William Hart (painter)
Encyclopedia
William Hart was a Scottish
-born American
landscape
and cattle painter
, and Hudson River School
artist. His younger brother, James McDougal Hart
, was also a Hudson River School artist, and the two painted similar subjects. He studied under Jules-Joseph Lefebvre.
, and was taken to America in early youth by his family. He was apprenticed to a carriage painter at Albany, New York
, and his first artistic experience was in decorating the panels of coaches with landscape
s. He also spent time as a portrait painter. He returned to Scotland, probably in the early or mid 1840s, where he studied for three years.
By the time he returned to America, Hart had shifted his energy to landscape painting. He exhibited his first work at the National Academy of Design
in 1848, became a full member in 1858, and continued to show his paintings there regularly through the mid 1870s. He also exhibited at the Brooklyn Art Association and at major exhibitions around the country. Hart was a member of the American Watercolor Society
, and was its president from 1870 to 1873.
Like most of the major American landscape artists of the time, Hart settled in New York City, where he opened a studio in the Tenth Street Studio building in 1858. His mature landscape style embraced the mannerism of the late Hudson River School by emphasizing light and atmosphere. He became particularly adept at depicting angled sunlight and foreground shadow; the best examples of this are: Seashore Morning (1866) in the Metropolitan Museum of Art
, New York; After the Storm (1860s) in the Museum of Fine Arts, Boston
; The Last Gleam (1865) in the High Museum of Art
in Atlanta, Georgia; Sunset in the Valley (1870) in a private collection, featured on pp. 82–83 of All That is Glorious Around Us: Paintings from the Hudson River School by John Driscoll; and A Quiet Nook (1885) in the Smithsonian American Art Museum
, Washington D.C.
As strong as Hart's technical abilities were, he is also known for his prolific and occasionally formulaic paintings of cows. Cattle were a popular motif in Hudson River School art, and nearly every artist included them in at least some of their landscapes as diminutive symbols of man's harmonious relationship with nature. Some artists, including William and James Hart along with Thomas Bigelow Craig
, made a specialty of cow portraits. These paintings, which were very popular with late-19th-century American collectors, typically featured several cattle grazing or watering in the foreground or middle distance with the landscape playing a supporting role as a bucolic backdrop.
The Albany Institute of History & Art
has in its collection over 400 sketches, water colors, and sketch books which were retained en masse from the artist's studio after his death, by the family of the subsequent donor. Since each piece is signed, dated, and annoted with the location of its subject, many previously unsigned and unattributed paintings are now being associated with the artist. The museum is preparing an exhibition of this material.
Hart died at Mount Vernon, New York
, on June 17, 1894. His daughter Jessie Hart White was the mother of E. B. White.
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
-born American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
landscape
Landscape art
Landscape art is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works landscape backgrounds for figures can still...
and cattle painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
, and Hudson River School
Hudson River school
The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism...
artist. His younger brother, James McDougal Hart
James McDougal Hart
James McDougal Hart , was a Scottish-born American landscape and cattle painter of the Hudson River School. His older brother, William Hart, was also a Hudson River School artist, and the two painted similar subjects....
, was also a Hudson River School artist, and the two painted similar subjects. He studied under Jules-Joseph Lefebvre.
Biography
Hart was born in Paisley, ScotlandScotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
, and was taken to America in early youth by his family. He was apprenticed to a carriage painter at Albany, New York
Albany, New York
Albany is the capital city of the U.S. state of New York, the seat of Albany County, and the central city of New York's Capital District. Roughly north of New York City, Albany sits on the west bank of the Hudson River, about south of its confluence with the Mohawk River...
, and his first artistic experience was in decorating the panels of coaches with landscape
Landscape art
Landscape art is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works landscape backgrounds for figures can still...
s. He also spent time as a portrait painter. He returned to Scotland, probably in the early or mid 1840s, where he studied for three years.
