Bookplate
Encyclopedia
A bookplate, also known as ex-librīs [ Latin
, "from the books of..."], is usually a small print or decorative label pasted into a book, often on the inside front cover, to indicate its owner. Simple typographical bookplates are termed "booklabels".
Bookplates typically bear a name
, motto
, device
, coat-of-arms, crest
, badge
, or any motif that relates to the owner of the book, or is requested by him from the artist or designer. The name of the owner usually follows an inscription such as "from the books of . . . " or "from the library of . . . ", or in Latin, ex libris .... Bookplates are important evidence for the provenance
of books.
In the United States, bookplates replaced book rhyme
s after the 19th century.
However, in their modern form, they evolved from simple inscriptions in books which were common in Europe in the Middle Ages, when various other forms of "librarianship" became widespread (such as the use of class-marks, call-numbers, or shelfmarks). The earliest known examples of printed bookplates are German, and date from the 15th century. One of the best known is a small hand-coloured woodcut representing a shield of arms supported by an angel, which was pasted into books presented to the Carthusian
monastery of Buxheim by Brother Hildebrand Brandenburg of Biberach
, about the year 1480—the date being fixed by that of the recorded gift. The woodcut, in imitation of similar devices in old manuscripts, is hand-painted. An example of this bookplate can be found in the Farber Archives of Brandeis University
. In France the most ancient ex-libris as yet discovered is that of one Jean Bertaud de la Tour-Blanche, the date of which is 1529. Holland comes next with the plate of Anna van der Aa, in 1597; then Italy with one attributed to the year 1622. The earliest known American example is the plain printed label of John Williams, 1679.
A sketch of the history of the bookplate, as a symbolical and decorative print used to mark ownership of books, begins in Germany. The earliest examples known are German, but also they are found in great numbers long before the fashion spread to other countries, and are often of the highest artistic interest. Albrecht Dürer
is known to have engraved at least six plates (some quite large) between 1503 and 1516, and to have supplied designs for several others. Notable plates are ascribed to Lucas Cranach and to Hans Holbein
, and to the so-called Little Masters
, (Masters of the small format - the Behams, Virgil Solis
, Matthias Zundt
, Jost Amman
, Saldorfer, Georg Hupschmann and others. The influence of these draughtsmen over the decorative styles of Germany has been felt through subsequent centuries down to the present day, notwithstanding the invasion of successive Italian and French fashions during the 17th and 18th centuries, and the marked effort at originality of composition observable among modern designers. The ornate and elaborate German style does not seem to have affected neighbouring countries; but as it was undoubtedly from Germany that the fashion for ornamental bookplates spread, the history of German ex-libris remains of great interest to all those who are interested in their development.
It was not before the 17th century that printed ex-libris became common in France. Up to that time, the more luxurious habit of blind- or gold-stamping the book's binding with a personal device had been more widespread: the supralibros
. From the middle of the century, however, the ex-libris proper became quite popular; examples of that period are numerous, and, as a rule, very handsome. It may be here pointed out that the term "ex-libris," used as a substantive
(Bucheignerzeichen in German, and sometimes written "Exlibris" in one word) found its origin in France.
, does not fall in the category of bookplates in its modern sense. The next is that of Sir Thomas Tresham, dated 1585. Until the last quarter of the 17th century the number of authentic English plates is very limited. Their composition is always remarkably simple, and displays nothing of the German elaborateness. They are as a rule very plainly armorial, and the decoration is usually limited to a symmetrical arrangement of mantling, with an occasional display of palms or wreaths. Soon after the Restoration, however, a bookplate seems to have suddenly become an established accessory to most well-ordered libraries.
The first recorded use of the phrase book plate was in 1791 by John Ireland in Hogarth Illustrated. Bookplates of that period offer very distinctive characteristics. In the simplicity of their heraldic arrangements they recall those of the previous age; but their physiognomy is totally different. In the first place, they invariably display the tincture lines and dots
, after the method originally devised in the middle of the century by Petra Sancta, the author of Tesserae Genlilitiae, which by this time had become adopted throughout Europe. In the second, the mantling assumes a much more elaborate appearance—one that irresistibly recalls that of the periwig of the period surrounding the face of the shield. This style was undoubtedly imported from France, but it assumed a character of its own in England.
