Emma Eames
Encyclopedia
Emma Eames was an American soprano
renowned for the beauty of her voice. She sang major lyric and lyric-dramatic roles in opera
and had an important career in New York
, London
and Paris
during the last decade of the 19th century and the first decade of the 20th century.
, Eames was born in Shanghai
, China and raised in Portland
and Bath
in the American state of Maine
. (Her surname, incidentally, was pronounced "Ames" not "Eemes".) The promising quality of her voice was recognised early by her mother and she received singing lessons as a small girl. She attended school in Boston
where she studied singing with Charles R. Adams
.
Later she took voice lessons in Paris with the highly successful but autocratic teacher of bel canto
sopranos, Mathilde Marchesi
. It was noted in the press at the time of Marchesi's death in 1913 that Eames had praised the tuition she received from that teacher. Subsequently, however, she chose to downplay Marchesi's influence on her vocal technique.
at the Paris Opéra
's headquarters, the Palais Garnier
, in 1889. She would perform the role of Juliette many other times during the next two years, while adding other leading French-opera parts to her repertoire. As early as November 1889, The Times newspaper called her "the favourite cantatrice of the Opera". She left the company in 1891, however, for personal reasons. (She agreed to sing again in Paris in 1904, in a benefit performance of Puccini's Tosca
, but this production was staged at La Salle Favart rather than the Palais Garnier.)
Towards the end of 1891, Eames debuted at the Metropolitan Opera
in New York City in her trademark part of Juliette, and she quickly became a favourite with Met audiences. She would perform regularly at the Met in a variety of operas until 1909, when a dispute with management precipitated her departure. Eames also made a number of successful appearances at London's Royal Opera House
, Covent Garden
. She sang there intermittently from 1891 to 1901 and established herself as a genuine rival to Covent Garden's reigning diva, Nellie Melba
, whom she heartily disliked. Eames also sang in Madrid
and fulfilled lucrative singing engagements at Monaco's chic Monte Carlo Opera during the 1890s.
In 1906, Eames visited San Francisco with a touring troupe of leading Met singers. She was fortunate to survive unscathed when a devastating earthquake and fire struck the city, damaging her hotel. Eames gave her farewell operatic performances during the 1911-12 seasons with the Boston
opera company. She then undertook a series of concert tours of the United States, appearing on the recital platform for the last time in 1916, by which time her voice was showing signs of deterioration. Her autobiography, Some Memories and Reflections, was published in 1929.
Eames' press notices included the following random examples from the beginning of her career:
Paris Opera House:
Saint-Saëns' Ascanio
, 1890: ""Mon coeur est sous la pierre", of Colombe... sung with exquisite taste and without accompaniment... a delightful Colombe... consummate art... evoking unanimous plaudits".
Covent Garden:
Gounod's Faust, April 7, 1891: "debut... immediate and very great success... middle notes of the voice, which have a peculiarly beautiful quality... approaching the timbre of the mezzo-soprano... the organ as a whole, though exceedingly sweet, is not very powerful, but the singer's method leaves nothing to desire, and her execution of brilliant passages is neat and accurate... [and although] no very striking amount of tragic power... charming and sincerely artistic".
Wagner's Lohengrin, April 11, 1891: "[as Elsa] a good deal of success... very great charm of her voice". Indeed, Hatton was to claim in 1931 that "The supreme personality is the one who can monopolise a part without any change ever being called for or desired -- such as ... Emma Eames as Elsa".
Massenet's Werther, 1894: "Mme. Emma Eames sings and acts most charmingly as Charlotte ... the beautiful quality of the singer's lower notes.. her performance was entirely successful".