By the time he returned to America, Hart had shifted his energy to landscape painting. He exhibited his first work at the National Academy of Design
National Academy of Design
The National Academy Museum and School of Fine Arts, founded in New York City as the National Academy of Design – known simply as the "National Academy" – is an honorary association of American artists founded in 1825 by Samuel F. B. Morse, Asher B. Durand, Thomas Cole, Martin E...
in 1848, became a full member in 1858, and continued to show his paintings there regularly through the mid 1870s. He also exhibited at the Brooklyn Art Association and at major exhibitions around the country. Hart was a member of the American Watercolor Society
American Watercolor Society
The American Watercolor Society is a nonprofit membership organization devoted to the advancement of watercolor painting in the United States. It was founded in 1866 by eleven painters and, originally, was known as the American Society of Painters in Water Colors...
, and was its president from 1870 to 1873.
Like most of the major American landscape artists of the time, Hart settled in New York City, where he opened a studio in the Tenth Street Studio building in 1858. His mature landscape style embraced the mannerism of the late Hudson River School by emphasizing light and atmosphere. He became particularly adept at depicting angled sunlight and foreground shadow; the best examples of this are: Seashore Morning (1866) in the Metropolitan Museum of Art
Metropolitan Museum of Art
The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...
, New York; After the Storm (1860s) in the Museum of Fine Arts, Boston
Museum of Fine Arts, Boston
The Museum of Fine Arts in Boston, Massachusetts, is one of the largest museums in the United States, attracting over one million visitors a year. It contains over 450,000 works of art, making it one of the most comprehensive collections in the Americas...
; The Last Gleam (1865) in the High Museum of Art
High Museum of Art
The High Museum of Art , located in Atlanta, is the leading art museum in the Southeastern United States and one of the most-visited art museums in the world. Located on Peachtree Street in Midtown, the city's arts district, the High is a division of the Woodruff Arts Center.-History:The Museum was...
in Atlanta, Georgia; Sunset in the Valley (1870) in a private collection, featured on pp. 82–83 of All That is Glorious Around Us: Paintings from the Hudson River School by John Driscoll; and A Quiet Nook (1885) in the Smithsonian American Art Museum
Smithsonian American Art Museum
The Smithsonian American Art Museum is a museum in Washington, D.C. with an extensive collection of American art.Part of the Smithsonian Institution, the museum has a broad variety of American art that covers all regions and art movements found in the United States...
, Washington D.C.
As strong as Hart's technical abilities were, he is also known for his prolific and occasionally formulaic paintings of cows. Cattle were a popular motif in Hudson River School art, and nearly every artist included them in at least some of their landscapes as diminutive symbols of man's harmonious relationship with nature. Some artists, including William and James Hart along with Thomas Bigelow Craig
Thomas Bigelow Craig
Thomas Bigelow Craig was an American landscape painter from Philadelphia, Pennsylvania. He is known for his paintings depicting cows in summer environments. Craig's landscapes often featured meadows and streams...
, made a specialty of cow portraits. These paintings, which were very popular with late-19th-century American collectors, typically featured several cattle grazing or watering in the foreground or middle distance with the landscape playing a supporting role as a bucolic backdrop.
The Albany Institute of History & Art
Albany Institute of History & Art
The Albany Institute of History & Art is a museum in Albany, New York "dedicated to collecting, preserving, interpreting and promoting interest in the history, art, and culture of Albany and the Upper Hudson Valley region". The museum is located at 125 Washington Avenue in downtown Albany...
has in its collection over 400 sketches, water colors, and sketch books which were retained en masse from the artist's studio after his death, by the family of the subsequent donor. Since each piece is signed, dated, and annoted with the location of its subject, many previously unsigned and unattributed paintings are now being associated with the artist. The museum is preparing an exhibition of this material.
Hart died at Mount Vernon, New York
Mount Vernon, New York
Mount Vernon is a city in Westchester County, New York, United States. It lies on the border of the New York City borough of The Bronx.-Overview:...
, on June 17, 1894. His daughter Jessie Hart White was the mother of E. B. White.