As a matter of fact, from then until the dawn of the French Revolution
, English modes of decoration in bookplates, as in most other chattels, follow at some years' distance the ruling French taste. The main characteristics of the style which prevailed during the Queen Anne
and early Georgian periods are: ornamental frames suggestive of carved oak, a frequent use of fish-scales, trellis
or diapered patterns, for the decoration of plain surfaces; and, in the armorial display, a marked reduction in the importance of the mantling. The introduction of the scallop-shell as an almost constant element of ornamentation gives already a foretaste of the Rocaille-Coquille, the so-called Chippendale fashions of the next reign. As a matter of fact, during the middle third of the century this rococo
style (of which the Convers plate gives a typical sample) affects the bookplate as universally as all other decorative objects. Its chief element is a fanciful arrangement of scroll and shell work with curveting acanthus-like sprays — an arrangement which in the examples of the best period is generally made asymmetrical in order to give freer scope for a variety of countercurves. Straight or concentric lines and all appearances of flat surface are studiously avoided; the helmet and its symmetrical mantling tends to disappear, and is replaced by the plain crest on a fillet. The earlier examples of this manner are tolerably ponderous and simple. Later, however, the composition becomes exceedingly light and complicated; every conceivable and often incongruous element of decoration is introduced, from cupids to dragons, from flowerets to Chinese pagodas. During the early part of George III.'s reign there is a return to greater sobriety of ornamentation, and a style more truly national, which may be called the urn style, makes its appearance. Bookplates of this period have invariably a physiognomy which at once recalls the decorative manner made popular by architects and designers such as Chambers, the Adams, Josiah Wedgwood, Hepplewhite and Sheraton. The shield shows a plain spade-like outline, manifestly based upon that of the pseudo-classic urn
then very alive. The ornamental accessories are symmetrical palms and sprays, wreaths and ribands. The architectural boss is also an important factor. In many plates, indeed, the shield of arms takes quite a subsidiary position by the side of the predominantly architectural urn.
From the beginning of the 19th century, no special style of decoration seems to have established itself. The immense majority of examples display a plain shield of arms with motto on a scroll, and crest on a fillet. At the turn of the 20th century, however, a rapid impetus appears to have been given to the designing of ex-libris; a new era, in fact, had begun for the bookplate, one of great interest.
The main styles of decoration (and these, other data being absent, must always in the case of old examples remain the criteria to date) have already been noticed. It is, however, necessary to point out that certain styles of composition were also prevalent at certain periods. Although the majority of the older plates were armorial, there were always pictorial examples as well, and these are the quasi-totality of modern ones.
Of this kind the best-defined English genre
may be recalled: the library interior—a term which explains itself—and book-piles, exemplified by the ex-libris of W. Hewer, Samuel Pepys
's secretary. We have also many portrait-plates, of which, perhaps, the most notable are those of Samuel Pepys himself and of John Gibbs, the architect; allegories, such as were engraved by Hogarth, Bartolozzi, John Pine and George Vertue; landscape-plates, by wood-engravers of the Bewick school, &c. In most of these the armorial element plays but a secondary part.
or symbolic to assert itself more strongly.
Among early 20th-century English artists who have more specially paid attention to the devising of bookplates, may be mentioned C. W. Sherborn, G. W. Eve, Robert Anning Bell
, J. D. Batten, Erat Harrison, J. Forbes Nixon, Charles Ricketts
, John Vinycomb, John Leighton and Warrington Hogg and Frank C. Papé
. The development in various directions of process work, by facilitating and cheapening the reproduction of beautiful and elaborate designs, has no doubt helped much to popularize the bookplate — a thing which in older days was almost invariably restricted to ancestral libraries or to collections otherwise important. Thus the great majority of plates of the period 1880-1920 plates were reproduced by process. Some artists continued to work with the graver. Some of the work they produce challenges comparison with the finest productions of bygone engravers. Of these the best-known are C. W. Sherborn (see Plate) and G. W. Eve in England, and in America J. W. Spenceley of Boston, Mass., K. W. F. Hopson of New Haven, Conn., and E. D. French
of New York City.
