribes. It is supposed they are all descendants of the Five Folks and are known by that name for e.g. Yadav for descendants of Yadu, paurav for descendants of Puru and so on. Some scholars believe they were different...
Sankha’ in rear left hand ;
v Live ‘Sudarshana Chakra
Sudarshana Chakra
The Sudarshana Chakra is a spinning, disk-like super weapon with 108 serrated edges used by Lord Vishnu. The Sudarshana Chakra is portrayed on the right rear hand of the four hands of Vishnu, who also holds a Shankha in his left rear hand, a Gada in his right fore hand, and a Padma in his left...
’ in rear right hand ;
v Frontal left hand is held on the hip as ‘mani-bandham’ ;
v Butter in the frontal right hand.
Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
is in a combative mood ready to release ‘ Sudarshana Chakra
Sudarshana Chakra
The Sudarshana Chakra is a spinning, disk-like super weapon with 108 serrated edges used by Lord Vishnu. The Sudarshana Chakra is portrayed on the right rear hand of the four hands of Vishnu, who also holds a Shankha in his left rear hand, a Gada in his right fore hand, and a Padma in his left...
’. He is the 72 year old Sri Krishna
Krishna
Krishna is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is the supreme Being and considered in some monotheistic traditions as an Avatar of Vishnu...
at His peak glory and power.
Vedic
Vedic
Vedic may refer to:* the Vedas, the oldest preserved Indic texts** Vedic Sanskrit, the language of these texts** Vedic period, during which these texts were produced** Vedic pantheon of gods mentioned in Vedas/vedic period...
experts have confirmed the extremely rare presence of Srichakra on this Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
. Consequently, “Raktha-pushpanjali” is a special offering here which is unavailable in Vishnu temples elsewhere.
Evoor temple is popularly known as the “Guruvayoor of Onattukara
Onattukara
Onattukara was a principality of ancient Kerala. Also known as Odanadu , Onattukara was at times part of the kingdom of Venad and was composed of the present day Taluks of [Mavelikara], Karthikapally, Chenganur taluks in Alappuzha district and Karunagapally Taluk in Kollam...
”.
“UTSAVAM” (Annual Festival)
The intensity of the “living auraAura (paranormal)
In parapsychology and many forms of spiritual practice, an aura is a field of subtle, luminous radiation surrounding a person or object . The depiction of such an aura often connotes a person of particular power or holiness. Sometimes, however, it is said that all living things and all objects...
” (Jeeva Chaithanyam) in and around the Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
is of prime importance in a vedic
Vedic
Vedic may refer to:* the Vedas, the oldest preserved Indic texts** Vedic Sanskrit, the language of these texts** Vedic period, during which these texts were produced** Vedic pantheon of gods mentioned in Vedas/vedic period...
temple. It is natural for the “ aura
Aura (paranormal)
In parapsychology and many forms of spiritual practice, an aura is a field of subtle, luminous radiation surrounding a person or object . The depiction of such an aura often connotes a person of particular power or holiness. Sometimes, however, it is said that all living things and all objects...
” to overflow or radiate when the Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
is consecrated by great Yogis and Rishis. At Evoor, Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
Sri Krishna
Krishna
Krishna is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is the supreme Being and considered in some monotheistic traditions as an Avatar of Vishnu...
Himself breathed into life into the Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
. So, the “living aura
Aura (paranormal)
In parapsychology and many forms of spiritual practice, an aura is a field of subtle, luminous radiation surrounding a person or object . The depiction of such an aura often connotes a person of particular power or holiness. Sometimes, however, it is said that all living things and all objects...
” here overflows and floods all around the entire surroundings. Also, Tantri’s meditation, chanting of Vedas, ‘Pushpaanjali’ and ‘Abhishekam’ with vedam, the Poojari's discipline ; and earnest performance of rites and rituals, special festivals like “Utsavam ” (annual festival), and distribution of food, have further enhanced the power of the deity.