Eames was reportedly unhappy with the way that she sounded on the series of commercial 78-rpm recordings she made in 1905-1911 for the Victor Talking Machine Company
. In 1939, however, she appeared on an American radio broadcast and selected some of her better recordings to play to listeners, speaking with little modesty about their merits. Eames' voice was also captured 'live' during an actual performance at the Met in 1903, on some primitive recordings which have become known as the Mapleson Cylinders
. She sings (impressively) fragments of Tosca on these cylinders. They can be heard in the form of re-engineered digital transfers, together with all the recordings that she cut for Victor, on a Romophone CD release (catalogue number 81001-2).
In addition to Tosca and Romeo et Juliette, Eames' repertoire featured a comparatively small but stylistically diverse group of operas, ranging from works composed by Mozart, through Verdi and Wagner, to Mascagni. They included, among others, Aida
, Otello
, Il trovatore
, Un ballo in maschera
, Lohengrin
, Die Meistersinger, Die Walküre
, Faust
, Werther
, Cavalleria rusticana
, The Magic Flute
, Le nozze di Figaro and Don Giovanni
.
, with whom she made some records of duets. Both marriages ended in divorce and bitterness. She had no children, but in her autobiography admitted that she was once pressured into undergoing a certain "medical procedure
" to terminate a pregnancy.
Paris was Eames' main place of residence during the 1920s and early '30s. She moved to New York City in 1936, where she gave vocal tuition. She became fond, too, of attending Broadway
shows for relaxation. Eames died in 1952, after a protracted illness, aged 86. She is buried in Oak Grove Cemetery in Bath, Maine. Her niece, Clare Eames, was the first wife of the noted playwright and Academy Award-winning screenwriter Sidney Howard
.
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
renowned for the beauty of her voice. She sang major lyric and lyric-dramatic roles in opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
and had an important career in New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
, London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
and Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
during the last decade of the 19th century and the first decade of the 20th century.
Early life
The daughter of an international lawyerLawyer
A lawyer, according to Black's Law Dictionary, is "a person learned in the law; as an attorney, counsel or solicitor; a person who is practicing law." Law is the system of rules of conduct established by the sovereign government of a society to correct wrongs, maintain the stability of political...
, Eames was born in Shanghai
Shanghai
Shanghai is the largest city by population in China and the largest city proper in the world. It is one of the four province-level municipalities in the People's Republic of China, with a total population of over 23 million as of 2010...
, China and raised in Portland
Portland, Maine
Portland is the largest city in Maine and is the county seat of Cumberland County. The 2010 city population was 66,194, growing 3 percent since the census of 2000...
and Bath
Bath, Maine
Bath is a city in Sagadahoc County, Maine, in the United States. As of the 2000 census, the city population was 9,266. It is the county seat of Sagadahoc County. Located on the Kennebec River, Bath is a port of entry with a good harbor. The city is popular with tourists, many drawn by its...
in the American state of Maine
Maine
Maine is a state in the New England region of the northeastern United States, bordered by the Atlantic Ocean to the east and south, New Hampshire to the west, and the Canadian provinces of Quebec to the northwest and New Brunswick to the northeast. Maine is both the northernmost and easternmost...
. (Her surname, incidentally, was pronounced "Ames" not "Eemes".) The promising quality of her voice was recognised early by her mother and she received singing lessons as a small girl. She attended school in Boston
Boston
Boston is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had...
where she studied singing with Charles R. Adams
Charles R. Adams
Charles R. Adams was an American opera singer and singing instructor. An excellent tenor and fine actor, he had a commanding stage presence and was particularly admired for his interpretations of the works of Richard Wagner....
.
Later she took voice lessons in Paris with the highly successful but autocratic teacher of bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
sopranos, Mathilde Marchesi
Mathilde Marchesi
Mathilde Marchesi was a German mezzo-soprano, a renowned teacher of singing, and a proponent of the bel canto vocal method.-Biography:...
. It was noted in the press at the time of Marchesi's death in 1913 that Eames had praised the tuition she received from that teacher. Subsequently, however, she chose to downplay Marchesi's influence on her vocal technique.
