Concerto for Flute, Harp, and Orchestra (Mozart)
Encyclopedia
The Concerto for Flute, Harp, and Orchestra in C major, K. 299 is a piece by Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...

 for flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...

, harp
Harp
The harp is a multi-stringed instrument which has the plane of its strings positioned perpendicularly to the soundboard. Organologically, it is in the general category of chordophones and has its own sub category . All harps have a neck, resonator and strings...

, and orchestra
Orchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...

. It is one of only two true double concerto
Concerto
A concerto is a musical work usually composed in three parts or movements, in which one solo instrument is accompanied by an orchestra.The etymology is uncertain, but the word seems to have originated from the conjunction of the two Latin words...

s that he wrote, as well as the only piece of music that Mozart wrote that contains the harp. The piece is one of the most popular such concerti in the repertoire, as well as often being found on recordings dedicated otherwise to either one of its featured instruments.

History

The concerto was written in April 1778 by Mozart during his sojourn to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 for the Court of Guînes
Guînes
Guînes is a commune in the Pas-de-Calais department in northern France.-Geography:Guînes is located on the border of the two territories of the Boulonnais and Calaisis, at the edge of the now-drained marshes, which extend from here to the coast. The Guînes canal connects with...

. It was commissioned (although never paid for) from Mozart, by the flautist
Flautist
A flautist or flutist is a musician who plays an instrument in the flute family. See List of flautists.The choice of "flautist" versus "flutist" is the source of dispute among players of the instrument...

 Duke of Guînes, Adrien-Louis de Bonnières
Adrien-Louis de Bonnières, duc de Guînes
Adrien-Louis de Bonnières, comte then duc de Guînes was a French nobleman at the court of Louis XVI and Marie Antoinette, whose favourite he was...

, and his harpist daughter who was taking composition lessons from the composer.

In the classical period
Classical period (music)
The dates of the Classical Period in Western music are generally accepted as being between about 1750 and 1830. However, the term classical music is used colloquially to describe a variety of Western musical styles from the ninth century to the present, and especially from the sixteenth or...

, the harp was still in development, and was not considered a standard orchestral instrument. It was regarded more as a plucked piano. Therefore, harp and flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...

 was considered an extremely unusual combination. Currently, there is much more repertoire for a flute and harp duo, especially without orchestra. Much of this repertoire was written by composers in the nineteenth century.

Mozart composed the concerto with the audience in mind. The piece is essentially in the form of a Sinfonia Concertante
Sinfonia concertante
Sinfonia concertante is a musical form that emerged during the Classical period of Western music. It is essentially a mixture of the symphony and the concerto genres: a concerto in that one or more soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a...

, which was extremely popular in Paris at the time. Today, the concerto is often played in chamber ensembles, because it is technically challenging for both instrumentalists. It is also often played in orchestras to display the talents of harpists.

The harp part appears to be more like an adaptation of a piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...

 piece than an original harp part; this is especially evident in the patterns of five and ten notes throughout all three movements
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession...

 which would not fall under the fingers as easily for a harpist, as the fifth fingers are typically not used, though they were considered part of early harp technique. There are no full, rich glissandi
Glissando
In music, a glissando is a glide from one pitch to another. It is an Italianized musical term derived from the French glisser, to glide. In some contexts it is distinguished from the continuous portamento...

, and although there is counterpoint
Counterpoint
In music, counterpoint is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent . It has been most commonly identified in classical music, developing strongly during the Renaissance and in much of the common practice period,...

 in the harp part, it does not typically include lush chords. Mozart did not include any cadenza
Cadenza
In music, a cadenza is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing for virtuosic display....

s of his own, as is normal for his compositions. Alfred Einstein claims that Mozart's cadenzas for this work were lost. A few popular cadenzas are often performed, such as the one by Carl Reinecke
Carl Reinecke
Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist.-Biography:Reinecke was born in Altona, Hamburg, Germany; until 1864 the town was under Danish rule. He studied with his father, Johann Peter Rudolph Reinecke, a music teacher...

, but many harpists also choose to write their own cadenzas.

Form and movements

The soloists in the piece will sometimes play with the orchestra, and at other times perform as a duo while the orchestra is resting. The flute and harp alternate having the melody and accompanying lines. In some passages, they also create counterpoint with just each other. Mozart concertos are standard in how they move harmonically, as well as that they adhere to the three-movement form of fast–slow–fast:

I. Allegro
The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form
Sonata form
Sonata form is a large-scale musical structure used widely since the middle of the 18th century . While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement...

. The soli then re-work the already present themes.

II. Andantino
The short phrases in this movement are introduced by the strings, and become lyrically extended. This further develops into variations on the theme. The cadenza in this movement leads to a coda
Coda (music)
Coda is a term used in music in a number of different senses, primarily to designate a passage that brings a piece to an end. Technically, it is an expanded cadence...

, where the orchestra and soli focus on the lyrical theme.

III. Rondeau
Rondo
Rondo, and its French equivalent rondeau, is a word that has been used in music in a number of ways, most often in reference to a musical form, but also to a character-type that is distinct from the form...

 – Allegro
The harmonic form is: A–B–C–D–C–B–{cadenza}–A(coda). Some music theorists feel that this is actually more of an arch than a typical rondo form, because music from the A section is still audible in the C and D sections.

Editions and recordings

In addition to the numerous cadenzas performers have to choose from, multiple editions of this piece also exist. One such example is by the famous harpist, arranger, and composer Carlos Salzedo
Carlos Salzedo
Carlos Salzedo , was a harpist, composer and conductor, born in Arcachon, France, who was one of the musical elite of his time.-France:...

. He edits fingerings in the first movement, re-writes trills to make the music easier on the performer in the second movement, and divides most of the right hand part between two hands in the third movement.

Many recordings of this piece are available. James Galway
James Galway
- External links : IMGArtists.com 15 September 2008. AllAboutJazz.com 5 August 2008.*...

 is a famous flautist who has performed and recorded this piece multiple times. He has worked with harpists such as: Fritz Helmis, Marisa Robles
Marisa Robles
Marisa Robles is a Spanish harpist.She was born in Spain, where she studied the harp with Luisa Menarguez, and studied music at the Madrid Conservatory, graduating at the age of sixteen in 1953...

, and Ann Hobson Pilot
Ann Hobson Pilot
.Ann Hobson Pilot is the Former Principal Harpist of the Boston Symphony Orchestra and the Boston Pops. She joined the BSO in 1969 as Assistant Principal Harp and Principal Harp of the Boston Pops. She was named Principal Harpist of the BSO in 1980. Prior to joining the BSO in 1969, she was the...

.
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