“Utsavam” is for the restoration of divine “Chaithanyam” of Deity, by performing necessary purification and energization rituals. Culturally, it consists of various processions, illumination, fireworks, art-forms, etc.
Evoor “Utsavam” lasts for ten days. Beginning the first day of ‘Makaram’ (January) it ends after the “Aaaraattu” (Holy Bath). All ten days, the place wears a festive look, streets dressed up with arches, festoons, etc. Every building is tastefully decorated with lights, plantain trunks, bunches of coconut and arecanuts. The Gopuram and courtyards are decorated with illuminations. Many lamps, “deepasthambams” and “vilakku” are all lighted.
The "Utsavam" rituals include "Prasaada Sudhhi" (purification of Murthy), " Rakshoghna Vaasthu Homam", "Prasaada Raksha", " Chathassudhhi ", "Dhaara", "Navakam", "Panchakam", "Panchagavya Kalasam", etc. (theses are "Abhishekams"), "Kotiyettu" (Flag hoisting) , "Pallivetta" (Holy Hunting) , "Aaraattu" (Holy bath) , "Kotiyirakku", "Pallikkuruppu" etc., and in between "Sreebhootha Bali" and "Utsava Bali ".
“Kotiyettam ” (Flag Hoisting)
The Tantri first invokes the Deity by tantric rituals such as ‘ Kalasam ’ and other poojas ; and then infuses ‘auraAura (paranormal)
In parapsychology and many forms of spiritual practice, an aura is a field of subtle, luminous radiation surrounding a person or object . The depiction of such an aura often connotes a person of particular power or holiness. Sometimes, however, it is said that all living things and all objects...
’ on to the Flag bearing ‘Garuda
Garuda
The Garuda is a large mythical bird or bird-like creature that appears in both Hindu and Buddhist mythology.From an Indian perspective, Garuda is the Hindu name for the constellation Aquila and...
’ emblem. After further poojas , the consecrated Flag is hoisted on the golden Flagstaff. Amid loud cries of “Narayana
Narayana
Narayana or Narayan or Naraina is an important Sanskrit name for Vishnu, and in many contemporary vernaculars a common Indian name. Narayana is also identified as the original man, Purusha. The Puranas present divergent views on Narayana...
, Narayana
Narayana
Narayana or Narayan or Naraina is an important Sanskrit name for Vishnu, and in many contemporary vernaculars a common Indian name. Narayana is also identified as the original man, Purusha. The Puranas present divergent views on Narayana...
” , the divine Flag plays around a little and then flies up resembling a bird taking off to the sky. A supplementary Flag is hoisted atop the wooden Flagstaff , manually erected in front of “Bhutanathaswamy’ (Upa-deva). A large crowd of Devotees happily witnesses , the auspicious completion of “Kotiyettam”.
“Utsavam” (Days 1 to 8)
The events of first five days are sponsored jointly by Travancore Devaswom board and specific groups of devotees. Three ‘Karas’ (villages) namely Evoor South, Evoor North and Evoor North-West conduct the events of days 7 , 8 and 9 respectively. Each ‘Kara’ competes with others to make own “ Utsavam” the best.After the poojas , tantric rituals and day-time cultural programs such as “Ottanthullal” etc., thousands of oil lamps are lit all around temple in the evening. Upon completion of “ Deeparadhana” , two hour long ‘Seva” starts at 7.15 PM. The Poojari carries atop the male elephant , Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
’s “Thidambu” (direct manifestation of the Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
). Renowned musicians play “Nadaswaram’” (a wind instrument) supported by percussion instruments, to sing devotional songs in praise of Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
. It is a beautiful devotional feast for the eye, ear and heart. And is followed by popular cultural programs like ‘Kathakali
Kathakali
Kathakali is a highly stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion...
',velakali etc.
9th Day “Utsavam”
On this day, in addition to the regular items , “Kala-kali ” (decorated effigies of Bulls) is a special event.“ Kala-kettu “ is a thanksgiving offering to the lord by farmers. Small ‘Kala-effigies’ are hand carried whereas the big ones are mounted on wheels. The colourful “Kala-kali” completes 3 rounds around the temple , wildly swinging in the air amid thunderous cheers of “Arppoooo … Irrooooo”.