Singing career
Eames made her professional operatic debut in Gounod's Roméo et JulietteRoméo et Juliette
Roméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
at the Paris Opéra
Palais Garnier
The Palais Garnier, , is an elegant 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier...
's headquarters, the Palais Garnier
Palais Garnier
The Palais Garnier, , is an elegant 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier...
, in 1889. She would perform the role of Juliette many other times during the next two years, while adding other leading French-opera parts to her repertoire. As early as November 1889, The Times newspaper called her "the favourite cantatrice of the Opera". She left the company in 1891, however, for personal reasons. (She agreed to sing again in Paris in 1904, in a benefit performance of Puccini's Tosca
Tosca
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900...
, but this production was staged at La Salle Favart rather than the Palais Garnier.)
Towards the end of 1891, Eames debuted at the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
in New York City in her trademark part of Juliette, and she quickly became a favourite with Met audiences. She would perform regularly at the Met in a variety of operas until 1909, when a dispute with management precipitated her departure. Eames also made a number of successful appearances at London's Royal Opera House
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
, Covent Garden
Covent Garden
Covent Garden is a district in London on the eastern fringes of the West End, between St. Martin's Lane and Drury Lane. It is associated with the former fruit and vegetable market in the central square, now a popular shopping and tourist site, and the Royal Opera House, which is also known as...
. She sang there intermittently from 1891 to 1901 and established herself as a genuine rival to Covent Garden's reigning diva, Nellie Melba
Nellie Melba
Dame Nellie Melba GBE , born Helen "Nellie" Porter Mitchell, was an Australian operatic soprano. She became one of the most famous singers of the late Victorian Era and the early 20th century...
, whom she heartily disliked. Eames also sang in Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...
and fulfilled lucrative singing engagements at Monaco's chic Monte Carlo Opera during the 1890s.
In 1906, Eames visited San Francisco with a touring troupe of leading Met singers. She was fortunate to survive unscathed when a devastating earthquake and fire struck the city, damaging her hotel. Eames gave her farewell operatic performances during the 1911-12 seasons with the Boston
Boston
Boston is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had...
opera company. She then undertook a series of concert tours of the United States, appearing on the recital platform for the last time in 1916, by which time her voice was showing signs of deterioration. Her autobiography, Some Memories and Reflections, was published in 1929.
Eames' press notices included the following random examples from the beginning of her career:
Paris Opera House:
Saint-Saëns' Ascanio
Ascanio
Ascanio is a grand opera in five acts and seven tableaux by composer Camille Saint-Saëns. The opera's French libretto, by Louis Gallet, is based on the 1852 play Benvenuto Cellini by French playwright Paul Meurice which was in turn based on the 1843 historical novel by Alexandre Dumas, père...
, 1890: ""Mon coeur est sous la pierre", of Colombe... sung with exquisite taste and without accompaniment... a delightful Colombe... consummate art... evoking unanimous plaudits".
Covent Garden:
Gounod's Faust, April 7, 1891: "debut... immediate and very great success... middle notes of the voice, which have a peculiarly beautiful quality... approaching the timbre of the mezzo-soprano... the organ as a whole, though exceedingly sweet, is not very powerful, but the singer's method leaves nothing to desire, and her execution of brilliant passages is neat and accurate... [and although] no very striking amount of tragic power... charming and sincerely artistic".
Wagner's Lohengrin, April 11, 1891: "[as Elsa] a good deal of success... very great charm of her voice". Indeed, Hatton was to claim in 1931 that "The supreme personality is the one who can monopolise a part without any change ever being called for or desired -- such as ... Emma Eames as Elsa".
Massenet's Werther, 1894: "Mme. Emma Eames sings and acts most charmingly as Charlotte ... the beautiful quality of the singer's lower notes.. her performance was entirely successful".