The study of and the taste for collecting bookplates hardly date farther back than the year 1860. The first real impetus was given by the appearance of A Guide to the Study of Book-Plates (Ex-Libris), by Lord de Tabley (then the Hon. J. Leicester Warren M.A.) in 1880 (published in London by John Pearson of 46 Pall Mall). This work, highly interesting from many points of view, established what is now accepted as the general classification of styles of British ex-libris: early armorial (i.e., previous to Restoration, exemplified by the Nicholas Bacon plate); Jacobean, a somewhat misleading term, but distinctly understood to include the heavy decorative manner of the Restoration, Queen Anne and early Georgian days (the Lansanor plate is Jacobean); Chippendale (the style above described as rococo, tolerably well represented by the French plate of Convers); wreath and ribbon, belonging to the period described as that of the urn, &c. Since then the literature on the subject has grown considerably.
Societies of collectors were founded, first in England in 1891, then in Germany and France, and later in the United States, most of them issuing a journal or archives: The Journal of the Ex-libris Society (London), the Archives de la Société française de collectionneurs d'ex-libris (Paris), both of these monthlies; the Ex-libris Zeitschrift (Berlin), a quarterly.
In 1901-1903 the British Museum published the catalog of the 35,000 bookplates collected by Sir Augustus Wollaston Franks (1826–97).
Bookplates, of which there are probably far more than a million extant examples worldwide, have become objects of collection. One of the first known English collectors was a Miss Maria Jenkins of Clifton, Bristol, who was active in the field during the second quarter of the 19th century. Her bookplates were later incorporated into the collection of Joseph Jackson Howard
.
Some collectors attempt to acquire plates of all kinds (for example, the collection of Irene Dwen Andrews Pace, now at Yale University, comprising 250,000 items). Other collectors prefer to concentrate on bookplates in special fields—for example, coats of arms, pictures of ships, erotic plates, chess pieces, legal symbols, scientific instruments, signed plates, proof-plates, dated plates, plates of celebrities, or designs by certain artists.
More than 50 "national" societies of ex-libris collectors exist, grouped into an International Federation of Ex-libris Societies (FISAE) which organizes worldwide congresses every two years.
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
, "from the books of..."], is usually a small print or decorative label pasted into a book, often on the inside front cover, to indicate its owner. Simple typographical bookplates are termed "booklabels".
Bookplates typically bear a name
Name
A name is a word or term used for identification. Names can identify a class or category of things, or a single thing, either uniquely, or within a given context. A personal name identifies a specific unique and identifiable individual person, and may or may not include a middle name...
, motto
Motto
A motto is a phrase meant to formally summarize the general motivation or intention of a social group or organization. A motto may be in any language, but Latin is the most used. The local language is usual in the mottoes of governments...
, device
Coat of arms
A coat of arms is a unique heraldic design on a shield or escutcheon or on a surcoat or tabard used to cover and protect armour and to identify the wearer. Thus the term is often stated as "coat-armour", because it was anciently displayed on the front of a coat of cloth...
, coat-of-arms, crest
Crest (heraldry)
A crest is a component of an heraldic display, so called because it stands on top of a helmet, as the crest of a jay stands on the bird's head....
, badge
Badge
A badge is a device or fashion accessory, often containing the insignia of an organization, which is presented or displayed to indicate some feat of service, a special accomplishment, a symbol of authority granted by taking an oath , a sign of legitimate employment or student status, or as a simple...
, or any motif that relates to the owner of the book, or is requested by him from the artist or designer. The name of the owner usually follows an inscription such as "from the books of . . . " or "from the library of . . . ", or in Latin, ex libris .... Bookplates are important evidence for the provenance
Provenance
Provenance, from the French provenir, "to come from", refers to the chronology of the ownership or location of an historical object. The term was originally mostly used for works of art, but is now used in similar senses in a wide range of fields, including science and computing...
of books.
In the United States, bookplates replaced book rhyme
Book rhyme
A book rhyme is a short poem or rhyme that was formerly printed inside the front of a book or on the flyleaf to discourage theft or to indicate ownership....
s after the 19th century.
Early examples
The earliest known marks of ownership of books or documents date from the reign of Amenophis III in Egypt (1391–1353 BCE).However, in their modern form, they evolved from simple inscriptions in books which were common in Europe in the Middle Ages, when various other forms of "librarianship" became widespread (such as the use of class-marks, call-numbers, or shelfmarks). The earliest known examples of printed bookplates are German, and date from the 15th century. One of the best known is a small hand-coloured woodcut representing a shield of arms supported by an angel, which was pasted into books presented to the Carthusian
Carthusian
The Carthusian Order, also called the Order of St. Bruno, is a Roman Catholic religious order of enclosed monastics. The order was founded by Saint Bruno of Cologne in 1084 and includes both monks and nuns...
monastery of Buxheim by Brother Hildebrand Brandenburg of Biberach
Biberach an der Riß
Biberach is a town in the south of Germany. It is the capital of Biberach district, in the Upper Swabia region of the German state of Baden-Württemberg...