After “Deeparadhana” and “SEVA” , the “Paliivetta” is performed at midnight.
“ Pallivetta ” (Holy Hunting)
“Pallivetta” is the traditional yearly event , wherein Evoor BhagavanBhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
proceeds to the distant banyan tree (300 m away at the entry point) to hunt down evil forces.
According to the tradition , "Jeevatha Ezunnallathus " of two nearby Bhagavathy temples (Kannamballil and Kalloorath) arrives together. They are Bhagavan’s sisters. When they arrive in front of the ‘Sreekovil ’ (sanctum sanctorum), they are accorded a traditional welcome.
(Note : The word “Jeevatha” connotes that the "jeeva chaithanyam" (living aura) of Bhagavathy has been invoked and She comes out to visit other Deities. “Jeevatha” is constructed in the model of the temple structure itself. This box-like carriage for the Bhagavathy rests on two teakwood poles about two meters long, and is in the form of a palanquin ("Pallakku"). The front resembles "Thidambu" behind which is a kind of small chest ("pettakam") built according to ‘saastras’. Up front is a woollen cloth embroidered with shining, colourful pictures and gold trinkets. Behind that is kept Bhagavathy's holy dress, starched and pleated, and decorated with small mirror pieces. Four Brahmana Poojaris carry “Jeevatha” on their shoulders. They dance to the rhythm of percussion and wind instruments. The rhythms used during “Jeevatha Ezunnallathu” (procession) are quite noteworthy. Several "Thaalams" (beats) such as Lakshmi, Atantha, Chembata, Thriputa, Panchaari and Vishama kundalam are used. Starting with very slow beats, it builds up a crescendo and ends in express beats. The ensemble consists of ‘Veekkan chenda’, ‘Uruttu chenda’ (both drums), ‘Elathaalam’ (cymbals),‘Kombu’ and ‘Kuzhal‘ (both, wind instruments). The "Chuvadu Vechu Kali" (a ritualistic dance with unique steps) is a divine sight).
Evoor Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
’s “Thidambu “ is ascended atop the gold caparisoned elephant. Accompanied by servants and devotees , He starts for the ‘Pallivetta’. Upon reaching the spot beneath the banyan tree , a bow and arrows are used for ‘Pallivetta’. When the victorious Bhagavan turns around to return , the "Jeevatha Ezunnallathus " of His jubilant Bhagavathy-sisters welcome Him.
The priestly Brahmana
Brahmana
The Brāhmaṇas are part of the Hindu śruti literature. They are commentaries on the four Vedas, detailing the proper performance of rituals....
dancers, clad in the traditional style holding the heavy "Jeevatha "on shoulders , perform the divine dance. The dance begins with "Kotti Urayikkal" (drumming to make the dancers possessed). The drumming in different rhythms accompanied by scintillating music coaxes the performers to dance to each rhythm, creating a holy atmosphere. Each circumlocution is regulated by a different “Thaalam” (beat). This is very touching with thousands of devotees watching with tearful joy, Evoor Sri Krishna’s both Bhagavathy-sisters play about wildly in front of Him who lovingly appreciates them by swaying atop His elephant.
The "Jeevathas " dance just in front of Bhagavan , then running back to dance at a distance , holding hands to dance in unison , etc. Each "Ezhunnallathukaaran" (Lead dancer) directs his group according to Bhagavathi’s revelation to him.
(It is a wonder of wonders how such fragile Brahmanas could dance wildly like this bearing weight. No mortal human being can do this. One could see red lumps of flesh building up on the dancers’ shoulders ; but they don’t show any signs of pain or fatigue at all. In reality, it is Bhagavathy who is dancing , in the form of Her Priests).