Her voice and recordings
During her prime, Eames possessed an opulently beautiful, aristocratic and expertly trained soprano voice. It began as a purely lyric instrument but increased in size over time, enabling her to sing parts as heavy as Aida, Sieglinde, Santuzza and Tosca in large auditoriums. Music critics occasionally took her to task, however, for the coldness of her interpretations and aloof stage manner.Eames was reportedly unhappy with the way that she sounded on the series of commercial 78-rpm recordings she made in 1905-1911 for the Victor Talking Machine Company
Victor Talking Machine Company
The Victor Talking Machine Company was an American corporation, the leading American producer of phonographs and phonograph records and one of the leading phonograph companies in the world at the time. It was headquartered in Camden, New Jersey....
. In 1939, however, she appeared on an American radio broadcast and selected some of her better recordings to play to listeners, speaking with little modesty about their merits. Eames' voice was also captured 'live' during an actual performance at the Met in 1903, on some primitive recordings which have become known as the Mapleson Cylinders
Mapleson Cylinders
The Mapleson Cylinders are a group of more than 100 phonograph cylinders recorded live at the Metropolitan Opera, primarily in the years 1901–1903, by the Met librarian Lionel Mapleson ....
. She sings (impressively) fragments of Tosca on these cylinders. They can be heard in the form of re-engineered digital transfers, together with all the recordings that she cut for Victor, on a Romophone CD release (catalogue number 81001-2).
In addition to Tosca and Romeo et Juliette, Eames' repertoire featured a comparatively small but stylistically diverse group of operas, ranging from works composed by Mozart, through Verdi and Wagner, to Mascagni. They included, among others, Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
, Otello
Otello
Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....
, Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
, Un ballo in maschera
Un ballo in maschera
Un ballo in maschera , is an opera in three acts by Giuseppe Verdi with text by Antonio Somma. The libretto is loosely based on an 1833 play, Gustave III, by French playwright Eugène Scribe who wrote about the historical assassination of King Gustav III of Sweden...
, Lohengrin
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
, Die Meistersinger, Die Walküre
Die Walküre
Die Walküre , WWV 86B, is the second of the four operas that form the cycle Der Ring des Nibelungen , by Richard Wagner...
, Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, Werther
Werther
Werther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe....
, Cavalleria rusticana
Cavalleria rusticana
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from a play written by Giovanni Verga based on his short story. Considered one of the classic verismo operas, it premiered on May 17, 1890 at the Teatro...
, The Magic Flute
The Magic Flute
The Magic Flute is an opera in two acts composed in 1791 by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue....
, Le nozze di Figaro and Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
.
Personal life
Eames was a proud, handsome woman who grew stout with age. She married twice, firstly to a society painter named Julian Story, and then to the famous concert baritone Emilio de GogorzaEmilio de Gogorza
Emilio Eduardo de Gogorza was an American baritone of Spanish parentage.He was born in Brooklyn, New York, but brought up and trained musically in Spain. He returned to the USA in his early 20s. He sang in many languages, including French, Italian and English, as well as Spanish...
, with whom she made some records of duets. Both marriages ended in divorce and bitterness. She had no children, but in her autobiography admitted that she was once pressured into undergoing a certain "medical procedure
Abortion
Abortion is defined as the termination of pregnancy by the removal or expulsion from the uterus of a fetus or embryo prior to viability. An abortion can occur spontaneously, in which case it is usually called a miscarriage, or it can be purposely induced...
" to terminate a pregnancy.
Paris was Eames' main place of residence during the 1920s and early '30s. She moved to New York City in 1936, where she gave vocal tuition. She became fond, too, of attending Broadway
Broadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
shows for relaxation. Eames died in 1952, after a protracted illness, aged 86. She is buried in Oak Grove Cemetery in Bath, Maine. Her niece, Clare Eames, was the first wife of the noted playwright and Academy Award-winning screenwriter Sidney Howard
Sidney Howard
Sidney Coe Howard was an American playwright and screenwriter. He received the Pulitzer Prize for Drama in 1925 and a posthumous Academy Award in 1940 for the screenplay for Gone with the Wind.-Early life:...
.