, about the year 1480—the date being fixed by that of the recorded gift. The woodcut, in imitation of similar devices in old manuscripts, is hand-painted. An example of this bookplate can be found in the Farber Archives of Brandeis University
Brandeis University
Brandeis University is an American private research university with a liberal arts focus. It is located in the southwestern corner of Waltham, Massachusetts, nine miles west of Boston. The University has an enrollment of approximately 3,200 undergraduate and 2,100 graduate students. In 2011, it...
. In France the most ancient ex-libris as yet discovered is that of one Jean Bertaud de la Tour-Blanche, the date of which is 1529. Holland comes next with the plate of Anna van der Aa, in 1597; then Italy with one attributed to the year 1622. The earliest known American example is the plain printed label of John Williams, 1679.
A sketch of the history of the bookplate, as a symbolical and decorative print used to mark ownership of books, begins in Germany. The earliest examples known are German, but also they are found in great numbers long before the fashion spread to other countries, and are often of the highest artistic interest. Albrecht Dürer
Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since...
is known to have engraved at least six plates (some quite large) between 1503 and 1516, and to have supplied designs for several others. Notable plates are ascribed to Lucas Cranach and to Hans Holbein
Hans Holbein the Younger
Hans Holbein the Younger was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history...
, and to the so-called Little Masters
Little Masters
The Little Masters , were a group of German printmakers who worked in the first half of the 16th century, primarily in engraving. They specialized in very small finely detailed prints, some no larger than a postage stamp...
, (Masters of the small format - the Behams, Virgil Solis
Virgil Solis
Virgil Solis or Virgilius Solis , a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in Nuremberg. His prints were sold separately or formed the illustrations of books; many prints signed by him are probably by assistants...
, Matthias Zundt
Matthias Zündt
Matthias Zündt was a German engraver, born at Nuremberg. He worked with both the graver and point, and produced portraits, Scripture subjects, allegories, and crests. Brulliot mentions an etching with a mark supposed to be his; it represents a Vase with figures of Tritons, standing on sea-horses'...
, Jost Amman
Jost Amman
Jost Amman was a Swiss artist, celebrated chiefly for his woodcuts, done mainly for book illustrations....
, Saldorfer, Georg Hupschmann and others. The influence of these draughtsmen over the decorative styles of Germany has been felt through subsequent centuries down to the present day, notwithstanding the invasion of successive Italian and French fashions during the 17th and 18th centuries, and the marked effort at originality of composition observable among modern designers. The ornate and elaborate German style does not seem to have affected neighbouring countries; but as it was undoubtedly from Germany that the fashion for ornamental bookplates spread, the history of German ex-libris remains of great interest to all those who are interested in their development.
It was not before the 17th century that printed ex-libris became common in France. Up to that time, the more luxurious habit of blind- or gold-stamping the book's binding with a personal device had been more widespread: the supralibros
Supralibros
A supralibros is a coat of arms or monogramme indicating the ownership of a book...
. From the middle of the century, however, the ex-libris proper became quite popular; examples of that period are numerous, and, as a rule, very handsome. It may be here pointed out that the term "ex-libris," used as a substantive
Noun
In linguistics, a noun is a member of a large, open lexical category whose members can occur as the main word in the subject of a clause, the object of a verb, or the object of a preposition .Lexical categories are defined in terms of how their members combine with other kinds of...
(Bucheignerzeichen in German, and sometimes written "Exlibris" in one word) found its origin in France.
England
In many ways the consideration of the English bookplate, in its numerous styles, from the late Elizabethan to the late Victorian period, is particularly interesting. In all its varieties it reflects with great fidelity the prevailing taste in decorative art at different epochs - as bookplates do in all countries. Of English examples, none thus far seems to have been discovered of older date than the gift plate of Sir Nicholas Bacon; for the celebrated, gorgeous, hand-painted armorial device attached to a folio that once belonged to Henry VIII, and now is located in the King's library, British MuseumBritish Museum
The British Museum is a museum of human history and culture in London. Its collections, which number more than seven million objects, are amongst the largest and most comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture from its...