Upon reaching the temple , Evoor Bhagavan stands on the eastern courtyard facing west. Both His Bhagavathy-sistes dance wildly raising the tempo to supreme ecstasy. Finally , after bidding farewell to brother Sri Krishna , they quickly complete ‘pradakshina’ around temple , bow down once again in front of the ‘Sreekovil’ and run outside.
Being sad at the separation , a silent Bhagavan returns to His Sreekovil.
“ Aaraattu ” (Holy Bath)
The 10 days long “Utsavam” culminates with a grand “Aaraattu” procession, with the “Utsava Deity ” being carried to the “ Aaraattu palace tank “ at “ Muttam ” which is 3 Kilometers away. (This was where Kanva-Maharshi used to worship the Deity before it moved to Evoor temple). “Aaraattu” refers to the sacramental ablution of the Deity in the sacred tank.In the morning , devotees take a dip in the temple tank and perform the traditional ‘urulal’ (“sayana-pradakshinam ” beneath the Flagstaff and entrances).
Some devotees take the traditional fasting to take part in the, “Aaraattu ” to be held at midnight.
In the afternoon, the “Kettukazhcha” procession is held with participation from 3 “ Karas “ around the temple and from several communities. Decorated effigies of bulls, and epic figures complete 3 rounds around the temple. The marvelous as well as magical effect of the combination of numerous percussion and wind instruments is most thunderous, spectacular and dazzling. The enthusiasm and dedication all around reveal supreme Bhakthy to their Ishta-Devan, Evoor Bhagavan.
After the “Kettukazhacha” procession , thousands of oil lamps are lit all around the temple. Devotees wait in anticipation for Bhagavan’s arrival. The Tantri ritually transfers the“living aura” from principal Deity to the “Utsava Deity” to be boarded on the “Thidambu “.
Among ecstatic cheers “ Arppooo…. Irroooo “ from thousands of Bhakthas , Melsanti (lead Pujari) comes out carrying the “Thidambu ”. The huge mail elephant bows low for the Melsanti and other three brahmanas to sit on his top. When the majestic elephant stands up , it is a sight for Gods to behold! Bhagavan Sri Krishnaswamy in all His glory !!! Many “Theevettis” (oil lit multi-fires) being held aloft by men on the floor illuminate Him ; “Muthukkuta” (ornamental silk umbrella) covers Him ; “Alavattam” (couple of circular hand-fans made of peacock feathers) and “Venchamaram” (couple of white feather-sticks) fanning from His back !
Amid huge cheers from devotees, Bhagavan’s elephant escorted by two other elephants (Poojaris carrying “Muthukkutas” atop them) , proceeds to the main gate and stands there facing thousands of devotees on the east.
Then comes the magnificent display of thunderous fireworks. It is indeed grand and extremely colourful.
Bhagavan’s elephant starts moving gracefully for “Aaraattu” procession. Then comes the traditional “Kuchelavruthm-Vanchippattu” in front of Bhagavan. Fragile elders sing the “vanchippattu ” melodiously and youngsters repeat loudly. Beautiful “Vanchippattu” and ecstatic dancing to its tune together with the music of percussion and wind instruments enliven the procession. Bhagavan
Bhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
’s Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
atop the elephant gently sways in appreciation ; and this divine sight motivate the singers infinitely. Bhaktas welcome the “Aaarattu procession” at various points by dazzling fireworks and other offerings.
When the procession reaches the paddy field ahead of the “Aaarattu palace”, Bhagavan is ceremoniously welcomed by the “twin-Bull” effigies and associated rituals belonging to His traditional labourers.
Upon reaching the “Aaarattu palace” , the “Thidambu “ is seated at the designated place. Singers complete the last lines of “Kuchela-vrutham” and then seek Bhagavan’s permission to leave , singing “ Adiyangal vidakollan Bhagavan anuvadikkane… !!” (Please permit us to leave , O Bhagavan !!).
After conducting the poojas by 1 AM, the Tantri and Melsanti bring the “Utsava Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
” to the tank platform and perform further poojas. Finally, carrying the Deity in their hands, they take three dips in the water and complete the ritualistic “Aaraattu”. Afterwards, the “Utsava Deity
Deity
A deity is a recognized preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers....