, does not fall in the category of bookplates in its modern sense. The next is that of Sir Thomas Tresham, dated 1585. Until the last quarter of the 17th century the number of authentic English plates is very limited. Their composition is always remarkably simple, and displays nothing of the German elaborateness. They are as a rule very plainly armorial, and the decoration is usually limited to a symmetrical arrangement of mantling, with an occasional display of palms or wreaths. Soon after the Restoration, however, a bookplate seems to have suddenly become an established accessory to most well-ordered libraries.
The first recorded use of the phrase book plate was in 1791 by John Ireland in Hogarth Illustrated. Bookplates of that period offer very distinctive characteristics. In the simplicity of their heraldic arrangements they recall those of the previous age; but their physiognomy is totally different. In the first place, they invariably display the tincture lines and dots
Hatching system
The system of heraldry has two main methods to designate the tinctures of arms in uncolored illustrations: hatching and tricking. Hatching, i.e. patterns of lines and dots, is the most common method to designate colours on uncoloured surfaces, like engravings, seals and coins.The present day...
, after the method originally devised in the middle of the century by Petra Sancta, the author of Tesserae Genlilitiae, which by this time had become adopted throughout Europe. In the second, the mantling assumes a much more elaborate appearance—one that irresistibly recalls that of the periwig of the period surrounding the face of the shield. This style was undoubtedly imported from France, but it assumed a character of its own in England.
As a matter of fact, from then until the dawn of the French Revolution
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
, English modes of decoration in bookplates, as in most other chattels, follow at some years' distance the ruling French taste. The main characteristics of the style which prevailed during the Queen Anne
Anne of Great Britain
Anne ascended the thrones of England, Scotland and Ireland on 8 March 1702. On 1 May 1707, under the Act of Union, two of her realms, England and Scotland, were united as a single sovereign state, the Kingdom of Great Britain.Anne's Catholic father, James II and VII, was deposed during the...
and early Georgian periods are: ornamental frames suggestive of carved oak, a frequent use of fish-scales, trellis
Trellis
Trellis may refer to:* Trellis Drainage System* Trellis , an architectural structure often used to support plants* Trellis , a special kind of graph, often used in coding...
or diapered patterns, for the decoration of plain surfaces; and, in the armorial display, a marked reduction in the importance of the mantling. The introduction of the scallop-shell as an almost constant element of ornamentation gives already a foretaste of the Rocaille-Coquille, the so-called Chippendale fashions of the next reign. As a matter of fact, during the middle third of the century this rococo
Rococo
Rococo , also referred to as "Late Baroque", is an 18th-century style which developed as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful...
style (of which the Convers plate gives a typical sample) affects the bookplate as universally as all other decorative objects. Its chief element is a fanciful arrangement of scroll and shell work with curveting acanthus-like sprays — an arrangement which in the examples of the best period is generally made asymmetrical in order to give freer scope for a variety of countercurves. Straight or concentric lines and all appearances of flat surface are studiously avoided; the helmet and its symmetrical mantling tends to disappear, and is replaced by the plain crest on a fillet. The earlier examples of this manner are tolerably ponderous and simple. Later, however, the composition becomes exceedingly light and complicated; every conceivable and often incongruous element of decoration is introduced, from cupids to dragons, from flowerets to Chinese pagodas. During the early part of George III.'s reign there is a return to greater sobriety of ornamentation, and a style more truly national, which may be called the urn style, makes its appearance. Bookplates of this period have invariably a physiognomy which at once recalls the decorative manner made popular by architects and designers such as Chambers, the Adams, Josiah Wedgwood, Hepplewhite and Sheraton. The shield shows a plain spade-like outline, manifestly based upon that of the pseudo-classic urn
Urn
An urn is a vase, ordinarily covered, that usually has a narrowed neck above a footed pedestal. "Knife urns" placed on pedestals flanking a dining-room sideboard were an English innovation for high-style dining rooms of the late 1760s...
then very alive. The ornamental accessories are symmetrical palms and sprays, wreaths and ribands. The architectural boss is also an important factor. In many plates, indeed, the shield of arms takes quite a subsidiary position by the side of the predominantly architectural urn.
From the beginning of the 19th century, no special style of decoration seems to have established itself. The immense majority of examples display a plain shield of arms with motto on a scroll, and crest on a fillet. At the turn of the 20th century, however, a rapid impetus appears to have been given to the designing of ex-libris; a new era, in fact, had begun for the bookplate, one of great interest.
The main styles of decoration (and these, other data being absent, must always in the case of old examples remain the criteria to date) have already been noticed. It is, however, necessary to point out that certain styles of composition were also prevalent at certain periods. Although the majority of the older plates were armorial, there were always pictorial examples as well, and these are the quasi-totality of modern ones.
Of this kind the best-defined English genre
Genre
Genre , Greek: genos, γένος) is the term for any category of literature or other forms of art or culture, e.g. music, and in general, any type of discourse, whether written or spoken, audial or visual, based on some set of stylistic criteria. Genres are formed by conventions that change over time...
may be recalled: the library interior—a term which explains itself—and book-piles, exemplified by the ex-libris of W. Hewer, Samuel Pepys
Samuel Pepys
Samuel Pepys FRS, MP, JP, was an English naval administrator and Member of Parliament who is now most famous for the diary he kept for a decade while still a relatively young man...
's secretary. We have also many portrait-plates, of which, perhaps, the most notable are those of Samuel Pepys himself and of John Gibbs, the architect; allegories, such as were engraved by Hogarth, Bartolozzi, John Pine and George Vertue; landscape-plates, by wood-engravers of the Bewick school, &c. In most of these the armorial element plays but a secondary part.
Art
Until the advent of bookplate collectors and their frenzy for exchange, the devising of bookplates was almost invariably left to the routine skill of the heraldic-stationery salesman. Near the turn of the 20th century, the composition of personal book tokens became recognized as a minor branch of a higher art, and there has come into fashion an entirely new class of designs which, for all their wonderful variety, bear as unmistakable a character as that of the most definite styles of bygone days. Broadly speaking, it may be said that the purely heraldic element tends to become subsidiary and the allegoricalAllegory
Allegory is a demonstrative form of representation explaining meaning other than the words that are spoken. Allegory communicates its message by means of symbolic figures, actions or symbolic representation...
or symbolic to assert itself more strongly.
Among early 20th-century English artists who have more specially paid attention to the devising of bookplates, may be mentioned C. W. Sherborn, G. W. Eve, Robert Anning Bell
Robert Anning Bell
Robert Anning Bell was an English artist and designer.He was born in London in 1863, the son of Robert George Bell, a cheesemonger, and Mary Charlotte Knight. He studied at University College School, the Westminster College of Art and the Royal Academy Schools, followed by a time in Paris. On...
, J. D. Batten, Erat Harrison, J. Forbes Nixon, Charles Ricketts
Charles Ricketts
Charles de Sousy Ricketts was a versatile English artist, illustrator, author and printer, and is best known for his work as book designer and typographer from 1896 to 1904 with the Vale Press, and his work in the theatre as a set and costume designer.-Life and career:Ricketts was born in Geneva...
, John Vinycomb, John Leighton and Warrington Hogg and Frank C. Papé
Frank C. Papé
Frank Cheyne Papé, who generally signed himself Frank C. Papé was an English artist and book illustrator....
. The development in various directions of process work, by facilitating and cheapening the reproduction of beautiful and elaborate designs, has no doubt helped much to popularize the bookplate — a thing which in older days was almost invariably restricted to ancestral libraries or to collections otherwise important. Thus the great majority of plates of the period 1880-1920 plates were reproduced by process. Some artists continued to work with the graver. Some of the work they produce challenges comparison with the finest productions of bygone engravers. Of these the best-known are C. W. Sherborn (see Plate) and G. W. Eve in England, and in America J. W. Spenceley of Boston, Mass., K. W. F. Hopson of New Haven, Conn., and E. D. French
Edwin Davis French
Edwin Davis French was a highly esteemed bookplate engraver, producing at least 330 beginning in 1893.Born in North Attleboro, Massachusetts, his artistic career had begun in 1869 with silver engraving for the Whiting Manufacturing Company. Later, he became a founding member and trustee of the...
of New York City.