” is seated at the palace for Darshan.
Immediately , all Bhakthas jump into the tank and after taking (3) dips , performed “Urulal” (Sayana-pradakshinam) around the palace to submit themselves entirely to Bhagavan.
“Kotiyirakkam” (Lowering of Flag)
After the “Aaaraattu “, the procession returns to Evoor temple. The rituals of “Kotiyirakkam” start around 5.00 AM.The Tantri performs tantric-rituals to restore “aura” from Flag to the “Utsava Deity”. After this , he lowers the Flag to complete “Kotiyirakkam”. Later, the “Utsava Deity” is shifted to the “Ardhamandap” inside temple for “Pallikkuruppu” (sleep).
“Pallikkuruppu” (Holy Sleep)
After returning from “Aaraattu” , BhagavanBhagavan
Bhagavan, also written Bhagwan or Bhagawan, from the Sanskrit nt-stem literally means "possessing fortune, blessed, prosperous" , and hence "illustrious, divine, venerable, holy", etc.In some traditions of Hinduism it is used to...
sleeps nicely on the “Ardhamandap” in front of Sanctum Sanctorum. A small calf (young cow) is tied to the pillar and the main temple is closed. Bhagavan would wake up only after hearing the cry of the calf. Tantri, Poojaris, staff and devotees wait outside in anticipation.
When the calf cries , Tantri and Melsanti entered the temple to transfer Bhagavan’s ‘living aura’ (chaithanyam) from the “Utsava Deity” to the principal “ Deity”. Then the temple door is opened , to allow ‘darshan’ to the devotees.
“Other Festivals Associated with Evoor Temple ”
Evoor Vishu Darsanam,Aiyalyam Makam, Shankaranthi Vallam Kali, Tiruonam Ulsavam, Ashtami Rohini, Kuchela dinam, virchika cherappu,Evoor ekadasi etc.How to reach Evoor
Evoor temple is situated near the CheppadCheppad
Cheppad is a scenic village in Karthikapally Taluk of Alleppy District in Kerala State, India. It is about halfway between Kochi and Thiruvananthapuram on the National Highway 47....
Railway station ( Between Kayamkulam
Kayamkulam
Kayamkulam is a town and a municipality in Alappuzha district of the Indian state of Kerala. It is an ancient maritime trading centre. One of the largest power plants in Kerala, run by the NTPC, is located in Kayamkulam. Krishnapuram Palace is located nearby and an old cashew factory.Kayamkulam is...
and Harippad . It is the coastal railway route. It is more easy to reach there by bus . Cheppad
Cheppad
Cheppad is a scenic village in Karthikapally Taluk of Alleppy District in Kerala State, India. It is about halfway between Kochi and Thiruvananthapuram on the National Highway 47....
is about 7 km north of Kayamkulam
Kayamkulam
Kayamkulam is a town and a municipality in Alappuzha district of the Indian state of Kerala. It is an ancient maritime trading centre. One of the largest power plants in Kerala, run by the NTPC, is located in Kayamkulam. Krishnapuram Palace is located nearby and an old cashew factory.Kayamkulam is...
Bus stand . From both Harippad and Mavelikara Bus stands Evoor is about 5 km south . You can get down at Cheppad
Cheppad
Cheppad is a scenic village in Karthikapally Taluk of Alleppy District in Kerala State, India. It is about halfway between Kochi and Thiruvananthapuram on the National Highway 47....
Junction and go by an auto-rikshaw to Evoor temple . Alternatively , you can get down at the bus stop ( south of Cheppad
Cheppad
Cheppad is a scenic village in Karthikapally Taluk of Alleppy District in Kerala State, India. It is about halfway between Kochi and Thiruvananthapuram on the National Highway 47....
and north of Ramapuram Devi temple ) on NH-47 and walk up to the temple which is about 1 km east of NH-47 .