Study and collection
Bookplates are very often of high interest (and of a value often far greater than the odd volume in which they are found affixed), either as specimens of bygone decorative fashion or as personal relics of well-known people. However the value attached to book plates, otherwise than as an object of purely personal interest, is comparatively modern.The study of and the taste for collecting bookplates hardly date farther back than the year 1860. The first real impetus was given by the appearance of A Guide to the Study of Book-Plates (Ex-Libris), by Lord de Tabley (then the Hon. J. Leicester Warren M.A.) in 1880 (published in London by John Pearson of 46 Pall Mall). This work, highly interesting from many points of view, established what is now accepted as the general classification of styles of British ex-libris: early armorial (i.e., previous to Restoration, exemplified by the Nicholas Bacon plate); Jacobean, a somewhat misleading term, but distinctly understood to include the heavy decorative manner of the Restoration, Queen Anne and early Georgian days (the Lansanor plate is Jacobean); Chippendale (the style above described as rococo, tolerably well represented by the French plate of Convers); wreath and ribbon, belonging to the period described as that of the urn, &c. Since then the literature on the subject has grown considerably.
Societies of collectors were founded, first in England in 1891, then in Germany and France, and later in the United States, most of them issuing a journal or archives: The Journal of the Ex-libris Society (London), the Archives de la Société française de collectionneurs d'ex-libris (Paris), both of these monthlies; the Ex-libris Zeitschrift (Berlin), a quarterly.
In 1901-1903 the British Museum published the catalog of the 35,000 bookplates collected by Sir Augustus Wollaston Franks (1826–97).
Bookplates, of which there are probably far more than a million extant examples worldwide, have become objects of collection. One of the first known English collectors was a Miss Maria Jenkins of Clifton, Bristol, who was active in the field during the second quarter of the 19th century. Her bookplates were later incorporated into the collection of Joseph Jackson Howard
Joseph Jackson Howard
Joseph Jackson Howard was an English genealogist.The only son of Peter Howard of Clifton Cottage, Portland Place, Leamington, he was educated at Trinity Hall, Cambridge. He entered Lincoln's Inn in 1847 and was called to the bar in 1856...
.
Some collectors attempt to acquire plates of all kinds (for example, the collection of Irene Dwen Andrews Pace, now at Yale University, comprising 250,000 items). Other collectors prefer to concentrate on bookplates in special fields—for example, coats of arms, pictures of ships, erotic plates, chess pieces, legal symbols, scientific instruments, signed plates, proof-plates, dated plates, plates of celebrities, or designs by certain artists.
Contemporary bookplates and their collection
Since the 1950s, there has been a renewed interest in the collection of bookplates and in many ways a reorientation of this interest. There are still substantial numbers of collectors for whom the study of bookplates spanning 500 years is a fascinating source of historical, artistic and socio-cultural interest. They have however been joined by a now dominant group of new collectors whose interest is more than anything the constitution - at quite reasonable cost - of a miniature, personalized art-print collection. In this miniature art museum, they gather together the works of their favorite artists. They commission numbered and signed editions of bookplates to their name which are never pasted into books but only serve for exchange purposes.More than 50 "national" societies of ex-libris collectors exist, grouped into an International Federation of Ex-libris Societies (FISAE) which organizes worldwide congresses every two years.
See also
- Lithograph
- Library classificationLibrary classificationA library classification is a system of coding and organizing documents or library materials according to their subject and allocating a call number to that information resource...
- RFID
- Irena SibleyIrena SibleyIrena Sibley , born Irena Justina Pauliukonis, was an Australian artist, writer, illustrator of children's books, and art teacher.-Personal life:...
– Contemporary Australian bookplate artist - Percy Neville BarnettPercy Neville BarnettPercy Neville Barnett was an Australian collector, connoisseur and authority of Australian Bookplates which are also known as ex-libris. Barnett is best known for his promotional role during the 1920s and 1930s when bookplates enjoyed a resurgence of interest in Australia, Europe and the United...
– Australia Bookplate Connoisseur
External links
- American Society of Bookplate Collectors & Designers
- Selected articles published by the American Society of Bookplate Collectors & Designers since 1922
- The Bookplate Society
- Emre Şengün Exlibris
- The Cyber Journal of Heraldic Bookplates
- Ex Libris/Bookplates Blog
- International Federation of Ex-libris Societies (FISAE)
- Bookplates, ex libris design and art, Historic and new bookplates, Berlin
- Deutsche Exlibris-Gesellschaft (in German)
- Ankara Ex-libris Society
- Artifex
- Ainslie Hewett Bookplate Collection, Margaret M. Bridwell Art Library, University of Louisville
- Hnizdovsky Ex Libris
- http://www.bookplatejunkie.blogspot.com(Bookplate Blog-Confessions Of A Bookplate Junkie)
- Brandeis University - World's Oldest Bookplate
- William Augustus Brewer Bookplate Collection, Morris Library, University of Delaware